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Lot 1001
A Minichamps 1/18 scale boxed Formula One Racing diecast gro9up to include a limited edition 1 of 900 pieces Benetton Renault Sport Jenson Button 2001 Showcar, together with a Jenson Button Benetton Renault Sport B201 Formula One race car, together with a Benetton Playlife B200 Jenson Button First Test Drive, Jerez, December 5th 2000 race car, all housed in the original window display boxes
Lot 1003
A Minichamps Pauls Model Art 1/18 scale Williams F1 limited edition boxed F1 race car group to include a Super Tec FW21 Ralf Schumacher 1999 race car, a First Edition Promotional 1999 Show Car Ralf Schumacher limited edition 1 of 333 released, together with a Williams F1 first edition promotional 1999 show car, Ralf Schumacher limited edition 1 of 323 pieces, all in original window boxes
Lot 7
Henry George Gawthorn (1897-1941) Over the Forth to the North lithographic poster, 1928, condition B+/A-, not backed, framedDimensions:40 x 50 in. (102 x 127 cm.)Note: This railway bridge, crossing the Forth estuary in Scotland, had the world’s longest span when it opened in 1890. It remains one of the greatest cantilever trussed bridges and continues to carry passengers and freight. Innovative in style, materials and scale, the Forth Bridge marks an important milestone in bridge design and construction during the period when railways came to dominate long-distance land travel. In this striking poster, Gawthorn's bold art deco style conveys the industrial aesthetic and structural impact of this remarkable feat of engineering. (Source: UNESCO).
Lot 152
A George III mahogany stick barometer, the scale signed 'A. E. Abraham, Optician, Exeter', with visible mercury tube above the cistern cover, length 96cm.Provenance: The contents of a Cheshire Country House.Additional InformationThere are two small inset patches to the frame, these are possibly where hinges would have been, indicating a cover over the scale. Otherwise, retains a good colour and in good condition.
Lot 101
MIGUEL ORTIZ BERROCAL (Villanueva de Algaidas, Malaga, 1933 - Antequera, Malaga, 2006)."Micro David", 1971.Nickel-plated metal. With golden metal chain.Signed on the arm.Detachable sculpture: 17 elements.Measurements: 6 x 2,5 x 1,5 cm.Miguel Ortiz Berrocal showed a special predilection for articulated and detachable sculptures. Inspired by the main creative forces of the first half of 1900, the artist sought his own artistic path. He drew his inspiration from science and created works based on mathematical, physical and scientific principles. He also developed the concept of "dismountability", understood as the process of searching for the inner forms of volumes, which implies that sculptures are composed of elements that have to be assembled and disassembled in order to penetrate their invisible space.Berrocal began his training at the Escuela de Artes y Oficios in Madrid, where he was a pupil of Ángel Ferrant. He then went on to the San Fernando School of Fine Arts, where he was a pupil of Ramón Stolz. He complemented his training with work as a draughtsman in the studio of the architect Casto Fernández Shaw and as an assistant to several architects in Rome between 1952 and 1954. During his stay in Paris in 1955, he finally decided to devote himself to sculpture. His early works show the influence of Chillida, while at the same time denoting his preference for articulated and detachable forms in bronze. The difficulty involved in making each of his sculptures led him to decide to produce them in series. With this idea in mind, he produced two hundred copies of the sculpture "Maria de la O", for which he received the prize for sculpture at the Paris Biennale and which was later acquired by the MOMA in New York. In 1966 he settled permanently in Verona, and from 1968 he alternated his work between monumental and small-scale works. Together with several gallery owners, he founded the Società Multicétera, the first industry of small sculptures. He has exhibited in Italy, France, Germany, Spain and the United States, received the gold medal of the Bronze of Padua, the Grand Prize of Honour at the Brazil Biennial, and was named Knight of the Order of Arts and Letters by the French government. He has sculptures in public places in Korea, Bordeaux, Denmark and Switzerland, as well as in various places in Spain. He is represented in the Museums of Modern Art in New York and Paris, the Olympic Museum in Lausanne, the Kunsthalle in Hamburg, the Juan March Foundation in Madrid, the National Gallery in Rome and the Victoria & Albert Museum in London.
Lot 109
IMANOL MARRODÁN, (Bilbao, 1964)."E.L 15, Ref. 75." Emotional landescapes series, 2006.Lacquered painting on aluminium panel.Signed, titled and dated on the back.Measurements: 48 x 77 x 1 cm.Imanol Marrodán is an interdisciplinary artist. He currently lives and works in Vitoria. He has exhibited in countries such as the United Kingdom, France, Germany, Portugal, Belgium, Korea, Argentina, Switzerland and the United States. His work has been shown at international contemporary art fairs such as ARCO, VALENCIA ART, ARTE SANTANDER and DFOTO (Spain), ART COLOGNE and KUNST KÖLN (Germany), KIAF (Seoul, Korea), ArteBA (Buenos Aires, Argentina), BALELATINA (Basel, Switzerland). In 2009 he gave a workshop seminar at the Bilbao Art Foundation entitled "New technologies and applications in contemporary painting". Recent solo exhibitions: Juan Silió Gallery in Santander, Blanca Soto Gallery in Madrid, Krisis Factory in Bilbao. He has been awarded in: V Bienal de Pintura Ciudad de Estella Lizarra; V Bienal de Pintura Cuidad de Albacete; First prize in the Sculpture Competition for the Natural Park of Aiako Harria; III Premio de Artes Plásticas Gobierno de Cantabria .... His work is represented in numerous private and institutional collections, including the Artium, Basque Museum of Contemporary Art; Bilbao Museum of Fine Arts; Caja Castilla La Mancha Collection; Museum of Navarre; Olor Visual Collection, etc. He also intervenes with large-scale works in public spaces: "Plenitud y Vacío, Centro", Aiako Harria Natural Park, Oiartzun. Gipuzkoa; "Conversations between Oteiza and Serra", Sculpture, Amurrio; etc. The series of "codified paintings" is inspired by the I Ching or "Book of Mutations", in Taoist thought. They are resolved with an innovative technique based on two-layer paint for car bodywork. Going beyond representation, which through "emotion cores" takes us into utopia through sensory communication. In "Emotional landscapes" he takes this research to a more refined level, suggesting horizons that only exist in our imagination. The pulsations recorded by an echocardiogram or the hexagrams of the I Ching provide more information about the phenomenological world, about the flowing universe in which we are immersed, than any documentary record of the apparent reality we inhabit. Marrodán's pictorial and photographic work draws on these informative references to make visible the energetic flow that underlies the objects.
Lot 34
MIGUEL ORTIZ BERROCAL (Villanueva de Algaidas, Málaga, 1933 - Antequera, Málaga, 2006)."Bullfighter. Homage to the Niño de la Palma", 1972.Detachable sculpture: 18 elements.Brass, copy 696/2000.Signed and numbered.The patina is worn.Measurements: 28 x 21 x 20 cm (with base).Miguel Ortiz Berrocal showed a special predilection for articulated and detachable bronze sculptures. Inspired by the main creative forces of the first half of 1900, the artist sought his own artistic path. He was inspired by science and created works based on mathematical, physical and scientific principles. He also developed the concept of "dismountability", understood as the process of searching for the inner forms of volumes, which implies that sculptures are composed of elements that have to be assembled and disassembled in order to penetrate their invisible space.Berrocal began his training at the Escuela de Artes y Oficios in Madrid, where he was a pupil of Ángel Ferrant. He then went on to the San Fernando School of Fine Arts, where he was a pupil of Ramón Stolz. He complemented his training with work as a draughtsman in the studio of the architect Casto Fernández Shaw and as an assistant to several architects in Rome between 1952 and 1954. During his stay in Paris in 1955, he finally decided to devote himself to sculpture. His early works show the influence of Chillida, while at the same time denoting his preference for articulated and detachable forms in bronze. The difficulty involved in making each of his sculptures led him to decide to produce them in series. With this idea in mind, he produced two hundred copies of the sculpture "Maria de la O", for which he received the prize for sculpture at the Paris Biennale and which was later acquired by the MOMA in New York. In 1966 he settled permanently in Verona, and since 1968 he has alternated his work between monumental and small-scale works. Together with several gallery owners, he founded the Società Multicettera, the first industry of small sculptures. He has exhibited in Italy, France, Germany, Spain and the United States, received the gold medal of the Bronze of Padua, the Grand Prize of Honour at the Brazil Biennial, and was named Knight of the Order of Arts and Letters by the French government. He has sculptures in public places in Korea, Bordeaux, Denmark and Switzerland, as well as in various places in Spain. He is represented in the Museums of Modern Art in New York and Paris, the Olympic Museum in Lausanne, the Kunsthalle in Hamburg, the Juan March Foundation in Madrid, the National Gallery in Rome and the Victoria & Albert Museum in London.
Lot 97
MIGUEL ORTIZ BERROCAL (Villanueva de Algaidas, Malaga, 1933 - Antequera, Malaga, 2006)."Cristina", 1969-1970.Nickel-plated metal, example 2406/9500.Detachable sculpture: 25 elements.Signed and numbered.Measurements: 15 x 8,5 x 6 cm.Miguel Ortiz Berrocal showed a special predilection for articulated and detachable sculptures. Inspired by the main creative forces of the first half of 1900, the artist sought his own artistic path. He drew his inspiration from science and created works based on mathematical, physical and scientific principles. He also developed the concept of "dismountability", understood as the process of searching for the inner forms of volumes, which implies that sculptures are composed of elements that have to be assembled and disassembled in order to penetrate their invisible space.Berrocal began his training at the Escuela de Artes y Oficios in Madrid, where he was a pupil of Ángel Ferrant. He then went on to the San Fernando School of Fine Arts, where he was a pupil of Ramón Stolz. He complemented his training with work as a draughtsman in the studio of the architect Casto Fernández Shaw and as an assistant to several architects in Rome between 1952 and 1954. During his stay in Paris in 1955, he finally decided to devote himself to sculpture. His early works show the influence of Chillida, while at the same time denoting his preference for articulated and detachable forms in bronze. The difficulty involved in making each of his sculptures led him to decide to produce them in series. With this idea in mind, he produced two hundred copies of the sculpture "Maria de la O", for which he received the prize for sculpture at the Paris Biennale and which was later acquired by the MOMA in New York. In 1966 he settled permanently in Verona, and since 1968 he has alternated his work between monumental and small-scale works. Together with several gallery owners, he founded the Società Multicettera, the first industry of small sculptures. He has exhibited in Italy, France, Germany, Spain and the United States, received the gold medal of the Bronze of Padua, the Grand Prize of Honour at the Brazil Biennial, and was named Knight of the Order of Arts and Letters by the French government. He has sculptures in public places in Korea, Bordeaux, Denmark and Switzerland, as well as in various places in Spain. He is represented in the Museums of Modern Art in New York and Paris, the Olympic Museum in Lausanne, the Kunsthalle in Hamburg, the Juan March Foundation in Madrid, the National Gallery in Rome and the Victoria & Albert Museum in London.
Lot 549
Christopher Richard Wynne Nevinson ARA (1889-1946) Building Aircraft: Making the Engine, from the series The Great War: Britain's Efforts and Idealslithograph44.5 x 34.5cmThere was little cause for celebration on New Year’s Day of 1917. By this point, Britain had been at war for three years and had witnessed the appalling and unprecedented deaths of more than half a million of its men – many of whom were scarcely more than children. Not six months earlier, the British had suffered what would be their deadliest day of the First World War, losing 19,240 personnel during the Battle of the Somme and by the end of the day on Monday, January 1st, 1917, the public would learn of the loss of at least 125 more lives with the German sinking of British troopship, Ivernia. With no end in sight, national morale was in steep and rapid decline.Early in 1917, the print series, The Great War: Britain’s Efforts and Ideals, was commissioned by Wellington House, a covert propaganda arm of the government. Comprising sixty-six prints by eighteen artists, including Augustus John, George Clausen, Muirhead Bone and Frank Brangwyn, the series was divided into two sets of portfolios: Ideals and Efforts. Including twelve full-colour lithographs extolling moralistic maxims of freedom, democracy and justice, the Ideals portfolio aimed to mobilise patriotic sentiment and display the war in a positive light through allegory and symbolism. The Efforts, meanwhile, was concerned with the realities of the war, as permitted by governmental censorship. Presented in monochrome, and on a smaller scale than the Ideals, the Efforts comprised a set of fifty-four prints divided into smaller series of six. Each series was concerned with the industry of war and included topics such as Making Guns, Making Soldiers and Building Ships. War, according to the ‘Efforts’ portfolio, was a constructive and creative process.The present lot, Making the Engine was one of Nevinson’s six lithographic prints from his series, Building Aircraft. Having spent nine weeks in France tending to the wounds of French and British troops and a further year in London working as a private in the Royal Army Medical Corps, it was thought that Nevinson’s first-hand experiences of the war afforded his works a compelling and persuasive sense of authenticity. Although the futurist prints created by Nevinson for Efforts and Ideals were constructed to present the war in a generally positive light, they stand in stark contrast to many of his other works created during the war, such as La Patrie and A Taube, both of which depict, with disarming and devastating frankness, the horrors of war. The dissonance between the two representations demonstrates the critical role government censorship played in the production of the portfolio.
Lot 4252
Preußen - schwarzer "russischer" Kürass M 1897/1912 für Mannschaften der Garde Du Corps Schwarz lackiertes Vorder- und Rückenteil mit roter Kordeleinfassung. Das Rückenteil mit schwarz gelackten Schuppenketten, die Schließen messingfarben belassen, das Leinenfutter mit Namensetikett, vernieteter lederner Bauchgurt.USA-Los – weitere Infos hier Guard Du Corps Enlisted Man Black Russian Model Kurass Black painted iron body front and back. Red edge cloth piping. Brass scale straps with black painted center scales leather backed attached with brass hinges. No liner. Brown leather waist belt with buckle.USA lot - more info here
Lot 4253
Preußen - Kürass für Offiziere Vorder- und Rückenteil aus Tombak, die silberne Einfassung mit goldenen Ziernieten befestigt. Das Rückenteil mit an Löwenkopfschildern vernieteten Tombakschuppenketten, die Schließen mit Eichenlaubverzierungen. Vs. Fehlstellen, ohne Innenfutter, beide Schuppenketten gerissen, neuzeitlicher lederner Bauchgurt. Dieser Kürass wurde getragen von den Regimentern GdC, GK, sowie 2. und 6. Officer Kurass Tombac body front and back, silver edges with gilt rivet heads. Gilt scale leather backed straps attached with lion head shields. No liner. Pitting on front side of Kurass. Both straps split in two pieces from leather backing aging. Brown leather waist belt (replacement). Used by GDC, GD KR, 2nd KR and 6th KR regiments.
Lot 1814
Ansichten-Tasse, Untertasse. Nymphenburg. ø 13 cm, Höhe: 9 cm. Form "Becher antik Nr. 11" mit hochgezogenem Henkel an bärtigem Maskaron. Frontal großflächige farbige Landschaftsmalerei mit Weidevieh. Farbige Blumen-Blattbordüren, Goldstaffage. Ritzmarken, Tasse mit undeutlicher Pressmarke mit Rautenschild. Goldränder, Henkel an beriebenen Stellen übermalt. * Partnerauktion Bergmann. Literatur : Hantschmann (1996), S. 137. View cup, saucer. Nymphenburg. ø 13 cm, height: 9 cm. Form "Beaker antique No. 11" with raised handle on bearded mascaron. Frontal large-scale colored landscape painting with grazing cattle. Colored floral leaf borders, gold staffage. Incised marks, cup with indistinct press mark with lozenge shield. Gold rims, handle overpainted in rubbed areas. * Partner auction Bergmann. Literature : Hantschmann (1996), p. 137. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 1892
Ovalschale "Breslauer Stadtschloss". KPM Berlin. Zeptermarke und roter Reichsapfel, Jahreszeichen 1922. Polychrome Blumenmalerei, blaue Schuppenreserven und Goldstaffage. L 27,5 cm. Modell "Antikzierat". Oval bowl "Wroclaw City Palace". KPM Berlin. Scepter mark and red imperial orb, year mark 1922. Polychrome floral painting, blue scale reserves and gold staffage. L 27,5 cm. Model "Antikzierat". .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 1851
Tasse mit Watteau-Malerei. Imitierte Bindenschildmarke, 2. H. 19. Jh. Polychrom bemalt, goldstaffiert. H Tasse 6,5 cm, Ø originale Untertasse 13,5 cm. Zylindertasse mit gewinkeltem Henkel. Unter einer blauen Schuppenbordüre die schauseitige Darstellung eines galanten Paares in einer Landschaft, verso kleine Blumenbuketts. Cup with Watteau painting. Imitated bandage shield mark, 2nd half 19th c. Polychrome painted, gold decorated. H cup 6,5 cm, Ø original saucer 13,5 cm. Cylinder cup with angled handle. Under a blue scale border the on-screen depiction of a gallant couple in a landscape, verso small bouquets of flowers. .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 1757
Tasse mit Landschaftsmalerei. Meissen. Schwertermarke mit Punkt, 1763-1774. Polychrom bemalt, goldstaffiert. H Tasse 4,5 cm, Ø originale Untertasse 13,5 cm.. Bauchige Tasse mit Ohrenhenkel. Unter einer korallenroten Schuppenbordüre die Darstellung einer Flusslandschaft mit Architektur und Personenstaffage. Haarriss im Tassenhenkel, minimaler Goldabrieb am Rand. Cup with landscape painting. Meissen. Sword mark with dot, 1763-1774. Polychrome painted, gold decorated. H cup 4.5 cm, Ø original saucer 13.5 cm.. Bellied cup with ear handle. Under a coral scale border depicting a river landscape with architecture and staffage. Hairline crack in the cup handle, minimal gold abrasion on the rim. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 2018
2 Tassen und 1 Mokkatasse mit Schuppenbordüre. Herend. Stempelmarke, 2. H. 20. Jh. Polychrom bemalt, goldstaffiert. H Tassen 6 und 8,5 cm, Ø Untertassen 11 und 14,5 cm. Oktogonale Form. Unter einer blauen Schuppenbordüre Blumenfestons und Streublümchen. 2 cups and 1 demitasse with scale border. Herring. stamp mark, 2nd half 20th c. Polychrome painted, gold decorated. H cups 6 and 8,5 cm, Ø saucers 11 and 14,5 cm. Octagonal form. Under a blue scale border floral festoons and scattered flowers. .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 1886
6 Gedecke "Breslauer Stadtschloss". KPM Berlin. Zeptermarke, Anfang 20. Jh. Malermonogramm "MM".Polychrome Blumenmalerei, blaue Schuppenreserven und Goldstaffage. Modell "Antikzierat". 6 Teetassen (H 5,5 cm), 6 Untertassen (Ø 14,5 cm) und 6 Kuchenteller (Ø 18 cm). | Nachtrag 23.10.2022: Bestoßung am Standring einer Tasse ( äußerlich nicht sichtbar)6 place settings "Wroclaw City Palace". KPM Berlin. Scepter mark, early 20th c. Painter monogram "MM".Polychrome floral painting, blue scale reserves and gold staffage. Model "Antikzierat". 6 tea cups (h 5,5 cm), 6 saucers (Ø 14,5 cm) and 6 cake plates (Ø 18 cm). *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 1759
Dose mit Frucht- und Blumenmalerei. Meissen. Ungemarkt, um 1760. Polychrom bemalt, goldstaffiert. LH 11,5 cm, L 15 cm. Passig-ovale Dose mit Blütenknaufdeckel. Purpurfarbene Schuppenbordüre am Rand, allseitig kleinen Frucht- und Blumenbuketts sowie Streublümchen und -früchte. Restaurierung am Stand, partiell Abplatzer an der Bemalung. Fruit and flower painting box. Meissen. Unmarket, circa 1760. Polychrome painted, gold decorated. LH 11.5 cm, L 15 cm. Fitted oval box with flower knob lid. Purple scale border on the rim, small fruit and flower bouquets on all sides and scattered flowers and fruits. Restoration on the stand, partial chipping on the painting. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 1889
Kanne und Zuckerdose. KPM Berlin. Zeptermarke und grüner Reichsapfel, 20. Jh. Polychrome Blumenmalerei, blaue Schuppenreserven und Goldstaffage. Mokkakanne (H 21 cm) und Zuckerdose (H 10 cm). Modell "Antikzierat". Pot and sugar bowl. KPM Berlin. Scepter mark and green imperial orb, 20th c. Polychrome floral painting, blue scale reserves and gold staffage. Mocha pot (h 21 cm) and sugar bowl (h 10 cm). Model "Antikzierat". .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 1891
Ovalplatte "Breslauer Stadtschloss". KPM Berlin. Zeptermarke, Jahreszeichen 1925. Malermonogramm "MM". Polychrome Blumenmalerei, blaue Schuppenreserven und Goldstaffage. L 31 cm. Modell "Antikzierat". Oval plate "Wroclaw City Palace". KPM Berlin. Scepter mark, year 1925. painter monogram "MM". Polychrome floral painting, blue scale reserves and gold staffage. L 31 cm. Model "Antikzierat". .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 3125
LANDSCHAFTSMALER 18.-19. JAHRHUNDERT, Felsige Landschaft mit GebirgsbachÖl auf Holz. Unsigniert. 10,5 x 14,5 cm. Gerahmt : 19 x 23 cm. Minutiös gemalte, kleinformatige spätsommerliche Ansicht mit Figurenstaffage. Kleinteilig vor dem Betrachter ausgebbreitet, so dass man regelrecht mit dem Auge darin spazieren gehen kann. Neuwertiger Profilrahmen mit vergoldeten Leisten. * Partnerauktion Bergmann. Provenienz : Berliner Privat-Nachlass. LANDSCAPE PAINTER 18th-19th CENTURY, Rocky landscape with mountain streamOil on wood. Unsigned. 10.5 x 14.5 cm. Framed : 19 x 23 cm. Minutiously painted, small-format late summer view with figure staffage. Small-scale spread out in front of the viewer, so that you can literally walk with the eye in it. As good as new profile frame with gilt moldings. * Partner auction Bergmann. Provenance : Berlin private estate. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 2647
Schnellwaage. 19. Jh. Bronze, Messingblech, Bleifüllungen. H 50 cm, L Balkenarm 44 cm. Beschwerter hexagonaler Fuß, rankenartig geschwungener Haltearm für die abnehmbare Waage mit bleigefülltem Laufgewicht und Messingschale, Skala 0 bis 2,5. Starke Alters-/Gebrauchsspuren an der Schale, sonst wenige. Quick balance. 19th century Bronze, sheet brass, lead fillings. H 50 cm, L beam arm 44 cm. Weighted hexagonal base, vine-like curved holding arm for the removable scale with lead-filled barrel weight and brass bowl, scale 0 to 2.5. Signs of age/use on the bowl, otherwise few. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 642
Große Biedermeier-Stutzuhr. Wohl Dänemark, um 1830. Messingvollplatinenwerk mit Halbstundenschlag auf Glocke, innerer Repetitionszug, läuft, revisionsbedürftig. Großes, weißes Emailzifferblatt mit römischen Stunden und arabischen Minuten, Minutenkranz und Lyra-Zeigern. Mahagoni, massiv und furniert, dunkel gebeizt, Holz geschnitzt und vergoldet. 52,5 x 40,5 x 17 cm. Rundbogengehäuse mit schuppenartig durchbrochener Front und Seiten, rote Stoffhinterkleidung. Alters- und Gebrauchsspuren, partiell Defekte und Fehlstellen, Ergänzungen. Mit Pendel, Schlüssel. Large Biedermeier stately clock. Probably Denmark, circa 1830. Brass full plate movement with half hour strike on bell, inner repeater train, running, in need of revision. Large white enamel dial with Roman hours and Arabic minutes, minute crown and lyre hands. Mahogany, solid and veneered, dark stained, wood carved and gilded. 52,5 x 40,5 x 17 cm. Round arched case with scale-like openwork front and sides, red cloth back. Signs of age and use, partial defects and missing parts, additions. With pendulum, key. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 1883
3 Teller "Breslauer Stadtschloss". KPM Berlin. Zeptermarke, grüner und roter Reichsapfel, um 1915/20. Polychrome Blumenmalerei, blaue Schuppenreserven und Goldstaffage. Untertasse (Ø 16,5 cm), Schale (Ø 21,5 cm) und Speiseteller (Ø 26,5 cm). Modell "Antikzierat". 3 plates "Wroclaw City Castle". KPM Berlin. Scepter mark, green and red imperial orb, circa 1915/20. Polychrome floral painting, blue scale reserves and gold staffage. Saucer (Ø 16,5 cm), bowl (Ø 21,5 cm) and dinner plate (Ø 26,5 cm). Model "Antikzierat". .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 3133
BELLY, Léon Adolphe(1827 Saint-Omer - 1877 Paris) Wäscherinnen am TeichÖl auf Leinwand. Signiert. 31 x 46 cm. Gerahmt : 49 x 64 cm. Schwerer vergoldeter Stuckrahmen. Belly, Landschaftsmaler, Orientalist, Schüler von Francois Edouard Picot in Paris, seit 1849 häufig in Barbizon. Bereiste den Orient, Griechenland und Italien. 1853 Salon-Debüt, 1862 Orden der Ehrenlegion. Zwischen seinen Reisen wechselnd in Barbizon und der Normandie tätig, wobei er kleinformatige Landschaften schuf. Werke in zahlreichen französischen Museen * Partnerauktion Bergmann. Literatur : Saur (1994), Benezit (2006), Thieme-Becker (1907-1950). Provenienz : Berliner Privat-Nachlass. BELLY, Léon Adolphe(1827 Saint-Omer - 1877 Paris) Washers at the pondOil on canvas. Signed. 31 x 46 cm. Framed : 49 x 64 cm. Heavy gilt stucco frame. Belly, landscape painter, orientalist, student of Francois Edouard Picot in Paris, since 1849 often in Barbizon. Traveled the Orient, Greece and Italy. 1853 Salon debut, 1862 Order of the Legion of Honor. Between his travels, alternated between Barbizon and Normandy, creating small-scale landscapes. Works in numerous French museums * Partner auction Bergmann. Literature : Saur (1994), Benezit (2006), Thieme-Becker (1907-1950). Provenance : Berlin private estate. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 1885
Teekanne und Zuckerdose "Breslauer Stadtschloss". KPM Berlin. Zeptermarke, 1x mit Schleifstrich, 2. H. 20. Jh. Ohne Malereimarke. 1x Malermonogramm "MM". Polychrome Blumenmalerei, blaue Schuppenreserven und Goldstaffage. Teekanne (H 18 cm) und Zuckerdose (H 14 cm). Modell "Antikzierat". Kleine Bestoßung am Kannenknauf. Teapot and sugar bowl "Wroclaw City Palace". KPM Berlin. Scepter mark, 1x with grinding stroke, 2nd h. 20th c. Without painter's mark. 1x painter's monogram "MM". Polychrome floral painting, blue scale reserves and gold staffage. Teapot (h 18 cm) and sugar bowl (h 14 cm). Model "Antikzierat". Small bump on the pot knob. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 1890
Durchbruchkorb "Breslauer Stadtschloss". KPM Berlin. Zeptermarke und roter Reichsapfel, 20. Jh. Polychrome Blumenmalerei, blaue Schuppenreserven und Goldstaffage. H 10,5 cm. Modell "Antikzierat". breakthrough basket "Wroclaw City Castle". KPM Berlin. Scepter mark and red imperial orb, 20th c. Polychrome floral painting, blue scale reserves and gold staffage. H 10,5 cm. Model "Antikzierat". .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 1887
Zuckerdose, Milchkännchen und Schale "Breslauer Stadtschloss". KPM Berlin. Zeptermarke, 1. H. 20. Jh.. Ohne Malereimarke. Malermonogramm "MM". Polychrome Blumenmalerei, blaue Schuppenreserven und Goldstaffage. Zuckerdose (H 11 cm), Milchkännchen (H 10 cm) und Ovalschale (L 26,5 cm). Modell "Antikzierat". Kleiner Chip am Dosenknauf. Sugar bowl, milk jug and bowl "Wroclaw City Castle". KPM Berlin. Scepter mark, 1st half 20th century. Without painting mark. Painter's monogram "MM". Polychrome floral painting, blue scale reserves and gold staffage. Sugar bowl (h 11 cm), milk jug (h 10 cm) and oval bowl (l 26,5 cm). Model "Antikzierat". Small chip on the can knob. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 1884
2 Schalen "Breslauer Stadtschloss". KPM Berlin. Zeptermarke und roter Reichsapfel, 20. Jh. Polychrome Blumenmalerei, blaue Schuppenreserven und Goldstaffage. Ovalschale (L 26,5 cm) und spitzovale Schale (L 25 cm). Model "Antikzierat". 2 bowls "Wroclaw City Castle". KPM Berlin. Scepter mark and red imperial orb, 20th c. Polychrome floral painting, blue scale reserves and gold staffage. Oval bowl (L 26,5 cm) and pointed oval bowl (L 25 cm). Model "Antikzierat". .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 1888
2 Teller "Breslauer Stadtschloss". KPM Berlin. Zeptermarke und 1x roter Reichsapfel, Anfang 20. Jh. Polychrome Blumenmalerei, blaue Schuppenreserven und Goldstaffage. Ø 19 cm. Modell "Antikzierat". 2 plates "Wroclaw City Castle". KPM Berlin. Scepter mark and 1x red imperial orb, early 20th c. Polychrome floral painting, blue scale reserves and gold staffage. Ø 19 cm. Model "Antikzierat". .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 133
Clebar chronograph nickel plated and stainless steel gentleman's wristwatch, circular silvered dial with Arabic numerals, seconds track with five seconds divisions, outer tachymeter scale, subsidiary thirty minute recording and constant seconds dials, red chronograph centre seconds, signed 17 jewel unadjusted movement, signed case, no. 732195, modern black leather strap, 35mm-Movement - currently functioning.Dial - scratches and surface marks.Glass - light surface marks.Hands - lacking infill, some paint loss to the centre seconds.Crown - adjusting correctly, push buttons start/stop and reset but adjusting just past twelve so will require an adjustment.Case - wear to the nickel plating, light surface marks.Strap - modern, good.-Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
Lot 143
Cauny Prima chronograph gold plated and stainless steel gentleman's wristwatch, case no. 985xxx, circular silvered dial with applied Arabic numerals, baton markers, minute track with five minute divisions, outer telemeter scale, forty five minute recording and constant seconds dials, date aperture at the six position and centre chronograph seconds, modern brown leather strap, 37mm-Movement - currently functioning.Dial - some mild wear to the outer scale and some small scratch marks.Glass - light surface scratch marks.Hands - good.Crown - adjusting correctly, push buttons start/stop and reset.Case - rubbing to the edges and surface marks.Strap - modern, good.-Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
Lot 145
Titus De Luxe chronograph gold plated and stainless steel gentleman's wristwatch, circular silvered dial with gilt Arabic twelve and six, hour markers, outer telemetre scale, thirty minute recording and constant seconds dials and chronograph centre seconds, gilt hands, 17 jewels, signed case, no. 890xxx, modern black leather strap, 36mm-Movement - currently functioning.Dial - good.Glass - minor light surface marks.Hands - minor light marks.Case - some surface scratches to the case back.Crown - adjusting correctly, push buttons start/stop and reset, note stem has some play, crown possibly a replacement.Strap - modern, good.-Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
Lot 238
Early American Waltham 'P.S. Bartlett' silver lever hunter pocket watch, circa 1869, signed Fogg's Patent movement, no. 494xxx, with compensated balance and silvered regulating scale, hinged cuvette, signed dial with Roman numerals, minute track and subsidiary seconds, within an engraved case, 60mm-Movement - currently functioning.Dial - faint hairline, light surface marks.Glass - light surface marks.Hands - not matching, light surface marks.Case - scratch marks present to both covers.-Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
Lot 239
Early American Waltham lever hunter pocket watch, circa 1866, signed movement, no. 316xxx, with compensated balance and silvered regulating scale, hinged cuvette, signed dial with Roman numerals, minute track and subsidiary seconds, blued steel hands, within a plain coin silver case with engraved front cover, 57mm-Movement - currently functioning.Dial - chip at the three position, light surface marks, faint hairline.Glass - light surface marks.Hands - surface marks and surface corrosion.Case - surface marks and some small mild bruise marks.-Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
Lot 240
Heavy Illinois Springfield Watch Co. lever hunter pocket watch, circa 1872, signed movement, no. 137xx, with patent pinion, compensated balance silvered regulating scale, hinged cuvette, signed dial with Roman numerals, minute track and subsidiary seconds, blued steel hands, within a plain coin silver case with engraved front cover and applied gold hinges, 61mm-Movement - currently functioning.Dial - light surface marks.Glass - light surface marks.Hands - some surface wear.Case - some surface marks and scratches.-Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
Lot 249
Elgin National Watch Co. lever set hunter pocket watch, circa 1896, signed 17 jewel adjusted movement with compensated balance, gilt regulating scale and screws, no. 6810xxx, hinged cuvette, signed dial with Roman numerals, minute track and subsidiary seconds, blued steel hands, within an engraved Keystone leader coin case with applied gold hinges, 59mm-Movement - currently functioning.Dial - minor light marks.Glass - light surface marks.Hands - some surface marks.Case - a few mild bruise marks and surface marks, one movement securing screw not gilt and probably a replacement.Crown - adjusting correctly.-Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
Lot 250
Elgin National Watch Co. gold filled lever pocket watch, circa 1918, signed 15 jewel movement with compensated balance and regulating scale, no. 21901xxx, signed dial with Roman numerals, minute track and subsidiary seconds, blued steel hands, within a Fortune engine turned and engraved screw case, 54mm-Movement - currently functioning.Dial - faint hairlines and light marks.Glass - surface marks.Hands - light surface marks but generally good.Case - some scratch marks and indentations to the edge of the rear cover.Crown - adjusting correctly.-Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
Lot 252
Elgin National Watch Co. lever pocket watch, circa 1918, signed movement with compensated balance and regulating scale, no. 21387xxx, signed dial with Arabic numerals, minute markers and subsidiary seconds, blued steel hands, within a Waltham coin case with screw bezel, 58mm-Movement - currently functioning.Dial - surface marks and blemish at the two position.Glass - light surface marks.Hands - surface corrosion present.Case - light surface marks, engine turning rubbed, movement loose in the case once stem is in pulled out position, two movement securing crews missing.Crown - adjusting correctly.-Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
Lot 254
American Waltham lever pocket watch, circa 1916, signed 15 jewel movement, no. 20519xxx, with safety pinion, compensated balance and silvered regulating scale, hinged cuvette, signed dial with Arabic numerals, minute markers with red five minute divisions and subsidiary seconds, blued steel hands, within a plain Fahys Monarch coin case with applied gold hinges, 56mm-Movement - currently functioning.Dial - light surface marks and a couple of hairlines.Glass - light surface marks.Hands - light surface marks.Case - light surface marks and blemish to the case back.Crown - adjusting correctly.-Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
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