There are 186097 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeCORGI AEROPLANES/AIRPLANES - FRONTIER AIRLINERS - a collection of 8 packaged The Aviation Archive Frontier Airliners 1:144 scale models to include a Douglas C-47A - Aer Lingus (47103), a Douglas DC-3 - American Airlines (47102) and 6 x Douglas DC3s to include KLM (47108), Air France (47110), Air Atlantique (47107), Eastern Airlines (47105), Lufthansa (47109) and a Douglas Dakota - BEA (47104).
CORGI AEROPLANES/AIRPLANES - FRONTIER AIRLINERS - a collection of 8 packaged The Aviation Archive Frontier Airliners 1:144 scale models to include a Douglas DC-3 American Airlines (47102), a Douglas C-47A - Aer Lingus (47103) and 5 x Douglas DC3s to include Air France (47110), KLM (47108), Eastern Airlines (47105), Lufthansa (47109) and Air Atlantique (47107).
CORGI AEROPLANES/AIRPLANES - CLASSIC JETLINERS - a selection of 4 packaged The Aviation Archive Limited Edition Classic Jetliners 1:144 scale models to include a Boeing 707-321 Pan American World Airways, N412PA, 1965 (AA32906), a Boeing 707-327C Braniff International Airways (AA32904), a Boeing 707-331B, N18709 Trans World Airlines (AA32902) and a Boeing 707-336C British Airways (AA32903).
CORGI AEROPLANES/AIRPLANES - CLASSIC JETLINERS - a selection of 8 packaged The Aviation Archive Classic Jetliners 1:144 scale models to include a first issue D.H Comet 48 British European Airways (48501), 2 x limited edition DH Comet 4C SU-ASLM United Arab Airlines 1962 (AA31402), a first issue Lockheed Constellation - TWA (47501), a D.H. Comet 4 Dan-Air London (48502), a DH Comet 4 BOAC (48504) and 2 x limited edition DE Havilland Comet 4B BEA Airtours (48506).
CORGI AEROPLANES/AIRPLANES - CLASSIC PROPLINERS - a selection of 10 packaged The Aviation Archive Classic Propliners Corgi Vickers Viscount 1:144 scale models to include Vickers Viscount Continental Airways (47603), 6 x Vickers Viscount 800 to include a limited edition British Air Ferries (AA30503), a limited edition Aer Lingus (AA30501), a limited edition Northeast Airlines (AA30504) and 3 x Lufthansa (47604), a Vickers Viscount 802 British European Airways (47607), a Vickers Viscount 806 Virgin Atlantic Airways (47606) and a limited edition Vickers Viscount 836 British Midland Airways (47609).
CORGI AEROPLANES/AIRPLANES - CLASSIC PROPLINERS - a selection of 10 packaged The Aviation Archive Classic Propliners Corgi 1:144 scale models to include a limited edition Vickers Viscount 800 British Air Ferries (AA30503), 2 x first issue Vickers Viscount Continental Airways (47603), a limited edition Vickers Viscount 806 British Airways (47608), a limited edition Douglas DC-3 Continental Airlines (AA30001), a Vickers Viscount Parcelforce (47602), a limited edition Vickers Viscount 800 Aer Lingus (AA30501), a limited edition Vickers Viscount 700 United Airlines (AA30502), a first issue Vickers Viscount 800 series Lufthansa (476704) and a limited edition Vickers Viscount 836 British Midland Airways (47609).
CORGI AEROPLANES/AIRPLANES - CLASSIC PROPLINERS - a selection of 9 packaged The Aviation Archive Classic Propliners Corgi limited edition and first issue 1:144 scale models to include a Vickers Viscount Parcelforce (47602), 2 x Vickers Viscount 700 United Airlines (AA30502), a Vickers Viscount 700 series British Eagle (47605), a Vickers Viscount 806 Virgin Atlantic Airways (47606), 2 x Vickers Viscount 700 series British European Airways (47601), Vickers Viscount 800 series Lufthansa (47604) and a Vickers Viscount 806 British Airways (47608).
CORGI AEROPLANES/AIRPLANES - a selection of 16 boxed die cast models to include x4 1:144 scale Corgi models - an Eddie Stobart Ltd Douglas DC-3 limited edition (AA30008), the 2002 Manchester Commonwealth Games Boeing 707 (AA32908), Cxcitement by Cathy Pacific Betsy Douglas DC-3, a Concorde New Livery with moving nose cone (59902), a Schabak 1:600 scale 50th Anniversary Air Canada set (featuring 747, L-1011 and 767), 2 x Union Model 1/48 airplanes to include a Z model and an R-2 and 9 x Toyway die cast metal Skywings.
TRIANG SPOT-ON MODEL SET - a No.2 A presentation set of Spot-On models by Triang. Includes 8 near mint condition models and box in good condition - one corner split, with signs of water damage at bottom of lid and some splits to inner tray. Lot further includes an original Triang catalogue booklet and leaflet. Scale 1:43 (1/43).
A George III mahogany mantel clock by S. Dunn of London, the 8ins diameter painted domed metal dial with Roman numerals to the eight three train movement, striking, chiming and repeating on nine bells, with engraved borders to the back plate, contained in mahogany case with square swept-in top with five turned brass urn pattern finials, fretted brass panels to sides, the front door inlaid with bold marquetry leaf ornament, the sides with folding handles and brass fish scale grilles and on brass ogee bracket feet, 23ins high Note : Possibly Samuel Dunn recorded working London from 1787
A George III mahogany table clock by Budgen of Croydon, the 6.75ins arched brass dial with silvered chapter ring with Roman and Arabic numerals, the matted dial centre with date aperture and strike/silent dial to arch, with gilt moulded scroll spandrels to the eight day two train movement with bulbous turned pillars and back plate engraved with musical trophies striking on a bell, contained in mahogany case with inverted bell top surmounted by five gilt brass urn pattern finials and with pierced brass brackets to cresting, folding handles to sides above brass fish scale grilles, on brass ogee bracket feet, 22ins high Note: A Thomas Bugden recorded working Croyden 1735 and a John Bugden recorded working Croyden 1828-1851
A modern gentleman's stainless steel Mercedes Benz "Motorsport" limited edition quartz chronograph wristwatch, (No. 415 of edition of 1500) the black textured face with three subsidiary dials and baton numerals, with tachometer scale to bezel, in plain 40mm stainless steel case and on conforming bracelet for same (gross weight 173 grammes), contained in cream lined brown wooden case and outer card cover
Four George III silver caddy spoons - with shaped bowl engraved with trailing leaf ornament, by Joseph Willmore, Birmingham 1821 (initialled - weight 6.9 grammes), with shovel bowl and ivorine handle by Joseph Willmore, Birmingham 1810, with square bowl with engraved fish scale ornament by Joseph Willmore, Birmingham 1820 (weight 6.4 grammes), with shell bowl by Joseph Taylor, Birmingham 1820 (weight 7.4 grammes), and a George IV spoon with plain rectangular bowl and fiddle pattern handle by Joseph Willmore, Birmingham 1825 (weight 9.7 grammes)
A US model M1841 navy cutlass,with a dual-edged blade, a brass hilt and fish scale grip, with a federal eagle on the pommel, stamped 'U.S. N...18...'/'N. P. AMES...ELD' and inspector's marks, 'JL' and 'RC' on the quillon top and stamped rack number '25' to the inside of the hilt, with a leather scabbard,53.5cm blade67.5cm overall
Boxed Corgi Exclusive! Take-off Wheels and Golden Jacks; Boxed Corgi Die Cast Scale models Commer Mobile Camera Van; Boxed Dinky Police Accident Unit; Boxed Dinky Superior Cadillac Ambulance; Boxed Corgi Exclusive Take-off Wheels and four built in Golden Jacks; Boxed Corgi Die-Cast Scale Models Glidamatic Heinkel-I Econom Car
Die cast models to include six boxed aviation models by Corgi in the Aviation archive Falklands 20th century anniversary series to include 2 Westland C-King helicopter, 2 BAE C Harriors, LOCK HEED Hercules, a HANDLEY Page Victor, together with a boxed action figure by Dragon, item number 70841 in the 30th anniversary Falklands War Series 6 in scale "Jones" of the British Air born battalion, the Parachute Regiment, Falkland War 1982
Central America, Panama, San Blas Islands, Kuna/Cuna, second half of the 20th century CE. This is an interesting example of this folk art form created by Kuna women. Molas are cloth panels attached to the fronts and backs of women's blouses that are the cultural dress of Kuna women, along with gold nose rings, beaded arm and leg bands, and patterned wrap-around skirts. This particular mola has what appears to be three kneeling figures holding ollas above their heads; the ollas have letters on their sides. Size: 17.75" W x 16.75" H (45.1 cm x 42.5 cm).We are honored to present a selection of molas from the important Kit Kapp collection. According to Tom Hannaher in his text from a debut exhibition of Kuna Molas from the Kit Kapp collection, "Between 1963 and 1971, Kitt Kapp and his wife Valerie conducted over 35 expeditions of the San Blas Islands, as well as remote Kuna villages in Colombia and along the Bayano River in the Darien Peninsula of Panama. Kit's book, Mola Art of the San Blas Islands, was one of the first publications to treat molas as an art form." (Molas from the Collection of Kit Kapp," by Tom Hannaher, 2008) The folk craft of creating molas began about 125 years ago when the Kunas moved from the mainland to the islands. In their new environment, cooler nights necessitated warmer clothing. At first, women created blouses adorned with simple applique borders, but as time went on, they increased the scale of the decorative areas until the entire front and back panels were comprised of multi-layered, quilted textile designs. This distinctive art form has evolved into a tradition of exceptionally fine needlework and meaningful symbolism. Provenance: Ex-Kit Kapp collection formed in the very early 1970's. Mr. Katt acquired the world's largest and best documented collection of Molas, with numerous examples being published. Condition: The colors are bright and vibrant; a top portion has the stitching coming out at the edges but is still attached. The edges have loose stitches from where it was attached to a shirt. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #111448
Central America, Panama, San Blas Islands, Kuna/Cuna, second half of the 20th century CE. This adorable mola has a burgundy background and features two cats and two other animals (possibly fish?) in bold, outlined colors. Each cat holds what appears to be an egg and their bodies are decorated with small radiating stitches. There is a flower in the center of the mola. Molas are folk art cloth panels attached to the fronts and backs of women's blouses that are the cultural dress of Kuna women, along with gold nose rings, beaded arm and leg bands, and patterned wrap-around skirts. Size: 15" W x 13" H (38.1 cm x 33 cm).We are honored to present a selection of molas from the important Kit Kapp collection. According to Tom Hannaher in his text from a debut exhibition of Kuna Molas from the Kit Kapp collection, "Between 1963 and 1971, Kitt Kapp and his wife Valerie conducted over 35 expeditions of the San Blas Islands, as well as remote Kuna villages in Colombia and along the Bayano River in the Darien Peninsula of Panama. Kit's book, Mola Art of the San Blas Islands, was one of the first publications to treat molas as an art form." (Molas from the Collection of Kit Kapp," by Tom Hannaher, 2008) The folk craft of creating molas began about 125 years ago when the Kunas moved from the mainland to the islands. In their new environment, cooler nights necessitated warmer clothing. At first, women created blouses adorned with simple applique borders, but as time went on, they increased the scale of the decorative areas until the entire front and back panels were comprised of multi-layered, quilted textile designs. This distinctive art form has evolved into a tradition of exceptionally fine needlework and meaningful symbolism. Provenance: Ex-Kit Kapp collection formed in the very early 1970's. Mr. Katt acquired the world's largest and best documented collection of Molas, with numerous examples being published. Condition: Colors are very vibrant and there is little wear; some fraying/loose stitches are around the edges where it was attached to a shirt. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #111446
Central America, Panama, San Blas Islands, Kuna/Cuna, second half of the 20th century CE. This is an interesting example of this folk art form created by Kuna women. Molas are cloth panels attached to the fronts and backs of women's blouses that are the cultural dress of Kuna women, along with gold nose rings, beaded arm and leg bands, and patterned wrap-around skirts. This particular mola has black as its dominant color with details in orange, pink, yellow, green, red, blue, and white. It depicts a figure wearing a large headdress and holding what appear to be maracas. It is surrounded by other small human and animal figures. Size: 17.5" W x 13.75" H (44.4 cm x 34.9 cm).We are honored to present a selection of molas from the important Kit Kapp collection. According to Tom Hannaher in his text from a debut exhibition of Kuna Molas from the Kit Kapp collection, "Between 1963 and 1971, Kitt Kapp and his wife Valerie conducted over 35 expeditions of the San Blas Islands, as well as remote Kuna villages in Colombia and along the Bayano River in the Darien Peninsula of Panama. Kit's book, Mola Art of the San Blas Islands, was one of the first publications to treat molas as an art form." (Molas from the Collection of Kit Kapp," by Tom Hannaher, 2008) The folk craft of creating molas began about 125 years ago when the Kunas moved from the mainland to the islands. In their new environment, cooler nights necessitated warmer clothing. At first, women created blouses adorned with simple applique borders, but as time went on, they increased the scale of the decorative areas until the entire front and back panels were comprised of multi-layered, quilted textile designs. This distinctive art form has evolved into a tradition of exceptionally fine needlework and meaningful symbolism. Provenance: Ex-Kit Kapp collection formed in the very early 1970's. Mr. Katt acquired the world's largest and best documented collection of Molas, with numerous examples being published. Condition: The colors are vibrant; there are some loose threads around the edges where it has been removed from a shirt. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #111447
Central America, Panama, San Blas Islands, Kuna/Cuna, second half of the 20th century CE. This is a beautiful example of this folk art form created by Kuna women. Molas are cloth panels attached to the fronts and backs of women's blouses that are the cultural dress of Kuna women, along with gold nose rings, beaded arm and leg bands, and patterned wrap-around skirts. In this mola, four tropical birds of different colors are perched on branches inside a swirling pattern and over a black background. Size: 18.25" W x 14" H (46.4 cm x 35.6 cm).We are honored to present a selection of molas from the important Kit Kapp collection. According to Tom Hannaher in his text from a debut exhibition of Kuna Molas from the Kit Kapp collection, "Between 1963 and 1971, Kitt Kapp and his wife Valerie conducted over 35 expeditions of the San Blas Islands, as well as remote Kuna villages in Colombia and along the Bayano River in the Darien Peninsula of Panama. Kit's book, Mola Art of the San Blas Islands, was one of the first publications to treat molas as an art form." (Molas from the Collection of Kit Kapp," by Tom Hannaher, 2008) The folk craft of creating molas began about 125 years ago when the Kunas moved from the mainland to the islands. In their new environment, cooler nights necessitated warmer clothing. At first, women created blouses adorned with simple applique borders, but as time went on, they increased the scale of the decorative areas until the entire front and back panels were comprised of multi-layered, quilted textile designs. This distinctive art form has evolved into a tradition of exceptionally fine needlework and meaningful symbolism. Provenance: Ex-Kit Kapp collection formed in the very early 1970's. Mr. Katt acquired the world's largest and best documented collection of Molas, with numerous examples being published. Condition: The colors are vibrant; there is some fraying and loose threads at the edges, presumably where it was removed from a shirt. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #111445
DICK-CUNYNGHAM WILLIAM HENRY: (1851-1900) Scottish Lieutenant Colonel, Victoria Cross winner for his actions at Sherpur Pass, Afghanistan, on 13th December 1879 during the Second Anglo-Afghan War. Rare A.L.S., W H Dick Cunyngham, Lt Colonel, two pages, folio, Aldershot, 4th December 1897, to the Brigade Major of the 2nd Infantry Brigade. Writing in his capacity as Commander of the 2nd Battalion of Gordon Highlanders, Dick-Cunyngham forwards some sketches (one still present) and reports to his correspondent, explaining that they have been executed by various officers and commenting 'The sketch map showing outposts....appears to be extremely accurate & has been drawn with great care', further praising the topographical points etc., and further stating 'The road report executed by Lt. The Honble. R. Carnegie is neat & correct & the details in the report appear to be very full....The road report & sketch executed by Lieut. Findlay is satisfactory. The sketch very clear, road somewhat broad, & the details in the report satisfactory'. With a further note in the hand of the Lieutenant. Colonel of the 2nd Infantry Brigade to the integral leaf, forwarding the road report by Carnegie and one other. Together with the Road Report by Lieutenant R. F. Carnegie of the 2nd Gordon Highlanders referred to in the letter, being a well executed colour pen and ink drawing of a road and train tracks close to Frimley and Blackwater, with details of the surrounding buildings, including barracks, and land etc., with an affixed holograph report providing extensive details of the road, bridges, rate of marching, towns and villages, water, rivers, halting places, camping grounds, railways etc., close to the road, both the drawing and report signed by Carnegie and dated 23rd November 1897 in his hand. The report has also been reviewed by Herbert Plumer (1857-1932) 1st Viscount Plumer. British Field Marshal. In a holograph statement signed ('H Plumer Lt Col') Plumer remarks, in part, 'Useful sketch & report. The directions of all roads branching from the one under report should be noted. Milestones shd. be stated. Names on the sketch shd. be printed boldly. There should be a scale....' Also including a small selection of other documents and printed ephemera etc. relating to the 2nd Battalion of the Gordon Highlanders including an Annual Musketry Return for 1893 (the partially printed document completed in ink by Carnegie and bearing his signature), an original folio pencil and pen and ink drawing illustrating Highland Games and Athletic Sports of the Gordon Highlanders at the Curragh Camp, printed broadside entitled Interior Economy issued by Lieutenant A. L. Haldane, Adjutant, etc. Autographs of Dick-Cunyngham are rare as a result of his untimely death at the age of 48 when he was killed in action at the Siege of Ladysmith on 6th January 1900. Some light overall age wear and a few minor splits and small tears at the edges and folds of the letter and documents, generally about VG, 6
Loading...
