![[§] JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1874-1961) PORTRAIT STUDY Conté on coloured paper 14cm x 12cm (5.5in x 4.75in)](https://cdn.globalauctionplatform.com/b4beedbe-1dc3-4e24-ba17-a75900c76850/9018d557-05db-4723-bc83-710c3c925b56/468x382.jpg)
[§] JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1874-1961) PORTRAIT STUDY Conté on coloured paper 14cm x 12cm (5.5in x 4.75in) Note: John Duncan Fergusson was the most international and political of the four Scottish Colourists. The selection of works by him offered in this sale chart some of the interesting early developments of his career. Largely self-taught as an artist, Fergusson was originally based in Edinburgh, and developed his painterly and observation skills on the sights and population of the capital. At this time, he often worked on a small, portable scale, and on board for ease of transport. Fergusson's flâneur approach to life and painting translated perfectly to Paris, when he decided to move to this artistic centre in 1907. It is from this period that many of his characteristic elegant conté sketches of the figures of Parisian café culture date, as Fergusson participated in this scene and captured the personalities he met and observed there - the elegant ladies in elaborate hats, suited and moustachioed gentleman, even musicians with their instruments.
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SAMUEL JOHN PEPLOE R.S.A. (SCOTTISH 1871-1935) BARRA Oil on panel 25.5cm x 31cm (10in x 12in) with a study of a mother and child verso Provenance:Wemyss Honeyman Collection Private Collection, Scotland 1998 Note:It has been variously suggested that this study was painted in 1898 and 1903. Peploe first travelled to the Isle of Barra in the Outer Hebrides in 1894, staying in the studio of his friend Robert Cowan Robertson, and returning on further occasions until 1903. He was accompanied on these trips by his brother W. W. Peploe who was also an artist but better remembered as a poet. Both were inspired by the great beauty of the tiny island, particularly the perfect horseshoe of Castlebay with its stone buildings huddled together against the Atlantic elements, including the tower of the picturesquely titled Church of Our Lady Star. On these trips Peploe worked en plein air and always on a small scale; painting directly onto wooden panels. These works are early in his career, and are astonishing in their modernism. The technique itself is notable - swiftly executed to convey a sense of the wind buffeting the waves in the bay and shaking the grasses on the hills, daubed in fluid, darting brushwork of un-mixed colour and glossy impasto. The style is extraordinary and wild; verging on Post-Impressionism in a manner no other British artist was practising at the time. As historian and critic Duncan MacMillan noted in reference to this particular picture, "There is nothing quite like it in contemporary British art and little enough in France either… it is quite clear from the patterns of brushwork that somewhere Peploe has seen and understood Van Gogh's painting." This early exposure to the great French artist was possibly a result of Peploe's relationship with Alexander Reid, the Glaswegian art dealer and friend of the Van Gogh brothers. Works such as this provide a fascinating and exciting insight into Peploe's development. Even as early as 1894 he was painting in an extremely avant-garde and experimental fashion; on the cusp of developing his friendship with J. D. Fergusson and heading to Paris. His role as an artistic pioneer cannot be overstated.
James Smetham (British, 1821-1889) "The Idle Fisherman" signed lower left "J Smetham" oil on canvas 19 x 50cm (7 x 20in) Provenance: According to an old inscription on the reverse, D Smetham, the artist's grandson and by descent Other Notes: James Smetham was an English Pre-Raphaelite painter and engraver, close to Dante Gabriel Rossetti. He was born in Pateley Bridge, Yorkshire, and attended school in Leeds. He studied at the Royal Academy, beginning in 1843, and painted romantic visionary works, generally on a small scale. His work is in the Tate, the National Portrait Gallery, the Ashmolean and the Birmingham Museum and Art Gallery. Two small old repaired tears. The blacks are coalescing somewhat. 755 canvas maker's number to the reverse.
Follower of François Boucher (French, 1703-1770) Lovers fishing on a riverbank, whilst a maidservant looks on oil on panel, in a French provincial painted frame 49 x 85cm (19 x 33in) Quite dirty and with discoloured varnish. The picture is painted in oil on a canvas support which has been attached to a wooden panel. The paintings has a series of vertical cracks, prominent on the right side of the painting which may suggest it has been rolled up at some point in its history. The painting has small scale flaking in some areas although overall the paint layer does not look unstable. The surface is matte and is possibly unvarnished. The frame has areas of flaking and loss.
A well engineered scale model of the Stuart Triple expansion Marine engine:, conterbalanced drive shaft with heavy flywheel , side reversing wheel on column supports on a red steel base, fitted hand crank and raised in a black plinth base with glazed cover , the engine 20cm x 30cm , the case 23 cm x 29cm x21cm
A waterline miniature scale model of the clipper 'Rosalie' by D A Brogden:, fully rigged and set full sail over detailed decks with wheel house, grates, lifeboats on davits with black painted hull on a green moulded sea base, inscribed 'Clipper Ship 'Rosalie' 1857 Bringing Home the Nation's tea', in a glazed case, the case 23cm x 40cm x 20cm.
A radio controlled scale model of the racing yacht 'Comet':, fully rigged over a simulated plank deck with fixtures and fittings, the moulded fibreglass hull painted white with weighted keel, fully fitted with servos together with two controllers and charge, supported in a wooden cradle base, 266cm high, 188cm long
An exceptional 16' 1" scale model of the US brig 'Lexington' (1775) modelled by Donald McNarry FRSA:, the planked hull painted black to waterline and white beneath, planked deck with armaments, fixtures and fittings, capstan, deck grate, ship's open boats amidships, open boat on davits to stern, standing and running rigging with part set sails, belaying rails with pins in use, set on an undulating green sea with wake in a glazed walnut case with brass plaques, overall size, 24cm x 34cm x 18.5cm.* Notes Originally built as the 'Wild Duck' for the Maryland Committee of Safety in 1776, she was soon purchased by Maritime Committee and renamed 'Lexington' after the first battle of the American Revolutionary War, becoming one of the first vessels of the fledgling fleet of the Continental Navy. Commanded by John Barry, the Lexington sailed down the Delaware River and slipped passed the British blockade on the 6th April. The following day she engaged the British sloop Edward and after an hours engagement, the Edward surrendered her colours. Lexington, together with Reprisal sailed down the Delaware to Cape May, joining the Wasp and Hornet, but were prevented escaping out to sea by HMS Liverpool. On the 28th June the brig Nancy arrived with 386 barrels of gunpowder aboard but ran aground while attempting to evade the British blockade ship Kingfisher. Barry ordered that the gunpowder be removed to shore overnight leaving only 100 barrels aboard for the morning. A time delay fuse was lit which ignited the ship just as a number of British soldiers were boarding her, this action became known as the battle of Turtle Gut Inlet.* Biography Donald McNarry FRSA (1921-2010) is widely acknowledged among model ship builders as the master craftsman of extreme miniature model building. Born in Walthamstow, February 21st, 1921 he took up model building as a boy and began entering competitions at the age of nine, winning several prizes at the annual Model Engineer Exhibition. In an early letter to the judges he expressed his dismay that his models were to be categorised as 'junior' rather than be judged against the 'proper' ship models. After serving with the Gordon Highlanders during the Second World War he continued to make models in his spare time, describing many of the models made between 1946 and 1953 in his first published book 'Shipbuilding in Miniature ' in 1955. It was also at this time he changed from 'amateur' model builder to freelance professional model maker, creating over 350 models of historic ships from 700BC to the late 1960s. Working in either 100ft to one inch or 16ft to one inch, the models though small, contained as much detail as others executed on larger scales. Donald's wife Iris often helped with early models producing the sails and Donald even used strands of his own hair for rigging on these models before thinner wires and filaments became available. He was a Fellow of the Royal Society of Arts. Examples of his work can be found in the Royal Collection, but he was particularly sought after by American Collectors and modellers. Some of his models can be seen at The Peabody Essex Museum, The Smithsonian and the Mariner's Museum. The quality and detail of his work is perhaps best acknowledged by his overall attitude as described in his own words in the introduction of his first book;'I believe one of the most important things is to try and build miniature ships instead of ship models'
An exceptional 16' 1" scale Admiralty Navy board style model of the 17th century eight gun Royal Yacht HMY Charles (1675) modelled by Donald McNarry FRSA:, fully framed half-planked and pinned hull, gilt equestrian figurehead surrounded by cherubs, elaborate gilt stern galley and transom, wreath decorated gun ports, part planked deck with grates, standing and running rigged set sails and full colours, on gilt dolphin and rose supports in a glazed satinwood case with brass plaques, overall dimensions, 25cm x 31cm x 18cm.* Notes HMY Charles was built by Sir Anthony Deane at Rotherhithe and launched in 1675. As an eight -gun Royal yacht she had a keel length of 54', a beam of 20'6'' and a depth in hold of 7'9''. Her tonnage was 120 and her compliment of 30 men. She was wrecked off the coast of Holland in 1678.One of the main data sources for this model are the five original drawings by the Dutch marine artist Willem Van de Velde the Younger (1633-1707) as mentioned on page 46 of 'Ship models in Miniature'
An exceptional and well presented 16' 1" scale waterline model of the 20 -gun Sixth-rate frigate HMS Tartar (1734) modelled by Donald McNarry FRSA:, the planked hull with long upper deck, short poop deck and forecastle, quarter gallery , stern windows and warrior figurehead, 22 open gun ports with guns to the upper deck with 18 sweep ports per side with rowers out, detailed decks with capstan, grates, fixtures and fittings, standing and running rigged set square sails, on a green sea base within a glazed birch case with brass plaques to either side, overall dimensions 17.5cm x 40.5cm x 20.5cm.* Notes Laid down in Deptford Dockyard in 1733 and launched in 1734, HMS Tartar was broken up in 1755. A similar model is held within the collection of The National Maritime Museum.
A boxed Corgi Classic model no. 99808 Ford Popular Van, a Corgi 1-76 scale truck 35507 'Russell of Bathgate' ERF Flatbed and a Corgi 1-76 scale truck 37001 'James Hemphill Ltd' Foden tanker, all as new, also five boxed and three unboxed mainly LLEDO die cast Walkers Crisps Vans, a Dinky toy wheelbarrow etc. (11)
A Danbury Mint 1-24 scale 1964 Aston Martin DB5 metallic red, also a Danbury Mint World War II Jeep replica MB1 1994, a Corgi 1-18 scale M.G. MGF open top metallic Brit. racing green car and an 'air' signature 1-48 scale Messerschmitt ME 262A model no. 99098 jet fighter. All four are unboxed showing little signs of wear. (4).
Overton (Philip & Bowles Thomas, publishers), A new map of the county of York laid down from an actual survey wherein is included not only all Towns, Villages, Churches, Roads, Rivers, Mountains, Rapes, Hundreds &c. but also all Gentlemens Houses & whatever else is remarkable therin, 1728, large engraved map with contemporary hand colouring, large decorative cartouche and table of explanation, old folds, occasional strengthening on verso, 565 x 945 mm A close copy of the John Warburton large scale map of Yorkshire. Sold separately but the folds on this example suggest that the map was bound in Jean Covens & Corneille Mortier's 'Atlas Nouveau contenant Toutes les Parties du Monde...,'. A scarce map of Yorkshire, with the last copy appearing in auction in 2005. (1)
Waghenaer (Lucas van), Beschryvinghe vande zee custen van Engelandt tusschen Blargneii en Scharenburch..., circa 1583, hand coloured sea chart orientated to the nort-west, large strapwork cartouche and mileage scale, 330 x 515 mm, Dutch text on verso Originally published in 'Spiegel der Zeevaerdt'. (1)
Estate Plan. Whistpaine (Robert), The survey of farme lying in the parish of Tollesbury, in the countye of Essex and of late belonging to Henry Smith Esq. who did by his last will give to the poore of the parish of Southover, twelve pounds yearly for ever ishewing out of this farme; this farme was survayed by Ralph Dowcet in 1659 and inscribed by Robert Whistpaine in 1664, large pen and watercolour estate plan on vellum, with a decorative strapwork cartouche, compass rose and mileage scale surmounted by dividers, slight staining, some adhesion scarring to verso, 700 x 820 mm (1)
Estate Plan. Harris (John, surveyor), To the Right Honorable Edward Earl of Oxford and Mortimer and to James King Esq. This Map of the division of North-wood in the Township of Noke in the Parish Of Pembridge, County of Hereford. According to the directions of William Preece, Richard Turberville and Roger Edwards Gentlemen Commissioners..., 1781, pen and wash plan on vellum edged in silk, large ornate strapwork cartouche and mileage scale, the scale decorated with the tools of a surveyor, table of reference and compass rose, slight dust soiling, 545 x 575 mm, manuscript title of the enclosure repeated on verso in a contemporary hand (1)
Estate Plan. A Map & Description of the Manor of Walmer lyinge in East Kente with one Tenement one Parte of Marsh and 16 Peeces of Errable & Pasture thereunto belonginge, contayninge acers 320:0:2, [surveyed by] William Boycot, 16[40?], pen, ink and watercolour on vellum, decorative strapwork cartouche, coat of arms, compass rose and distance scale, a flotilla of ten ships in the sea outside Deal Castle, one ship (heavily soiled and indistinct) outside Walmer Castle, plus a few smaller vessels in the sea, also depicting the two castles and buildings for the towns of Deal and Walmer, the coastal bulwark ('White Bullworke' and 'Blacke Bullwork'), also identifying various plots, the boundary for the Archbishop of Canterbury, the road from Deal to Dover, names of tenants and their landholdings including Edward Boys, Robert Gillo, Caleb Cocke, William Coppin, Sir Matthew Mennes and Ezekiel Parker [died 1641?], a few small holes, some soiling throughout including very heavy soiling from mildew largely occuring in two vertical strips (just east of Deal Castle and through Walmer and Walmer Castle), blue wash border with old stud holes from previous framing, rebacked on modern thick paper, 538 x 715 mm A rare Kentish estate plan from the reign of King Charles I, which in spite of its condition issues is historically revealing. William Boycot (flourished 1615-48) 'was a prolific cartographer of considerable skill with a distinctive use of blue and yellow, especially in his borders and for other decoration and also of a fine red pigment... he worked widely but mainly in the east of the county... More than twenty of his maps are known to survive and as a group they form one of the finest Kentish expressions of cartography for the years before the Interregnum' (F. Hull, 'Kentish Map-Makers of the Seventeenth Century' in Archaeologia Cantiana, volume 109 (1991), p. 70).N.B. It has been noted that the above item may contain manorial documents which are subject to the Manorial Documents Rules 1959, 1963 and 1967, administered by The Historical Manuscripts Commission at The National Archives on behalf of the Master of the Rolls. Accordingly the purchasers of the documents lie under an obligation to notify the Secretary of the Commission of their acquisition and to provide details of where they will be kept. They may in no circumstances be removed from England and Wales without the prior consent of the Master of the Rolls. (1)
![*Europe. Jansson (Jan), Europam sive Celticam veterem sic describere conobar Abrahamus Ortelius, [1640 or later], hand colour](https://cdn.globalauctionplatform.com/b5b00720-e986-4bfc-98da-a78501119e93/0fce3939-0e93-49ac-c120-61650d9847d8/468x382.jpg)
*Europe. Jansson (Jan), Europam sive Celticam veterem sic describere conobar Abrahamus Ortelius, [1640 or later], hand coloured engraved map, decorative cartouche and mileage scale, 355 x 475 mm, mounted, framed and glazed A striking map of Celtic Europe, based upon Abraham Ortelius's earlier map which appeared in his 'Parergon'. (1)
France. Ortelius (Abraham), Poictou. Pictonum Vicinarumque regionum fidiss descriptio, [1592], uncoloured engraved map of South west France, strapwork cartouche and mileage scale, 360 x 505 mm, Latin text on verso, together with Regionis Biturigum exactiss desriptio..., [on sheet with] Limaniae topographia Gabriele Symeoneo auct. [1592], uncoloured engraved map, 315 x 485 mm, Latin text on verso (2)
![Ireland. Ortelius (Abraham), Eryn. Hiberniae Britannicae Insulae nova descriptio, [1592] uncoloured engraved map orientated](https://cdn.globalauctionplatform.com/b5b00720-e986-4bfc-98da-a78501119e93/d9e67100-cf18-43ca-8e95-13157359ccec/468x382.jpg)
Ireland. Ortelius (Abraham), Eryn. Hiberniae Britannicae Insulae nova descriptio, [1592] uncoloured engraved map orientated to the east, large strapwork cartouche and mileage scale, worm hole affecting central fold, slight staining to margins, 355 x 480 mm, Latin text on verso Marcel van den Broecke, Ortelius Atlas Maps, no. 22. (1)
Middlesex & Hertfordshire. Jansson (Jan), Middelsexiae cum Hertfordiae comitatu Midlesex & Hertfordshire, published Amsterdam, circa 1650, engraved map with contemporary outline colouring, ornate cartouche and mileage scale, slight offsetting and toning, 445 x 550 mm, Latin text on verso, mounted, together with Hantoniae comitatus cum Bercheria, published Amsterdam, circa 1650, engraved map with contemporary outline colouring, decorative cartouche and mileage scale, some toning and staining, one small rust hole affecting image, one short marginal repaired closed tear, central fold a little frayed, strengthened on verso, 450 x 550 mm, Latin text on verso, with Comitatus Northumbria vernacule Northumberland, published Amsterdam, circa 1650, engraved map with contemporary outline colouring, slight staining and offsetting, 415 x 495 mm, Latin text on verso, mounted, plus Episcopatus Dunelmensis vulgo The Bishoprike of Durham, published Amsterdam, circa 1650, engraved map with contemporary outline colouring, slight staining and offsetting, 410 x 515 mm, Latin text on verso, mounted (4)
*Monmouthshire. Saxton (Christopher & Hole William), Monumethensis comitatus quem olim incoluerunt silures, circa 1610, hand coloured engraved map, decorative strapwork cartouche, mileage scale and compass rose, 275 x 340 mm, mounted, framed and glazed, together with Bowen (Emanuel), Herefordshire divided into hundreds..., [1767], engraved map with contemporary outline colouring, originally published in the 'Atlas Anglicanus', 230 x 325 mm, mounted, framed and glazed, with Kitchin (Thomas), An Accurate Map of the County of Radnor..., published R. Baldwin in 'The London Magazine', [1747 - 1760], hand coloured engraved map, old folds, toned overall, 170 x 220 mm, mounted, framed and glazed, plus Kitchin (Thomas), Middlesex drawn from an accurate survey, circa 1760, uncoloured engraved map, sectionalised and laid on linen, 185 x 195 mm (4)
![*Montgomeryshire. Speed (John), Montgomery Shire, published John Sudbury & George Humble, [1627], hand coloured engraved map,](https://cdn.globalauctionplatform.com/b5b00720-e986-4bfc-98da-a78501119e93/0a87cc6c-dafe-426f-830c-2c607a26b7a6/468x382.jpg)
*Montgomeryshire. Speed (John), Montgomery Shire, published John Sudbury & George Humble, [1627], hand coloured engraved map, inset town plan of Montgomery, strapwork cartouche, compass rose and mileage scale, central fold partially strengthened on verso, 380 x 505 mm, mounted, framed and double glazed (1)
![North America. Porcacchi (Tomaso), Mondo Nuovo, published Venice, [1572 or later], uncoloured engraved map, Italian text belo](https://cdn.globalauctionplatform.com/b5b00720-e986-4bfc-98da-a78501119e93/f118e4e6-accd-435d-c5e8-be7398a14ae4/468x382.jpg)
North America. Porcacchi (Tomaso), Mondo Nuovo, published Venice, [1572 or later], uncoloured engraved map, Italian text below and on verso of map, map size 105 x 145 mm, together with Montanus (Arnoldus), Nova Virginiae tabula, circa 1672, hand coloured engraved map, ornate cartouche and mileage scale, slight creasing, 290 x 355 mm, with Bowen (Emanuel), A Map of the British American Plantations extending from Boston in New England to Georgia..., published in 'The Gentlemen's Magazine', [1754], uncoloured engraved map, old folds, slight creasing, 225 x 275 mm, plus Kitchin (Thomas), Mexico or New Spain in which the motions of Cortes may be traced, published T.Cadell, 1821, uncoloured engraved map, inset map of the Environs of Mexico, old folds, slight staining and spotting, 290 x 395 m (4)
![Wales Mercator (Gerard & Jansson Jan), Cambriae Typus auctore Humfredo Lhuydo Denbigiense Cambro Britanno, [1647 or later], e](https://cdn.globalauctionplatform.com/b5b00720-e986-4bfc-98da-a78501119e93/524cefd5-ad5e-4221-897e-77c27fcc84b2/468x382.jpg)
Wales Mercator (Gerard & Jansson Jan), Cambriae Typus auctore Humfredo Lhuydo Denbigiense Cambro Britanno, [1647 or later], engraved map with contemporary hand colouring, decorative cartouche and mileage scale, compass rose and numerous rhumb lines, 350 x 490 mm, no text on verso John Booth. Antique Maps of Wales no.5. (1)
![Wales. Lhuyd (Humphrey), Cambriae typus auctore Humfredo Lhuydo Denbigiense Cambrobritano, 1st state, [1573 or later], uncolo](https://cdn.globalauctionplatform.com/b5b00720-e986-4bfc-98da-a78501119e93/14e05c47-3545-4892-a8fd-bd74b4d7d27f/468x382.jpg)
Wales. Lhuyd (Humphrey), Cambriae typus auctore Humfredo Lhuydo Denbigiense Cambrobritano, 1st state, [1573 or later], uncoloured engraved map, large strapwork cartouche and mileage scale, printers fold affecting image, 370 x 500 mm, Latin text on verso John Booth. Antique Maps of Wales, no.1. (1)
The Bookbinder's Manual. Containing a Full Description of Leather and Vellum Binding; also, Directions for Gilding of Paper & Book-Edges: and Numerous Valuable Recipes for Sprinkling, Colouring, & Marbling: together with a Scale of Bookbinders' Charges; a list of all the Book and Vellum Binders in London..., London: Cowie and Strange, n.d., circa 1830, [vi]-124,[2]pp., introduction leaf torn to upper outer corner with loss, sewing weak at front of volume, occasional spotting and dust-soiling, hinges broken, contemporary quarter sheep, marbled sidings to boards, some wear to spine and boards,16mo in 8s No UK institutional location found for this edition. The Bodleian has a 4th edition which collates as vi[7]-124,[6]pp. (1)
Liverpool. Hills (G. H., Surveyor) Liverpool Bay surveyed by the Marine Surveyor of the Mersey Docks and Harbour Board, 1877. Corrected to 1880. Scale of two nautic miles, large engraved sea chart with contemporary outline colouring, sectionalised and laid on linen, 1225 x 1450 mm, marbled endpapers, bound into bookform covers in contemporary half calf gilt, a little worn at extremities, together with Enfield (William), [An Essay towards the History of Liverpool, drawn up from papers left by the late Mr. George Perry, and from other materials since collected, with views of the principal public structures, a chart of the harbour, and a map of the environs], circa 1774, lacking title and preliminaries, seven (only of nine) engraved views and lacking two of the three charts, later pastedowns, 19th century speckled calf, crudely rebacked, worn and bumped, slim 4to, with Baines (Thomas), History of the Commerce and Town of Liverpool, 1852, folding map worn and frayed, folding map of the docks with closed handling tear, one uncoloured lithographic plate, contemporary calf gilt, worn, rubbed and frayed, large 8vo, with three other volumes similar (6)
Bryant (A.), Map of the East Riding of Yorkshire from actual survey..., in the years 1827 & 1828, published A. Bryant 1829, large scale uncoloured engraved map, sectionalised and laid on linen, calligraphic title, compass rose, table of ecclesiastical divisions and table of explanation, engraved vignette of Beverley Minster, edged with pink silk, linen folds strengthened on verso 1300 x 1510 mm, contained in a contemporary marbled card slipcase with manuscript paper label to upper board, worn at extremities (1)
Greenwood (C.), Map of the County of York, made on the Basis of Triangles in the County, determined by Lieut. Col. Wm. Mudge, Royal Art. F.R.S. and Captn. Thos. Colby, Royal Eng. in the Trigonometrical Survey of England by order of the Honourable Board of Ordnance and Surveyed in the Years 1815, 1816 & 1817, published Robinson Son & Holdsworth, Leeds [and] John Hurst & C.Greenwood, Wakefield, June 4th 1817, uncoloured large scale engraved map on nine sheets, calligraphic title, compass rose, list of the altitudes of the principal mountains and a table of explanation, occasional marginal closed tears, slight dust soiling, each sheet approximately 610 x 710 mm (1)
Victorian silver mounted stoneware scent bottle, by Thomas Goode, Chester 1890, silver screw cap over an egg shaped buff body decorated with pink foliate scrolls, printed marks, 6.5cm; also a Venetian style white metal cased blue glass scent bottle, flattened form with a crown shaped cap, 6cm; and a similar smaller yellow glass scent bottle, clad in white metal in a fish scale design, crown shaped stopper, 5.5cm (3)
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186094 item(s)/page