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Lot 6278
A group of Record Players to include (1) Derens Stereo Integrated Turntable Ampli-Tuner - generally Very Good but does have some scratches and marks to plastic lid; (2) Friscodisco small scale plastic Record Player - generally Good to Very Good but again with some scratches to plastic lid and (3) Pack Son "The Sound" MD-1002 - overall Good Plus to Very Good. Not checked for working order or electrically tested. (3)
Lot 208
A pair of Gien pottery chargers, early 20th century, signed A Marois, painted with a couple walking by a pond through the woods and a young couple fishing on a riverbank, each also signed verso, factory impressed letter T, 45.2cm & 45.5cm diameterVery small glaze chips on the edge of the face side of the rims. See further images.See needle for scale
Lot 6
Ai Weiwei (Chinese 1957-), 'Pequi Tree Miniature', 2021, limited edition tin sculpture, 1/100 scale to the 32 meters cast iron original, signed and numbered from an edition of 250 to the underside of the base; 32 x 12cm32 x 12cmIn very good conditionNo knocks, chips or cracks to the sculpture Stored inside original box and packagingSome minor wear and tear to the outer box in areasNo apparent issues to the sculpture.
Lot 364
A polyurethane resin troll skull144cm wide This was commissioned for Beowulf TV series Please note the plinth is not included in this lot The Rod Vass Collection - Lots 363-371 Rod Vass is a professional visual artist who originally studied Fine Art at Newcastle and Sunderland Colleges of Art. He then worked as an Archaeological artist at Newcastle University before moving to London to pursue an art career. Rod exhibited and sold paintings and began a parallel career as an illustrator, represented in London and New York. He also began to create 3D sculptural works for Film, TV and other clients. In 1997 he formed Armordillo Ltd, where he pioneered and developed the use of sculpting with sprayed polyurethane resins and foams within the film industry, starting with 650 suits of armour for Ridley Scott’s Oscar winning film Gladiator. Since its inception, Armordillo has been engaged in research and development into a wide range of experimental sculptural processes. Along with their specialist team, Rod and Armordillo have created works for numerous well known film and TV projects. In recent years Rod has been joined by his son Louis Vass, who has added his artistic abilities and highly developed digital art skills to the Armordillo portfolio. His 3D designs have brought a high level of sophistication to the design process – enabling realistic 3D images of design work to be viewed in situ even before construction has begun. Their work ranges in scale from intricately detailed models to huge set pieces measuring thousands of square feet. The current large sculptures at Summers Place reflect their interest in the combination of traditional artistic skills with the latest technology. Most of these sculptures started life as pieces created for Film, TV and live performance. All have been re-worked and re-purposed as freestanding statement pieces, suitable for outdoor or indoor display. The materials are relatively lightweight, allowing for easy installation in a range of locations. They are completely weatherproof and can be left outdoors indefinitely. Each piece has a makers plaque authenticating it as a genuine Rod Vass creation. The artists are currently concentrating primarily on private commissions and are happy to consider proposals for sculptural designed pieces at any scale. Garden OrnamentGarden Statuary Film Prop
Lot 31
Vlaho Bukovac (Croatian, 1855-1922)Portrait of George Hepburn; Portrait of Anne Hepburn a pair, one signed and dated 'B. BUKOVAC 91' (lower left); the other signed, inscribed and dated 'B. BUKOVAC/LIVERPOOL 91' (lower left)oil on canvaseach 122.8 x 88.9cm (48 3/8 x 35in). (2)Footnotes:ProvenanceWith Charles Edwards, London.Private collection, USA (acquired from the above).Thence by descent.The young Dalmatian painter Vlaho Bukovac (1855-1922) studied and made his early career in Paris, enjoying an early triumph at the Salon in 1882 with his nude La Grande Iza (Beljanski Collection, Novi Sad). On the back of this success he was taken up by the English dealers Vicars Bros., who brought him to London, exhibited many of his largest paintings and introduced him to likely patrons. Two of these were shipbuilding engineers and businessmen from the north of England, Samson Fox of Leeds and Richard LeDoux of Liverpool. Besides buying Bukovac's works, these men were soon inviting the artist to their homes, where, Bukovac later wrote in his autobiography, they treated him as a gentleman. They commissioned further pictures from him, and introduced him to their own friends whose portraits Bukovac painted in turn. The patronage and friendship of Fox and LeDoux laid the foundation of Bukovac's lifelong love affair with England.George Hepburn (1841-1909) was evidently a business friend of LeDoux's in Liverpool. Although no direct contact between them is recorded, both were highly successful men at the heart of the city's progressive shipping circles, and both lived in the affluent suburb of West Derby, an area of mansions on the fringes of Liverpool's growing sprawl of working-class terraces. Hepburn and his wife Anne, who were both Scottish, had moved to Liverpool in 1866, where George rapidly made a formidable reputation as a naval architect, first with Robert McAndrew & Co., and then on his own account. According to the author of Liverpool's 'Legion of Honour' (1893), Hepburn since coming to Liverpool had 'designed between 300 and 400 steamers'. Such was his expertise in naval matters, he was in great demand in legal cases involving the loss of ships; the Liverpool Mercury calling him 'The Judge-Maker' because three 'eminent counsel' on whose side he had appeared in trials had been raised to the bench almost immediately afterwards. Reputedly his dour and gruff exterior concealed a heart of gold, a keen sense of humour and a penchant for generous hospitality, and he was an excellent raconteur. He was also a fine shot, although he lost an eye in a shooting accident on the Scottish moors (it is unclear whether this post-dated Bukovac's portrait or whether the artist was allowed to represent a glass eye or disguise the loss altogether; contemporary and later photographs mostly show Hepburn in profile from the left). According to one obituarist, Hepburn 'was one of the first men in Liverpool to have a motor car, and when he drove that then novel equipage through the town, Liverpudlians, agape with amazement at the spectacle of a horseless vehicle, literally mobbed his vehicle'.Little is known about his wife Anne. Her family name was Martin, she was three years older than her husband, and with him she had two daughters, Mary (born in 1872) and Lucy (born in 1878). Less than a year after sitting to Bukovac, in June 1892, she died at the age of 53. Her widower would mourn her for a decent interval, but in March 1895 he re-married the 'charming' Ada Snelson, 'daughter of a Liverpool citizen'. Is there in these contemporary words a hint that Hepburn's first wife had shared his 'Scottish' dourness, but not the more genial qualities to be associated with their domicile?Perhaps unexpectedly, Bukovac's portraits are documented. Hepburn wrote a friendly letter to the artist on 18 August 1891 (now in the archive of Bukovac House, Cavtat, Croatia) in which he writes of the 'high quality' of the two works, evidently recently finished. Later Bukovac recalled of his stay in Liverpool during that summer with Mr and Mrs LeDoux that he had been so showered with hospitality he had managed to do very little painting. There can be no doubt, however, that LeDoux was behind these two works. It is tempting to see him, over a cigar at the club, suggesting the commission to Hepburn as a fine way to mark his fiftieth birthday that year. And from the character of the two works, their scale, their studied accuracy and their subtle insights, there is no doubt that in Bukovac's response, his artistry and professional dedication were fully engaged.We are grateful to Alex Kidson for compiling this catalogue entry.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 115
ESSEXCHAPMAN (JOHN) AND PETER ANDRE. A Map of the County of Essex From an Actual Survey made in MDCCLXXII, MDCCLXXIII and MDCCLXXIV, large scale engraved map dissected into 200 sections on 4 sheets laid on linen, large historiated cartouche, inset views of Colchester and Harwich Harbour, list of subscribers within ornamental border, outer border hand-tinted in pink, imprint at foot of one sheet cropped, each sheet folded into matching chemise and contemporary marbled paper slipcase, engraved title label ('Essex. Sold by Wm. Faden...') on upper covers (with another Faden label on blank verso of each sheet) [Rodger 120], total dimensions 2250 x 2940mm., [Chapman and Andre, 1777; sold by W. Keymer, Colchester, June 1785]Footnotes:Chapman and André's meticulously detailed and accurate survey of Essex resulted in the finest large-scale map of the county. It was the first to depict minor roads, and included every country house and cottage (usually named), milestone, bridge, turnpike, creek, ferry, cliff and even duck decoy. In addition to the main maps, the sheets include an outline of Harwich Harbour and a plan of Colchester. The present copy is in a highly unusual format, with the sheets joined to form two long continuous rolls, opening out to a total of some 13 metres in length.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 328
A LARGE REGENCY GILTWOOD AND GESSO CONVEX WALL MIRRORCIRCA 181583cm diameter overall A closely related mirror sold from the Gyrn Castle Collection, Christies London, Lot 83, 17th June 2006, Lot 83, £9,000. Another similar was sold in these rooms, 30th May 2022, Lot 291 £5625 (including premium).Condition Report: Marks, scratches and abrasions comensurate with age and use. Some old splits. Various old wear to the gilding. The mirror plate appears original and bears the expected depletion in the form of a grey 'fogging' to the plate. The plate does reflect a clear image beyond the light 'fogging' (Please see additional images for visual reference) Some slight movement of the ebonised moulding from its position against the inside edge of the frame. This should be straightforward for a restorer to remedy if required. The whole of the reverse of the frame is covered with paper (bearing tears and losses) so it is not presently possible to see if the rear panel is original. Some old worm damage is likely but not clearly visible past the paper covering the back. Very few holes are detectabel fromt he front of the mirror. Some nail/screw holes from previous methods of hanging the mirror. The flat outermost edge of the frame (nearest to the wall. Shows evidence of gilding but also but also has a 'brown' wash over it that is likely original. There is wear, chipping, fragmentary loss and some chips of loss there. Overall in good original condition for its age. This mirror is a relalively unusual large scale for its type. Please refer to the additional images for visual reference to condition. Condition Report Disclaimer
Lot 287
A PAIR OF MONUMENTAL CARVED GILTWOOD PIER MIRRORS19TH CENTURY255cm high, 150cm wideThe combination of Chinese Ho-Ho birds and the Rocco scrolls and rocaille seen in these mirrors is a style popularised by Thomas Chippendale in his The Gentleman and Cabinet-maker's Director (1754-1762). This 'Chinese Chippendale' style was adopted by many other top London makers of the mid 18th century including Ince & Mayhew, Thomas Johnson and Matthias Lock. For a design for a 'Pier Glass Frame' by Chippendale incorporating these two design sources see, The Gentleman and Cabinet-Makers Director, The Third Edition (1762), Reprint by John Tiranti Ltd, 1939, plate CLXIX. Designs for related 'Pier Glasses' by Ince & Mayhew see The Universal System of Household Furniture, 1759, Reprint by Alec Tiranti, 1960, plate LXXX & LXXXII. For a pair of carved giltwood mirrors of of related form but slightly smaller scale, see Christie's, New York, 500 Years: Decorative Art Europe, 15th April 2011, Lot 497 (£242,500).For examples of similar mid-18th century mirrors incorporating multiple plates and elaborately carved frames, see page 112 and 115.Provenance:Barnwell Manor, NorthamptonshireWindsor House Antiques Condition Report: Both with the marks, knocks, scratches and abrasions commensurate with age and use. Various old splits and chips. Frame have had the gilding refreshed, this appears to have been executed using gold leaf. The gilt surface with the expected wear, chips, losses and deposits. Mirror plates with some depletion, grey spots and bloom. Some plates appear to be old replacements but have depletion to match the others.Various old glued repairs to carved elements. These including repairs to the neck of one Ho-ho bird and to both pierced surmounts. Some minor gaps between mirror plates and the frame. The expected shrinkage cracks/gaps along the lines of underling construction. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 416
A CLOSELY MATCHED PAIR OF GEORGE IV MAHOGANY CHAMBER TABLESATTRIBUTED TO GILLOWS, CIRCA 1820each 73.8cm high, 68.5cm wide, 46cm deepFor a related Gillows chamber table see Susan E Stuart, Gillows of LANCASTER and LONDON 1730-1840, Antique Collectors' Club, 2008, p300, pl328. 'Small writing or chamber tables were introduced during the early 19th century and several were drawn in the General Sketch Book 1810. A hinged compartment with a pop-up lid was sunk into the writing surface to accommodate an inkwell and other writing equipment. The frieze drawer had to be indented in order to fit round the sides of the ink compartment. Chamber tables with plain turned or reeded legs retained their popularity since a similar design was drawn in the Estimate Sketch Book in 1823'.Condition Report: Marks, scratches and abrasions, old splits and chips comensurate with age and useSome fading to colour, staining and ring marks to the tops. Attention to the surfaces by a skilled restorer would improve the appearance considerably.The two tables are very close to each-other in all aspects but some very slight variations in proportion of the turning of the legs (that could be explained by them being hand turned). The figuring of the timber varies slightly between the two. The hinges of the lidded compartments vary between the two (one set has three screw hole son each side, the other has just two. Overall it seems unlikely that they were conceived as a pair but careful polishing in particular could make them appear as a pair prior to very careful inspection. Both tables finished equally on all sides so can free stand and remain presentable. The handles and locks appear original. The keys are present to operate the locks. one lock lacking two screws. The handles of the two tables match eachother. The casters of the two tables all appear original and the designs of them match eachother overall, there may be very slight variation in the scale/ finishing of them. One front leg of one table previously broken (at a relatively clean break) towards the uppermost part of the leg. (see images)To the interior of the lidded element of one table, the original division elements for the pair of inkpots are now lacking. The interior of the lidded element of the other table is lacking its divisions entirely. Both with solid mahogany drawer linings throughout. Please refer to all additional images for visual reference to condition. Condition Report Disclaimer
Lot 128
Quantity of Ludwigsburg porcelain tea wares, decorated throughout with Deutsche Blumen against a moulded fish scale ground, comprising lidded teapot, eleven tea bowls, seventeen saucers, lozenge shaped dish, all with crowned mark in underglaze blue; also a further Ludwigsburg hot water jug with associated cover (31)
Lot 145
Breitling Colt Chronograph gentleman's stainless steel wristwatch, model no. A13035.1, serial no. 6087, the signed white dial with Arabic numerals, inner minutes track and outer tachymetre scale, black subsidiary seconds, minutes and hours dials, central seconds hand, date aperture at the three o'clock position, automatic movement, the case 41mm diameter, on a blue strap with Breitling emblem to the clasp, housed in original box with documents, original stainless steel bracelet and a spare black strap
Lot 5461
Matchbox Collectables Holiday Express HO Scale Train Set includes Loco, Passenger Carriage, Tanker, Wagon and Flatbed Truck with 2 x Ford Model T Vans, a selection of track, power controller, instructions and certificate - Near Mint to Mint in Excellent box with Fair to Good outer transit carton.
Lot 108
John Piper C.H. (British, 1903-1992)Mosaic Coffee Table, circa 1957 signed 'John/Piper' (lower right)ceramic mosaic, painted metal and wood107.5 cm. (42 1/4) longFootnotes:ProvenanceThe Artist, from whom acquired by the parents of the present ownerPrivate Collection, U.K.In 1957 Piper saw another artist Martin Froy working on a mosaic mural at the Kingston workshop of Dennis M. Williams & Co. Dennis Williams was from a lineage of 'Freeman Tilers' and proposed that he and Piper design some tables. The intention was to revive the use of mosaic as a modern decorative art and indeed during the late 1950s and 1960s many new civic and commercial buildings incorporated mosaics as a featured surface especially in the public areas. With Williams' principal assistant, Mrs Grace Grove, vitreous glass, ceramic and porcelain was imported from Italy, Sweden, Spain and India. Some squares were made to Piper's specification e.g. a rich monastral blue and a delicate pale yellow. Thus Piper had the technical and workshop facilities to interpret directly his designs into mosaic patterns. He worked closely with setting out the individual tesserae in all the ventures.In 1957 Piper's main pre-occupation with stained glass design fed directly into how he set about displaying the mosaic colours onto the table tops. Namely he favoured using distinct colours in bold abstracted patterns but with something of the effect of age and softening of ancient stained glass by partial interspersing and graduating of colour boundaries. Piper created four main scales of mosaic tables, another similar example of the present lot is illustrated in Frances Spalding's John Piper, Myfanwy Piper: Lives in Art, Oxford University Press, Oxford, 2009, colour plate 53. Another example on this scale is also in the collection of Pallant House, Chichester.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 121
Rolex: a sailing wristwatch Oyster Perpetual Yacht-Master model, originally purchased 2005, 18ct gold case with European convention mark, signed Rolex calibre 2235 movement, round white dial with applied gold-edged black plot, rectangular and triangular hour markers, date aperture at 3, gold lume-filled Mercedes hands, gold centre seconds hand with lume pip, gold bezel with countdown scale in relief, on an Oyster bracelet strap with Oysterlock clasp with 78758 and marks for 18ct gold, no box and papers, with original purchase receiptDimensions:Case: 34.5mm excluding crown
Lot 169
TWO BOXED CORGI CLASSICS THE AVIATION ARCHIVE WWII EUROPE AND AFRICA FIGHTER AIRCRAFT MODELS, both 1:32 scale, Supermarine Spitfire Mk.IIA - P7966, D-B, O/C Tangmere (Wing Commander Douglas Bader), No.AA33903, missing part of engine cover and several of the gun covers from the wings, otherwise complete and in very good condition, with stand and limited edition certificate No.3479 of 4800 but the certificate has incorrect text for this model (refers to Belgian Air Force Hawker Hunter), with a North American P-51-D-10-NA Mustang - 'Old Crow' 362nd FS, 357th FG 1944, No.AA34402, missing engine cover, damage to roof aerial, mounting points on the under wing tanks have some damage, otherwise complete and in very good condition, with stand and limited edition certificate No.1607 of 3300, boxes both complete with interior and in good condition with only minor wear
Lot 180
A BOXED CONRAD NZG J.C.B. 820 CRAWLER EXCAVATOR, No.286, 1:35 scale, appears complete and in good condition with minor wear, except has some paint loss and wear where the two parts of the arm meet, in working order but the arm feels loose and looks to have come apart at one time and been put back together, box complete but has some minor damage and wear, with an unboxed Britains Massey Ferguson 760 Combine Harvester, No.9570, 1:32 scale, appears complete and in fairly good condition with some marking and wear, except exhaust pipe has broken off (missing) and some of the decals are worn or missing (2)
Lot 184
A QUANTITY OF BOXED UNBUILT AND PART BUILT CONSTRUCTION KITS, to include Artesania Latina Humbrol 1:50 scale 1848 French Schooner 'Le Hussard', Artesania Latina 1:32 scale Krupp 75mm Field Gun, Revell 1:24 scale Ferrari Set II, No.05707, Italeri 1:9 scale Triumph 3HW Motorcycle, No.7402, military kits by Kitech and AFV Club, Airfix, Linka building kit, Hobby's Kit etc., contents not checked but many appear largely complete, one empty box, damage and wear to boxes
Lot 58
A QUANTITY OF BOXED AND UNBOXED DIECAST VEHICLES, boxed models include Dinky Toys Triumph TR7 Rally Car, No.207, Bburago 1:24 scale Lancia Delta S4, No.0115, unboxed playworn models include Dinky Toys Austin A40 Somerset, No.40j, Aston Martin DB6, No.153, metallic turquoise body, Ford Capri, No.2162, Corgi, Budgie, Matchbox etc., with a quantity of Marx tinplate Streamline Speedway track (missing cars) and unmarked two soft toy rabbits, playworn condition with some paint loss, fading and wear (2 boxes)
Lot 40
A COLLECTION OF ASSORTED BOXED 1:18 SCALE DIECAST AMERICAN CAR MODELS, to include Ertl Collectibles American Muscle Holley 1969 Chevrolet Camaro, No.36983, assorted other models by Maisto Pro Rodz, Sun Star, Yat Ming Road Signature, Signature Models and Welly, all appear complete and in good condition, look to have hardly ever been removed from boxes, which are all complete with interior but have minor fading, damage, marking and wear (10)
Lot 108
A COLLECTION OF AMERCOM GREAT BRITISH LOCOMOTIVES COLLECTION MODELS, approx. OO gauge, many models are still sealed in original plastic packaging but some have been opened and resealed and some are open, all in very good condition, some duplication of models, no magazines or paperwork, with a modern large scale tinplate toy model of the 'Flying Scotsman' (4 boxes)
Lot 154
A QUANTITY OF BOXED AND UNBOXED MODERN DIECAST AND RESIN/WHITEMETAL KIT MODELS, including two Lancer Models 1/76 4mm scale B.M.M.O./Midland Red S12 bus models, kit No.L35, both have been constructed and finished to a very good standard and show destinations of local interest, Oxford Diecast, including Great Dorset Steam Fair models from 2015 and 2016, E.F.E., Lledo Trackside, Pocketbond Classix etc., damage and wear to some boxes/sleeves (13)
Lot 44
A COLLECTION OF ASSORTED BOXED 1:18 SCALE DIECAST SPORTS CAR MODELS, assorted models of British, American and Japanese cars by Bburago, Maisto, Yat Ming Road Signature and Chrono, with a boxed Bburago 1:24 scale 1965 Ford A.C. Cobra 427, No.0513, all models appear complete and in fairly good condition, but boxes have damage and wear (8)
Lot 51
A QUANTITY OF ASSORTED BOXED MODERN DIECAST VEHICLES, to include Western Models 1:43 scale 1926 Rolls Royce Phantom 1 Doctors Coupe, No.WMS27, good condition but has very minor damage and flat spots to some tyres, assorted boxed Corgi Classics, bus, coach and truck models, to include Ford Transcontinental with Box Van Trailer B.R.S. Midlands, No.23001 (with sealed accessory pack), Leyland Atlantean Ribble 'Gay Hostess', No.97230, all appear in good condition but majority missing mirrors, G.M. bus missing headlight and majority missing limited edition certificate if appropriate and a collection of Atlas Editions 1:24 scale Classic Motorbikes models, many with accompanying literature, damage, marking and wear to boxes
Lot 177
A QUANTITY OF BOXED AND UNBOXED PLAYWORN DIECAST VEHICLES, to include unboxed Dinky Toys Auto-Union Racing Car, No.23d, A.E.C. Tractor Unit, No.474, assorted film and TV related to include S.H.A.D.O 2 Mobile, No.353, Conrad NZG J.C.B. 418 Wheeled Loading Shovel, No.142, Corgi Toys Karrier Smiths Mr. Softee Ice Cream Van, No.428, 1:18 scale John Player Special Lotus F1 car, No.190 (no tools), Matchbox Austin Cambridge A55, No.29 with silver wheels, Siku, Lion Cars, Schuco, Britains, Dinky, Corgi, Matchbox, Majorette, Impy Road Master, Tonka, Atlas Editions, Oxford Diecast, Polistil, Guiloy, kit built? Police Riot Control Vehicle, boxed items from EFE, Oxford Diecast, Corgi, Lledo, Matchbox Models of Yesteryear, Majorette, Cararama etc., contains one empty Corgi box, with a scratch built 1930's Art Deco style wooden garage/service station, appears to be missing perimeter walls and is in need of a good clean (4 boxes and garage)
Lot 195
A QUANTITY OF RADIO CONTROL MODELS AND ASSORTED TOYS ETC., to include boxed RC 1970's Hong Kong made plastic 1:12 Formula 1 Car, No.8001, appears complete and in fairly good condition, with instructions, unboxed RC Mud Slinger Shocker Jeep, unboxed RC Honda CBX, all with hand controllers (none tested), unboxed Tiger Electronics Brainshift electronic game (not tested), boxed Next Game 1:24 scale metal 'Build Your Own Mini Cooper' kit, looks to be sealed in original packaging, unboxed Petite Typewriter Mattel Burbank Toys Jack in the Box, puzzles, yo-yo's etc. (2 boxes)
Lot 53
A COLLECTION OF ASSORTED BOXED 1:18 SCALE DIECAST SPORTS CAR MODELS, assorted models of German and Italian cars by Bburago & Maisto, with a unboxed Bburago 1:24 scale 1954 Mercedes-Benz 300SL, missing one headlamp, wipers and has damage to windows, all boxed models appear complete and in fairly good condition with some minor wear, all boxes have damage and wear (7)
Lot 46
TWO BOXED UNBUILT PLASTIC CAR MODEL CONSTRUCTION KITS, both 1:25 scale, AMT Ertl 1958 Chevrolet Impala Coupe, No.6548 and Revell 50th Anniversary Special Edition Ford Fairlane 500 Skyliner with Retractable Top, No88124, contents not checked but both appear largely complete with most components still attached to plastic sprue and contained in original opened and re-sealed plastic bags, both with instructions, minor damage and wear to boxes, with a boxed constructed Haynes Build Your Own Internal Combustion Engine model, No.679, has been constructed to a good standard and appears in working order but is missing item from the exhaust manifold, missing instructions, box damaged (3)
Lot 166
AN UNBOXED FRANKLIN MINT DIECAST 1961 JAGUAR E-TYPE, 1:24 scale, missing n/s headlamp glass but otherwise appears complete and in fairly good condition, an unboxed Danbury Mint 1:24 scale 1949 Ford Custom, both bumpers have been removed but are present with model, otherwise appears complete and in fairly good condition with only minor wear, both missing swing tags and all paperwork and a boxed Maisto Special Edition 1:18 scale 1999 Jaguar S Type, appears complete and in very good condition, looks to have hardly ever been removed from box which is complete but has some damage and wear (3)
Lot 84
A QUANTITY OF BOXED MODERN DIECAST CAR MODELS, to include Revell 1:12 scale 1964 Ferrari 250 GTO, No.8850 Corgi Concours Collection 1:18 scale Mini Cooper S, limited edition model, No.99594, complete with limited edition certificate No.0098/7500 and Solido Prestige 1:16 scale Mini Cooper S, No.8023, Corgi Classics Corgi Originals The Professionals Ford Capri, No.CC00401, assorted Ford Capri models by Solido, Minichamps; Corgi Motoring Memories and Lledo Vanguards, other models include GE Fabbri Universal James Bond Car Collection and Matchbox Dinky Collection, all appear complete and in very good condition and look to have hardly ever been removed from boxes, which are complete with interiors but have some minor, marking, wear and damage (11)
Lot 189
GIORDANO FALZONI (1925-1998)Apparition signé 'giordanofalzoni' (en bas à gauche)huile sur panneauPeint en 1955signed 'giordanofalzoni' (lower left)oil on panelPainted in 195539 x 20cm (15 3/8 x 7 7/8in).Footnotes:ProvenanceGalleria dell'Obelisco, Rome (acquis en 1959). Collection particulière, Italie (acquis auprès de celle-ci circa 1990). Exposition New York, The American Federation of Arts, Major work in minor scale, mai 1955 - juin 1957, no. 8.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 12
A monumental and important carved marble sundialPortuguese, Oporto region, mid 18th century 357cm high by130cm wide by 62cm deepPortugal has a rich tradition of country houses and manors indigenously known as solares or quintas. Some were modelled on the great 18th century gardens of Le Notre and other landscape architects in France. Under King Joao, himself a great patron of the arts, began the great 18th century period of Portuguese baroque. The previous austere architectural style albeit heavily influenced by renaissance Italy was replaced with exuberance. With great profits from its colonies and most especially gold and precious stones from Minas Gerias and the Sertao of Sao Paulo in Brazil, it was the golden era of Portuguese architecture and ornament.From it there emerged a new artistic language. Named the Joanine, in honour of the king, it was an architectural style that transformed quintas not only in Portugal but also in the nation’s Atlantic provinces and overseas colonies. This spectacular sundial , monumental in scale incorporates many architectural elements synonymous with the baroque architecture of the mid 18th century.It was a highly creative Italian who created a style of this style of architecture perfectly suited to Northern Portugal. Born in 1691 and trained in Sienna Nicolau Nasoni arrived in Oporto in 1725. Having established his reputation modernising the city’s cathedral, he was commissioned by Jeronimo de Tavora e Noronha to build the Church of Clerigos, one of Oporto’s great 18th century churches. Commissions for other churches and quintas followed of which the most well known is the grand solar de Mateus, known all over the world for the rose wine bearing its name.The architectural composition of this sundial probably owes more to the façade of the Cas dos Porto Carreiro. Commissioned by Antonio de Vasconcelos Carvalho e Menezes, a wealthy Portugese noble who made part of his wealth in Brazil it was constructed by a Spanish architect but heavily influenced by Nasoni’s work. The volute scrolls and the foliate elements as well as the stylized lambrequins all echo Nasoni’s designs for the gilt woodwork of Oporto churches. Garden ornament Garden statue
Lot 413
Exceptionally fine and large antique pieced mosaic patchwork quilt, probably American, worked in polychrome silks, taffetas, brocades and velvets, with five rows of five octagonal medallions surrounded by decorative borders, the cafe au lait silk backing with blue silk border quilted with diamond in a circle central medallion on fish scale field surrounded by panelled border of scrolling leaf motifs and fans to corner. Approx. 270cm x 240cm (8 foot x 9 foot).
Lot 4075
Selection of TV & Film related collectables including Large Scale Doctor Who Electronic Dalek (untested), missing one light from top, MB Grandfather Clock 3d Puzzle, Fair to Good (unmade, unchecked), within Excellent opened box, Revel Titanic Model kit, within Good Plus sealed box, Nintendo Wii The Legend of Zelda Twilight Princess Game Disc + Wolf Link Amiibo + Audio CD Box set, Near Mint UNUSED and Nintendo Yoshi's Woolly World Mega Yarn Yoshi Amiibo, within Near Mint box. (5)
Lot 4184
Willplus Empress Starless 21st Century Nymphomaniacs Mamiya Marie 1/6 scale painted figure, Excellent, Complete, within Fair opened packaging. Kaitendoh Walkure Romanze Celia Cumani Aintree 1/8 scale figure, Mint within Near Mint sealed packaging. Excellent Model Limited Portrait of Pirates One Piece Limited Edition Nami Ver.BB 1/8 scale figure, Near Mint to Mint, within Good opened packaging. Wave Corporation Beach Queens Treasure Figure Collection Super Sonico, 1/10 scale figure, Mint, within Good Plus opened packaging. Craneking Banpresto One Peg Jeans Freak figures x 2 includes 03 Nico Robin and 09 Vivi, within Excellent to Near Mint sealed packaging. (6)
Lot 4176
Hasbro Star Wars Force Link Kylo Ren's TIE Silencer & Kylo Ren (TIE Pilot) 3 3/4" figure and vehicle set. Hasbro Star Wars The Force Awakens Poe's X-Wing Fighter & Poe Dameron 3 3/4" figure and vehicle set. Kenner Hasbro modern The Vintage Collection Tantive IV Corridor playset, includes Rebel Fleet Trooper 3 3/4" action figure. Hasbro Star Wars Celebrate the Saga The Resistance 3 3/4" 4 figure and droid set. Hasbro Star Wars Episode I Ultimate Hair Queen Amidala large scale figure with accessories (some have become loose in box). Hasbro Star Wars Episode I electronic Naboo Fighter. Hasbro The Kenner Collection The Power of the Force 2 Kabe and Muftak figure set. Hasbro Star Wars The Empire Strikes Back Chewbacca (Cloud City Capture) with electronic C-3PO 3 3/4" figure. Hasbro Star Wars The Phantom Menace Teemto Pagalies 3 3/4" figure. all generally Excellent to Mint, within Fair to Near Mint sealed packaging. (9)
Lot 4130
United Cutlery The Lord of the Rings 1/5 scale miniature collectable swords with stands x nine, includes swords of Ringwraiths, Sting (Frodo & bilbo's sword), Strider, Witchking, Anduril, Glamdring (sword of Gandalf The Grey), Hadhafang (sword of Arwen), Fighting Knives of Legolas, Narsil, all generally Good Plus to Excellent, within Good to Good Plus opened packaging, also includes 4 x miniature plastic swords, within display boxes, Excellent. (13)
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