A Meissen porcelain teapot and cover of quadrilobed form with wishbone handle, the body reserved with two landscape panels, one with figures seated by a stream with a monument beyond, the other with a man pushing a lady on a chair/sledge across a frozen lake, the turquoise ground painted with floral sprays all within gilt scale and foliate borders, purple 44 mark, 12.5 cm. high, later metal spout and chain attachments, damage to finial. * Provenance Probably acquired from Hugo Helbing (1863-1938) of Munich, a prominent art dealer in the early 20th Century. Helbing was arrested in the Kristallnacht and beaten and died of his injuries on the 30th November 1938.
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A good Coalport blue ground porcelain dessert set, circa 1910, enamelled in 18th century Worcester style, painted with trefoil vignettes of fanciful birds before scale blue and gilt scrolling ground, fluted gilt rim, printed Coalport mark, comprising four square serving dishes and twelve dessert plates, printed T Goode and Co London retail mark, and pattern number X6042, dessert plates 24cm d (16)
EUGENE HENRI CAUCHOIS (FRENCH 1850-1911) FLORAL STILL LIFE oil on canvas, signed 54cm x 73cm note : Like many painters of his generation, Eugène-Henri Cauchois found a compromise between the techniques of the Academy and modern, Impressionist tendencies in his creation of genre and still-life paintings. Born in Rouen in 1850, Cauchois became a student of Ferdinand Duboc and of Alexandre Cabanel. Although he debuted at the Salon in 1874, it seems that his greatest success as a painter came during the 1890s: Cauchois became a Sociétaire of the Société des Artistes Français in 1890, was awarded a third-class medal at the Salon of 1898, a bronze medal in 1900, and a second-class medal in 1904. Late in his career, Cauchois turned to decorative painting, accepting many commissions for large-scale works, including a suite of the four seasons for The School of the Seventh Arrondisement of Paris. He continued to work on such decorative commissions until his death in 1911. His work is in numerous public collectionss and museums including : Angers; Louviers; Galerie Roussel; Montauban, Musée Ingres; Perpignan; Rouen.
A Dresden desk set late 19th century, of shaped rectangular form, with two inkwells and covers, painted with floral bouquets, reserved on a green scale ground with gilt scroll borders, the matching pots with purple and orange floral sprays, marked to the underside, 7½in. (19cm.) long, one cover replaced.
A 19th century Japanese export plate painted with figurative scene on a terrace within a purple dotted-diamond-scale border reserved with floral and landscape vignettes in iron-red, together with a pair of 19th century English porcelain copies, painted centrally with a figurative scene, within a pink dotted-diamond scale and iron-red banded border, with shaped rim edged in yellow, 8½in. (21.5cm) diameter, and a pair of mid-19th century Japanese export plates painted with similar figurative scenes. (5)
A 19th century Dutch walnut and marquetry display cabinet the broken pediment over a scale banded cornice and pair of glazed doors and three pane canted side glasses, enclosing three shaped shelves, the base with a pair of raised panelled cupboard doors enclosing three shelves, on shaped bracket feet, the whole decorated in marquetry with floral tracery, birds and floral urns in satinwood and ebony, 84½in. (214.5cm.) high, 53in. (134.5cm.) wide, 11in. (28cm.) deep.
A Regency ebonised and gilt brass mounted bracket clock, with an 8 day twin fusee movement striking on a bell, with rectangular plates having an engraved edge and signed Wightwick & Mofs, London, with a painted 7 inch dial signed Wightwick & Moss, LONDON, the hinged door with pierced and engraved foliage scroll panels, fish-scale arched side panel, carrying handle and bracket feet, 16in (40.5cm) h.
An early 19th century mahogany regulator longcase, with a 6 pillar movement and dead beat escapement, set with tapering rectangular plates, the silvered break arch dial with subsidiary seconds, signed W. H. Mills, Swansea, the arch inscribed Regulator, the hood with fluted canted corners above a glazed trunk door, with glass jar pendulum, now filled with lead shot, silvered scale behind, panelled base on ogee bracket feet, 73.5in (186.5cm) h.
A 1 inch scale traction engine 'Minnie' to L C Mason design, described in Modern Engineering volumes 135 - 136, with copper boiler and fittings including sight glass, pressure gauge safety clock and blow down cross lead guides. Chassis has spoked and straked wheels finished in blue, red and black paintwork
A 1 inch scale traction engine 'Minnie' to L C Mason design, described in Modern Engineering volumes 135 - 136, with copper boiler and fittings including sight glass, pressure gauge safety clock and blow down cross lead guides. Chassis has spoked and straked wheels finished in blue, red and black paintwork

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