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Lot 19
WIKING ca. 100 Fahrzeuge im Maßstab 1: 87 verschiedene PKW und LKW der Feuerwehr und der Post, Traktoren, Anhänger, Schwerlastzüge, Container u.a., überwiegend nach 1985, ohne Verpackung, tlw. mit Preisaufkleber (Zugehörigkeit nicht geprüft), Zustand nach oberflächlicher Begutachtung gut.| WIKING about 100 vehicles on a scale of 1: 87, various cars and trucks from the fire brigade and the post office, tractors, trailers, heavy-duty trains, containers, etc., mainly after 1985, without packaging, some with price stickers (affiliation not checked), good condition after a superficial inspection.
Lot 17
WIKING/I.M.U. Konvolut aus 40 Fahrzeug- und Zubehörpackungen im Maßstab 1:87, bestehend aus WIKING: 9 Fahrzeugpackungen, darunter 3 x '100 Jahre MB', '50 J. W-Verkehrsmodelle', 'Werbemodelle 1982/83', 2 x 'FW Magirus KW 16' und 13 Zubehörpackungen, wie z.B.: 'Verbindungen II' und 'Ladegut II' sowie 5 x Stapelkästen blau-grau und 11 Container (1 x verpackt, Rest ohne Verpackung in einer Aufbewahrungsbox), dazu I.M.U. 6 x Getränkewagen und HERPA: DPD-LKW, Verpackungen tlw. mit Lagerspuren und Altersspuren (Schaumstoff porös), Zustand der Inhalte nicht geprüft.| WIKING/I.M.U. Lot of 40 vehicle and accessory packs on a scale of 1:87, consisting of WIKING: 9 vehicle packs, among them 3 x '100 years MB', '50 J. W traffic models', 'advertising models 1982/83', 2 x 'FW Magirus KW 16' and13 accessory packs, such as: 'Connections II' and 'Load II' as well as 5 x blue-grey stacking boxes and 11 containers (1 x packed, the rest without packaging), plus I.M.U. 6 x drinks trolleys and HERPA: DPD truck, packaging partly with traces of storage and signs of age (porous foam), the condition of the contents has not been checked.
Lot 20
WIKING 35-tlg Konvolut aus Fahrzeug- und Zubehörpackungen im Maßstab 1:87, bestehend aus WIKING: 10 Fahrzeugpackungen, darunter 2 x '100 Jahre MB', '50 J. W-Verkehrsmodelle', 'Werbemodelle 1982/83', 2x 'Wohnwagen-Gespann', Postfahrzeuge u.a., sowie 24 Zubehörpackungen, darunter 3 Packungen vor 1985: Fußgänger, Kabeltrommeln (je noch am Spritzling) und Container-Packung (mit zusätzl. Aufklebern) in Orig.-Box, Rest nach 1985: 'Parkhalle', 'Container', 5 x Heu- und Rundballen, 'Verbindungen', 'Räder', 'Feuerwehr', 5 Packungen mit verschiedenen 'Fahrern', 'Ladegut' uvm. Dazu ein HERPA Dpd-LKW, Verpackungen tlw. mit Lagerspuren und Altersspuren (Schaumstoff porös), Zustand der Inhalte nicht geprüft.| WIKING 35-piece bundle of vehicle and accessory packs on a scale of 1:87, consisting of WIKING: 10 vehicle packs, including 2 x '100 years MB', '50 J. W traffic models', 'advertising models 1982/83', 2x 'caravan team', postal vehicles, a.o. and 24 accessory packs, including 3 packs from before 1985: Pedestrians, cable drums (each still on the sprue) and container pack (with additional stickers) in original box, the rest after 1985: 'parking hall', 'container', 5 x hay and round bales, 'connections', 'wheels ', 'fire brigade', 5 packs with different 'drivers', 'cargo' and much more. In addition, a HERPA Dpd truck, packaging partly with signs of storage and signs of age (porous foam), condition of the contents not checked.
Lot 18
WIKING 25 tlg. Konvolut Großmodelle im Maßstab 1:40 bis 1:60, 14 VW-Busse, 3 Käfer und 5 VW-PKW in verschiedenen Ausführungen sowie 1 Magirus Pritschenwagen, 1 Gabelstapler und ein Claas Mädrescher ohne Karton, tlw. mit Lagerspuren, Zustand nach oberflächlicher Begutachtung gut.| WIKING 25-part mixed lot of large models on a scale of 1:40 to 1:60, 14 VW buses, 3 Beetles and 5 VW cars in different versions as well as 1 Magirus flatbed truck, 1 forklift and a Claas combine harvester without box, some with traces of storage, condition only superficially checked.
Lot 32
De La SoulOriginal Artwork Study for the De La Soul '3 Feet High and Rising' Debut Album Artwork, 1988/89designed by Grey Organisation/Toby Mott, original hand-drawn mock up for the 12inch vinyl album record sleeve, consisting of a black and white photographic print with Posca paint pen art work on acetate overlays bearing the band and album name with floral design motifs, adhered with small pieces of tape to each side, stamped Grey Organisation twice along lower right margin 32.5 x 32.5cm (12 3/4 x 12 3/4in)Footnotes:ProvenanceIn 1988, Tommy Boy Records contracted the Grey Organization to create a visual graphic identity for the hip hop group, De La Soul, comprising Kelvin 'Posdnous' Mercer, Dave 'Trugoy the Dove' Jolicoeur, and Vincent 'Pasemaster Mase' Mason, including art direction for their debut album, 3 Feet High And Rising. Released on March 3, 1989, the album became a critical and commercial landmark of late 20th century pop culture, selling millions of copies worldwide and expanding the vocabulary of hip hop as an emerging art form.In 1998, 3 Feet High And Rising was named as one of 'The Source' magazine's '100 Best Rap Albums' of all time. In 2010, the US Library Of Congress selected the album for inclusion in the National Recording Registry, which identifies American sound recordings 'that are culturally, historically, or aesthetically significant.'In an article for 'The Guardian' newspaper on the occasion of the album's 25th anniversary, Toby Mott recounted his collaboration with the group. Their starting point was De La Soul's psychedelic 'D.A.I.S.Y. age' concept (according to Posdnous, '...we coined the term 'the daisy age' after we noticed a nightgown in a store that had a picture of Minnie Mouse holding a daisy on it. Although the daisy stood for 'Da Inner Sound Y'All', it was also about suggesting a sunnier style of rap.') and Grey Organization developed a visual concept that incorporated the now iconic dayglo flower motifs associated with the group's early period.For the album cover photo shoot, De La Soul visited the Grey Organization's loft, where Mott asked Posdnuos, Trugoy and Mase to lie down on the floor, facing up, so their heads would form a triangle. 'We [Mott and photographer Marie Hennechart] photographed them precariously from the top of a step ladder, one idea being that the cover would not have a right way up.' Since compact discs had not yet become the dominant musical format, the design process centred on production for the album's 12inch LP record sleeve. Working at scale, Mott layered brightly coloured hand-drawn flower designs made with Posca paint pens on acetate as an overlay for Hennechart's black and white portrait of the group. 'This was well before the time of Apple Macs and scanning,' Mott recalls. 'Our intent was to be new and bright, with the overlaying of the fluorescent flowers and text reflecting a synthetic pop cartoon look. For De La Soul, it was a self-conscious move away from the prevailing macho hip hop visual codes of the era, which continue to dominate today.' [Note: The final album cover layout based on this artwork is credited to graphic designer Steven Migilo]. Grey Organization provided tour support and directed two videos for the group, Potholes On My Lawn and Say No Go, 1988 and 1989 respectively.Toby Mott's relationship with music started when he was a teenager. Mott was 13 in 1977, when Punk exploded in London. His career encompasses co-founding East London art group, the Grey Organisation, in the early 1980s, creating the cover artwork offered here and designing the fashion line, Toby Pimlico.For further information on this lot please visit Bonhams.com
![[Hardouin-Mansart (Jules)] [L'Eglise des Invalides], only edition, 14 fine etched and engraved plates & plans, 4 double-p](https://cdn.globalauctionplatform.com/7cebb886-88e1-48ab-996d-af1f010038fc/abc47dcc-2885-442d-b49f-af1f011a43b8/468x382.jpg)
Lot 109
[Hardouin-Mansart (Jules)] [L'Eglise des Invalides], only edition, 14 fine etched and engraved plates & plans, 4 double-page and 8 folding, 4 very large, all mounted on stubs, first large plate with short tear to central fold, a few other repairs to folds, handsome contemporary mottled calf with central gilt arms of Louis XIV, rubbed, rebacked preserving most of old gilt spine, new red morocco label, corners repaired, [Millard French 112; not in Berlin Kat.], folio, [Paris], [c.1680].⁂ Rare. "These very elegant, beautifully engraved, large-scale sections of the chapel of the Invalides, built by Jules Hardouin-Mansart from 1680 to 1691, were used to calculate estimates of the material needed for the construction of the chapel. The original plates were never sold and are now in the Chalcographie du Louvre." Millard.
Lot 120
Horwood (Richard) Plan of the Cities of London and Westminster the Borough of Southwark and Parts adjoining Shewing every House, first edition, large wall map of London in 32 sheets, presented on a scale of twenty-five inches to the mile, with title in oval and imprints to lower centre of each sheet, extending from Angel to Limehouse, and Kennington to Brompton, engravings with some outline hand-colouring, on cream wove paper each watermarked 'Horwoods Plan/ Of London', each individual sheet approx. 630 x 525 mm (24 3/4 x 20 3/4 in), occasional handling creases and tears into the plates, small nicks and minor losses to marginal extremities mainly lower right corners, some restoration to a few areas of marginal loss, sheet E1 with larger repaired tears visible verso, many sheets with some localised spotting and browning to marginal edges, scattered surface dirt, unframed and loose, presented in modern green cloth drop-back box, red morocco label, gilt, [Howgego 200 (1)], elephant folio, [c.1792-1799].⁂ The largest map printed in Georgian Britain, and a defining study of London at the end of the eighteenth century. Horwood's plan was the first map of London to attempt to show every individual property, and took over 7 years to complete following numerous logistical and financial obstacles.
Lot 124
Huber (Joseph Daniel von) Scenographic oder geometrisch Perspect. Abbildung der Kayl. Konigl. Haupt. u. Residenz Stadt Wienn in Osterreich..., monumental 24-part bird's-eye perspective plan of Vienna, the upper right sheet with large title cartouche, and the map itself covering the fortifications of the city and part of the suburbs up to the Linienwall, with numerous accurate architectural and topographical details including gardens, engraving on 24 sheets, excellent richly inked impressions with depth and clarity with little to no wear visible in the plates, on thick cream laid paper with 'Wangen' watermarks and countermarks, each sheet approx. 935 x 730 mm (36 3/4 x 28 3/4 in), some expert repairs to marginal tears, only to a handful of plates, the upper left sheet sheet with some faint stains and old repairs to perforation within the blank part of the sheet, scattered minor surface dirt, presented in modern cloth drop-back box, Vienna, 1778.⁂ An 18th century cartographic masterpiece, and one of the most important representations of Vienna. Major Joseph Daniel Huber, a military cartographer based in Vienna, started working on his Vogelschauplan of the city in 1769 after being commissioned to undertake the project by Empress Maria Theresa of Austria. By the end of May 1773 Huber had completed the manuscript plan in pen and wash on 42 sheets (now held in the Albertina), however the printed plan was not ready until 1778. The Baroque city is shown with an exceptional level of detail and accuracy, with the heights of the buildings plotted upwards true to scale on an undistorted plan.
Lot 222
Rocque (John) A Plan of the Cities of London and Westminster and Borough of Southwark, large wall map of London in 24 sheets, extending west to east from Hyde Park to Limehouse and north to south from New River Head to Walworth, an excellent example of the second edition from c.1749 with no changes to the title or imprint, but with some minor alterations to the map, such as the addition of Chesterfield House on sheet A2 (completed in 1749), engravings by Richard Parr on laid paper with large watermarks of Strasbourg Lily and with roman numeral countermarks, each sheet approx. 710 x 515 mm (28 x 20 1/4 in), if joined total map approx. 2130 x 3605 mm (83 3/4 x 142 in), faint horizontal drying creases to some sheets, many corners with small expert repairs to minor loss, other scattered nicks and small tears to marginal extremities with repairs visible verso, some even toning to sheets, but A1 and D2 slightly more browned than the others, larger repaired tears visible verso of H2, upper left corner of C2 with printed map loss replaced in pen facsimile, sheet A1 with repair verso to old splitting to drying crease, otherwise scattered spotting and surface dirt, unframed and loose, presented in modern cloth drop-back box, [Howgego 96 (2)], elephant folio, John Pine & John Tinney, 1746 [but c.1749].⁂ A magnificent and highly detailed 18th century wall map of early Georgian London. Larger than any earlier published map of the city, and a defining moment in the history of London cartography. Begun in March of 1737, upon a scale of 26 inches to one statute mile, the map would take nine years to produce.
Lot 49
Cary (John) Cary's New Map of England and Wales with Part of Scotland, engraved title, hand-coloured general map and 79 sheets (numbered 1-81), mostly engraved maps hand-coloured in outline but including dedication, key and scale as part of sheets, no sheets numbered 62 or 80 (?]as issued), bound with list of places, directions and index at end, tear to lower inner corner of dedication and general map affecting borders and corner of map (repaired), a good clean copy, modern half calf, spine ruled in gilt with red & blue labels, very slightly rubbed and faded, 4to, 1794.
Lot 50
Cary (John) Cary's Improved Map of England and Wales with a considerable portion of Scotland, planned upon a scale of two statute miles to one inch, monumental survey map, complete in 65 sections, with calligraphic title, index map sheet, and Explanation key sheet, engravings with bright original hand-colouring, each map section approx. 530 x 650 mm (20 7/8 x 25 1/2 in), dissected and mounted on light-brown coloured linen, some offsetting and occasional spotting and browning throughout, minor surface dirt, each folding with printed label of Parisian publisher 'Ch. Piquet', small red ink collector's stamp 'Bibliothèque St. [?] Grieg' to many, and vellum tab to all, the Index map with heavy toning, presented in five uniform blue-green marbled slip-off cases, each with gilt red label to spine lettered in French, rubbed and worn, 4to, 1832 (5)
Lot 74
A George III silver and parcel-gilt snuff boxJohn Linnet and William Atkinson, London 1810 Rectangular with canted corners, the hinged cover with an applied perforated leaf-scroll on an oval reserve, surrounded by high relief laurel leaves, on a fish-scale engine-turned ground with foliate border, opening via a thumbpiece to reveal a gilt interior, the whole with moulded rims; in addition a large George III silver snuff box, Thomas and James Phipps II, London 1815, rectangular, hinged lid with gilt interior, engine-turned with vacant cartouche, and finally a late William IV silver snuff box, Thomas Edwards, London 1837, rectangular, a flush hinged cover featuring a circular cartouche with engraved armorial, a full-length moulded floral thumbpiece, gilt interior, the whole engine-turned, weight 13oz. (3)Footnotes:Property of a private collector.For further information on this lot please visit Bonhams.com
Lot 444
A SCOTTISH MAHOGANY STICK BAROMETER, CIRCA 1840Adie & Son, EdinburghThe arched silvered indicator scale, engraved with makers details, above a turned adjustment screw, and oval shaped reservoir cover, 95cm high, 8.5cm wide, 4.5cm deepFor further information on this lot please visit Bonhams.com
Lot 460
A FINE GLASGOW SHIPBUILDER'S SCALE MODEL OF THE CARGO SHIP 'GUJARAT'The cased model with rigged masts, derricks and deck details including anchors, winches , deck rails, companionways, deck house, lifeboats and lowered gangway, and four blade propeller, finished in black, with red below the waterline and brass fittings, in original rounded rectangular mahogany lazed library case , with engraved brass plate inscribed 'Steel single screw Motor Cargo & Emigrant ships 'GUJARAT' 'KATHIAWAR' & 'LUXMI' built for The Bank Line Ltd, Andrew Weir & Co Managers by Messrs Harland & Wolff Ltd Glasgow, Length 370'-0 Breadth 48'-0 Depth K to B 37'-0 Gross Tonnage 4148', raised on turned tapered legs, 152cm wide, 151cm deep, 42cm high (59 1/2in wide, 59in deep, 16 1/2in high) Footnotes:NotesThe SS Gujarat was the first Harland & Wolff ship to be built for Andrew Weir, delivered by the Govan Shipyard in 1923, launched 11th October and completed 20th December 1923. The Gujarat was a motor cargo-passenger ship with single-screw propulsion 6-cylinder engine built at Harland's Govan engine works along with 'Kathiawar' & 'Luxmi' in the same class. There was accommodation for 12 First Class, 20 Second Class & 400 Deck Passengers on the Indian-African Line travelling from Calcutta, Rangoon, Madras, via Colombo to Mozambique & Southern Africa. In 1957 Gujarat was sold after sailing over 1 3/4 million miles to Cathay Shipping, Singapore and renamed 'Everlife', scrapped in Hong Kong 1961.For further information on this lot please visit Bonhams.com
Lot 2159
Cauny Prima gentleman's manel wind chronograph wristwatch, 17 jewel movement, Cal. 248, silvered dial with subsidiary seconds dial for 45 minute recording and constant seconds dials and outer tachymeter scale, on brown leather strapCondition Report:Movement currently working, recording dial and constant seconds also working - time keeping not checked - not guaranteed, push button operating, dial with some light marks and rubbing of gilt metal to case, crown difficult to pull out but hands move freely , case diameter = 36mm (excluding crown)
Lot 191
William Cozens & Son, London, bracket clock William Cozens & Son, London, bracket clock, double fuse, 8-day movement striking on single bell, painted dial with Roman numerals, figured mahogany case, caddy top with pineapple finial, fish scale grills to each side, back of case with gazed door, also associated mahogany wall bracket with brass gallery.47cm (`18")
Lot 1588
A mixed group of English pottery and porcelain, mostly 19th century, including a brown printed plate commemorating "Viscount Clive Attaining His Majority November 5th 1839", diameter 27.5cm, a Chamberlain & Co Worcester floral painted teacup and saucer, a New Hall teabowl and saucer, a Samson Worcester blue scale style teacup and saucer and a Mintons candlestick, height 15.5cm (minor faults).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 1514
A London Delft circular dish, circa 1740, polychrome painted with a stylized central foliate medallion, the rim with foliate detail divided by scale panels, diameter 34cm, together with a British Delft tile, painted with an urn of flowers, 13.5cm square, a 15th century Medieval jug and a white glazed jug and cover (faults and restoration).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
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186097 item(s)/page