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Lot 2201
Selection of ten unboxed diecast cars comprising 1:18 scale x6 including Porsche, Avdi, Mercedes etc, and 1:24 scale x4; Burago, Jaguar, Mercedes, Bugatti. All ex-display. May have small parts missing, dusty etc. Also includes Northumbria bus related calendars; 1990, 1991, 1992, 1993 and 1994. P&P Group 3 (£25+VAT for the first lot and £5+VAT for subsequent lots)
Lot 644
A QUANTITY OF MODEL RAILWAY AND WAR GAMING SCENIC ACCESSORIES, to include a quantity of PNP Railways plastic railway sleepers suitable for between 3.5'' and 5'' gauge track, quantity of chairs, scenic accessories, Bachman Scenicraft G scale figures (sealed in original packaging), wargaming dioramas, trees and hedges etc, small quantity of Brimm and other diecast vehicles (s.d), Games Workshop books/guides, locomotive coat rack etc (two boxes)
Lot 878
Six Corgi Classics and Corgi Limited Edition 1:50 scale diecasts, Building Britain Sets, Blue Circle Cement 13904, London Brick Company 24502 x2, Connoisseur Collection, Macbraynes 22502, British Road Services, Steel Peech & Tozer 23901 and Guy Warrior 4 Wheel Platform Lorry 28901, all have mirrors unattached and present, certificates present, all appear unused, all boxed
Lot 879
Six Corgi Classics and Corgi Limited Edition 1:50 scale diecasts, 40th Anniversary Sets, F.B. Atkins 27601, Wall's 21401, McKelvie & Co Ltd 24201 and Tetley's 19702, Heavy Haulage Siddle Cook 17501 & Hallett Silbermann 16901, all have mirrors unattached and present, certificates present, all appear unused, all boxed
Lot 880
Three Corgi Classics Limited Edition 1:50 scale diecasts, Tennant Set 97366, British Road Services Portsmouth Set 97329 and Webster's Set 97318, all with unpainted figures present along with a Corgi Limited Edition 1:50 scale diecast, Regent Foden Tanker Set 97970, all have certificates present, all appear unused, all boxed
Lot 550
ANGELA REILLY, CHANGE oil on board, signed and titled verso 26.5cm x 23cm Framed and under glass. Note: Investigating the luminosity and tone of flesh, Angela Reilly’s paintings technically exude the precision of an old master, likened to a contemporary Holbein. Unusually, Reilly’s paintings becoming more detailed the larger their scale. Though almost photo-realist in their accuracy, Reilly’s work powerfully communicates what is felt as well as seen; realising the intangible. Reilly believes, "Portraiture is a preservation of ones memory not just preservation of appearance." Born in 1966 Angela Reilly studied Fine Art at Duncan of Jordanstone from 1984-87. In 1987 she moved to London working as an illustrator. In 1995 she began to concentrate solely on painting, moving back to Glasgow in 2003. Subsequently Reilly has exhibited in National Portrait Gallery, The Scottish Royal Academy and The Royal Glasgow Institute. In 2006 Reilly was commissioned to paint Lord Falconer’s - then The Lord Chancellor’s - portrait; was awarded a prize for portraiture by the National Portrait Gallery BP Prize 2006 and in 2007 featured in a BBC documentary. Angela Reilly's work is widely exhibited in London and Scotland.
Lot 647
ANGELA REILLY, GUISE oil on board, initialled, further signed and titled verso 30cm x 33cm Framed and under glass. Note: Investigating the luminosity and tone of flesh, Angela Reilly’s paintings technically exude the precision of an old master, likened to a contemporary Holbein. Unusually, Reilly’s paintings becoming more detailed the larger their scale. Though almost photo-realist in their accuracy, Reilly’s work powerfully communicates what is felt as well as seen; realising the intangible. Reilly believes, "Portraiture is a preservation of ones memory not just preservation of appearance." Born in 1966 Angela Reilly studied Fine Art at Duncan of Jordanstone from 1984-87. In 1987 she moved to London working as an illustrator. In 1995 she began to concentrate solely on painting, moving back to Glasgow in 2003. Subsequently Reilly has exhibited in National Portrait Gallery, The Scottish Royal Academy and The Royal Glasgow Institute. In 2006 Reilly was commissioned to paint Lord Falconer’s - then The Lord Chancellor’s - portrait; was awarded a prize for portraiture by the National Portrait Gallery BP Prize 2006 and in 2007 featured in a BBC documentary. Angela Reilly's work is widely exhibited in London and Scotland.
Lot 648
ANGELA REILLY, ABANDON oil on board, initialled, further signed and titled verso 25cm x 31cm Framed and under glass. Note: Investigating the luminosity and tone of flesh, Angela Reilly’s paintings technically exude the precision of an old master, likened to a contemporary Holbein. Unusually, Reilly’s paintings becoming more detailed the larger their scale. Though almost photo-realist in their accuracy, Reilly’s work powerfully communicates what is felt as well as seen; realising the intangible. Reilly believes, "Portraiture is a preservation of ones memory not just preservation of appearance." Born in 1966 Angela Reilly studied Fine Art at Duncan of Jordanstone from 1984-87. In 1987 she moved to London working as an illustrator. In 1995 she began to concentrate solely on painting, moving back to Glasgow in 2003. Subsequently Reilly has exhibited in National Portrait Gallery, The Scottish Royal Academy and The Royal Glasgow Institute. In 2006 Reilly was commissioned to paint Lord Falconer’s - then The Lord Chancellor’s - portrait; was awarded a prize for portraiture by the National Portrait Gallery BP Prize 2006 and in 2007 featured in a BBC documentary. Angela Reilly's work is widely exhibited in London and Scotland.
Lot 649
* GERARD PUVIS (FRENCH b 1950 - ), JEUNE ET VIEUX (young and old) oil on canvas, signed 160cm x 120cm (approximately 63 x 48 inches) Unframed, as intended. Provenance: Private Edinburgh collection. Acquired 1988 from the Alain Blondel Gallery, Paris. Jeune et Vieux depicts the ballet dancer Serge Lifar, in old age and youth. Note: Since leaving Lyon's Ecole Nationale Superieure des Beaux Arts in the early 1970s, Puvis has made a name for himself with large-scale paintings, murals and sculptures. As well as having received numerous awards, his work is held in the permanent collection at Paris’s Pompidou Centre. Gerard Puvis's work has been widely exhibited in multiple solo and group shows in Paris, around France, in Belgium, Germany, Spain, Austria, Switzerland, Sweden, Italy, Japan and the US. Note 2: Serge Lifar was prominent among those who introduced neo-classical ballet. He was appointed Maître de Ballet of the Opéra de Paris, from 1930 to 1944 and again from 1947 to 1958. Serge Lifar endeavoured to restore technical excellence of the Ballet de l'Opéra de Paris, making it, from the 1930s to this day, one of the greatest ballet companies in the world.
Lot 653
ANGELA REILLY, MIEN oil on board, initialled, further signed and titled verso 23.5cm x 26cm Framed and under glass. Note: Investigating the luminosity and tone of flesh, Angela Reilly’s paintings technically exude the precision of an old master, likened to a contemporary Holbein. Unusually, Reilly’s paintings becoming more detailed the larger their scale. Though almost photo-realist in their accuracy, Reilly’s work powerfully communicates what is felt as well as seen; realising the intangible. Reilly believes, "Portraiture is a preservation of ones memory not just preservation of appearance." Born in 1966 Angela Reilly studied Fine Art at Duncan of Jordanstone from 1984-87. In 1987 she moved to London working as an illustrator. In 1995 she began to concentrate solely on painting, moving back to Glasgow in 2003. Subsequently Reilly has exhibited in National Portrait Gallery, The Scottish Royal Academy and The Royal Glasgow Institute. In 2006 Reilly was commissioned to paint Lord Falconer’s - then The Lord Chancellor’s - portrait; was awarded a prize for portraiture by the National Portrait Gallery BP Prize 2006 and in 2007 featured in a BBC documentary. Angela Reilly's work is widely exhibited in London and Scotland.
Lot 654
ANGELA REILLY, JUNO oil on board, initialled, further signed and titled verso 21cm x 26cm Framed and under glass. Note: Investigating the luminosity and tone of flesh, Angela Reilly’s paintings technically exude the precision of an old master, likened to a contemporary Holbein. Unusually, Reilly’s paintings becoming more detailed the larger their scale. Though almost photo-realist in their accuracy, Reilly’s work powerfully communicates what is felt as well as seen; realising the intangible. Reilly believes, "Portraiture is a preservation of ones memory not just preservation of appearance." Born in 1966 Angela Reilly studied Fine Art at Duncan of Jordanstone from 1984-87. In 1987 she moved to London working as an illustrator. In 1995 she began to concentrate solely on painting, moving back to Glasgow in 2003. Subsequently Reilly has exhibited in National Portrait Gallery, The Scottish Royal Academy and The Royal Glasgow Institute. In 2006 Reilly was commissioned to paint Lord Falconer’s - then The Lord Chancellor’s - portrait; was awarded a prize for portraiture by the National Portrait Gallery BP Prize 2006 and in 2007 featured in a BBC documentary. Angela Reilly's work is widely exhibited in London and Scotland.
Lot 722
* GRAEME WILCOX (SCOTTISH b. 1967), ON THE SAME PAGE oil on canvas, signed and titled verso 112cm x 102cm Framed. Note: Graeme Wilcox attended Glasgow School of Art 1989 - 93 and graduated with a BA (Hons). Since graduating, Graeme has continued to work from his studio in the East End of Glasgow. His work, technically traditional, has a powerful contemporary feel, depicting underlying tensions between animation and stillness. He is able to portray the transient, blurred image of one moving figure and at the same time, engage in precise photographic representation of another. Graeme has collaborated on a number of multi media projects with Mischief-la-bas-performance group and with other artists, culminating in projects at the Arches and Tramway in Glasgow and the Albany Theatre in London. He has also organised two large scale mural projects in collaboration with the East End Community Arts for Glasgow Health Board and devised and ran "Face to Face" photography project in Glasgow. This Arts Council funded project culminated in a temporary public artwork at the East End Festival in Glasgow. In 2011 he completed a prestigious portrait commission for the newly opened Conway Hall in London. Graeme's work is held in private collections in Europe, the USA and Canada and in public collections in Petrezovodsk, Russia and the Gulf State of Qatar. He is also held in the Corporate Collection of the Royal Bank of Scotland, Edinburgh. He exhibits regularly in London and throughout the UK, both in group and solo shows.
Lot 723
* GRAEME WILCOX (SCOTTISH b. 1967), JUSTICE AT THE BAR oil on canvas, signed and titled verso 86cm x 73cm Framed. Note: Graeme Wilcox attended Glasgow School of Art 1989 - 93 and graduated with a BA (Hons). Since graduating, Graeme has continued to work from his studio in the East End of Glasgow. His work, technically traditional, has a powerful contemporary feel, depicting underlying tensions between animation and stillness. He is able to portray the transient, blurred image of one moving figure and at the same time, engage in precise photographic representation of another. Graeme has collaborated on a number of multi media projects with Mischief-la-bas-performance group and with other artists, culminating in projects at the Arches and Tramway in Glasgow and the Albany Theatre in London. He has also organised two large scale mural projects in collaboration with the East End Community Arts for Glasgow Health Board and devised and ran "Face to Face" photography project in Glasgow. This Arts Council funded project culminated in a temporary public artwork at the East End Festival in Glasgow. In 2011 he completed a prestigious portrait commission for the newly opened Conway Hall in London. Graeme's work is held in private collections in Europe, the USA and Canada and in public collections in Petrezovodsk, Russia and the Gulf State of Qatar. He is also held in the Corporate Collection of the Royal Bank of Scotland, Edinburgh. He exhibits regularly in London and throughout the UK, both in group and solo shows.
Lot 73
Münzwaage um 1650 des Matthias Medtmann zu Köln - Hist. Münzwaage im 3-geschossigen, reich verzierten, hölzernen Münzwaagenkasten mit 2 Messingschließen und Münzgewichten auf 3 Ebenen. Im Deckelschieber mit Tusche vermerkt: Pag und gewicht macht M: Matthias Medtman wonen:de zu Cöllen im Dael, Anno 1650 (sic!), revers mit geklebtem Papier und Beschriftung. Münzwaagenkasten mit aufwendigen Ornamentpunzierungen und Profilierung. Münzwaage mit runder und dreieckiger Messingwaagschale, mit Punze und Linienverzierungen, an grünen Stoffbändern. Gewichte nicht vollständig. Im Kastenboden liegen 13 Gewichte (z.B. für Engelot, 1/2 Engelot, Severin, Ducat, Cron), in der Waagfachebene befinden sich 10 Gewichte, z. B. Pistolet, Jacoben, im Deckel sind 11 Gewichte (Schifnobel, Portugals, Ritter). Maße 145 x 85 x 43 mm. Alters- und Gebrauchsspuren, Münzwaage mit Korrosionsspuren, sehr schön. Aus der Familie Mettmann gab es mehrere Eichmeister, die Stadt Köln galt als ein Zentrum für Münzwaagen und Gewichtsproduktion. | Coin scale around 1650 by Matthias Medtmann in Cologne - hist. coin balance in a 3-storey, richly decorated, wooden coin balance box with 2 brass clasps and coin weights on 3 levels. Inscribed in ink on the lid slide: Pag und gewicht macht M: Matthias Medtman wonen:de zu Cöllen im Dael, Anno 1650 (sic!), reverse with glued paper and inscription. Coin balance box with elaborate ornamental hallmarks and profiling. Coin balance with round and triangular brass weighing bowl, with hallmark and line decorations, on green cloth straps. Weights not complete. In the bottom of the box are 13 weights (e.g. for Engelot, 1/2 Engelot, Severin, Ducat, Cron), in the balance tray are 10 weights, e.g. Pistolet, Jacoben. In the lid there are 11 weights (Schifnobel, Portugals, Ritter). Dimensions 145 x 85 x 43 mm. Signs of age and use, coin scales with traces of corrosion, very fine. There were several gaugers from the Mettmann family, the city of Cologne was considered a centre for coin scales and weight production.
Lot 95
Lot Val Sint Lambert items Amongst others, a crystal inkwell with scale Leon Ledru, paperweights, a glass green crystal, a crystal box decor porche d'entree gold. Onder andere, een kristallen inktpot met schaal Leon Ledru, een presse-papiers, een glas groen kristal, een kristallen doos decor porche d'entree goud.
Lot 351
One of only seven examples ever to be produced by Aspect Model Making, the UK’s pre-eminent model maker to F1, now known as scalemodelmakers.co.uk. This scaled R1 static racing model was manufactured to promote Jaguar's F1 debut in 2000. This highly accurate model has been constructed from some of the materials used in the full-size racing car and is painted in the original Fliptone Electric Green and White livery used on the full size racing car. The R1 is the Cosworth-powered chassis first driven by Eddie Irvine and Johnny Herbert. This example includes all original scaled decals by Racing Graphics of Milton Keynes depicting the teams launch sponsors HSBC, Becks, DHL, WorldCom, LEAR, Hewlett Packard and others. The scale model features number '7' and includes a detailed cockpit layout and plastic tyres. It is fixed to a bespoke display base with a Perspex display case. Measurements are 127cm x 63cm x 40cm. This rare example has had one owner since the launch of Jaguar Racing in 2000. It represents a special opportunity for any motor racing enthusiasts to own an historical reference to Jaguar Racing's entry into Formula 1. SpecificationClick here for more details and images
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216134 item(s)/page