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Click here to subscribePlastic model car kits, five including AMT ref. 6003 Ford Galaxie 500, 3-in-1, 1963 hardtop, 1:25 scale; AMT ref. 6022 Mercury Marauder fastback, 1964 hardtop, 3-in-1, 1:25 scale; AMT ref. 6871 1955 Mercedes-Benz 300SL, Gullwing, 1:25 scale; ESCI ref. 3064 Ferrari SWB, 1:24 scale; Monogram ref. 2246 Aston Martin DB-4, 1:25 scale, all appear complete but unchecked, all boxed.Qty: 5
Western Models 1:43 scale white metal models, three including ref WMS60 1959 Desoto Adventurer, boxed; WMS 66X 1957 Pontiac Bonneville, boxed; ref WMS63 Chrysler Saratoga (incorrect box). Qty: 3Condition report:The paint on the Desoto is good with no signs of damage, the rear windscreen shows signs of rust.The paint on the Pontiac has a small chip on the right-hand side, rear of the door, with some discolourasion on the bonnet. The wing mirrors are not attached but are boxed with the item.The paint on the Chrysler is good with no signs of damage, the wing-mirror is not attached but is boxed with the item, and the trim is coming loose on the left-hand side.Additional photos have been added.
A tray containing ten model kits, including Airfix ref. 07900 'British classic cars of the sixties', including TR4-A, Triumph Herald and Ford Escort, 1/32 scale; Frog ref. F200 Gloster Meteor F Mk IV, 1/72 scale; Matchbox ref. PK-129 Armstrong Whitworth Meteor, 1/72 scale; and others, most appear complete but unchecked, boxed.Qty: 10
Polistil die-cast model cars, five including ref. S38 Citroen CX 2200, silver body, 1:25 scale; ref. S57 Lancia Beta Montecarlo, silver body, 1:25 scale; ref. S02214 Ferrari GTO, red body, 1:25 scale; ref. S19 Lancia Fulvia 1600 HF, orange body, 1:25 scale; ref. S24, Alfa Romeo Montreal, green body, 1:25 scale, all boxed.Qty: 5
1:43 scale white metal models; four including Western Models Ford Galaxy Skyliner, cased; Somerville Models ref no.100AK Austin FX4 Taxi, boxed; A&S Modelmakers 1958 Ford Thunderbird, boxed; MAE Scale Models 1961 Chrysler 300G, boxed; along with two boxed ABC resin models.Qty: 6Condition report:A&S Ford Thunderbird = paint is good, no breaks, quite dusty on the surfaces.Sommerville taxi = Has some small paint chip to one wheel arch, and another to one side door, otherwise good, some light glue residue to the back number plates. Box is squashed. Ford Galaxie = There are some marks to the corners of the roof. The wingmirror is missing and so is one small metal part to the corner of the bonet, there is glue residue to the back window, otherwise paint is good, quite dusty in the corners. Chrysler = There is a small chip to the base edge on one side, otherwise paint is good. Dusty in the corners. One tire is becoming detached. Resign Cadillad = has two large cracks to one side. Resign poplice car = steering wheels is snapped, grubby to surfaces otherwise good.
Western Models 1:43 scale white metal models, two including ref WMS70 1960 Dodge Polara; ref WMS64 1957 Dodge Custom Royal Lancer, both boxed. Qty: 2Condition report:Dodge Polara = paint is good, the wing mirror is complete loose in a small packet, there is some slight glue residue to the top of the windscreen. Box has a small tear to the corner.Dodge Custom = The roof and side wings are a little grubby, there is a little glue residue to one of the back wing lights. Some very light metal tarnishing to the corner areas. Box is good.
Quantity of Airfix, Revell, and other boxed scale model kits to include; Spad XIII, Thunderbolt Republic P-47D, Corsair F4U-1, Hawker Hurricane Mk I, Supermarine Spitfire VB, Aleutia Tiger, P-51D Mustang Inpact Kits 'Those Magnificent Flying Machines' Bristol Boxkite, etc. Contents unchecked, sold as seen
OO / HO Track, Kits and Accessories to include Dapol 2 x C030 Travelling Dockside Crane Kit, C005 Water Tower Kit, Wills SS12 Station Garage with Pumps, SS16 Weighbridge and Hut, Metcalfe P0213 Engine Shed Kit, P0232 Goods Shed Kit, P0222 Coaling Stage and P0227 Water Tower and Sand House Kit, Langley Miniature Models F36P pack of painted Morris Dancers and Musicians, other accessories comprise wooden Railway Workshop, pack of brick loads in blocks and 2 x Juweela packs of individual bricks all in OO scale, all are unopened and look in Excellent condition in original packaging, track by Hornby Railways comprises R/H point, small quantity of 1st, 2nd and 3rd radius curves, double straights, half straights plus 2 x Water Cranes, Bachmann Speed Controller (untested) and Faller HO B945 Colliery Headstock Kit (unchecked for completeness) but looks in Good condition in original box. (Qty)
OO Gauge Locos and Rolling Stock by various manufacturers including Triang, Hornby Railways, Lima and others to include 4-4-0 Triang BR green L1 Class Loco No.31757, Lima 2 x Tank Locos (J50 No.68920 and HO Scale 0-6-0 LMS 4F Class No.4547), conditions are Fair to Good, Rolling Stock includes crimson and cream 57' Composite (one side is faded), 2 x repainted Coaches in BR maroon and SR green, Lima brown and cream Mk.1 Full Brake, Goods Wagons include 4 x Tankers, 3 x Private Owner Opens, various Box Vans, Cattle Van, 2 x Brake Van, plus open wagons, conditions are Fair to Good along with 5 x Hornby Dublo Horse Boxes with doors missing and various flat wagons, conditions range from Poor to Good. (60+)
Wrenn W2294 4-6-2 LMS photographic grey Princess Coronation Class Loco No.6234 "Duchess of Abercorn", loco is fitted with larger scale driving wheels, very minor rusting to 2 tender axles, condition Excellent to Excellent Plus in generally Good original box lid with crushing to both top corners and complete with instruction booklet but base is a replacement.
Bachmann N Gauge Limited Edition 25 Year (1989 to 2014) N Scale Models to include 4-6-0 Loco and Tender BR lined green Jubilee Class "Silver Jubilee" No.45552 together with Class 47 BR blue livery Diesel Locomotive with Union Flag to sides and No.47164 together with limited edition certificate No.213 of 500 sets produced and complete with etched brass nameplates. Contents Excellent Plus in wooden presentation box with outer mailer.
Scratch and Commercially built Gauge 1 Great Northern Railway Bogie Box Van in brown with GN lettering in white to van sides and numbered 56522. Van fitted with Bing / Bassett-Lowke style bogies, finer scale wheels. Marked to the underside Great Northern Railway 30-ton Box Van - Built November 1976 by P Dunkley. Overall Excellent.
Triang TT Train Set and Trackwork comprising TA Passenger Set containing 0-6-0 BR black Jinty Tank Loco No.47607 (number and totem decals beginning to wear), 2 x BR maroon Suburban Coaches (Composite and Brake) along with oval of brown track along with plastic battery box, conditions Fair to Good in Fair to Good box base with insert but lid is Poor with split corners and sides, quantity of unboxed brown track including 3 x L/H points, 4 x R/H points, various curved and straight sections plus half curves and half straights along with terminal rail and uncoupling rail, plus double track level crossing with no gates and 3 x brown sleepered buffer stops, Triang P5 controller (untested) but is in original box, also in lot 2 x OO Scale plastic station book stalls and 2 x Lineside Huts (unknown make), conditions Fair. (qty)
OO Gauge Triang / Hornby Coaches 6 x brown and cream Pullman Cars (5 x 1st and 1 x Brake), 4 x maroon Operating Mail Coach, maroon Utility Van, 2 x maroon Coaches (Composite and Restaurant Car), 9 x crimson and cream Coaches including Restaurant Car, Brakes and Composite, 4 x Scale length Coaches 2 x Great Western brown and cream (Brake Composite and Composite), 2 x Brake 2nd Mk.1 type (green and crimson and cream), conditions range from Fair to Good. (26)
Miscellaneous Railway items comprising OO Gauge Bachmann 32-151A 2-6-0 BR lined black N Class Loco No.31816, condition Good Plus to Excellent in Good Plus box, Triang Railways R224 crimson and cream Restaurant Car, condition Good in Fair box, Hornby Railways blue/grey Operating Mail Coach, condition Good. Also in lot H&M Clipper Controller (untested but looks in Good condition in original box) and Kitmaster No.20 TT Scale maroon 2nd Class Corridor Coach kit (box still manufacturer shrink wrapped) and therefore assumed Mint in Excellent box. (5)
Wrenn W2242 2-6-4 LMS lined maroon Princess Coronation Class Loco No.6247 "City of Liverpool" and fitted with large scale driving wheels, tender has full lining to sides and over curve to coal section, condition Near Mint in replacement Wrenn box with typed labels to both ends and reproduction stamp to base.
Modern toys Britains 1/16th scale Big Farm remote control John Deere 6430 tractor No. 42518 and Square Baler No. 4168 (2), Maplin Forklift Challenge radio control No. N87GA, Hess Toy Truck and Helicopter battery-operated, plus pair of laminated Lamborghini Diablo and Ferrari 355 posters, generally excellent in good or better boxes (some cellophane tears). Contents unchecked for completeness or correctness and untested. Viewing recommended. Qty 5+posters (2B)
Sir Frank Bowling R.A. (British, born 1934)Untitled acrylic and collage on canvas60.9 x 91.5 cm. (24 x 36 in.)Footnotes:ProvenanceThe Artist, by whom gifted to the parents of the present owner, circa 1978, thence by family descentPrivate Collection, U.K.Born in what was then British Guyana in 1934, Frank Bowling moved to London aged 19 and after a few years was accepted to study at the Royal College of Art. There he became part of the fabled generation of students (enrolled 1959-1962) whose emergence announced a shift in the prevailing fashion from 1950s abstraction to 1960s pop. His fellow students included Derek Boshier, Pauline Boty, David Hockney, Allen Jones, R.B. Kitaj and Peter Phillips. Bowling achieved success rapidly with a solo exhibition mounted at the Grabowski Gallery the year he graduated, from which the Arts Council purchased the canvas Birthday (1962), and he was subsequently selected for inclusion in the era-defining photobook Private-View compiled by Bryan Robertson and John Russell in 1965.Throughout the late 1960s his work embraced a hard-edged pop aesthetic in which dazzling slabs of colour fuse with text, pin-up and screen-printed imagery. Yet Bowling yearned for development. He had first visited New York in 1964 where he met Jasper Johns and Larry Rivers and two years later he relocated to the city. There he quickly began exhibiting with Terry Dintenfass, and before long received the Guggenheim fellowship, allowing him to take a large studio in SoHo. His immersion in New York's colour field painting gave rise to his highly regarded 'Maps' series (1966-1971) in which Bowling combined his by then abstract approach with political and personal concerns. Massive in scale (some span more than 6 meters) they present forms representative of continents, hovering in front of shimmering fields of stained colour. These works featured prominently in his first solo institutional show, staged at the Whitney Museum of American Art in 1971 (when Bowling was aged 37), to much acclaim.Ever the progressive, his practice developed further in 1973 when he first developed his 'poured' painting method. In his studio Bowling built a wooden platform on which a canvas would be supported. This could then be tilted to allow for the paint, poured from a height, to run down the canvas in a controlled manner. Whilst managing the palette to some extent, this technique purposefully allowed for an element of automatism to enter his work. Curator of the recent and highly celebrated Tate retrospective, Elena Crippa, elaborates; 'Bowling's was the pursuit of an organic interplay between line and medium, so that structure would not be imposed on the unruly plasticity of paint, but found and adopted through the process of making' (Elena Crippa, Frank Bowling, exh.cat., Tate Publishing, London, 2019, p.51). This process encapsulates Bowling's fascination with challenging the accepted conventions of painting, which can be traced right from his early works through to his present practice.In 1975 Bowling returned to London, which would act as his primary base for the next fifteen years. Working at first from a studio above St. Anselm's Church in Kennington, he continued to develop his 'poured' paintings. Whilst the 'Maps' series that immediately proceeded them addressed Bowling's global concerns, the poured paintings from the mid-70s are arguably more personal. Many derive their title from Guyanese locations such as Potaroway (1975, sold in these rooms on 30th June 2021 for £237,750), which takes its name from the Potaro, the vast river which winds its way 140 miles east from its source at Mount Ayanganna. Similarly, the Government Art Collection's Kaieteurtoo (1975) titled after the famous waterfall situated on the Potaro, and Bartica Bressary (1978-9, Private Collection) named after Bowling's birth town.Seen here in public for the first time since its gifting to the present owner's parents in the late 1970s, Untitled is an intriguing example of the artist's painting technique and sparkles with interest. Bowling demonstrates his mastery of colour with a fusion of orange, yellow, pink and green, brought together with an assured command of flow, density and contrast across the canvas. As with the aforementioned Potaroway, Bowling has adopted a horizontal composition rather than his more common vertical format and and a sense of defined landscape emerges from his action led process. In 1987 Bowling made history as the first artist of afro-Caribbean descent to have their work enter the Tate Collection and again in 2005 when he was elected the first black Royal Academician in the institution's history. Sir Frank Bowling was awarded a knighthood in the Queen's birthday honours, 2020, aged 86.We are grateful to the Frank Bowling Studio for their assistance in cataloguing this lot.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Robyn Denny (British, 1930-2014)Sweet Nature I signed and dated 'Denny '76-77.' (verso); further signed, titled and dated again 'Robyn Denny/'SWEET NATURE I'/1976-7.' (on the stretcher)oil on canvas198 x 213.4 cm. (77 7/8 x 84 in.)(unframed)Footnotes:ProvenanceWith Waddington Galleries, LondonBlair DicksonSale; Sotheby's, Chicago, 17 October 2001, lot 1617Sale; Christie's, London, 23 November 2017, lot 280, where purchased by the present ownerPrivate Collection, U.K.Robyn Denny is one of British abstract art's great masters. His body of work, spanning from the late 1950s through to his final series in 2009, exhibits an idiosyncratic practice which is both cerebral and intuitive in equal parts.Born in Surrey in 1930 and a graduate from the Royal College of Art in 1957, Denny enjoyed a prodigious ascension through the ranks of the vibrant 1960s London art scene. A participant in the era-defining Situation exhibition, he would go on to represent the U.K. at the 1966 Venice Biennale (alongside Anthony Caro, Harold Cohen, Bernard Cohen, and Richard Smith) and in 1973 he became the youngest living artist to be given a Tate retrospective.Denny's paintings of the 1960s and 1970s each feature combinations of block geometrical, often rectilinear, forms and strips. Executed in precise flat application, these large canvases are specifically designed to out-scale, just, the height and span of the human frame - resulting in an all-encompassing but not overwhelming viewing experience. The present canvas is the first in Denny's Sweet Nature series, many of which were showcased at the Waddington Galleries in 1977 and were exemplary of the recent developments in Denny's output. Composed of three primary colours in rich intensity, the canvas showcases a shift in Denny's colour use. Many of his earlier works are confined to low note and harmonious dusk tones, but here high contrast colour is confidently employed. The catalyst for this shift is undoubtedly the vivid construction works of American artist Charles Biederman, an artist who Denny admired greatly, having curated an exhibition on Biederman for the Arts Council in 1969. Archetypal of the series, Sweet Nature I is horizontal in format and composition, again a departure for Denny whose earlier canvases often prescribed an upright reading. The forms within the work are unanchored to the picture's edges and the yellow tendrils sprawl asymmetrically from a central geometrical blue hub. Denny is an artist whose practice often revelled in the urban, with influences from city and pop culture prevalent in his 1960s output. However here the landscape format coupled with a design that is organic in comparison to prior examples, introduces a somewhat natural element, a point underlined by the artist with the title Sweet Nature.This lot is subject to the following lot symbols: AR TPAR Goods subject to Artists Resale Right Additional Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Sean Scully R.A. (Irish, born 1945)London 6.9.01 signed, titled and dated 'London. Sean Scully 6.9.01' (lower right)pastel76.2 x 55.9 cm. (30 x 22 1/8 in.)Footnotes:ProvenanceWith Ingleby Gallery, Edinburgh, 2001, where acquired by the family of the present ownerPrivate Collection, U.K.ExhibitedEdinburgh, Ingleby Gallery, Sean Scully, 1 August-15 September 2001Edinburgh, Ingleby Gallery, Twenty Five, 28 January-31 March 2023Though Irish-born, Scully spent the formative years of his career living and working in the London of the present work's title until he emigrated to the United States in 1975, a place where he felt art was 'taken seriously' (Sean Scully, quoted in C. Bray, 'Sean Scully: In Search of the Light', in Art World, Issue 7, October/November 2008, p.48). Here, he helped lead the transition from Minimalism to Emotional Abstraction in painting, abandoning the reduced vocabulary of Minimalism in favour of a return to metaphor and spirituality in art. But it was trips to Morocco in the 1960s, and later Mexico in the 1980s, where his imagination was ignited by the sight of strips of dyed wool hanging out to dry, coloured tiles, fading facades and rich kilim carpets that acted as a foundation stone for the artists lifelong obsession with the stripe.London 6.9.01 is a prime example of the interlocking bands and tonal gradation that is quintessential Scully at the height of his artistic power. In the present work, three dense background bands of blue, black and red cohabit easily but do so without giving up their identities. Layered on top is a picture within a picture, a smaller inset or 'window' of five vertical stripes of ochre and russet. The positioning of narrow vertical stripes set into a background of broader horizontal stripes invite the viewer to move forward and backward, introducing a physical and emotional dynamism. Here is an abstraction that encourages dialogue and Scully has regularly cited the 'spiritual' aspect of his oeuvre, commenting that he 'is trying to get at deep emotions through simple forms' (Irish Arts Review, Spring 2006, p.75). The present example on paper is executed on a large scale and speaking to the immediacy of the medium, the artist said 'Pastel is like putting makeup on. There is a dust on the paper, which I rub in. I push it right into the paper with a piece of cloth or paper. Once it's embedded into the surface, I fix it. And then I work it up, adding a layer, fixing it, adding another layer, fixing it again, and so on until the pastel starts to stand up a little from the paper. At a certain point, if you keep pushing, you start taking it off. So you have to give in' (Sean Scully, quoted in M. Poirier, Sean Scully, New York, 1990 p.143).Scully is one of the foremost artists of his generation with art critic Arthur Danto confirming 'Sean Scully's name belongs on the shortest of short lists of the major painters of our time' (Arthur C. Danto, 'Sean Scully', Unnatural Wonders: Essays from the Gap Between Art and Life, Columbia University Press, New York, 2005). His work is housed in some of the most prominent public and private collections worldwide including Metropolitan Museum of Art, New York; Guggenheim Museum, New York; Tate Gallery, London; Arts Council of Great Britain, London and Irish Museum of Modern Art, Dublin, among others.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Breitling. A fine limited edition 18K rose gold automatic calendar chronograph wristwatchModel: NavitimerReference: RB0127, No.12/200Date: Circa 2015Movement: 47-jewel Cal.B01 automatic, No.3151235Dial: Black, applied luminous tipped gilt baton hour markers, outer 1/5th second, base and tachymetre markers, bi-directional inner slide rule scale, date aperture between 4 and 5, silvered subsidiary dials at 6, 9 and 12 for seconds, 30 minute and 12 hour recording, gilt pointed baton hands with luminous inserts, centre red arrow tipped chronograph handCase: Polished round, screw down exhibition back, crown flanked by twin chronograph pushers, No.3151235Strap/Bracelet: Black Breitling alligator leatherBuckle/Clasp: Signed 18K rose gold buckleSigned: Case, dial & movementSize: 46mmFootnotes:The Navitimer, introduced in 1952, was designed as a navigation tool for aircraft pilots, the slide-rule bezel used to gauge the remaining distance and fuel consumption during flight.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the UK, see clause 13.For further information on this lot please visit Bonhams.com
Rolex. A fine stainless steel and white gold automatic annual calendar bracelet watch with dual time zoneModel: Sky-DwellerReference: 326934Date: Purchased 26th February 2020Movement: 40-jewel Cal.9001 automaticDial: White, applied luminous baton hour markers, black outer minute divisions with dual hour indication set within 5 minute markers, inner 24-hour scale, magnified date aperture at 3, polished baton hands with luminous inserts, centre secondsCase: Brushed and polished tonneau form, screw down back and crown, white gold fluted bezel adjustable to 3 positions to set day and time functions, No.2384N5D0Strap/Bracelet: Brushed and polished Oyster linkBuckle/Clasp: Signed folding claspSigned: Case, dial & movementSize: 42mm Accompaniments: Rolex box, outer card, International Guarantee, brochures, swing tagsFootnotes:The Sky Dweller was launched in 2012 to much excitement amongst the watch collecting community being the first new model Rolex had released for nearly 20 years. The Sky-Dweller features both dual time and an annual calendar. The dual time is registered via the inverted red triangle below 12 which points to the hour of an off-set 24-hour display.To set the watch you rotate the bezel to one of three positions to select date, local time or home time. Then, using the crown you set the function to the relevant time or date.For further information on this lot please visit Bonhams.com
Breitling for Bentley. A fine Special Edition 18K gold automatic calendar chronograph wristwatchModel: B06Reference: RB0611, No.99Date: Purchased 25th July 2016Movement: 47-jewel automatic, No.4310205Dial: Black, semi skeletonised, applied gilt baton hour markers with luminous tips, gilt outer 1/5th second divisions, red inner 30 second divisions, raised outer slide rule scale, subsidiary dials at 3, 6 and 9 for seconds, 15 minute and 6 hour recording, date aperture between 4 and 5, gilt pointed baton hands with luminous inserts, red tipped centre chronograph handCase: Brushed and polished tonneau form, screw down exhibition back, crown flanked by twin chronograph pushers, textured bi-directional bezel, No.4310205Strap/Bracelet: Black Breguet alligator leatherBuckle/Clasp: Signed 18K gold buckleSigned: Case, dial & movementSize: 49mm Accompaniments: Breitling travel case, outer card, Attestation De Chronometre, brochures, International WarrantyFootnotes:The present lot superbly demonstrates a much admired collaboration between haute horology and automobile production and a partnership that is committed to quality and luxury craftsmanship. Breitling for Bentley uses the design points from both companies to create an unusual striking watch, unmistakable from any other.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the UK, see clause 13.For further information on this lot please visit Bonhams.com
GIGAS, Johannes(1582 Lüdge - 1637 Münster) Karte des Hochstifts PaderbornKolorierter Kupferstich. Ca. 1620 - 1635.Druckplatte: 38 x 50 cm, Blatt: 51,3 x 58,7 cm. Fein kolorierte historische Karte des Hochstifts Paderborn, mit Rollwerk-Titelkartusche "Paderbornensis Episcopatius Descriptio Nova [...]" und Kartusche mit Maßstab, verso mit Begleittext in spanischer Sprache; verlegt bei Guiljelmus Blaeuw (=Willem Janszoon Blaeu) in Amsterdam Bugfalte, Abbildung lichtgebräunt, griffspurig, oben rechts mit Hinterklebung.Deutscher Kartograf, Mediziner, Mathematiker und Physiker. GIGAS, Johannes(1582 Lüdge - 1637 Münster) Map of the High Collegiate PaderbornColored copperplate engraving. Ca. 1620 - 1635.Printing plate: 38 x 50 cm, sheet: 51.3 x 58.7 cm.Fine colored historical map of the High Diocese of Paderborn, with scrollwork title cartouche "Paderbornensis Episcopatius Descriptio Nova [...]" and cartouche with scale, verso with accompanying text in Spanish; published by Guiljelmus Blaeuw (=Willem Janszoon Blaeu) in Amsterdam Buck crease, illustration light browned, traces of handling, upper right backstamp.German cartographer, physician, mathematician and physicist.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
KISS, Dávid Mária(1930 Stuhlweißenburg - 2002 Münster) "Hutprobe"Holzschnitt in Grün. Bleistiftsignatur. [19]61. Handdruck, Exemplar: 14/100. Ø Druckstock: ca. 34 cm, Blatt: 61 x 43 cm. Blatt etwas knickspurig. Ungarische Malerin und Grafikerin, die besonders für ihre großformatigen Holzschnitte zum Thema "Frauenbilder" Bekanntheit erlangte. KISS, Dávid Mária(1930 Stuhlweißenburg - 2002 Münster) "Hat Sample"Woodcut in green. Pencil signature. [19]61. hand printing, copy: 14/100. Ø printing block: ca. 34 cm, sheet: 61 x 43 cm. Sheet somewhat creased. Hungarian painter and printmaker, who became known especially for her large-scale woodcuts on the theme of "images of women". *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
LIMOUSIN, Jaques BogenschützinRégule, silber- und goldbronziert, Elfenbein-Imitat, schwarzer Marmor-Sockel. Bezeichnet. H 18 cm (ohne Bogen), gesamt 25 x 19 x 6,5 cm. In der Art der Chryselephantin-Figuren von Chiparus gestaltete Frau, die im hautengen Schuppenkostüm kniend einen Pfeil abschießt Pfeil und Sehne fehlen, Fassung leicht berieben, kleinere Chips am Sockel. LIMOUSIN, Jaques ArcherRégule, silver and gold bronzed, imitation ivory, black marble base. Inscribed. H 18 cm (without arch), total 25 x 19 x 6.5 cm. In the manner of the chryselephantine figures of Chiparus designed woman kneeling in skin-tight scale costume shooting an arrow Arrow and string missing, frame slightly rubbed, minor chips on base. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Großer Ansichten-Paperweight H 9,5 cm. Kugelförmiger Briefbeschwerer aus farblosem Glas mit gravierten Ansichten (Berlin, Eberswalde, Falkensee, Potsdam) in vier plan geschliffenen, gelb gebeizten Medaillons, mit dem Monogramm "G.S." Goldstaffage des Monogramms berieben, an 1 Medaillon kleiner Chip im Glas. Large Views-Paperweight H 9.5 cm. Spherical paperweight made of colorless glass with engraved views (Berlin, Eberswalde, Falkensee, Potsdam) in four plane cut, yellow stained medallions, with the monogram "G.S." Gold scale of the monogram rubbed, at 1 medallion small chip in the glass. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Große Art-déco-Schale mit MetallmontierungUm 1930. Rauchfarbenes Glas, Metall, Holz. H 14,5 cm, Ø Schale 33,5 cm. Schale mit Schuppenrelief, montiert auf einen Metallfuß mit zwei Holzhandhaben Large art deco bowl with metal mountingAround 1930. Smoked glass, metal, wood. H 14,5 cm, Ø bowl 33,5 cm. Bowl with scale relief, mounted on a metal base with two wooden handles .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Barocke Kanne mit BlumenmalereiMeissen. Schwertermarke, um 1750. Polychrom bemalt, goldstaffiert. H 24 cm. Form "Neuozier". Birnkanne mit Asthenkel und Blütenknaufdeckel. Unter einer roten Schuppenbordüre Blumengirlanden und Blumenbuketts Bestoßung am Deckelinnenrand und der Schneppe, Blütenknauf bestoßen. Baroque pot with floral paintingMeissen. Sword mark, circa 1750. Polychrome painted, gold decorated. H 24 cm. Form "Neuozier". Pear jug with branch handle and flower knob lid. Under a red scale border floral garlands and floral bouquets Bumped on the lid inner rim and snipe, flower knob bumped. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Untertasse mit Watteau-MalereiMeissen. Knaufschwerter, ab 1850-1924, 1. Wahl. Polychrom bemalt, goldstaffiert. H 14,5 cm. Im Spiegel die Darstellung einer galanten Szene, am Rand eine ornamentale Goldbordüre mit blauem Schuppenmuster in kleinen Kartuschen Glasurdefekt an der Marke. Saucer with Watteau paintingMeissen. Pommel swords, from 1850-1924, 1st choice. Polychrome painted, gold decorated. H 14,5 cm. In the mirror the depiction of a gallant scene, on the rim an ornamental gold border with blue scale pattern in small cartouches Glaze defect on the mark. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
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