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Lot 1230
Scale model of a London Underground Metropolitan Line A-Stock driving motor car and part of its trailer. Believed to have been produced in the early 1990s as a mock-up of the proposed new livery for the refurbished units and which was subsequently adopted. Thought to have been displayed at 55 Broadway for a time. The leading car measures 31 1/2"/80cm long x 6"/15cm wide. A solid model, material unknown but could be a wood & plastic composite. Mounted on a wooden base. In very good, ex-display condition, a few small blemishes
Lot 1231
Scale model of a London Underground Victoria Line 2009-Stock driving motor car. Produced by Bombardier, presumably as a prototype as there are detail differences from the actual cars. A high-quality model with good detail, including a full interior. A low-voltage cable suggests that it may have 12v lights inside but not tested. Measures 32"/81cm long x 5"/13cm wide. Material unknown but appears to be a form of plastic. Mounted on a plinth with a detachable see-through cover. In very good, ex-display condition
Lot 363
Six boxed diecast Corgi Aviation Archive models, to include 1:72 scale World War II AA36701 Junkers Ju88A-10 - (L1+EN), Limited Edition AA38403 Bristol Blenheim MkIF - K7159, Limited Edition AA33002 Vought F4U-1A Corsair, Nose Art Collection US32218 P-51D Mustang - ' Katydid ,' 1:144 scale Frontier Airliners 47505 Lockheed Constellation & Military 47506 Lockheed Constellation - USAF, all appear complete but unchecked
Lot 242
PETER CHANG: BRACELETOf quatrefoil profile, inset with polychrome acrylic tiles, the inner circumference decorated with black enamel plaques, inner circumference approx. 19.0cmFootnotes:Peter Chang (1944-2017) trained as a sculptor at the Slade School of Fine Art in London under Reg Butler and later at the Liverpool College of Art. In 1967 he spent time in Paris at Atelier 17 where his tutor was printmaker Stanley William Hator, who had worked with artists such as Max Ernst, Pablo Picasso, Alexander Calder and Jackson Pollock. Chang started making jewellery in the 1980s and came to see it very much as the same discipline as sculpture but on a smaller scale. He was attracted to recycled plastics for their throwaway quality, giving him freedom to experiment. His postmodernist brightly coloured jewels are complex and, although appear heavy, are in fact incredibly light. His bangles, made from a central polyurethane core encased by polyester resin, glass fibre, acrylic and inlaid shapes, from various media, often took over 200 hours to complete because the techniques Chang employs were so painstaking and varied. Chang never signed his work, nor did he use computer-aided design. Chang was also independently minded and did not accept commissions, preferring his work to be a form of unique self-expression for the viewer to judge. Pieces by Peter Chang are in museum collections worldwide including the Victoria & Albert Museum in London, and the Cooper-Hewitt Design Museum in New York.Accompanied by a letter of authenticity signed by Peter Chang.For further information on this lot please visit Bonhams.com
Lot 243
PETER CHANG: EARRINGSOf claw design, decorated with red and blue resin and inset with blue and white tiles, length 6.0cmFootnotes:Peter Chang (1944-2017) trained as a sculptor at the Slade School of Fine Art in London under Reg Butler and later at the Liverpool College of Art. In 1967 he spent time in Paris at Atelier 17 where his tutor was printmaker Stanley William Hator, who had worked with artists such as Max Ernst, Pablo Picasso, Alexander Calder and Jackson Pollock. Chang started making jewellery in the 1980s and came to see it very much as the same discipline as sculpture but on a smaller scale. He was attracted to recycled plastics for their throwaway quality, giving him freedom to experiment. His postmodernist brightly coloured jewels are complex and, although appear heavy, are in fact incredibly light. His bangles, made from a central polyurethane core encased by polyester resin, glass fibre, acrylic and inlaid shapes, from various media, often took over 200 hours to complete because the techniques Chang employs were so painstaking and varied. Chang never signed his work, nor did he use computer-aided design. Chang was also independently minded and did not accept commissions, preferring his work to be a form of unique self-expression for the viewer to judge. Pieces by Peter Chang are in museum collections worldwide including the Victoria & Albert Museum in London, and the Cooper-Hewitt Design Museum in New York.Accompanied by a letter of authenticity signed by Peter Chang.For further information on this lot please visit Bonhams.com
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