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Click here to subscribeA rare Dinky Percival `Gull` (60k) In light blue with silver wings `G-A DZO` registration. In special issue yellow box with `Scale Model Souvenir of actual Percival `Gull` Aeroplane flown by H.L. Brook on his record-breaking South African flight in 1937` to lid. Minor wear. Box dated 1-40 Contents VGC, but for one small chip out of the fuselage. Plate. 4
A Limited Edition 1/10th Scale Model of a British Royal Artillery Brass Waterloo Field Gun, mounted on a mahogany base inset with presentation plaque "British Royal Artillery Brass 9 Pdr Field Piece as Employed at Waterloo on June 18th 1815. Built in England to the Scale of 1/10th for Anthony John Kevill Esquire. Gun No.122 in a Limited Edition of 156", with certificates and manual.
Twenty Seven Heyde Large Scale Lead Figures of a British Line Infantry Band, comprising one mounted drummer, ten bandsmen on foot, an officer and fifteen infantry men with rifles, all wearing blue trousers, red tunics and white helmets, average height of figures without rifles 65mm. (Some damage)
Scale Model Of The Library In Queen Mary`s Dolls House, Half Scale Model Of The Library, Built From Scratch By A 16 Year Old School Boy Working From Illustrations In "Everybody`s Book Of The Queens Dolls House" In The Late 1920`s. The Model Is To A Scale Of Half An Inch To The Foot And Packs Away Into A Hinged Oak Box, Each Of The 400 Books On The Shelves Bears A Title, The Official Government "Blue Books" Being Contemporary With The Period. Minute Fittings Comprising Desk Blotter, Notepaper, Chessmen On The Tiny Tripod Table, Colourful Persian Carpet etc. This Library Was Sold At Sothebys On 17-30-1988 Lot 7 For £1300 + Premium (£1449.50). Comes With All Paperwork And Receipts, Together With 4 Books "Everybody`s Book Of The Queens Dolls House", "Queen Marys Dolls House", "Queens Mary Art Treasures", "International Dolls House News" And Sothebys Newsletter March 1988 With An Article About The Sale.
Illustrated London News, Publ- "Exterior of the Crystal Palace.... South-East View", published August 2nd 1851; engraving, held in a glazed maple veenered frame, 32x95cm: together with three further large scale mid 19th century engravings depicting views of the Crystal Palace, all framed and glazed, (4)
A Phoebe Anne Traquair HRSA (1852-1936) A gold, silver and enamel pendant, circa 1905-06, the upper section of triangular form depicting Cupid paring love from a gold jar, the reverse with Cupid offering a gold heart, the bottom section suspended from triple-link chairs in the form of a heart depicting Cupid shooting an arrow towards earth, the reverse (lacking enamel) with Cupid sleeping, each section within a chevron engraved casing (lacking original enameled tear drop) 5cm high x 3cm wide Note: The pendant was given by George Brown Barbour (1890-1977) of Edinburgh to his fiancée Dorothy Latou Dickinson (1892-1981) of New York on the occasion of their marriage in May 1920. The pendant as first made may have been with the Barbour family prior to that date: it was personalised by the addition of the swan. Traquair was a friend of the Barbour family who had previously commissioned key examples of her crafts. George Barbour was the elder son of Dr (Alexander) Hugh (Freeland) Barbour of 4 Charlotte Square, Edinburgh, the first owner of the Bonskeid cabinet (Shapes sale number 48, lot 390), which his sister Margaret had asked Traquair to decorate as a gift to her brother. Hugh and Margaret Barbour also commissioned a fine illuminated manuscript (now with Edinburgh University) for their sister Charlotte in 1897. Traquair had met the Barbours through Dr Alexander Whyte, the Edinburgh theologian married to Margaret`s sister Jane: the Whytes` home was 7 Charlotte Square. She illustrated Dr Whyte`s published commentary on Dante and painted portraits of members of their family, including Gustavus Aird Whyte. George Barbour therefore would have been familiar with the artist`s work for most of his life. The form and subject of this pendant made it particularly appropriate as a wedding gift. Of all classical subjects Traquair was most attracted to the story of Cupid and Psyche, and took it up in enamelling, especially in the early to mid-1900s. Several of her pendants of Cupid were sent to the Arts and Crafts Exhibition Society in London from 1903. For such classical or other secular subjects (such as mermaids) she often chose to enamel on silver as a quite different colour range-turquoise blues, greens, fiery russets and pearly flesh colours-was thus possible, and readily distinguished from the more primary reds, deep blues and greens worked on copper for religious work. These silver enamels, set as pendants, necklaces or occasionally brooches, are now among the most collectable of Traquair`s small scale work. A 1905 heart pendant of a sleeping Cupid, also worked on silver and set in gold with enamelled tear drop, was purchased by the National Museums of Scotland and is currently on display in the Museum of Scotland (A.1986.122).
A 19th Century French Briquet Sabre, with 55.5cm single edge slightly curved steel blade, the brass hilt stamped 12 on the guard, with ribbed grip, lacks scabbard; a 19th Century Sabre, with 61cm single edge curved steel blade, brass hilt with foliate cast langets, the crossguard with fluted quillons, with wrythen fluted scale cast grip and snarling lion mask pommel, lacks scabbard (2)
A COAL FIRED LIVE STEAM 1½ INCH SCALE ALLCHIN TRACTION ENGINE ROYAL CHESTER, from a design in the Model Engineer by W.J.Hughes, the steel boiler lagged in unpainted brass sheet having full working valve gears and rotating governor, having high and low ratio gears, with forward and reverse lever, full steering gear, water lifter pressure gauge and valve controls, the rear wheel with full winching drum with wire and tender rollers complete with bucket, requires minor final assembly, has not been fired and does not have a boiler certificate See illustration
A FIRST PERIOD WORCESTER BLUE SCALE LOZENGE-SHAPED DISH, circa 1765, painted with sprays of polychrome summer flowers within gilt "rococo" cartouche, with a gilt border, underglaze blue pseudo-Chinese seal mark to base, 12½". See illustration Provenance: The Executors of the late Sally, Duchess of Westminster, Wickwar, Wootton under Edge, Sotheby`s sale on the premises 1990
AN IMPORTANT PAIR OF ANGLO-DUTCH BRASS CANDLESTICKS on a monumental scale with moulded bases and conforming drip pans supporting spirally-fluted columns with plain cylindrical nozzles and detachable sconces, with a milled edge matching the drip pan and the base, circa 1680-1700, 16" high . See illustration No other candlesticks of this date appear to be recorded on this scale. Stylistically they appear to be English, but elements of the construction suggest continental manufacture. A Scandinavian origin has been proposed, but this is not accepted by a leading specialist in Scandinavian metalwork. It seems quite possible that these enigmatic candlesticks were manufactured in England by an émigré craftsman during the last quarter of the 17th century. Provenance: Newton Surmaville, Somerset.
A Victorian silver presentation punch bowl, circular form, embossed foliate scroll, fish scale and trellis decoration, inscribed `East Surrey Sergeants Challenge Cup, 7 Rounds at 200,500 and 600 Yards, on a circular ebonised base mounted with silver plaques, engraved with the winners, by Elkington and Co., London 1892, diameter 42cm., approx. weight 102oz.
A REGENCY MAHOGANY BRACKET CLOCK, the case with break arch, single pad top with brass carrying handle, silk backed fish scale frets to the sides and front, flanked by canted reeded brass corners, raised on ogee bracket feet, the 7" white painted convex Roman dial inscribed `Miles, Ludgate St., London, with blued hands, with strike silent lever over, the twin fusee movement with engraved back plate and signed cartouche, bell strike and pull repeat, 14 1/4" high
Bible [Hebrew]. Vetus Testamentum Hebraicum, cum Variis lectionibus, ed. Benjamin Kennicott, 2 vols., Oxford, 1776-80, list of subscribers, partly ruled in red, occn. foxing to some leaves, later half calf, raised bands to spine of each vol., rubbed and scuffed, rear cover to first vol. det. and upper joints to second vol. partly cracked, large folio. Darlow & Moule 5160. The earliest attempt to provide a large scale critical edition of the Old Testament, from collations of all the known Hebrew manuscripts and printed editions of the Bible, which took Kennicott and other participating scholars ten years to complete. (2)
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