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Lot 393
Three 1:24 scale die cast models from Franklin Mint, 1935 Mercedes Benz 500K Special Roadster, excellent/near mint condition with clear acrylic case, boxed 1930's Duesenberg J Derham Tourster, condition excellent (box far) with paperwork and COA, also unboxed Rolls Royce 1929 Phantom 1, excellent condition but no box
Lot 1290
A Victorian oak stick barometer, the ivorine dial with vernier scale and signed 'J. Webster 189 St. John Road Clerkenwell London', the case with dome top and bevelled glass panel above a glazed mercury thermometer to trunk and turned cistern cover, height 93cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 1282
A late Victorian mahogany dome top mantel clock with French eight day movement striking on a gong, the circular enamelled convex dial with black Arabic hour numerals and inscribed 'Payne & Co 163 New Bond St London Paris', the case with ebony and boxwood stringing, flanked by a pair of gilt brass scale fret panels, on a moulded rectangular plinth and brass bun feet, height 34cm, with pendulum.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 1030
A Breitling Navitimer chronograph stainless steel cased gentleman's wristwatch, Ref. 806, circa 1959, with signed jewelled Venus 178 caliber WOG-coded movement, the signed black dial with luminous hour markers and hands and three subsidiary dials, the outer tachymeter scale and bidirectional slide rule with beaded edge bezel, the signed case back interior numbered '910640', the signed case back detailed '806', case diameter 4cm, on a black leather strap.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 1274
A Regency mahogany bracket timepiece with eight day single fusee movement, the 8-inch painted convex circular dial with black Roman hour numerals, the rectangular case with stepped surmount and dentil cornice, brass recessed corner panels to front and pierced gilt brass scale fret panels to sides, on a plinth base and brass ball feet, height 43cm, with pendulum (some faults).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 1042
A Bulova Lunar Pilot chronograph black coated steel cased gentleman's wristwatch, Ref. 98A186, with 262 KHZ caliber quartz movement, the signed black dial with white hour markers, three subsidiary dials and tachymeter scale, the signed case back detailed '21278816' and 'C9691789', case width 4.5cm, on a black leather strap, with case, hang tag and warranty booklet.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 1056
A Lanco chronograph steel cased gentleman's wristwatch, the signed dial with two subsidiary dials and tachymeter scale, the case back numbered '91013', case width 4cm, on a tapered link bracelet with foldover clasp.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 1299
A Victorian rosewood cased Sympiesometer, the silvered scale with mercury thermometer, glass cistern, sliding scale to side and rotating dial to upper left corner, the glazed rectangular case with carved foliate apron, height 47cm (some alterations and lacking apron finial).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 1294
A George III mahogany stick barometer, the silvered dial with vernier scale and alcohol thermometer and inscribed 'Manticha', the case with broken arch pediment above glazed door and inlaid chequer banding, visible mercury tube and turned circular cistern cover, height 95.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 1040
An Omega Speedmaster Professional 'Moon Watch' chronograph steel cased gentleman's bracelet wristwatch, Ref. 145.0022/345.0022, circa 2000, the signed jewelled 1861 caliber movement numbered '77162126', with dust cover, the signed black dial with luminous hour markers, three subsidiary dials and tachymeter scale, the signed case back detailed 'Flight-qualified by NASA for all manned space missions. The first watch worn on the moon', the signed case back interior detailed '145.0022' over '345.0022', the tapered link bracelet with signed foldover clasp, case diameter 4.2cm, together with two spare links and an international warranty card, dated '30th December 2006'.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 1184
A Citizen Eco-Drive GMT Diver's 200m titanium cased gentleman's bracelet wristwatch, the signed black dial with date aperture, the case with rotating bezel, the signed case back detailed 'B877-R011791' and numbered '981030381', the tapered bracelet with foldover clasp, case diameter 4.2cm, cased, with card box and instruction manual, together with a Citizen Eco-Drive gentleman's chronograph wristwatch, the signed dial with three subsidiary dials, date aperture and outer tachymeter scale, the signed case back detailed 'B620-S125201' and 'ON2371727', case diameter 4.5cm, cased, with outer card box and instruction booklet.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 1164
A Chronograph Suisse circular steel cased gentleman's wristwatch with unsigned jewelled movement, the dial with gilt Arabic and arrowhead hour markers, two subsidiary dials and outer tachymeter scale, case diameter 3.7cm, on a black leather strap.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 1165
A Tag Heuer Lewis Hamilton Calibre S limited edition quartz stainless steel gentleman's chronograph bracelet wristwatch, the signed grey dial with two subsidiary dials, the case with tachymeter scale bezel, the signed case back detailed 'NK6649' above 'CAF7114' and '0404/3500', the tapered link bracelet with foldover clasp, case width 4.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 1154
A Sorna Chrono steel cased gentleman's chronograph wristwatch with signed jewelled movement, the signed black dial with two subsidiary dials, date aperture and tachymeter scale, the signed case back numbered '2652', case width 4cm, on a black rubber strap.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 30
Walter Frederick Osborne RHA (1859 - 1903)A Sea Urchin (1886)Oil on board, 22 x 13cm (9 x 5½")Signed and dated 1886Exhibited: Possibly Dublin Art Club, 1886, No. 17, entitled 'A Sea Urchin', £5Literature: Jeanne Sheehy, Walter Osborne, Ballycotton, 1974, Cat. No. 145A small barefoot boy sits upon a rowing boat which is drawn up on a sloping beach. Behind is a wall and a cluster of red roofed houses. The scene is in shadow, but the gleaming light in the sky suggests that it may be daylight rather than dusk. The exact location of the picture is not known. From 1884 to the early nineties Walter Osborne painted in a number of English coastal villages including Southwold, Walberswick, Hastings and Rye. The setting here may be a riverside scene in Lincoln, or possibly Wells – Next-the-Sea on the north Norfolk coast, which Osborne visited c.1885-1886.In earlier times this small town had been an important port, conducting a thriving trade with Holland. But the harbour had sifted up and Wells was now situated a mile inland, while still retaining its long quayside. Rowing boats are drawn up upon the beach, and a small ragged boy leans against the boat in the foreground. In his seaside pictures Osborne loved observing the children who hung around the harbour, assisted the fisherman, played games and told stories. The boy looks at the viewer with curiosity. Osborne notes details such as his red headwear, a rope, a mast or stick, a small group of people in front of the house and the tall brick chimneys with smoke rising.Osborne was inspired by sunlit landscapes, but he was also drawn to scenes in shadow where the tonality is muted and the figure is shown against the light. In this picture, a range of reds, umbers, Naples yellows, siennas and mauves is used. The distinctive vermilion red of the boy’s cap draws our eyes and provides a point of focus. Although small in scale the picture is executed with the same careful realist style such as in Osborne’s larger paintings, each part lovingly painted with deft brushstrokes. A ‘square-brush’ style is employed where the left edge of the boat meets the background, while the stony shingle in the foreground is conveyed with vigorous impasto, partially applied by a palette knife. The picture is painted on a small wooden panel, signed with the artist’s neat lettering, and dated 1886. It seems likely that this is the painting entitled A Sea Urchin which he exhibited at the first winter exhibition of the Dublin Art Club (of which Osborne was a founding member) in December 1886. The fact that he includes the letters ‘RHA’ after his name is of great significance in that having just been elected a member of the Royal Hibernian Academy in October, this may be the first occasion where he proudly included his title after his name. Julian Campbell, January 2023
Lot 40
Harry Clarke RHA (1889 - 1931)Our Lady and Child adored by St Aidan of Ferns and St Adrian (O'Keefe memorial), (1918), cartoon designed for the Catholic Church of the Assumption, Bride Street, Wexford Town A pair, Charcoal and conté on paper, 202 x 48.5 (79½ x 19) & 204 x 48.5cm (80 x 19")Provenance: From the Collection of Patrick MacEntee SCFollowing the rapturous reception of Harry Clarke’s series of windows for Honan Hostel chapel (1915–17), located on the campus of UCC – the commission which was largely responsible for propelling his stained glass career forward – individuals began to seek him out for memorial windows. Two such commissions which arrived in 1918 were for the Church of Ireland, Killiney, County Dublin and the Catholic Church of the Assumption in the heart of Wexford town; Clarke worked on both jobs concurrently and in fact on one day in September he had a meeting with the Killiney donor in the morning and the Wexford donor in the afternoon.(1) The latter was ordered by a Matilda, wife of William O’Keefe who was a merchant and maltster of Faythe House, Wexford town and the window was in memory of their second son, Lieutenant William Henry O’Keefe. William Jnr was a graduate of Castleknock College and had entered the Royal College of Science, Dublin with the intention of becoming an engineer before obtaining a commission in the Royal Field Artillery. In August 1915 he went on active service in France and was killed by a German shell aged twenty-one in May 1917 at Arras where he is buried.(2) Worth noting is that his memorial window represents one of a very small number in Catholic churches to soldiers who fell in WWI compared with a significant amount in Protestant churches. For Harry Clarke, meeting a client and visiting the location was very important so that each work would be truly individual and would respond to the wishes of the donor, as well as the more practical and aesthetic considerations: the orientation of the window within the church, its height from ground level, the style of architecture, etc. A small-scale, though very precise, preliminary design, usually executed in pencil and watercolour, would then be prepared. Amendments were made if requested by the patron and the next stage was for Clarke to create a ‘cartoon’, a full-scale monochrome plan, usually drawn mainly in charcoal on a single sheet cut from a roll of paper which would accurately show the lead-lines and the key elements of the design. Clarke’s cartoons from this period are remarkably detailed and indisputably works of art in their own right. Perhaps surprisingly for an artist who excelled in crisp black and white illustrations which he made in parallel with his stained glass career, his cartoons for stained glass windows are distinctly tonal and indicate how he intended to paint the different pieces of glass which would comprise the completed window. The only significant absence from these cartoons were the inscriptions – though a designated space was clearly assigned for them – as this was an aspect of the window which Clarke did not enjoy doing, and usually the inscriptions were executed by other artists in the studio under his direction. Details of the O’Keefe coat of arms and family moto are likewise left blank on the Wexford cartoon but fully realised in the window as executed. Clarke created his cartoon for Our Lady and Child adored by St Aidan of Ferns and St Adrian in November and December 1918, and the stained glass window itself was completed in early May 1919.When the leading expert on Harry Clarke, Dr Nicola Gordon Bowe, was assembling an exhibition of his work for the Douglas Hyde Gallery, Trinity College in 1979 – which was responsible for reigniting interest in Clarke – she selected several of his finest cartoons from the collection of the artist’s son, David Clarke, and among those she chose for exhibition were his cartoons for Killiney and Wexford. In her catalogue notes accompanying the exhibition Dr Gordon Bowe eloquently wrote of the Wexford window: ‘the alert Child sits on the lap of the demure and neat little Madonna, whose silken cloak is strewn with stars and jewels and whose pompom’d slippers rest on a tasselled cushion. They hover over the coastline of Ireland, adored by the kneeling, devout Aiden of Ferns (with tiny replica of the early Cathedral and settlement he founded and a splendid crozier), while behind him the proud, graceful St Adrian stands with a jewelled and chased cross in a Burne-Jones helmet. The sea, at whose edge they worship and the sky around them are lightly inscribed with a wealth of tiny symbolic motifs, amongst which are tiny perfectly detailed scenes of a Crucifixion and the Ascension, a chalice set in a flaming aureole, an exquisite tiny galleon, one of Clarke’s favourite motifs, another chalice, symbolic of the young man’s sacrifice after great suffering, one triangle set with an eye, another struck by lightning, the young man’s initials (W.O.K.) and a delightful vignette of Bride Street Church as seen across Wexford Harbour… When he had time, his personal deeply religious, poetic and unique vision permeated in intricate detail everything he touched.’ (3)Dr David CaronNicola Gordon Bowe, Harry Clarke – the Life and Work (second edition, 2012), p. 146.I am grateful to Reiltín Murphy for information on the O’Keefe family.Nicola Gordon Bowe, Harry Clarke (monograph and catalogue of exhibition in Douglas Hyde Gallery, TCD, 1979), pp. 106–07.Condition Report: Additional photos of some of the repaired areasAlso of the creases and abrasionsPresumably occurred during the process of creating the windows, these were working cartoons of course See additional images
Lot 371
Corgi and Corgi Classics 1:50 scale Golden Oldies and Archive Corgi models, comprising 13602 Foden S21 Mickey Mouse box lorry - CWS, boxed with certificate, Limited Edition No.01236 of 5,000; another, boxed with certificate, Limited Edition No.01213 of 5,000; 19302 Bedford S - Weetabix, boxed; 30301 Thames Trader - Slumberland, boxed with certificate, Limited Edition No.08331 of 10,000 (4)
Lot 372
Aviation Interest - a collection of Herpa Wings 1:500 scale models, comprising two Art.-Nr.500616 Thai Airways Boeing 747-400, each boxed; Art.-Nr.500661 Asiana Airlines Boeing 747-400, boxed; two Art.-Nr.500890 Korean Air Boeing 747-400, each boxed and Art.-Nr.511087 Flughafen Frankfurt Main Boeing 747-400, boxed (6)
Lot 153
* Champagne. Jansson (Jan), Reims en Champagne, circa 1655, uncoloured engraved town plan, slight staining, 375 x 510 mm, mounted, framed and glazed, together with Jaillot (Hubert). Gouvernement General de Champagne..., Paris, 1692, uncoloured engraved map after Nicolas Sanson, on two conjoined sheets, large floriate cartouche and mileage scale, 770 c 550 mm, mounted, framed and glazedQTY: (2)NOTE:The Jansson town plan was originally published in "Theatrum exhibens celebriores Galliae et Helvetiae urbes…Illustriorum Regni Galliae civitatum tabulae ut et Helvetiae confoederatae civitates celebriores".
Lot 156
England & Wales. Jaillot (Alexis-Hubert & Sanson Nicolas), Le Royaume d'Angleterre distingué en ses Provinces..., Paris, 1693, large engraved map with contemporary outline colouring, large uncoloured decorative cartouche and mileage scale, title repeated above the map, some offsetting and slight staining, 780 x 580 mm, together with Blaeu (Johannes). Anglia Regnum, Amsterdam, circa 1645, engraved map with contemporary outline colouring, some staining and dust soiling, slight worming, 385 x 495 mm, no text on verso, with Homann (Johann Baptist, heirs of). Regni Angliae et Principatus Cambriae Tabula Nova..., 1793, map engraved by J Rausch with contemporary outline colouring, inset map of the Scilly Isles, uncoloured allegorical cartouche, toned overall, very slight staining, 600 x 530 mm, with another copy similar, plus Hole (Guillaume). Englalond Anglia AngloSaxonum Heptarchia [1610], hand-coloured engraved map, strapwork cartouche and compass rose, slight marginal staining, 280 x 325 mm, and De Wit (Frederick). Accuratissima Angliae Regni et Walliae Principatus..., P. Mortier, Amsterdam, circa 1714, engraved map with contemporary outline colouring, light overall toning, some marginal staining, occasional repaired marginal closed tears, 580 x 490 mmQTY: (6)
Lot 164
Ireland. Wyld (James), A Map of Ireland Divided into Provinces and Counties shewing the Great and Cross Roads with the distances of the principal Towns from Dublin, 1847, hand-coloured lithographic map, calligraphic cartouche, compass rose and mileage scale, occasional repaired marginal closed tears, 715 x 540 mmQTY: (1)
Lot 180
Sussex. Schenk (P. & Valk G.), Suthsexia vernacule Sussex, Amsterdam, circa 1700, hand-coloured engraved and reticulated map, decorative cartouche and mileage scale, compass rose and numerous rhumb lines, 385 x 505 mm, together with Morden (Robert). Sussex [1695 or later], hand-coloured engraved map, 345 x 415 mm, plus Ogilby (John). The Road from London to Newhaven com. Sussex [1675 or later], hand-coloured engraved strip road map, toned overall, some creasing, 335 x 430 mm, QTY: (3)
Lot 470
A Constantin Weisz two tone stainless steel wrist watch. The watch having a round face with sun burst silvered dial, two subsidiary dials, exposed mechanism and tachymeter scale. The watch mounted to a two tone bracelet strap. Marked 5ATM water resistant, red: 17A242CW. No box or paperwork present but appears in new condition, ticking at time of cataloguing.
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