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186094 item(s)/page
Tissot 1853 PRS516 Automatic Chronograph Steel Wrist Watch, with Eta/Valjoux 7750 Movement. Features Include Day/Date and 60 Second, 30 Minute, 12 Hour Registers, Black PVD Coated, Bezel, with Bright Yellow Filled Tachymeter Scale, Carbon Fiber Dial, with Reds, Yellows and Whites, High Polish Stainless Steel Case and Bracelets, Luminous Hands and Markers for Night Visibility, Steering Wheel Style Case, with See Through Window. Excellent Condition In All Aspects.
A QUANTITY OF MODERN BOXED AND UNBOXED TOYS, to include Revell Ferrari F50 Barchetta plastic construction kit No.05731, 1:24 scale, contents not checked and a quantity of TV and Film SCI-Fi related items, Doctor Who, Thunderbirds, Kenner battery powered 1995 Batmobile etc, a worn Chesterman leather cased surveyors tape measure
AN UNMARKED PLASTIC MODEL OF A LAKER AIRWAYS 'SKYTRAIN' MCDONNELL DOUGLAS DC10, 'GB-FAL', model on metal stand, similar to those found in travel agents windows has had some damage and repairs (engines, tail etc) and has some wear to livery, comes with the original invoice showing it was purchased direct from Laker Airways (in liquidation) during 1982, length approximately 56cm, span approximately 49cm, approximately 1:100 scale
A BOXED VICTORY INDUSTRIES BATTERY OPERATED LEYLAND COMET TIPPER TRUCK, 1:18 scale, some warping/expansion to plastic cab which is loose on the body, front bumper loose but otherwise appears complete and in fairly good condition except part of rear registration decal is missing, not tested, complete with instructions, guarantee and return instructions slip, box has some wear and markings but is complete
A LARGE WOODEN DOLLS HOUSE MODELLED AS A FOUR STOREY TUDOR HOUSE WITH A THATCH EFFECT ROOF, probably a Robert Stubbs 1/12 scale creation, but not marked, black and white half timbered with leaded windows, removable magnetic panels open to reveal eight decorated rooms, with transformer and fully wired for lighting (not tested), some minor wear/damage, height approximately 115cm, width approximately 94cm, depth approximately 68cm, with a quantity of furniture and accessories (s.d.)
GIBRALTAR - A Plan of the Batteries Erected before Gibraltar, with attacks made by sea and land . . . in presence of the combined fleets of France and Spain; together with A Plan shewing the Attack and Disposition of the Detachment which sallied . . . from Gibraltar . . . both 47 x 33cms., hand-coloured, with insets, scale: 4 3/4 ins. to 1,000 yards, with close detail of bastions, forts, roads (etc.) * provides some good illustration of the successful Anglo-Hanoverian defence (under Sir Charles Elliot) 1779-83. Illustrated
KENT - A Map of the Hundred of Axstane / A Map of the Hundred of Little and Lesnes / A Map of the Hundred of Blackheath. hand-coloured, 37 x 37cms. from the second (Canterbury) edition of Hasted's History of Kent (1797-1801). * detailed maps, scale almost 2ins. to mile, includes lanes, num. properties named (etc.); sold with 4 area sheets from Andrews Dury & Herbert's 'A Topographical Map of the County of Kent (1769). hand-coloured, approx. 45 x 66cms. * v. detailed, incl. inlets, streams & mills (etc.) (7)
Samuel LEWIS - A Plan of London and its Environs, shewing . . . Metropolitan Boroughs and Parishes . . . hand-coloured, 88 x 108cms., engraved title & explanation key, scale: 4 ins. to mile. (ca. 1845). * v. detailed with many streets named, & (in outskirts) individual properties also; extent: Highgate / Brixton Hill & Hammersmith / E. India Docks.
Baume & Mercier, ref. 3915, an 18 carat gold wristwatch, circa 1950, Swiss chronograph movement, 17 jewels, silvered dial, Arabic numerals, baton hands, chronograph hand, outer Arabic numeral minute track, subsidiary dials for constant seconds and 30 minute recording, tachymeter scale, snap back, case and dial signed , on a brown leather strap, diameter 35mm
Baume & Mercier, ref. 6103, a stainless steel wristwatch, no. 1759553, circa 1998, automatic chronograph movement, cal. BM13283 ETA 289-2, silver dial, applied baton numerals, luminous baton hands, chronograph hand, subsidiary dials for constant seconds, 30 minute and 12 hour recording, date aperture at 3 o'clock, tachymeter scale, snap back, case, dial and movement signed , on a black leather strap, 36mm diameter
Monvis, an 18 carat gold wristwatch, circa 1960, Swiss manual wind chronograph movement, 17 jewels, cal. L51, inner metal cover, cream dial, applied Roman numerals and baton markers, Dauphine hands, centre chronograph hand, subsidiary dials for constant seconds and 30 minute recording, tachymeter scale, snap back, dial signed , on a brown lizard strap, diameter 38mm
A George III silver straight-sided oval tea caddy by John Denzilow, London 1782, with a lobed horn finial to the dome centred cover, later embossed with Chinamen in panels and massed folowers, scrolls, rocaille and scale work, engraved with a script AN in an oval reserve, 12cm (4 3/4in) high, 344g (11.1 oz) gross
* Herbert George Ponting [1870-1935] - A Fakir of Holy Benares carbon print:- 34 x 45.5cm., sheet size 37.5 x 48.8cm. captioned and signed H.G. Ponting in ink in lower margin * Biography Herbert George Ponting [1870 - 1935] Born to a wealthy English West Country family, in the early 1890s Herbert Ponting emigrated to California where he bought a fruit farm and also became a partner in a gold mining enterprise. Both enterprises soon foundered; he was totally inept as a businessman and he turned to photography, where he found a ready market for his work. In the ten years preceding his appointment as photographer to Captain Scott's Polar Expedition (1910) which brought him fame, he travelled the world as a freelance. Ponting's first major commission was for Underwood & Underwood, the leading publishers of stereo cards, who dispatched him to the Orient, where he remained to cover the Russo-Japanese war. He spent a further two years in China, India and South East Asia, before returning to Europe where in 1908 he photographed the Swiss and French Alps. The images offered here fall within this defined period, with exception of Terra Nova in a Gale taken en route to the Polar regions. Ponting's large-scale carbon prints (up to 40 x 60 inches) are first mentioned in H.J.P. Arnold: Photographer of the World, A Biography of Herbert Ponting in connection with the Dresden International Photographic Exhibition, 1909, and thereafter they continued to be produced on a smaller scale for other exhibitions and for public sale. The prints offered here were Ponting's own, inherited by the vendor from his grandfather who purchased them in July 1935 at the executors' sale of Ponting's cameras and photographs.
A pair of Worcester scale-blue baluster vases: of small size with double scroll handles, painted in the Kakiemon style with a mythical beast and exotic birds amongst chrysanthemums and foliage within gilt scrollwork cartouches on a scale-blue ground, pseudo Chinese seal marks, circa 1770, 18 cm high [ slight difference in size, one cover with two restored chips].
A Worcester teapot and cover and a tureen and cover: the teapot with flower finial and decorated in the Kakiemon style with chrysanthemum and banded hedges within gilt rococo cartouches on a scale blue ground, pseudo Chinese seal mark, circa 1770-75,15 cm high [damaged]; the oval tureen with shell handles and painted with floral bouquets within gilt cartouches on a deep blue ground, seal mark, circa 1770-75, 16 cm wide [some restoration].
A MIXED LOT: A turned ivory medical syringe, a brass, two-tone whistle, a nickel two-tone whistle, a set of watchmaker's steel & bone winding keys (cased), a pair of brass nut cracks, a brass compass, a nickel-plated "Fowlers Long Scale calculator", & a small quantity of assorted handles; the calculator 4.7" (12 cms) diameter (lot)
Matthew Boulton's Medallic Scale, the original obverse and reverse dies, c.1803, by Conrad Heinrich Kόchler, obv: bust of Boulton in intaglio, in frock coat, his hair en queue, MATT BOULTON ESQR …, rev: around a central sun the medallic scale in six concentric circles, the details in French, 56 x 68mm; 52 x 67mm (Pollard 27; BHM 462; Eimer 901B), small alignment marks at compass points on both dies around 'medal'. Good fine, the obverse surface showing rust damage, especially towards end of legend. (2) Boulton had been angered by the French and, in particular Jean-Pierre Droz (1746-1823), who he had employed for a short while, but who now, he felt was claiming many of Boulton's inventions as his own. The medal spells out the many achievements of the Soho Mint in terms of output, etc. Boulton had originally conceived the idea of a smaller medal which was to be entrusted to another French medallist, R Dumarest, but Rouw's wax portrait of Boulton was undoubtedly worked by Kόchler. The legend indicates the number of coins or medals of the diameter of each particular circle, that could be struck per minute, "by eight children without fatigue….".
A Mettoy (UK) 'Giant' tinplate clockwork racing car Impressive large scale example, 38cm long, light blue with yellow tin printing, steerable front wheels with red seating and interior cockpit details, fitted with substantial clockwork motor having rear wheel and break lever, racing no.7. (illustrated)
Phyllis Beamish (Manchester, b. 1952)- 'Beneath the Surface' No 5/10, large scale acrylic on board, signed and dated (20)05, inscribed by artist verso, also bears another painting by the artist verso, approx 90x120cm, framed. NB: Phyllis Beamish is an interesting and talented Manchester artist, currently working on this and other new series of work and has a vibrant and eclectic stock of work for sale. Phyllis also had solo exhibitions at The Bury Metropolitan and Emily Pankhurst Centre. (illustrated)
Phyllis Beamish (Manchester, b. 1952)- 'Beneath the Surface' No 6/10, large scale acrylic on board, c. 2005, inscribed by artist verso, approx 90x120cm, framed. NB: Phyllis Beamish is an interesting and talented Manchester artist, currently working on this and other new series of work and has a vibrant and eclectic stock of work for sale. Phyllis also had solo exhibitions at The Bury Metropolitan and Emily Pankhurst Centre.
Ashley Shaw (New Zealand/British, 20th Century) - 'Pink edge' Large scale oil on canvas, signed and dated 2002, inscribed by hand (presumably by artist) verso, with signature and date, title, and reference no CL01042002, approx 122x122cm, framed. NB: Ashley Shaw was born in Moerangi Bay, Auckland, New Zealand, and at the age of five he left New Zealand with his family to begin a new school and new life in Berkshire, England. From a young age Ashley showed a passion for art and at the age of eight he won a national art award. For further information see www.centralart.co.nz/collections/ashley-shaw. (illustrated)
Charlie Shiels (British, 1947-2012) - 'Cafe Bar in Marseilles' Large scale oil on canvas, signed, approx 102x152cm (3ft 4in x 5ft), framed. NB: Charlie Shiels was born in Stockport and lived in Manchester. He lectured in Art & Design at Stockport College of further Education, later to become Senior Lecturer. Charlie had a one man exhibition at The Blythe in Manchester, The Unicorn Gallery in Chelsea, and The Woolff Gallery in Shoreditch, London. Charlie also produced commissioned work for the BBC Publications, London Underground (poster design), Corgi Books, Marks & Spencer, and numerous others. (illustrated)
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186094 item(s)/page