Saint Peter the Apostle, standing against a foliate background, within Gothic architectural borders, monogrammed SP to lower centre, a stained, painted and leaded glass lancet window, consisting of three rectangular panels and an ogee upper panel, overall 213cm by 57cm.* Provenance : The North Transept window of Burn Park Road Methodist Church, Sunderland (known previously as Thornhill Methodist Church), built 1902-1903 by TR Millburn and JE Miller. The Millburns also built the Empire Theatre in Sunderland. The windows were designed by Atkinson Brothers of Newcastle Upon Tyne. William, Frederick and Albert Atkinson started their business at 125 New Bridge Street, Newcastle upon Tyne in 1876. William died in 1890, and the others continued in business. A large amount of their work involved memorial windows after World War One. Frederick died in 1927 and Albert sold the business to Reed Millican in the early 1930s. These panels were manufactured by Hartley Wood & Co Glass Works in Sunderland, using the Atkinson designs. CONDITION REPORT: Due to the losses and structural issues to the middle panel, it was not possible to photograph this piece in the same manner as the others, suspended on a window sill with natural light behind. As a result, the panel appears darker than the others in the above image. Auctioneer's comments regarding the method of photography employed - Due to the scale of some of these windows, and the fact that they have been separated into their constituent panels since being removed from the church, it was not possible to photograph them as a complete, assembled structure. Instead, the panes of each window were photographed separately. They were placed on a window sill, allowing natural sunlight to illuminate them from behind. The surroundings of each panel were cropped out of the image, and the resulting panes of glass were superimposed onto a black background, then aligned as they would have been originally, therefore creating a realistic depiction of the complete window as it was within the church. Whilst I am happy with the overall result, it did prove difficult to replicate the overall perspective of some of the larger pieces, and separate panes could not be aligned perfectly edge-to-edge in every instance. Photographing panels at different times of day also resulted in varying levels of light, meaning some panels are slightly more illuminated than others. For additional photographs, or further comment regarding the condition of these windows, please email sam@millersauctioneers.co.uk. Images also exist of the windows prior to their removal from the church, and can be provided upon request.
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A pair of Angels holding palm branches, symbolising martyrdom, two trapezoidal stained, painted and leaded glass windows with ogee pediments, each 55cm by 24cm. * Provenance : The South Transept Window of Burn Park Road Methodist Church, Sunderland (known previously as Thornhill Methodist Church), built 1902-1903 by TR Millburn and JE Miller. The Millburns also built the Empire Theatre in Sunderland. The windows were designed by Atkinson Brothers of Newcastle Upon Tyne. William, Frederick and Albert Atkinson started their business at 125 New Bridge Street, Newcastle upon Tyne in 1876. William died in 1890, and the others continued in business. A large amount of their work involved memorial windows after World War One. Frederick died in 1927 and Albert sold the business to Reed Millican in the early 1930s. These panels were manufactured by Hartley Wood & Co Glass Works in Sunderland, using the Atkinson designs. CONDITION REPORT: Auctioneer's comments regarding the method of photography employed - Due to the scale of some of these windows, and the fact that they have been separated into their constituent panels since being removed from the church, it was not possible to photograph them as a complete, assembled structure. Instead, the panes of each window were photographed separately. They were placed on a window sill, allowing natural sunlight to illuminate them from behind. The surroundings of each panel were cropped out of the image, and the resulting panes of glass were superimposed onto a black background, then aligned as they would have been originally, therefore creating a realistic depiction of the complete window as it was within the church. Whilst I am happy with the overall result, it did prove difficult to replicate the overall perspective of some of the larger pieces, and separate panes could not be aligned perfectly edge-to-edge in every instance. Photographing panels at different times of day also resulted in varying levels of light, meaning some panels are slightly more illuminated than others.For additional photographs, or further comment regarding the condition of these windows, please email sam@millersauctioneers.co.uk. Images also exist of the windows prior to their removal from the church, and can be provided upon request.
A pair of Angel Musicians, a trumpeteer and a drummer, two trapezoidal green-stained, painted and leaded glass windows with ogee pediments, each 55cm by 24cm. * Provenance : The South Transept Window of Burn Park Road Methodist Church, Sunderland (known previously as Thornhill Methodist Church), built 1902-1903 by TR Millburn and JE Miller. The Millburns also built the Empire Theatre in Sunderland. The windows were designed by Atkinson Brothers of Newcastle Upon Tyne. William, Frederick and Albert Atkinson started their business at 125 New Bridge Street, Newcastle upon Tyne in 1876. William died in 1890, and the others continued in business. A large amount of their work involved memorial windows after World War One. Frederick died in 1927 and Albert sold the business to Reed Millican in the early 1930s. These panels were manufactured by Hartley Wood & Co Glass Works in Sunderland, using the Atkinson designs. CONDITION REPORT: Auctioneer's comments regarding the method of photography employed - Due to the scale of some of these windows, and the fact that they have been separated into their constituent panels since being removed from the church, it was not possible to photograph them as a complete, assembled structure. Instead, the panes of each window were photographed separately. They were placed on a window sill, allowing natural sunlight to illuminate them from behind. The surroundings of each panel were cropped out of the image, and the resulting panes of glass were superimposed onto a black background, then aligned as they would have been originally, therefore creating a realistic depiction of the complete window as it was within the church. Whilst I am happy with the overall result, it did prove difficult to replicate the overall perspective of some of the larger pieces, and separate panes could not be aligned perfectly edge-to-edge in every instance. Photographing panels at different times of day also resulted in varying levels of light, meaning some panels are slightly more illuminated than others.For additional photographs, or further comment regarding the condition of these windows, please email sam@millersauctioneers.co.uk. Images also exist of the windows prior to their removal from the church, and can be provided upon request.
John the Apostle, one of the Four Evangelicals, standing with quill and book beneath a sanguine-red archway before a green foliate background, within Gothic architectural borders, a stained, painted and leaded glass lancet window, consisting of three rectangular panels and an ogee upper panel, overall 213cm by 57cm.* Provenance : The North Transept window of Burn Park Road Methodist Church, Sunderland (known previously as Thornhill Methodist Church), built 1902-1903 by TR Millburn and JE Miller. The Millburns also built the Empire Theatre in Sunderland. The windows were designed by Atkinson Brothers of Newcastle Upon Tyne. William, Frederick and Albert Atkinson started their business at 125 New Bridge Street, Newcastle upon Tyne in 1876. William died in 1890, and the others continued in business. A large amount of their work involved memorial windows after World War One. Frederick died in 1927 and Albert sold the business to Reed Millican in the early 1930s. These panels were manufactured by Hartley Wood & Co Glass Works in Sunderland, using the Atkinson designs. CONDITION REPORT: Auctioneer's comments regarding the method of photography employed - Due to the scale of some of these windows, and the fact that they have been separated into their constituent panels since being removed from the church, it was not possible to photograph them as a complete, assembled structure. Instead, the panes of each window were photographed separately. They were placed on a window sill, allowing natural sunlight to illuminate them from behind. The surroundings of each panel were cropped out of the image, and the resulting panes of glass were superimposed onto a black background, then aligned as they would have been originally, therefore creating a realistic depiction of the complete window as it was within the church. Whilst I am happy with the overall result, it did prove difficult to replicate the overall perspective of some of the larger pieces, and separate panes could not be aligned perfectly edge-to-edge in every instance. Photographing panels at different times of day also resulted in varying levels of light, meaning some panels are slightly more illuminated than others. For additional photographs, or further comment regarding the condition of these windows, please email sam@millersauctioneers.co.uk. Images also exist of the windows prior to their removal from the church, and can be provided upon request.
A pair of Angel Trumpeteers, two trapezoidal stained, painted and leaded glass windows with ogee pediments, each 50.5cm by 24cm. * Provenance : The Porch/Vestibule Window of Burn Park Road Methodist Church, Sunderland (known previously as Thornhill Methodist Church), built 1902-1903 by TR Millburn and JE Miller. The Millburns also built the Empire Theatre in Sunderland. The windows were designed by Atkinson Brothers of Newcastle Upon Tyne. William, Frederick and Albert Atkinson started their business at 125 New Bridge Street, Newcastle upon Tyne in 1876. William died in 1890, and the others continued in business. A large amount of their work involved memorial windows after World War One. Frederick died in 1927 and Albert sold the business to Reed Millican in the early 1930s. These panels were manufactured by Hartley Wood & Co Glass Works in Sunderland, using the Atkinson designs. CONDITION REPORT: Auctioneer's comments regarding the method of photography employed - Due to the scale of some of these windows, and the fact that they have been separated into their constituent panels since being removed from the church, it was not possible to photograph them as a complete, assembled structure. Instead, the panes of each window were photographed separately. They were placed on a window sill, allowing natural sunlight to illuminate them from behind. The surroundings of each panel were cropped out of the image, and the resulting panes of glass were superimposed onto a black background, then aligned as they would have been originally, therefore creating a realistic depiction of the complete window as it was within the church. Whilst I am happy with the overall result, it did prove difficult to replicate the overall perspective of some of the larger pieces, and separate panes could not be aligned perfectly edge-to-edge in every instance. Photographing panels at different times of day also resulted in varying levels of light, meaning some panels are slightly more illuminated than others.For additional photographs, or further comment regarding the condition of these windows, please email sam@millersauctioneers.co.uk. Images also exist of the windows prior to their removal from the church, and can be provided upon request.
The Todd Family of Sunderland, a dedicated pair of stained glass lancet windows, 'To the Glory of God and in loving memory of James Dowell Todd and Isabella Todd. Presented by their daughter Florence Todd', stained, painted and leaded glass, the first depicting Christ The Good Shepherd, the second an illustration of John 8:12 "I am the Light of the World", within Gothic architectural borders, each consisting of a rectangular panel and an ogee panel, measuring overall 163cm by 62cm each. * Provenance : The aisle windows of Burn Park Road Methodist Church, Sunderland (known previously as Thornhill Methodist Church), built 1902-1903 by TR Millburn and JE Miller. The Millburns also built the Empire Theatre in Sunderland. The windows were designed by Atkinson Brothers of Newcastle Upon Tyne. William, Frederick and Albert Atkinson started their business at 125 New Bridge Street, Newcastle upon Tyne in 1876. William died in 1890, and the others continued in business. A large amount of their work involved memorial windows after World War One. Frederick died in 1927 and Albert sold the business to Reed Millican in the early 1930s. These panels were manufactured by Hartley Wood & Co Glass Works in Sunderland, using the Atkinson designs. CONDITION REPORT: Auctioneer's comments regarding the method of photography employed - Due to the scale of some of these windows, and the fact that they have been separated into their constituent panels since being removed from the church, it was not possible to photograph them as a complete, assembled structure. Instead, the panes of each window were photographed separately. They were placed on a window sill, allowing natural sunlight to illuminate them from behind. The surroundings of each panel were cropped out of the image, and the resulting panes of glass were superimposed onto a black background, then aligned as they would have been originally, therefore creating a realistic depiction of the complete window as it was within the church. Whilst I am happy with the overall result, it did prove difficult to replicate the overall perspective of some of the larger pieces, and separate panes could not be aligned perfectly edge-to-edge in every instance. Photographing panels at different times of day also resulted in varying levels of light, meaning some panels are slightly more illuminated than others. For additional photographs, or further comment regarding the condition of these windows, please email sam@millersauctioneers.co.uk. Images also exist of the windows prior to their removal from the church, and can be provided upon request.
An Italian Multi-Format (35mm / 70mm) Industria Fototecnica Firenze System 1500 Multi Image System Camera, black, in G-VG condition, unit consists of a rack & pinion mounted front standard that bears a large, 3-lug bayonette lens mount, with another, smaller diameter screw thread mount within. The camera comes with an adapter that accepts L39 lenses (enlarger thread). The standard is joined to the body of the camera with a set of bellows, in VG condition. The rack has a scale attached to the left hand side supporting arm, in cm, from 0 to 15. The camera shutter is housed within the front standard & is electrically controlled via an internal solenoid. Single bladed shutter. Within the camera body is a large SLR style mirror that can be lowered & raised manually via a lever to the top of the camera body. When that lever is set to 'Focus' the mirror travels downwards. The camera comes with two similar film magazines, one for 70mm roll film, & the other for 35mm roll film. There is an internal spool, with teeth that correspond to film perforations, the gears can be moved to be spaced for either format film magazine. There is a large lever with a retained pull-out type locking pin, with engraved graduations marked 4, 8, 9, 10, 13, 16, & 18. Within the camera, there are two metal baffels that move inwards as the lever's corresponding value is increased. I.e. at '4' the baffels leave their widest gap, at '18' the baffels leave a small gap. This mechanism changes the aspect ratio of the image that will be captured on the film. Bottom of camera with two connections for external devices, likely power & capture input devices, internals appear to be in VG condition,
A Kodak Regent Rangefinder Folding Medium Format Camera black, 1935-39, serial no.781517, for 620 roll film, with a Carl Zeiss Jena Tessar f/4.5 10.5cm (105mm) lens, shutter jammed open, scale focusing only as rangefinder not working, body G, bellows have tear near lens, lens F, overall haze, with maker's hard case
A quarter inch scale waterline model of the London & Rochester Trading Company MV 'Dominence', rigged cranes over canvas covered hold, wheel house , life boats and davits, the hull painted red, in a glazed oak case, 52x92x33cm., together with a note of provenance.'This model of The London and Rochester Trading Co, Ltd's motor coaster 'Dominence' to the scale of one quarter inch to one foot, was built by D.S. Hancock, with assistance of T.L. Manning, from plans supplied by James Pollock, Sons & Co. in 90 days without workshop facilities and is presented to E. A. Gill Esq, as a small token of gratitude for the many happy days spent aboard her prototype, and with all good wishes for the future to himself and Mrs Gill. Bon Voyage.*Notes- E. A. Gill was the owner of The London & Rochester Trading Company.
A scale model of the sailing barge, 'Invicta': fully rigged over a simulated planked deck with wheel house, vents, cargo grates and fittings, the plank and pinned hull painted black to gunwhales , white bulwarks and green beneath with drop down keels to either side, 150 x 123cm * Notes- A brass carrying handle to the interior suggests that this may have been a pond model. This model was hanging for many years in Southwark Cathedral.Provenance- See Lot 26 Bonhams, Beaulieu National Motor Museum 17th July 2004.
A scale model of a Penzance Lugger 'PZ207': set full sail over simulated plank deck, with capstan, deck grates and vents, the hull painted black to waterline and red beneath, on a wooden cradle, 133 x 128cm.*Notes-Built by John Blewett in the late 19th century a boat builder in Newlyn. He built two models and entered one into a model building competition in Kensington in which he won an award, that model is in the Science museum. This is the other model he built at the same time.* Provenance- See Lot 185 Penzance Auction Rooms, 6th December , 2022.
An early 20th Century scale model of the American clipper 'Glory of the Seas', standing and running rigged over deck with lifeboats, cabins, and fittings, the hull painted black to waterline and copper beneath, on a mahogany plinth with manuscript label 'Glory of the Seas, Boston, 1869-1923', overall size 18cm x 16.5cm.*Notes- launched in 1869 and the last merchant vessel used by Donald Mckay.
J. Hicks, London, a Victorian gilt brass cased aneroid pocket barometer, the 1 3/4in circular silvered register signed J. HICKS, MAKER LONDON 10066, inscribed Compensated to centre within concentric scale calibrated in feet from 0 to 8,000, the pocket watch type case with suspension ring, in a leather covered case; together with Therindex, a pocket thermometer, in a nickel plated watch type case (2)James Joseph Hicks is recorded in Banfield, Edwin BAROMETER MAKERS AND RETAILERS 1660-1900 as working from Hatton Garden, London from 1861 until after 1900. He was a committed Catholic who presented various meteorological instruments to the Vatican receiving the title Knight Commander of St. Gregory in recognition for his services.
A fine and detailed exhibition style scale model of the Royal Navy 'O' Class destroyer HMS 'Onslow' (G17) by Norman Peters, rigged mast and radio aerials with ladders and navigation lights, open bridge with binnacle and speaking tubes, the deck detailed with anchors and 'D' chains rails and fittings, fore and aft 4.7inch Mark IX guns, torpedo tubes mid-ship, AA Guns and High Altitude armament, pinnacle, life boats and depth charges, the hull finished in grey and black mounted on a cradle within a glass case with brass nameplate, the case 61.8 x 175 x 27cm..*Notes- HMS 'Onslow' was built by John Brown & Company at their Clydebank yard and was completed on the 8th October 1941. During WWII she served with the Home Fleet taking part in the Arctic Convoys and later in both the Mediterranean and the English Channel, protecting shipping prior to the D-Day landings. In 1948 she was sold to the Pakistan Navy and renamed 'Tippu Sultan' and was eventually scrapped in 1980.
A late 19th century 9 inch radius vernier sextant, maker J. Coombes, Devonport, serial number '6151' , the lacquered three circle frame with brass arc inset silvered scale calibrated to 110° and signed as per title, fitted magnifier, mirrors and shades, together with sighting scopes and accessories in a mahogany case.
A 19th Century ebony octant, maker 'D McGregor & Co, Glasgow & Greenock', lacquered brass radius arm on an A-frame inset ivory scale calibrated to 105° and ivory name plate as per title, fitted mirrors and shades, together with accessories in a mahogany keystone case.* ivory exemption licence VJU1EHVU
Beautiful large scale color screenprint on laid paper entitled Pink Iris by Hyperrealist painter and printmaker Lowell Nesbitt. Signature and date in graphite on lower right: L. Nesbitt 1981. Edition number on lower left: A.P. (Artist Proof) 2/40. Artist: Lowell Blair Nesbitt (American 1933-1993)Issued: 1981Dimensions: 26.25"L x 38.50"HEdition Number: Artist Proof 2 of 40Country of Origin: United StatesCondition: Age related wear.
Splendid large scale color screenprint on laid paper entitled White and Violet Iris by Hyperrealist painter and printmaker Lowell Nesbitt. Signature and date in graphite on lower right: L. Nesbitt 1981. Edition number on lower left: A.P. (Artist Proof) 10/40. Artist: Lowell Blair Nesbitt (American 1933-1993)Issued: 1982Dimensions: 29.75"L x 36.50"HEdition Number: Artist Proof 10 of 40Country of Origin: United StatesCondition: Age related wear.
Steam Launch Lady Elizabeth a fine scale model constructed primarily in wood with numerous details - coiled rope, tiller, rowlock store and others; with electric motor and faux steam engine 28", 71cm in acrylic case with plaque 'This vessel is believed to have been of American originand was salvaged from Lake Windermere and restored to steam many years ago. She is now used for Char fishing. This is a 1/8 scale working replica.'
Kit/Scratch Built 3 1/2" Gauge Live Steam 4-2-2 Stirling Single Locomotive fine scale model, finished in green as Great Northern Railway No.1, on display railThe prototype was built in Doncaster in 1870 and withdrawn from service in 1907 and is preserved at the Nation Railway Museum in York, it is the only one of its class to surviveCosmetically Excellent, soot inside fire box, centre wheel pair of tender are very stiff to turn (with brake off)
Kit/Scratch Built 3 1/2" Gauge Live Steam Stanier Black 5 Locomotive fine scale model, finished in black as LMS 5490, on display railThe prototype was built at Derby and entered service in December 1943 and was last allocated to Motherwell shed in October 1966, withdrawn in December 1966 and scrapped in June 1967.Has been fired
Bristol Channel Pilot Cutter Cariad 1904 fine scale model, constructed primarily of wood with rowing boat on deck and single mast; powered by an electric motor, on base with Swansea Marine Model Festival 1999 medal 38", 96cmThe prototype was built in 1904 by Edwin Rowles at Pill near Bristol and was the last Pilot Cutter serving until 1922
Kit/Scratch Built 3 1/2" Gauge Live Steam Collett Hall Class Locomotive a magnificent fine scale model finished in green as Great Western Railway 4969 Shugborough Hall on display rail in glass display case with information plaque; Built by Severn Lamb c1975 it is one of four GWR locomotive built by the company for collectors in the 1970sThe prototype was built in Swindon and entered service in December 1929, allocated to Laira Depot in 1935 and last allocated to Southall shed in December 1961; withdrawn from service September 1962 and scrapped the same monthOverall length 47", 120cm; soot present in fire box
Kit/Scratch Built 5" Gauge Live Steam 0-6-0 Deeley Class 3F Locomotive constructed to an excellent standard with detailed scale backhead controls, and finished in black as LMS 3809 with shedplate 24B (Rose Grove) to smokebox door although the prototype is not listed as being allocated to this shed and makers plate 'LMS Built Derby' with 6 wheel 3500 gallons tender The prototype was built at Derby in 1906 and was last allocated to Gorton shed where it was withdrawn from service in April 1961 and scrapped in May1961
Kit/Scratch Built 3 1/2" Gauge Live Steam Riddles Britannia Class Locomotive fine scale model, finished in green as British Railways 70005 John Milton, with Golden Arrow headboard and Arrows to both smoke deflectors on display railThe prototype was built at Crewe works and entered service in April 1951 at Stratford shed and was assigned t various sheds finishing at Carlisle Kingsmoor in October 1964. The locomotive was withdrawn in July 1967 and scrapped at Airdie January 1968Has been fired
Steam Launch Branksome 1896 fine scale model constructed primarily in wood and built from original plans by David Cadman, with stern cabin with detaled interior; powered by a Cheddar Models twin cylinder engine with wooden lagged boiler 77", 195cm on base with plaqueThe prototype was built in 1896 by George Brockbank and named Lily and at some point renamed Branksome, it was bought by the Windermere Steamboat Museum in the 1960's where it remains
Foden Compound Colonial Traction Engine 2" Scale Model finely constructed with highly detailed scale controls, with makers plate 'By Royal Letter Patent No.964', Clean Boiler Out time gauge with 14" diameter driving wheels, 8 3/4" flywheel, overall length 39", 99cmDesigned by model builder Mr Charles Reginald Gee from drawings obtained from the Foden works at Sandbach in 1938. The model was completed in 1957 in an unpainted form and in 1982 work to correct a few minor details and was then painted, this was finished in 1985.
Ca. AD 500 - 700 A charming cup comprised of translucent, slightly yellow glass. It's graceful form with a delicate curved profile is decorated with a scale pattern on the external surface. The cup has a flat bottom and the rim is ground smooth. There are traces of pearlescent iridescence. Sasanian glassmakers used various techniques to create beautiful glass objects such as vessels, tableware, and jewellery. Size: 90mm x 75mm; Weight: 170g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s.
An early 20thC Meissen porcelain lobed Dish, with pink scale border and interior floral decoration, underglaze cross swords mark verso (second quality), D 17cm, together with an early 19th century English Pearlware blue transfer printed Hors D'Ouvres Dish, another similar, this one marked Davenport, broken, a Grainger's Worcester Dragon pattern Plate, D 17cm, and a Ross's Belfast Soda Water advertising ceramic pyramid Match Striker (5)
Breitling: A Stainless Steel Automatic Calendar Chronograph Yachting Wristwatch, signed Breitling, model: Chronomat Yachting, ref: 81.950, 1990's, (calibre Valjoux 7750) 17-jewel unsigned lever movement, black dial with luminous baton markers, date aperture, yachting 10-minute countdown aperture register dial and two other dials for seconds and 12 hour register, outer tachymeter scale, case with screw down crown, rotating bezel, screw back numbered 49245, inside back cover inscribed Breitling Swiss case, Breitling stainless steel bracelet with concealed double deployant clasp40mm wideCase and bracelet with surface scratches, case sides with minor dents, bezel with quarter hour gold tab markers missing to the outer edge, bezel with minor dents visible under an eyeglass, glass with minor scratches, crown is not screwing down on the threaded tube correctly, winding stem appears to be bent, dial is clean, hand setting correctly, date changing correctly, movement in going order. Bracelet length including the watch case is 21cm approximately.
Omega: A Stainless Steel Chronograph Wristwatch, signed Omega, model: Speedmaster Professional Mark II, ref: 145.014, 1970, (calibre 861) manual wound lever movement signed and numbered 29608698, black dial with luminous baton markers, three subsidiary dials for seconds, 30 minute and 12 hour registers, outer tachymeter scale, tonneau shaped case with buttons in the band to operate chronograph, screw back with speedmaster seahorse logo, inside back cover stamped Omega Watch Co and numbered 145.014, Omega stainless steel bracelet with deployant clasp numbered 1170, (bracelet end links missing) 42mm wideCase with surface scratches, case with small dents in parts, some visible dents to the bezel, crown with Omega logo, later strap and deployant clasp not by Omega, glass with scratches, glass with chips around the outer edges, original dial finish in good condition, luminous baton hour markers are all evenly faded with a nice aged patina, hands with small parts of the luminous missing visible under an eyeglass, inside the case band case back with the rubber gasket seal melted, hand setting correctly, winding smoothly, chronograph is working, movement in going order. The Omega bracelet which is at present not attached to the watch has both end links missing.
Rolex: A Steel and Gold Automatic Calendar Centre Seconds Wristwatch, signed Rolex, Oyster Perpetual Date, 4000ft=1220m, Superlative Chronometer Officially Certified, model: Sea-Dweller, ref: 126603, circa 2020, (calibre 3235) lever movement, black dial with dot, triangle and baton hour markers, date aperture, case with protected screw down crown, black ceramic and 18 carat gold rotating 60 minute scale bezel, side of the case with the helium escape valve at 9, screw back, case serial number 4H6Y9150, Rolex stainless steel and 18 carat gold oyster bracelet with a concealed fliplock deployant clasp numbered 099, with Rolex boxes, International guarantee card, booklets, card holder and two swing tags43mm wideBracelet with very minor scratches, otherwise the watch is in good condition, glass is clean, dial is clean, crown is screwing down correctly on the threaded tube, hand setting correctly, date changing correctly, movement in going order.
Enicar: A Stainless Steel Jumbo Size Chronograph Wristwatch, signed Enicar, model: Sherpa Graph 300, 1960's, mechanical lever movement, black dial with luminous baton markers, three silvered dials for seconds, 30 minute and 12 hour registers, outer tachymeter scale, buttons in the band to operate chronograph, screw back with serial number 103066240mm wideCase with surface scratches and small dents in parts, case back writing is rubbed in parts, case back is very tight and I was unable to open the back to inspect the movement, case is dirty in parts, crown with Enicar logo, later bracelet is not by Enicar, plexi glass with small cracks and scratches, original dial finish with some small scratches to the silvered sub dials, luminous has faded to the hour markers but evenly faded with a nice aged patina, hand setting correctly, winding smoothly, seconds hand is moving correctly, chronograph is not working at present.
Omega: An Extremely Fine and Rare First Generation Exotic Red Racing Speedmaster Professional Chronograph Wristwatch, signed Omega, model: First Generation/Second Execution Professional Speedmaster Red Racing, ref: 145012, 1968, (calibre 321) manual wound lever movement signed Omega Watch Co and numbered 26541084, column wheel chronograph movement, dust cover cap, exotic racing black dial with painted Omega logo in white, outer five minute red and luminous hour baton markers, outer fifth of seconds track, three dials for seconds, 30 minute and 12 hour registers, seconds, minute and hour red hands, buttons in the band to operate chronograph, tachymeter 500 scale bezel, screw back with seahorse logo and stamped inside with maker's mark Omega Watch Co and case makers initials HF for Huguenin Freres, reference number 145012-68 SP, later Omega stainless steel bracelet with deployant clasp stamped 1171/1 and 32, end links numbered 633, 42mm wideBy Repute, this watch has been in the same family since new and was given to the current vendor from her father.This very rare exotic 'Racing' dial wristwatch, reference 145.012, was produced for only two years between 1967 and 1968. There were two generations of the Racing dial Speedmaster with three executions in total. All the watches had characterised features displaying the black dials, bi-colour markers and specific coloured hands. The first generation came in two executions, the first being the "Pre-Professional" dial with applied Omega logo and Swiss Made and the second execution such as the present lot came with the Professional and Omega logo painted in white and the dial marked T Swiss Made T below 6. The first generation watches were powered by the highly rated manual-wound movement calibre 321. To our understanding, there have been only 12 first generation examples known to the market with around 6 being Omega Professional second execution variant, as the present lot.Case with surface scratches, case sides, lugs and back cover with dents in parts, back cover with seahorse rubbed, crown with Omega logo, tachymeter bezel black insert has been later replaced, Omega plexi glass with minor scratches, later replaced Omega 1980's bracelet, original finished dial in very good condition, dial luminous hour markers are all evenly discoloured and have a good aged patina, luminous in the hands has also discoloured with a nice aged patina, white finished hands with minor chips to the surfaces which is only visible under an eyeglass, hand setting correctly, winding smoothly, chronograph is working correctly, movement is clean and in going order. To our knowledge this watch has just been serviced by Omega in this last year. This watch is sold with no boxes and no paperwork. It is the sole responsibility of the purchaser to contact Omega if they would require an extract from the archives from the Omega Museum.
A Meissen Porcelain Soup Tureen, Cover and Stand, circa 1765, with fruit knop and scroll handles and feet, painted with flowersprays and swags within pink scale borders and foliate scroll and shell-moulded rims, crossed swords and dot marks in underglaze bluestand 43cm wideKnop with loss to the end of one leaf. Stem of the spig with a fiting crack. Rim of the cover with a large filled chip left honest. Another small rim chip. Main body and stand free from chips, cracks and repair. Some general wear and surface scratches throughout.
A Rosewood Striking Table Clock, signed Morris Toblas, Minories, London, circa 1810, pediment with single acorn finial, front with floral brass inlaid recessed panels, side ringed carrying handles and fish scale sound frets, brass ball feet, 8-inch painted dial with Roman numerals and signed, fast/slow regulation adjustment above 12, twin fusee movement with an anchor escapement and striking on a bell, movement secured in by brackets, movement backplate signed46cm highCase surfaces are slightly dull in parts and need polishing, brass surfaces are discoloured, back of the pediment with very small chips to the outer edges, base with some very small chips to the edges in parts, bottom left hand side of the case with a small piece of rosewood veneer missing, bezel door with the top screw loose and needs securing, dial painted surface with scratches and chips, end of the minute hand with signs of old restoration, hands with central steel pin missing, movement looks complete, movement is striking, movement plates are dirty, movement is working but needs a service. With pendulum.
Margaret H Collyer (1872-1945) Anticipation Signed and dated 1907, oil on canvas, 68.5cm by 88.5cmProvenance: A Private Estate, North Yorkshire Unlined, slightly lacking in tension. One key missing. Minor damages to the turnover margins. Dirt and debris behind bottom stretcher. The painting has moved slightly in the frame with a narrow gap at the bottom. Slight stretcher bar marks. Brittle age craquelure throughout, the larger scale cracks are slightly elevated and visible in a reflected light, particularly evident in the top left corner. These appear stable with no history of flaking. There are a few areas where the drying cracks have opened up slightly, for example the top left of the background. Possibly some very minor abrasion in a few other areas. One small area of damage, unrestored, to the left edge just above the signature where there has been some minor loss of paint.An old varnish has been unevenly removed, and remains yellow and ingrained in the troughs of the paint. Slightly yellowed upper varnish, glossy. Light surface dirt with a few matt splash marks to the left of the dog.
James Miller (mid-19th Century) American "Still life" Signed, inscribed and dated 1849 verso, oil on board, 44cm by 53.5cm The reverse of the panel is painted brown. Minor knocks and scuffs to back of panel from past framings. One screw hole bottom right. Panel flat and even, with plane-marks on surface visable in reflected light. No splits apparent. Some patches of drying cracks/retraction cracks in a few passages, notably borad cracks in the glass of beer and smaller scale cracks in the dark shadows of the plates and knives, and the knife handles. The table is just a think glaze over the original wood of the panel, much of the rest of the painting is thinnly painted, with the grain of the wood showing through in the background in places.There has been some thinning/abrasion from age and cleaning in the past in passages, notably the knife on the plate, the shadows around the plates and bread, possibly to the foam on the beer, to the right hand plate, the bottom of the bottle and parts of the cheese, and left knife handle. Some of these areas have been a little suppressed with retouching - such as the knives, shadows of plates. There are futher minor patches of overpaint, likely to small damages, to the left and right edges of the table, to a small dent below the table top, to the right of the beer foam, and to small dents in the background. The varnish is slighly broken up from age, and is slighly opaque making it difficult to see if there is further overpaint in the background.Minor scuffs and knocks at the edges from movement in the frame. Scattered minor drips and scratches, including scratches to the bottle/cheese, and broader scratches under the table top.A fairly matte old varnish, likely a little yellowed. Light surface accretions.Most of the over paint is under the upper old varnish layer, and thus is not readily apparent under ultraviolet light.
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