The Vietnam War, also known as the Second Indochina War, was a protracted conflict that took place in Vietnam, Laos, and Cambodia from the mid-1950s to the mid-1970s. It was a complex and contentious war involving various factions, ideologies, and geopolitical interests. The war's impact was profound and had far-reaching consequences for the countries involved and the global stage.Key aspects of the Vietnam War include:1. **Origins**: The roots of the conflict can be traced back to the struggle for Vietnamese independence from French colonial rule. The division of Vietnam into North and South after the French defeat led to political tensions and ideological divides.2. **Cold War Context**: The Vietnam War occurred against the backdrop of the Cold War, with the United States and its allies supporting South Vietnam to prevent the spread of communism, while the Soviet Union and China supported North Vietnam.3. **Gulf of Tonkin Incident**: The escalation of U.S. involvement in Vietnam came after the Gulf of Tonkin incident in 1964, when U.S. naval vessels were allegedly attacked by North Vietnamese boats. This led to increased American military presence and intervention.4. **American Involvement**: The United States committed troops, resources, and military assistance to South Vietnam's government and military. The U.S. aimed to prevent the fall of South Vietnam to communist forces.5. **Guerrilla Warfare**: The North Vietnamese and the Viet Cong (South Vietnamese communist rebels) employed guerrilla warfare tactics, making the conflict challenging for conventional American forces.6. **Tet Offensive**: In 1968, the North Vietnamese and Viet Cong launched a large-scale offensive during the Tet holiday. While the offensive was militarily unsuccessful for the communists, it had a significant impact on public opinion in the U.S.7. **Anti-War Movement**: The Vietnam War prompted widespread protests and opposition in the United States and around the world. The anti-war movement criticized the war's cost in lives and resources and questioned its legality and morality.8. **Withdrawal and Paris Peace Accords**: The United States gradually reduced its involvement in the war, leading to the signing of the Paris Peace Accords in 1973. American troops were withdrawn, but the conflict continued between North and South Vietnam.9. **Fall of Saigon**: In 1975, North Vietnamese forces captured Saigon, the capital of South Vietnam, marking the end of the war. This event led to the reunification of Vietnam under communist rule.10. **Legacy and Aftermath**: The Vietnam War resulted in significant casualties on all sides, including civilians. It left deep scars in the countries involved and had lasting political, social, and psychological effects. The war also influenced American foreign policy and public perception of military interventions.The Vietnam War remains a highly debated and studied topic, with its impact still felt in the countries involved and in discussions about war, diplomacy, and the lessons learned from history.Measurees 24 x 36.
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Ellsworth Kelly (1923-2015) was an American painter, sculptor, and printmaker. He was known for his minimalist and abstract art, often characterized by bold shapes, vibrant colors, and precise geometric forms. Kelly was born on May 31, 1923, in Newburgh, New York. He served in the U.S. Army during World War II and afterward studied art in Boston and Paris. During his time in France, he was exposed to European modernism, which greatly influenced his artistic style. In the 1950s, Kelly emerged as a prominent figure in the art world, associated with the abstract expressionist and minimalist movements. He developed a distinctive style that emphasized the pure form, color, and space. Kelly's work often featured simple shapes like squares, rectangles, circles, and curves, arranged in a way that explored the interplay between positive and negative space. Throughout his career, Kelly created various series of works, including paintings, sculptures, drawings, and prints. He produced large-scale installations as well, often integrated with architectural spaces. Some of his most famous works include "Colors for a Large Wall" (1951), "Spectrum I" (1953), and "Austin" (1985-1998), a monumental building featuring colored glass windows and stone panels. Ellsworth Kelly's art has been exhibited extensively in major museums and galleries around the world. His contributions to abstract art and minimalism have had a significant impact on the development of contemporary art. His work is celebrated for its simplicity, precision, and vibrant use of color. Kelly passed away on December 27, 2015, in Spencertown, New York, leaving behind a remarkable artistic legacy. Measures 7.75 x 8.99 Verso is blank.Mounted to archival quality paper.
Zhang Huan is a Chinese contemporary artist known for his performance art, sculpture, and installations. He was born in 1965 in Anyang, Henan Province, China. Zhang Huan's work often explores themes of spirituality, cultural identity, and the human body. In the 1990s, Zhang Huan gained recognition for his provocative and daring performance art pieces. His performances were often physically demanding and involved endurance, ritualistic actions, and interactions with his own body. Through his performances, he addressed cultural and social issues in China, including the effects of rapid urbanization and globalization. One of Zhang Huan's notable performances is "12 Square Meters" (1994), where he covered his naked body in honey and fish oil and sat in a public restroom covered in flies. Another well-known performance is "To Add One Meter to an Anonymous Mountain" (1995), where he and a group of friends lay naked on a mountain, adding their bodies to its height. In the late 1990s, Zhang Huan shifted his focus to sculpture and installation art. His works often incorporate traditional Chinese materials and techniques, such as incense ash, wood, and metal. He created large-scale installations that referenced Chinese culture, history, and Buddhism. Zhang Huan's artworks have been exhibited internationally in major galleries and museums. His notable exhibitions include solo shows at the Shanghai Art Museum, the Asia Society in New York, and the Musée d'Art Contemporain de Lyon in France. His contributions to the art world have earned him critical acclaim and recognition. Zhang Huan is considered one of the most influential contemporary artists from China, and his work continues to inspire and provoke discussions about culture, spirituality, and the human condition. Measures 9.25 x 11 Verso is blank.Mounted to archival quality paper.
Irving Penn (1917-2009) was an American photographer known for his innovative and influential contributions to fashion, portrait, and still life photography. He was born on June 16, 1917, in Plainfield, New Jersey. Penn began his career as a graphic designer and illustrator before transitioning to photography. He started working at Vogue magazine in 1943, where he would remain for much of his career. Penn's work at Vogue helped redefine fashion photography by introducing a fresh and modern approach. Penn's photography was characterized by its meticulous attention to detail, simplicity, and formal elegance. He had a unique ability to capture the essence and personality of his subjects, whether they were fashion models, celebrities, or indigenous tribespeople. He often used a minimalist approach, employing plain backdrops and natural lighting to create a sense of intimacy and focus on the subject. Penn's iconic fashion photographs were renowned for their innovative compositions, inventive use of props, and the way he showcased both the clothing and the individual wearing it. He played with scale, texture, and form, pushing the boundaries of traditional fashion photography. His images had a timeless quality and transcended trends, making them highly influential. In addition to fashion photography, Penn also excelled in portraiture, capturing the essence of renowned individuals such as Pablo Picasso, Audrey Hepburn, Marlene Dietrich, and Salvador DalÃ. His portraits were often characterized by their simplicity and directness, allowing the personality and character of his subjects to shine through. Throughout his career, Penn's work was exhibited in prestigious galleries and museums around the world. He received numerous awards and accolades, including the Medal of Arts from the National Endowment for the Arts in 1985. Penn continued to work well into his later years, exploring new subject matter and experimenting with new techniques. Irving Penn passed away on October 7, 2009, in New York City, leaving behind a remarkable body of work that continues to be celebrated and admired for its artistic excellence and lasting impact on the world of photography. Measures 8.5 x 10.51 Printed circa 1990sVerso is blank.Mounted to archival quality paper.
Peter Lik is an Australian-born photographer known for his large-format landscape photographs. He was born on April 26, 1959, in Melbourne, Australia.Lik developed a passion for photography at a young age and began his career as a fine art landscape photographer in the early 1980s. He gained recognition for his unique style and his ability to capture stunning natural landscapes with a sense of drama and beauty.One of Lik's notable achievements is his photograph titled "Phantom," which he captured in Arizona's Antelope Canyon. This photograph became one of his most famous and widely recognized works. Lik's photographs often feature striking compositions, vibrant colors, and the interplay of light and shadow.Lik has traveled extensively to capture breathtaking landscapes from around the world, including locations such as the American Southwest, Iceland, Australia, and New Zealand. His photographs are often taken during the "golden hour," the period shortly after sunrise or before sunset, when the lighting conditions are particularly atmospheric.In addition to his photography, Lik is known for his craftsmanship and attention to detail in the production of his prints. He utilizes large-format cameras and high-quality printing techniques to create large-scale, limited-edition prints that showcase the depth and beauty of his images.Peter Lik's work has gained commercial success and has been exhibited in his own galleries located in various cities, including Las Vegas, New York City, and Sydney. His photographs have also been featured in numerous publications and have garnered acclaim from collectors around the world.While Lik's work has received popularity among a broad audience, it has also sparked discussions within the photography community regarding the artistic and commercial aspects of his approach. Nonetheless, his distinct style and captivating landscape photographs have made him a prominent figure in contemporary photography. Measures 9 x 13.5 Verso is blank.Mounted to archival quality paper.
The Vietnam War, also known as the Second Indochina War, was a protracted conflict that took place in Vietnam, Laos, and Cambodia from the mid-1950s to the mid-1970s. It was a complex and contentious war involving various factions, ideologies, and geopolitical interests. The war's impact was profound and had far-reaching consequences for the countries involved and the global stage.Key aspects of the Vietnam War include:1. **Origins**: The roots of the conflict can be traced back to the struggle for Vietnamese independence from French colonial rule. The division of Vietnam into North and South after the French defeat led to political tensions and ideological divides.2. **Cold War Context**: The Vietnam War occurred against the backdrop of the Cold War, with the United States and its allies supporting South Vietnam to prevent the spread of communism, while the Soviet Union and China supported North Vietnam.3. **Gulf of Tonkin Incident**: The escalation of U.S. involvement in Vietnam came after the Gulf of Tonkin incident in 1964, when U.S. naval vessels were allegedly attacked by North Vietnamese boats. This led to increased American military presence and intervention.4. **American Involvement**: The United States committed troops, resources, and military assistance to South Vietnam's government and military. The U.S. aimed to prevent the fall of South Vietnam to communist forces.5. **Guerrilla Warfare**: The North Vietnamese and the Viet Cong (South Vietnamese communist rebels) employed guerrilla warfare tactics, making the conflict challenging for conventional American forces.6. **Tet Offensive**: In 1968, the North Vietnamese and Viet Cong launched a large-scale offensive during the Tet holiday. While the offensive was militarily unsuccessful for the communists, it had a significant impact on public opinion in the U.S.7. **Anti-War Movement**: The Vietnam War prompted widespread protests and opposition in the United States and around the world. The anti-war movement criticized the war's cost in lives and resources and questioned its legality and morality.8. **Withdrawal and Paris Peace Accords**: The United States gradually reduced its involvement in the war, leading to the signing of the Paris Peace Accords in 1973. American troops were withdrawn, but the conflict continued between North and South Vietnam.9. **Fall of Saigon**: In 1975, North Vietnamese forces captured Saigon, the capital of South Vietnam, marking the end of the war. This event led to the reunification of Vietnam under communist rule.10. **Legacy and Aftermath**: The Vietnam War resulted in significant casualties on all sides, including civilians. It left deep scars in the countries involved and had lasting political, social, and psychological effects. The war also influenced American foreign policy and public perception of military interventions.The Vietnam War remains a highly debated and studied topic, with its impact still felt in the countries involved and in discussions about war, diplomacy, and the lessons learned from history.Measurees 24 x 36.
Robert Longo, a prominent American artist known for his large-scale drawings, sculptures, and multimedia works, has made significant contributions to contemporary art with his powerful and thought-provoking creations. Born in 1953, Longo's art often engages with themes of culture, politics, and the human condition.Longo's artistic legacy can be encapsulated as follows:1. **Hyperrealistic Drawings**: Longo gained recognition for his hyperrealistic charcoal drawings, which meticulously replicate photographs but also add layers of emotion, symbolism, and commentary. His "Men in the Cities" series, featuring contorted figures, is particularly iconic.2. **Multimedia Exploration**: In addition to drawings, Longo has explored sculpture, photography, film, and other mediums. His multidisciplinary approach reflects a dynamic engagement with the evolving possibilities of contemporary art.3. **Cultural Critique**: Longo's art often delves into cultural critique, addressing social, political, and technological issues. His works raise questions about power dynamics, consumerism, violence, and the impact of media on society.4. **Monumental Scale**: Many of Longo's drawings are executed on a monumental scale, intensifying their impact and inviting viewers to immerse themselves in the details and emotions he conveys.5. **Art and Music**: Longo has also made connections with the music world, directing music videos for artists like New Order and R.E.M. This collaboration underscores his ability to merge visual and auditory elements to create immersive experiences.6. **Challenging Visual Language**: Longo's art often challenges traditional visual language, blurring the lines between representation and abstraction, realism and interpretation. His ability to imbue everyday subjects with emotional weight encourages viewers to engage critically with his work.7. **Enduring Influence**: Longo's influence extends to both contemporary art and popular culture. His ability to capture the zeitgeist and address pressing societal concerns has resonated with audiences beyond the art world.Robert Longo's legacy as an artist who merges technical mastery with conceptual depth continues to shape the trajectory of contemporary art. His thought-provoking creations encourage reflection on the complexities of modern existence, the role of imagery in society, and the capacity of art to provoke meaningful conversations about our world.Measures 44 x 79.
Louise Bourgeois was a renowned French-American artist known for her groundbreaking contributions to contemporary art, particularly in the realms of sculpture, installation, and mixed media. She was born on December 25, 1911, in Paris, France, and she passed away on May 31, 2010, in New York City, USA.Key aspects of Louise Bourgeois's life and art include:1. Early Life and Influences: Bourgeois was raised in a family of tapestry restorers, which exposed her to the world of art and textiles from an early age. The themes of family, relationships, and sexuality would become significant aspects of her later artistic work.2. Migration to the United States: Bourgeois moved to the United States with her husband, art historian Robert Goldwater, in 1938. She settled in New York City, where she would live and work for the rest of her life.3. Psychological and Emotional Themes: Bourgeois's art often delved into deeply personal and emotional subjects, exploring themes of anxiety, fear, vulnerability, and the complexities of human relationships. Her work was profoundly influenced by her experiences and her own psyche.4. The Feminine and Feminism: Bourgeois's art has been associated with feminist themes, exploring the roles of women and the female body in society. She challenged traditional representations of women and used her art to address issues related to gender and identity.5. Sculpture and Installations: Bourgeois's sculptures are characterized by their evocative and often disconcerting forms. She used a variety of materials, including wood, bronze, fabric, and marble, to create her art. She is best known for her large-scale spider sculptures, such as "Maman," which have become iconic symbols of her work.6. The Red Room: One of Bourgeois's most significant installations is "Cell (The Red Room)" (1994), a series of rooms filled with symbolic objects and images, reflecting her psychological states and memories.7. Later Recognition: While Bourgeois was an influential artist throughout her career, she gained widespread recognition and acclaim in the later part of her life. She received numerous awards and honors, and her work was exhibited in major art institutions worldwide.8. Legacy: Louise Bourgeois is regarded as one of the most important and influential artists of the 20th and early 21st centuries. Her art continues to inspire and challenge viewers, exploring complex emotional and psychological terrain while contributing to ongoing conversations about identity, feminism, and the human condition.Louise Bourgeois's artistic legacy remains a testament to her innovative spirit and her ability to confront and express the complexities of the human experience through her art. Her work has left an indelible mark on contemporary art, and she is remembered as an artist who fearlessly explored the depths of her own emotions and the broader themes of humanity.4 x 4 each.Cork board.
Gustave Courbet (1819–1877) was a French painter and a prominent figure in the Realist art movement of the 19th century. He is known for his commitment to portraying everyday life and subjects as they were, often without idealization or romanticization.Courbet's approach to art challenged the established conventions of his time, as he focused on depicting the lives of common people, rural landscapes, and scenes of ordinary existence. He believed in the value of representing reality as it was, rejecting the overly dramatic or stylized portrayals that were prevalent in academic art.One of his most famous works is "The Artist's Studio," painted in 1855. This large-scale painting is not only a self-portrait of Courbet but also a complex allegorical composition that depicts the artist at work, surrounded by figures representing various aspects of society and culture.Courbet was not only known for his artistic approach but also for his political activism. He was involved in social and political causes of his time and was an advocate for artistic freedom. His painting "A Burial at Ornans" (1849-1850) caused controversy due to its monumental treatment of an ordinary burial scene.Courbet's work had a significant influence on later art movements, including Impressionism and even elements of early modernism. His emphasis on painting the realities of his time and his determination to break away from established norms left a lasting impact on the trajectory of art history.Measures 32 x 40.
Denton & Fox of Hull - Early 19th century mahogany 8-day longcase clock c1802, pagoda pediment with an oval inlay and three ball and spire finials, break arch painted dial and hood door flanked by reeded pilasters with brass Corinthian capitals, long trunk door with conforming break arch top on a rectangular plinth raised on bracket feet, early Wilson (Birmingham) dial with Roman numerals, five minute Arabic's and minute dots, subsidiary seconds dial and calendar aperture, with matching steel hands, floral spandrels within raised gesso work and a conforming oval depiction of a young maiden and dog to the break arch, dial pinned via a falseplate to a rack striking movement with a recoil anchor escapement striking the hours on a cast bell. With pendulum and weights.Joseph Denton was a respected and prolific Hull clock maker working in Scale Lane Hull 1779 and Silver Street 1782-1814. Entering a short-lived partnership with Charles Fox from Beverley in 1802.Dimensions: Height: 240cm Length/Width: 44cm Depth/Diameter: 22cmCondition Report: The pendulum requires attention.
A gents stainless steel Omega Speedmaster automatic wristwatch, having a round black Arabic dial with luminous numerals and three subsidiary dials at 6, 9, and 12, date at 3 and black bezel with outer tachymeter scale, fitted to a non-related black leather strap, case dia. 38mm, case number 55324445, calibre 1152 movement, model ref. 175 0083/375 0083, gross weight 70.9g, sold with warranty card dated 1998 and operating instructionsWatch running.Fully functioning chronograph.Winding crown is very stiff.
A large Edwardian silver novelty pin cushion in the form of a crocodile, having scale detail to the body and red glass inset eyes, maker Crisford & Norris Ltd, Birmingham 1907, further numbered 495897, length 10.75cmMarks good.No apparent repairs.One very small dent to underside.Some age/handling wear.Some polish residue.Otherwise no apparent faults.
Corgi Toys 'The Best of British', die-cast model cars (Made in England) Austin Mini Metro, Ford Capri S, Ford Escort, Rover 3500 and Triumph TR7. Together with larger scale Mini Metro 1.3 HLS and 1:50 scale Ford Cargo Wagon No. 219, Made in Germany by NZG Modelle. (7) All in mint new old stock condition with boxes in VG / Mint condition excluding larger Metro model which has very light foxing. Ford Cargo box has very light wear and glue to one edge has dried out through storage. (All flaps are present).
Christopher Ward: A Stainless Steel Automatic Calendar Centre Seconds Wristwatch, signed Christopher Ward, London, model: C11 Makaira Pro 500, circa 2014, (calibre SW200-1) lever movement, black dial with blue Arabic and baton markers, date aperture at 4, tonneau shaped case with a screw down crown and additional crown to adjust the internal 60-minute scale bezel, back cover with the central engraved Sub Caerula Oceanus Altum logo and numbered 0517, Christopher Ward rubber strap and steel buckle, with Christopher Ward boxes, owner's handbook booklet, purchase invoice and cleaning cloth42mm wideCase bezel with some very minor scratches, rubber strap surface very slightly dirty in parts, Watch otherwise is in good condition, date changing correctly and hand setting correctly, movement in going order.
Oris: A Stainless Steel Automatic Calendar Chronograph Wristwatch, signed Oris, model: Big Crown Chronograph, ref: 7480, circa 2000, (calibre 674) lever movement signed, black dial with luminous Arabic numerals, three dials for seconds, 30-minute and 12-hour registers, date aperture, outer tachymeter scale, case with buttons in the band to operate chronograph, glazed screw back, Oris strap and buckle, with Oris box39mm wideCase with surface scratches, case sides with minor dents in parts, back of the strap with small signs of ware next to the buckle with flap lifting, glass is clean, dial is clean, hand setting correctly and date is changing correctly, movement in going order.
Raymond Weil: A Stainless Steel Automatic Calendar Chronograph Wristwatch, signed Raymond Weil, Geneve, model: Parsifal, ref: 7792/1, circa 1995, (calibre ETA 7750) lever movement signed, cream coloured dial with Roman numerals, date aperture, three dark blue dials for seconds, 30-minute and 12-hour registers, tachymeter scale bezel, buttons in the band to operate chronograph, glazed back cover numbered A459618 and secured by four screws39mm wideCase with surface scratches, left hand sdie of the case with dents, hand setting crown with chips to the cabochon, later strap and buckle, glass is clean, dial is clean, hand setting correctly, date is changing correctly, chronograph is working, movement in going order.
Breitling: A Stainless Steel Automatic Calendar Chronograph Wristwatch, signed Breitling, Chronometer, model: Chronomat, ref: B13352, circa 2002, lever movement, black dial with baton markers, three champagne coloured dials for seconds, 30-minute and 12-hour registers, date aperture, outer tachymeter scale, steel and gold rotating bezel, screw down crown, chronograph buttons in the band, screw back numbered 330522, Breitling stainless steel bracelet with a deployant clasp, with Breitling boxes, service case, International warranty/instruction booklets, Chronometer paperwork, swing tag and one spare bracelet link39mm wideCase and bracelet with surface scratches, case sides, lugs and bezel with small dents, bezel with small scuff marks, bezel with the gold 15 and 45 minute markers missing, chronograph buttons are rubbed, glass with scratches and staining marks, dial surface with two very minor staining marks, hand setting correctly, date is changing correctly, chronograph is not working, movement is not working. Watch needs a full service. Inner black box lid with three letters missing from the Breitling spelling.
An 18 Carat Gold Chronograph Wristwatch, circa 1950, manual wound lever movement, two tone champagne coloured dial with Arabic numerals, outer blue tachymeter scale, two dials for seconds and 30-minute register, snap-on case back stamped 18k0.750, buttons in the band to operate chronograph37mm wideCase with surface scratches, bottom right hand side lug with one minor dent, chronograph buttons are rubbed, top chronograph button is loose, both chronograph buttons are currently pushed into the case and not working, later strap, plexi glass with small scratches, dial with small scratches and small staining marks, hand setting correctly and winding smoothly, movement in going order, chronograph buttons are not working at present. Watch needs a service.
Verdal: A Gold Plated Chronograph Wristwatch, signed Verdal, circa 1955, manual wound lever movement, silvered dial with Arabic and dagger markers, outer tachymeter scale, two dials for seconds and 30-minute register, buttons in the band to operate chronograph, snap-on steel back numbered 188 287G34mm wideCase with surface scratches and small dents in parts, chronograph buttons are rubbed and discoloured, later crown, later strap and buckle, plexi glass with small scratches, dial very slightly discoloured and very lightly stained in parts, hand setting correctly and winding smoothly, chronograph is working, movement is clean and in going order.
Ollech & Wajs: A Stainless Steel Chronograph Wristwatch, signed O W, Precision, circa 1965, manual wound lever movement, dark blue coloured dial with luminous baton markers, three dials for seconds, 12-hour register dial and a 30-minute register dial with light blue/red sectors, outer tachymeter scale, rotating bezel, buttons in the band to operate chronograph, screw back, stainless steel bracelet with a deployant clasp39mm wideCase and bracelet with surface scratches, case with small dents to the lugs in parts, case back is very tight and unable to open, plexi glass with scratches, dial with discolouring to the sub dials, other parts of the dial are clean, hand setting correctly and winding smoothly, chronograph is working, movement in going order.
Breitling: A Chrome Plated Chronograph Wristwatch, signed Breitling, 1940's, (calibre Venus 188) manual wound lever movement, silvered dial with luminous Arabic numerals, two dials for seconds and 45-minute register, outer blue tachymeter scale, case with buttons in the band to operate chronograph, steel back cover numbered 746993 118934mm wideChrome plated surfaces with scratches and rubbed in parts, later strap and buckle, plexi glass with scratches, dial with staining marks throughout, movement is fully wound and not working. Balance is swinging when shaking the watch from side to side.
An Optician's Test Lens Set, late 19th/early 20th century, comprising thirty-four various lenses, a pair of spectacles and mounting brackets, and a demi-lune scale, in a fitted mahogany case22.5cm wideA Daguerreotype, depicting a seated man in a Union book case moulded with deer9cm wideAnother Daguerrotype, in a leather case14cm highA Paper Knife, with goat's hoof handle and silver ferrule, inscribed MUTT32cm long (4)
A Continental Tin Glazed Earthenware Jar, in 18th century style, of ovoid form and painted in blue with a foliate wreath and inscribed Tabac Rappé23cm highA Similar Albarello, painted in green, yellow and manganese with scale ground panels and inscribed27cm high (2)Tabac - minor horizontal crack to top rim, rim glaze abraded, four large chips to foot, crazedAlbarello - no damage or restoration
A Flight & Barr Worcester Porcelain Teapot and Cover, circa 1800-1807, scale blue ground and painted with exotic birds and butterflies within gilt cartouches, incised B mark12cm highA Similar Barr, Flight & Barr Cup and Saucersaucer 13cm diameterA Flight, Barr & Barr Teacup and Saucer, with gadrooned rims, ground in cobalt blue and gilt, enamelled with Kakiemon style flowers within roundels, printed markssaucer 15cm wide (6)Teapot and cover - free from damage and repairScale blue cup and saucer - both pieces with old yellowing restorationGadrooned cup and saucer - good condition, some gilt wear
A Derby Porcelain Figure of Minerva, circa 1770, wearing a helmet and cuirass, holding a shield and on a Rococo moulded base, patch marks26.5cm highA Similar Bow Figure of Venus, circa 1760, modelled leaning against a tree stump and with a pair of doves at the base25.5cm highA Worcester Porcelain Bowl, circa 1770, scale blue ground and painted in gilt scrolling reserves with Japanese style flowers, underglaze square seal mark15cm diameter (3)Derby figure - loss to helmat and a section of the base. Some firing cracks. General wear.Bow figure - both arms lacking and with restoration at the arms. Right hand doves left wing restored. Some losses. Glaze pitted.Bowl - no chips, cracks or repair. Some glaze pitting and wear.
British School (19th century)Still life of a rose bud, drawings and a pencilMixed media, together with a further vignette scale study of dragonflies, a pen and ink sketch of various figures in the style of John Leech and a further modern still life of various feather studies, 14cm by 15.5cm, 6.5cm by 10cm, 10cm by 15cm & 11cm by 15cm respectively (4)
An Oak Admiral Fitzroy Storm Stick Barometer, signed Negretti & Zambra, Holborn, 122 Regent St W & 45 Cornhill, London, circa 1870, arched pediment, concealed double vernier scale pottery dial signed, thermometer box, square shaped cistern cover105cm highTop edge of the pediment with one dent, case edges with minor chips, main dial with one small screw missing to the bottom left hand corner, thermometer dial with crazing marks, mercury is visible in the tube.
Frank Wasley (1848-1934)Tug Boat before the Houses of ParliamentSigned, watercolour, together with a further monochromatic sketch by the same hand depicting St. Paul's Cathedral and five further small scale mixed media works on paper by the same artist of predominantly landscape subject matter, 26cm by 35.5cm and various other sizes (7)
Leica IIIb und ZubehörLeitz, Wetzlar. 1) Leica IIIb Nr. 345381, Verschluß und Entfernungsmesser einwandfrei - voll funktionstüchtig, mit Elmar 3,5/50 mm ohne Nummer, Glas unter Punktlicht innen mit Belag, mit Tasche. (3-/3) - 2) Sonnenblende SOOBK zum Summaron 2,8 cm, neuwertig. (1/2) - 3) Elmar 4/9 cm Nr. 1248355, unter Punktlicht innen Belag, Teil der Belederung fehlt, mit 9cm-Sucher SGVOO, Meter-Skala. (3-/3-) - Und: 4) Gelbfilter Fixta und Nahlinse Elpik mit Schachteln, Filmschneidemesser Ablon, 2 Prospekte und Anleitung Leica III in Französisch sowie ein Elmar 3,5/5 cm Nr. 1068200, Frontlinse mit Putzspuren, Kragen mit Delle. Start Price: EUR 160 Zustand: ()Leica IIIb and AccessoriesLeitz, Wetzlar. 1) Leica IIIb no. 345381, with unnumbered Elmar 3.5/50 mm and case, shutter and rangefinder good, full-working condition, glass with interior residue under spotlight. (3-/3) - 2) Sunshade for Summaron 2.8 cm SOOBK, near-mint. (1/2) - 3) Elmar 4/9 cm, no. 1248355, with 9cm viewfinder SGVOO, meter scale, residue visible under spotlight, vulcanite incomplete. (3-/3-) - 4) Fixta yellow filter and Elpik close-up lens with boxes, Ablon film cutter, 2 brochures and Leica III instructions in French, Elmar 3.5/5 cm no. 1068200, front element with traces of cleaning, collar with a dent. Start Price: EUR 160 Condition: ()
Makina IIIR und ZubehörPlaubel, Frankfurt. 1) Makina IIIR Compur Rapid, Entfernungsmesser stimmt, aber mit kleinem Höhenfehler, Verschluß läuft, Feet-Skala, Anticomar 2,9/10 cm Nr. 116791, mit Mattscheiben-Rückteil und Anleitung. (3-/3) - 2) Blitzlichteinrichtung, selten und dekorativ, mit diversen Plaubel-Kabeln. (2/3) - 3) Kleinbild-Plaubel-Kassette für 135er-Film 24 x 36 mm, selten. (3-/3) - 4) Plaubel-Rollfilmkassette für 6 x 9. (3/3) - 5) Anticomar 2,9/10 cm Nr. 112309, mit Etui. (2-/3) - Und: 6) 3 Plaubel-Kassetten 6 x 9 und "Das Buch der Makina" von Dr. W. Kross, 1937, 175 Seiten. Start Price: EUR 180 Zustand: (-/-)Makina IIIR and AccessoriesPlaubel, Frankfurt. 1) Makina IIIR Compur Rapid, feet scale, Anticomar 2.9/10 cm no. 116791, with focusing screen back and instructions, distance meter working but with minor height defect, shutter working. (3-/3) - 2) Flash, rare and decorative, with several Plaubel cables. (2/3) - 3) Small-format Plaubel cassette for 135 film (24 x 36 mm), rare. (3-/3) - 4) Plaubel rollfilm cassette for 6 x 9 cm. (3/3) - 5) Anticomar 2.9/10 cm no. 112309, with case. (2-/3) - And: 6) 3 Plaubel 6 x 9 cm cassettes and a German book "Das Buch der Makina" by Dr. W. Kross, 1937, 175 pages. Start Price: EUR 180 Condition: (-/-)
Exakta-Sammlung, 1937-62Ihagee, Dresden. Für 24 x 36 mm. 1) Exakta Nr. 610931, Xenon 2/5 cm. (4/3) - 2) Exacta (mit "c") Nr. 614983, Version 1.6, Spiegel erneuert, Delle in Optikfassung. (3-/3) - 3) Exakta II Nr. 664094, Verschluß etwas langsam, Trioplan 2,9/50 mm. (3/3) - 4) Exakta Varex Nr. 691199 Version 3.2, Boden unten: "Germany EXTENAR", Primoplan 1,9/58 mm. (3-4/3-) - 5) Exakta VX Nr. 718728, Version 4.2, auf Boden "Made in Germany", Steinheil Culmigon 4,5/35 mm. (3+/3) - 6) Exakta Varex IIa Nr. 842886 1. Ausführung mit 1/150 Sek., Xenar 4,5/105 mm. (3/3) - 7) EXAKTA Varex II a Nr. 943897, Xenon 1,9/50 mm, Feet-Skala. (3-/3) - 8) EXAKTA VX II a, Nr. 982567, US-Export, da oben neben Sucher "GERMANY U.S.S.R.", Orestor 2,8/100 mm. (3+/3) - 9) EXAKTA VX II b Nr. 1099924, Culminar 4,5/135 mm, mit Original-Sonnenblende. (3/3) - 10) EXAKTA Varex II b, Nr. 1114132, Meyer Trioplan 2,9/100 mm. (3/3) - 11) Steinheil Auto-Quinon 1,9/55 mm. (3/3) - 12) Steinheil Quinar 2,8/135 mm, mit Sonnenblende. (2-/3) - 13) Schneider Tele-Xenar 5,5/200 mm, mit Sonnenblende. (2-/3) - 14) Meyer Oreston 1,8/50 mm, Bajonett für RTL 1000. (3/3) - Und: 15) Schneider Xenar 2,8/50 mm für das größere Bajonett der Exakta Real, selten. (3/3) Start Price: EUR 160 Zustand: (-/-)Exakta Collection, 1937-62Ihagee, Dresden. For 24 x 36 mm. 1) Exakta no. 610931, Xenon 2/5 cm. (4/3) - 2) Exacta (with ‘c’) no. 614983, version 1.6, mirror replaced, dent in mount. (3-/3) - 3) Exakta II no. 664094, shutter somewhat stiff, Trioplan 2.9/50 mm. (3/3) - 4) Exakta Varex no. 691199, version 3.2, base stamped "Germany EXTENAR", Primoplan 1.9/58 mm. (3-4/3-) - 5) Exakta VX no. 718728, version 4.2, base stamped "Made in Germany", Steinheil Culmigon 4.5/35 mm. (3+/3) - 6) Exakta Varex IIa no. 842886, version 1 with 1/150 sec., Xenar 4.5/105 mm. (3/3) - 7) EXAKTA Varex II a no. 943897, Xenon 1.9/50 mm, feet scale. (3-/3) - 8) EXAKTA VX II a, no. 982567, American export model, marked beside rangefinder: "GERMANY, U.S.S.R.", Orestor 2.8/100 mm. (3+/3) - 9) EXAKTA VX II b no. 1099924, Culminar 4.5/135 mm, with original lens hood. (3/3) - 10) EXAKTA Varex II b, no. 1114132, Meyer Trioplan 2.9/100 mm. (3/3) - 11) Steinheil Auto-Quinon 1.9/55 mm. (3/3) - 12) Steinheil Quinar 2.8/135 mm, with lens hood. (2-/3) - 13) Schneider Tele-Xenar 5.5/200 mm, with lens hood. (2-/3) - 14) Meyer Oreston 1.8/50 mm, mount for RTL 1000. (3/3) - And: 15) Schneider Xenar 2.8/50 mm for the larger mount of Exakta Real, rare. (3/3) Start Price: EUR 160 Condition: (-/-)
3 Weitwinkel-Messingobjektive, um 1900Alle drei mit Anschraubring. 1) Thornton-Pickard 8 ½ x 6 ½ Wide Angle Rectilinear, F ca. 21 cm, Höhe mit Sonnenblende 5,5 cm, Sonnenblende Ø 6 cm, Glas sauber unter Punktlicht, mit Revolverblende, graviert 10-22-32-44-64. (3-/3) - 2) Ing. Rich. Knoll, Leipzig. Weitwinkel-Doppel-Rigonar 6/190 mm Nr. 9627 (Dagor-Typ), Glas unter Punktlicht gut, unbedeutende Putzspuren, Irisblende bis 48. Kaum bekanntes Weitwinkel eines kleinen Herstellers. (3-/3) - Und: 3) Unbezeichnet, Weitwinkel-Aplanat F ca. 10 cm, mit Revolverblende graviert 11-16-22-32-44, Glas unter Punktlicht gut. Ideal zum Ergänzen. (3/3) Start Price: EUR 140 Zustand: ()3 Wide-Angle Brass Lenses, c. 1900All with screw rings. 1) Thornton-Pickard 8 ½ x 6 ½ Wide Angle Rectilinear, F approx. 21 cm, with turret, engraved "10-22-32-44-64", height with sunshade 5.5 cm, sunshade Ø 6 cm, glass clean under spotlight, (3-/3) - 2) Ing. Rich. Knoll, Leipzig. Dagor-type Weitwinkel-Doppel-Rigonar 6/190 mm no. 9627, iris diaphragm up to 48, glass under spotlight good, insignificant cleaning traces. Scarce wide-angle by a small-scale manufacturer. (3-/3) - And: 3) Unmarked, wide-angle Aplanat, F approx. 10 cm, with turret aperture engraved "11-16-22-32-44", glass good under spotlight. Ideal for spares. (3/3) Start Price: EUR 140 Condition: ()
Lithloscope, um 1910Aubertin, Paris. Für 45 x 107 mm, konisches Holzgehäuse mit Messingaplanate ca. 11/65 mm, mit einer festen Blende, Verschluß P & I läuft, einschiebbares Wechselmagazin (innen am Rand kleinere Abplatzer) mit aufgesetztem Newton-Sucher. Seltene Kamera eines kleinen Herstellers. Start Price: EUR 140 Zustand: (3/3)Lithloscope, c. 1910Aubertin, Paris. For 45 x 107 mm, conical wood case with brass Aplanat lens of approx. 11/65 mm, fixed aperture, insertable interchangeable magazine and attached Newton viewfinder, shutter P & I working, small chips on inside edge of magazine. Rare camera by a small-scale manufacturer. Start Price: EUR 140 Condition: (3/3)
Cine-Bildsucher Mark IV, um 1978Alan Gordon Enterprises Inc, Hollywood. "Mark IV 10 to 1 zoom director’s viewfinder", Nr. 1856, verstellbares Bildformat von SMPTE-Formaten 1:1,33 bis zu anamorphotisch 2,35, Skala für 16 mm: 12 bis 120 mm, 35 mm: 25 bis 250 mm und 35 mm anamorphotisch: 50 bis 500 mm. Glas innen sauber, Augenmuschel weich und flexibel, Skala neben den Brennweiten-Angaben professionell geschwärzt. Mit 6-seitiger Anleitung. Unentbehrlich für jeden Filmregisseur! Start Price: EUR 140 Zustand: (3/3)Director's Viewfinder Mark IV, c. 1978Alan Gordon Enterprises Inc, Hollywood. No. 1856, Mark IV 10 to 1 zoom director’s viewfinder, adjustable SMPTE aspect ratios from 1:1.33 up to anamorphic 2.35, scale for 16 mm: 12-120 mm, 35 mm: 25-250 mm and 35 mm anamorphic: 50-500 mm, with flexible eyecup and six-page instruction booklet, glass clean inside and out, scale professionally blackened next to the focal length information. Indispensable for every film director! Start Price: EUR 140 Condition: (3/3)
3 Rechenwalzen1) Große logarithmische Rechentrommel von Albert Nestler, mit Skala 12,5 cm, Breite 62 cm, Papier abgegriffen, leicht beschädigt, um 1935. - 2) Kleine logarithmische Rechentrommel von Albert Nestler, Breite 25 cm, Papier abgegriffen, leicht beschädigt, um 1935. - Und: 3) Professor Fuller Mod. 1, logarithmische Rechentrommel in Holzkasten von George Fuller, Hersteller: Stanley, England. Bakelit, sehr guter Zustand, in Holzkasten. Start Price: EUR 240 Zustand: (-/-)3 Calculating Drums1) Albert Nestler's logarithm calculating drum, c. 1935, 14 4/5 in. scale, 24 ½ in. wide, paper worn, minor damage. - 2) Albert Nestler's logarithm calculating drum, c. 1935, small version, 10 in. wide, paper worn, minor damage. And: 3) Professor Fuller's Slide Rule Calculator Mod. 1, logarithmic calculating drum by George Fuller, made in England by Stanley, bakelite, very good condition, with original wood box. Start Price: EUR 240 Condition: (-/-)
9 Meßinstrumente1) Nautischer Rechenschieber für Gewichte von Draht, Seilen und Ketten, hergestellt von John Rabone & Sons, Birmingham, Buchsbaum und Messing, für Deutschland, verschiedene Kalibrierungen, Länge 11,5 cm. - 2) Wasserwaage, "British Make", Buchsbaum und Messing, Länge 25 cm. - 3) Drei Maßstäbe aus Bein, zwei von Stanley, London, einer von Abraham, Glasgow, Länge je 30,5 cm. - 4) Große Wasserwaage, W. Marples & Son, Sheffield, Mahagoni und Messing, 3 Libellen, Länge 122 cm. - 5) Rechenschieber "Universal", Albert Nestler, Deutschland, in Pappschachtel, Länge 29 cm. - 6) Mahagonikasten mit Buchsbaummaßstäben, von E.T. Newton & Son, Camborne, mit 12 Maßstäben, Länge 5 und 30,5 cm. - Und: 7) Großer Maßstab aus rostfreiem Stahl, von B.J. Hall & Co Ltd, geeicht in Meter und Zoll, Länge 103 cm, in Mahagonikasten. Start Price: EUR 80 Zustand: (2-3/2-3)9 Measuring Instruments1) Nautical slide rule for weights of wire, ropes and chains, made by John Rabone & Sons, Birmingham, boxwood and brass, for Germany, various calibrations, length 4 ½ in. - 2) Spirit level, "British Make", boxwood and brass, length 10 in. - 3) Three bone scale rules, two by Stanley, London, one by Abraham, Glasgow, length 12 in. each. - 4) Large level, W. Marples & Son, Sheffield, mahogany and brass, 3 bubble levels, length 48 in. - 5) Slide rule "Universal", Albert Nestler, Germany, in card box, length 11 3/5 in. - 6) Mahogany-cased set of boxwood rules, by E.T. Newton & Son, Camborne, with 12 engine-divided scale rules, lengths 2 and 12 in. - And: 7) Large stainless steel scale rule, by B.J. Hall & Co Ltd., calibrated in meter and inches, length 40 ½ in., in mahogany case. Start Price: EUR 80 Condition: (2-3/2-3)
8 Waagen und Gewichte1) Englische Messing-Postwaage, um 1890, für Briefe, mit 6 Gewichten bis 4 Unzen, Rückseiten jeweils mit Eichstempeln, auf Nußbaumsockel, 19 x 11 cm. - 2) Englische Apotheker-Waage, um 1900, Gußsockel, Messingwaagschalen, Breite 27 cm. - 3) Columbus, um 1910, Jugendstil-Briefwaage, Hersteller: Philipp Jakob Maul in Hamburg, geprägter Sockel, bis 60 Gramm, Höhe 15 cm. - 4) 2 x Columbus Bilateral, um 1920, Briefwaagen, Hersteller: Philipp Jakob Maul in Hamburg, Messing auf Marmorsockel. - 5) Indische Goldwaage, um 1950, Messing, mit 9 Gewichten, in mit Samt ausgelegtem Holzkästchen. - 6) Englische Messing-Postwaage, um 1890, für Inlandsbriefe und -pakete, mit 5 Gewichten bis 1 lb, auf ebonisiertem Holzsockel, 49 x 27 cm. - 7) Deutsche Briefwaage, um 1920, umstellbar von 0 bis 50 Gramm auf 0 bis 250 Gramm, Gußmetall und Messing, Emaille-Skala, Höhe 22 cm. - Und: 8) Englisches Glockengewicht, Messing, 2 lbs. Start Price: EUR 180 Zustand: (2-3/2-3)8 Scales and Weights1) English brass postal scale, c. 1890, for letters, with 6 weights up to 4 ounces, with calibration marks, on walnut base, 7 ½ x 4 1/3 in. - 2) English apothecary scale, c. 1900, cast-iron base, brass weighing pans, width 10 5/8 in. - 3) Columbus, c. 1910, Art-Nouveau letter scale by Philipp Jakob Maul in Hamburg, for up to 60 grams, on stamped base, height 6 in. - 4) 2 Columbus Bilateral scales, c. 1920, letter scales by the same maker, brass on marble base. - 5) Indian gold scale, c. 1950, brass, with 9 weights, in velvet-lined wood case. - 6) English brass postal scale, c. 1890, for domestic letters and parcels, with 5 weights up to 1 lb, on ebonised wood base, 19 1/3 x 10 5/8 in. - 7) German letter scale, c. 1920, adjustable from 0 to 50 grams to 0 to 250 grams, cast metal and brass, enamel scale, height 8 ¾ in. - And: 8) English bell-shaped weight, brass, 2 lbs. Start Price: EUR 180 Condition: (2-3/2-3)
2 kleine britische Postwaagen1) Postwaage aus 925er Silber, Birmingham 1898, Herstellermarke "HA", mit silberner Schale, auf Sockel, 7,5 cm hoch. - Und: 2) R.W. Winfield, Birmingham, um 1850, patinierte Messing-Briefwaage, Kapazität 1 Unze, 11 cm hoch. Start Price: EUR 180 Zustand: (3/-)2 Small British Postal Scales1) 925 silver postal scale, Birmingham 1898, maker’s mark "HA", with silver pan, raised on a shaped plinth base, 3 in. high. - And: 2) R.W. Winfield, Birmingham, c. 1850, patinated brass letter scale, capacity 1 oz, 4 1/3 in. high. Start Price: EUR 180 Condition: (3/-)
Lord Kelvins Patent-Elektrowaage, 1895Hersteller: Kelvin and White Ltd. Nr. 914, zur Messung großer Gleichströme verwendet. Der zu messende Strom wird durch parallele Drahtspulen geleitet, so daß im Vergleich zu parallelen geraden Drähten mehr Strom fließen kann. Die Abstoßungskräfte zwischen den Spulen bewirken, daß sich eine kleine Masse entlang einer horizontalen Skala bewegt. Die Entfernung, die die Masse zurücklegt, ist zum Quadrat proportional zur Stromstärke. Mit Glashaube auf Marmorsockel, Breite 53 cm. Start Price: EUR 350 Zustand: (2-3/-)Lord Kelvin's Patents Electric Balance, 1895Kelvin and White Ltd. No. 914, for measuring large DC currents, with glass cover, on marble base, wd. 21 in. - Note: The current to be measured is passed through parallel coils of wire, allowing more current to flow compared to parallel straight wires. The repulsive forces between the coils cause a small mass to move along a horizontal scale. The distance the mass travels is proportional to the square of the current. Start Price: EUR 350 Condition: (2-3/-)
2 britische Postwaagen1) Avery, London, um 1860, Briefwaage aus Messing auf Mahagonisockel, mit verschiebbarem Gewicht und eingravierten Posttarifen bis zu 32 Pence, 32 cm breit. - Und: 2) DeGrave, London, Messingbalkenwaage auf Mahagonisockel, mit 5 Gewichten bis zu 5 Unzen, 30,5 cm breit. Start Price: EUR 180 Zustand: (2-3/2-3)2 British Postal Scales1) Avery, London, c. 1860, brass steelyard letter balance on mahogany base, with sliding weight and engraved postage rates of up to 32 pence, 15 in. wide. - And: 2) DeGrave, London, brass beam scale on mahogany base, with 5 weights up to 5 oz., 12 in. wide. Start Price: EUR 180 Condition: (2-3/2-3)
3 englische Zirkelkästen mit Zeichen-instrumenten1) "Davis & Son, London", um 1850, signiert auf dem Proportionalzirkel, dem Maßstab und dem Winkelmesser, Bein und vernickelter Stahl, mit Zirkel, Zeichenstiften, Bleistifthalter, Lineal und anderen Instrumenten, in samt- und seidengefüttertem Mahagonikasten mit äußeren Messingbeschlägen, Schloß und Schlüssel, 20 x 15,5 cm. - 2) Unsigniert, um 1860, Messing, Stahl und Bein, mit Reduktionszirkel, Zeichenzirkel, Zeichenstiften, Bleistifthalter, Lineal und anderen Instrumenten, in samt- und seidengefüttertem Mahagonikasten mit herausnehmbarem Tablett, Schloß und Schlüssel, 22,5 x 12,5 cm. - Und: 3) "W.H. Harling, London", Ende 19. Jahrhundert, vernickelter Stahl und Bein, in samt- und seidengefüttertem, fischhautbezogenem Kästchen, 14,5 x 7 cm. Start Price: EUR 120 Zustand: (2-3/2-3)3 English Architectural Sets of Drafting Instruments1) "Davis & Son, London", c. 1850, signed on the proportional compass, scale and protractor, bone and nickel-plated steel, with drawing compasses, drawing pens, pencil holder, ruler and other instruments, in velvet and silk-lined mahogany case with outer brass fittings, with lock and key, 7 4/5 x 6 in. - 2) Unsigned, c. 1860, brass, steel and bone, with reduction compass, drawing compasses, drawing pens, pencil holder, parallel rule and other instruments, in velvet and silk-lined mahogany case with detachable tray, with lock and key, 9 x 4 4/5 in. - And: 3) "W.H. Harling, London", end of 19th century, nicke-plated steel and bone, in velvet and silk-lined fishskin-covered case, 6 x 2 ½ in. Start Price: EUR 120 Condition: (2-3/2-3)
Meß- und Zeicheninstrumente1) Halbkreis-Winkelmesser, signiert "J. Schablass & Sohn in Wien", um 1870, Messing, versilberte Skala, in mit Samt ausgelegtem Kästchen. - 2) Transversalmaßstab, um 1880, versilbertes Messing, fein graviert, Länge 25 cm. - 3) Halbkreis-Winkelmesser mit Regel, um 1920, vernickelt, Länge 28,5 cm, in Schachtel. - 4) 2 Polarplanimeter, um 1920, eines davon bezeichnet "Crosby Steam Gage & Valve Co Boston", zum Bestimmen von Flächen in Zeichnungen und Landkarten, vernickelt, jeweils in Schachtel. - 5) Rechteck-Winkelmesser, um 1880, signiert "A.G. Thornton Ltd., Manchester", Bein, mit Skalen zur Streckenteilung. - Und: 6) Camera Lucida, um 1900, Frankreich, Messing, Instrument zum Abzeichnen von Landschaften oder Portraits, in Schatulle. Start Price: EUR 100 Zustand: (3/2-3)Measuring and Drawing Instruments1) Half-circle protractor, marked "J. Schablass & Sohn in Wien", c. 1870, brass, silver-plated scale, in velvet-lined box. - 2) Transversal ruler, c. 1880, silver-plated brass, finely engraved, length 10 in. - 3) Semicircle protractor with rule, c. 1920, nickel-plated, length 11 1/5 in., in box. - 4) 2 polar planimeters, c. 1920, one marked "Crosby Steam Gage & Valve Co Boston", for determining areas in drawings and maps, nickel-plated, both in cases. - 5) Rectangular protractor, c. 1880, marked "A.G. Thornton Ltd., Manchester", bone, with scales for dividing distances. - And: 6) Camera Lucida, c. 1900, France, brass, instrument for drawing landscapes or portraits, in case. Start Price: EUR 100 Condition: (3/2-3)
4 geometrische Zeicheninstrumente, um 1800Messing, mit gravierten Skalen. 1) Transversalmaßstab, Länge 25,8 cm. - 2) Halbkreis-Winkelmesser, Basis mit Transversalmaßstab, ungewöhnlicher dreieckiger Ausschnitt in der Mitte, Breite 13,3 cm. - 3) Zusammenklappbarer Winkel, graviert mit "Anc Mesure" und "Nlle Mesure", mit Fenster in einem der beiden Schenkel, um die Rechtwinkligkeit mithilfe eines Lots überprüfen zu können, Länge 15 cm. - Und: 4) Weiteres Zeicheninstrument, Skala von 25 bis 16 und 1 bis 24, Länge 13,3 cm. Start Price: EUR 80 Zustand: (3+/2-3)4 Geometric Drawing Instrumente, c. 1800Brass, with engraved scales. 1) Transversal scale, length 10 1/8 in. - 2) Semicircular protractor, base with transversal scale, unusual triangular cut-out in the centre, width 5 ¼ in. - 3) Folding protractor, engraved with "Anc Mesure" and "Nlle Mesure", with window on one of the two arms for checking perpendicularity with a plumb line, length 6 in. - And: 4) Further drawing instrument, scale from 25 to 16 and 1 to 24, length 5 ¼ in. Start Price: EUR 80 Condition: (3+/2-3)
Funkhorchempfänger "Horst C" der deutschen Wehrmacht, 1942Hersteller: Telefunken. Serien-Nr. 215935, Typ Fu.H.E.c, Kurzwellenempfänger mit 4 Wellenbereichen (3,75-25,8 MHz), 10 Röhren (RV2P800), Vollkreisskala, Batteriebetrieb, neu lackiertes Metallgehäuse mit Abdeckung, guter Zustand, laut Vorbesitzer funktionstüchtig. Start Price: EUR 750 Zustand: (2-3/2-3)German WWII Horst C Radio Monitoring Receiver, 1942Telefunken. No. 215935, Type Fu.H.E.c, SW receiver with 4 wave ranges (3.75-25.8 MHz), 10 valves (RV2P800), full-circle scale, battery-operated, repainted metal case with lid, good condition and (according to the consignor) working. Start Price: EUR 750 Condition: (2-3/2-3)
Funkhorchempfänger "Ulrich" der deutschen Wehrmacht, 1943Telefunken. Serien-Nr. 2072, Typ Fu.H.E.u1, Kurzwellenempfänger mit 5 Wellenbereichen (750 kHz bis 25 MHz), 9 Röhren (RV2P800), Halbkreisskala, Batteriebetrieb (Original-Batterie Valvo 2B38 dabei), neu lackiertes Metallgehäuse ohne Abdeckung, guter Zustand, laut Vorbesitzer funktionstüchtig. Start Price: EUR 700 Zustand: (2-3/2-3)German WWII Ulrich Radio Monitoring Receiver, 1943Made by Telefunken. Serial no. 2072, Type Fu.H.E.u1, SW receiver with 5 wave ranges (750 kHz to 25 MHz), 9 valves (RV2P800), half-circle scale, battery-operated (original Valvo 2B38 included), repainted metal case without lid, good condition and (according to the consignor) working. Start Price: EUR 700 Condition: (2-3/2-3)
SNR Modell Excelsior 52 und Zvezda 54 "Red Star"1) Radio SNR Modell Excelsior 52, 1950er Jahre, S.N.R., Paris. 6 Röhren, LW, MW und KW, Netzbetrieb, 2 Lautsprecher, Metallgehäuse, Namensschild "Diamante", Skala leicht repariert. Ein sehr gesuchtes Design-Radio. - Und: 2) Radio Zvezda 54 "Red Star", 1954, Moskau. Russischer 7-Röhren-Rundfunkempfänger, LW, MW und mehrere KW, 2 Lautsprecher, Metallgehäuse, rote Lackierung mit goldenen Streifen. Nachbau des französischen Radios SNR Excelsior 52. Schriftzug leicht beschädigt, Gehäuse und Skala in gutem Zustand. Mit mehreren Ersatzteilen. Start Price: EUR 350 Zustand: (3/-)SNR Model Excelsior 52 and Zvezda 54 "Red Star" Radios1) Radio SNR model Excelsior 52, 1950s, by S.N.R., Paris, 6 tubes, 3 wave ranges, mains-powered, 2 in-built loudspeakers, metal case, "Diamante" name plate, scale slightly repaired, a very sought-after design radio. - And: 2) Zvezda 54 "Red Star" radio, 1954, Moscow, Russian 7-tube radio receiver, LW, broadcast and several SWs, 2 loudspeakers, metal case, red paint with gilt highlights, based on the French SNR Excelsior 52 radio, logo slightly damaged, case and scale in good condition. With several spare parts. Start Price: EUR 350 Condition: (3/-)
Bücher über Drehorgeln, Theaterorgeln und Kirchenorgeln1) "Encyclopedia of the American Theatre Organ", Volume 1 und 2, David L. Junchen, Showcase Publications, USA 1985, zusammen 950 Seiten. - 2) "Encyclopedia of the American Theatre Organ", Volume 3, Preston J. Kaufmann, Showcase Publications, USA 1995, 448 Seiten. - 3) "500 Jahre Orgeln in Berliner Evangelischen Kirchen", Berthold Schwarz, Pape Verlag, Berlin 1991, zusammen 524 Seiten. - 4) "Waldkircher Dreh- und Jahrmarktorgeln", Herbert Jüttemann, Waldkircher Verlag 1993, 306 Seiten. - 5) "Dictionary of Pipe Organ Stops", Stevens Irwin, Schirmer Books, USA 1962, 276 Seiten. - 6) "Einführung in den Orgelbau", Wolfgang Adelung, Breitkopf & Härtel 1991, 304 Seiten. - 7) "Behold the Mighty Wurlitzer", John W. Landon, Greenwood Press 1983, 232 Seiten. - 8) "The Art of Organ Building", Vo-lume 1 und 2, George Ashdown Audsley, Dover Publications 1965, zusammen 1358 Seiten. - 9) "Automatic Organs", Arthur W.J.G. Ord-Hume, Schiffer Book 2007, 512 Seiten. - 10) "Die römische Orgel von Aquincum", Werner Walcker-Mayer, Musikwissenschaftliche Verlagsgesellschaft 1970, 120 Seiten. - 11) "Kinoorgeln - Installationen der Gegenwart in Deutschland", Karl Heinz Dettke, Verlag Erwin Bo-chinsky 1998, 238 Seiten. - 12) "Waldkircher Orgelbauer", Hermann Rambach und Otto Werner, Waldkircher Verlag 1984, 212 Seiten. - 13) "American Picture Palaces", David Naylor, New York 1981, 224 Seiten. - 14) "Barrel Organ", Arthur W.J.G. Ord-Hume, George Allen & Unwin Oublisher 1978, 568 Seiten. - 15) "Figuren-Drehorgeln von Ignaz Bruder und seinen Nachkommen", Herbert Jüttemann, Waldkircher Orgelstiftung 2005, 140 Seiten. - 16) "Joseph Haydn and the Mechanical Organ", Arthur W.J.G. Ord-Hume, University College Cardiff Press 1982, 186 Seiten. - 17) "Nickelodeon Theatres and their Music", David Bowers, Vestal Press 1986, 212 Seiten. - 18) "Reed Organs on Parade", Robert B. Whiting, Vestal Press 1981, 150 Seiten. - 19) "Drehorgeln schaurig-schön", Katalog zur Ausstellung des Badischen Landesmuseums im Schloß Bruchsal 1994, 214 Seiten. - 20) "Théorie-pratique de la factures de l'orgue", François-Henri Clicquot, maßstabgetreues Faksimile des Originals von 1793, Verlag Christoph Glatter-Götz 1985, 86 Seiten plus Übersetzung. - Und: 21) 28 weitere Bücher und Hefte. Start Price: EUR 80 Zustand: (2/-)Literature on Barrel Organs, Theater Organs and Church Organs1) "Encyclopedia of the American Theatre Organ", Volume 1 and 2, David L. Junchen, Showcase Publications, USA 1985, together 950 pages. - 2) "Encyclopedia of the American Theatre Organ", Volume 3, Preston J. Kaufmann, Showcase Publications, USA 1995, 448 pages. - 3) "500 Jahre Orgeln in Berliner Evangelischen Kirchen", Berthold Schwarz, Pape Verlag Berlin 1991, together 524 pages. - 4) "Waldkircher Dreh- und Jahrmarktorgeln", Herbert Jüttemann, Waldkircher Verlag 1993, 306 pages. - 5) "Dictionary of Pipe Organ Stops", Stevens Irwin, Schirmer Books, USA 1962, 276 pages. - 6) "Einführung in den Orgelbau", Wolfgang Adelung, Breitkopf & Härtel 1991, 304 pages. - 7) "Behold the Mighty Wurlitzer", John W. Landon, Greenwood Press 1983, 232 pages. - 8) "The Art of Organ Building", Volume 1 and 2, George Ashdown Audsley, Dover Publications 1965, together 1358 pages. - 9) "Automatic Organs", Arthur W.J.G. Ord-Hume, Schiffer Book 2007, 512 pages. - 10) "The Roman Organ of Aquincum", Werner Walcker-Mayer, Musikwissenschaftliche Verlagsgesellschaft 1970, 120 pages. - 11) "Kinoorgeln - Installationen der Gegenwart in Deutschland", Karl Heinz Dettke, Verlag Erwin Bochinsky 1998, 238 pages. - 12) "Waldkircher Orgelbauer", Hermann Rambach and Otto Werner, Waldkircher Verlag 1984, 212 pages. - 13) "American Picture Palaces", David Naylor, New York 1981, 224 pages. - 14) "Barrel Organ", Arthur W.J.G. Ord-Hume, George Allen & Unwin Oublisher 1978, 568 pages. - 15) "Figuren-Drehorgeln von Ignaz Bruder und seinen Nachkommen", Herbert Jüttemann, Waldkircher Orgelstiftung 2005, 140 pages. - 16) "Joseph Haydn and the Mechanical Organ", Arthur W.J.G. Ord-Hume, University College Cardiff Press 1982, 186 pages. - 17) "Nickelodeon Theatres and their Music", David Bowers, Vestal Press 1986, 212 pages. - 18) "Reed Organs on Parade", Robert B. Whiting, Vestal Press 1981, 150 pages. - 19) "Drehorgeln schaurig-schön", catalogue for the exhibition of the Badisches Landesmuseum in Bruchsal Castle 1994, 214 pages. - 20) "Théorie-pratique de la factures de l'orgue", François-Henri Clicquot, true-to-scale facsimile of the original from 1793, Verlag Christoph Glatter-Götz 1985, 86 pages plus translation. - And: 21) 28 other books and booklets. Start Price: EUR 80 Condition: (2/-)
3 Proportionalzirkel und 1 Lineal1) Französischer Proportionalzirkel, um 1800, Paris, Kalibrierung auf der Vorderseite: "Cordes", "Solides" und "Les Metaux"; auf der Rückseite: "Les Parties Egales" und "Les Polygones". Länge 17,2 cm, Gesamtlänge 33 cm. - 2) Signiert "Bolton", aus Bein, mit Messingscharnier, Vorderseite mit Doppelskalen (Nummernlinie, lineare Skala, Sehnenlinie und Polygonlinie), Rückseite mit drei Doppelskalen (eine Sinuslinie und zwei Tangentenlinien) und drei geteilten logarithmischen Skalen nach Edmund Gunter, Länge geschlossen 15,9 cm, Gesamtlänge 30,2 cm. - 3) England, Buchsbaum, mit Messingscharnier, Gesamtlänge 30,5 cm. - Und: 4) Gunter's Lineal mit logarithmischen Skalen, Buchsbaum, Länge 60,5 cm. Start Price: EUR 180 Zustand: (3/3)3 Sectors and a Rule1) French proportional compass, c. 1800, Paris, calibration on the front: "Cordes", "Solides" and "Les Metaux"; on the back: "Les Parties Egales" and "Les Polygones", length 6 ¾ in., total length 13 in. - 2) Signed "Bolton", bone, with brass hinge, front with double scales (number line, linear scale, chord line and polygon line), back with three double scales (one sine line and two tangent lines) and three divided logarithmic scales after Edmund Gunter, length closed 6 ¼ in., total length 12 in. - 3) England, boxwood, with brass hinge, total length 12 in. - And: 4) Gunter's rule, with logarithmic scales, boxwood, length 23 4/5 in. Start Price: EUR 180 Condition: (3/3)
8 Rechenuhren und Rechenscheiben1) Fowlers's "Magnum" Long Scale Calculator, um 1930, Fowler & Co., Manchester, Ø 11,8 cm, in Lederetui. - 2) Lord's Calculator, um 1900, R.Waddington, Coventry, GB, im Stil einer Taschenuhr, vernickeltes Messing, Ø 7 cm. - 3) Fowler's Universal Calculator, um 1935, William H. Fowler, GB, mit 6 Skalen: C mit Konstanten, Reziprok, Logarithmus, 2 x Sinus und Tangens, Ø 8,7 cm, in Schatulle. - 4) Fowlers's Long Scale Calculator, um 1930, Fowler's Limited, Manchester, Taschenrechner, Ø 6,9 cm, mit englischer Anleitung in Lederetui. - 5) Calculigraphe, um 1900 (System Boucher's Calculator), hergestellt von Fritz-Gustave Chatelain (FC), vernickeltes Messinggehäuse, Ø 5,5 cm. - 6) Halden's Calculex, um 1925, Joseph Halden, Manchester, England, Ø 6 cm, in Lederetui mit 95-seitiger Miniaturanleitung. - 7) Logomat-mini 2000, um 1972, Logomat Rechengeräte, Deutschland, kaufmännische Variante, mit 5 Zusatzscheiben und Lupe in Etui. - Und: 8) Molter Rechenuhr, ab 1920, Variante 2, Vertrieb: Schacht & Westerich, Hamburg, Ø 6,5 cm. Start Price: EUR 240 Zustand: (2-3/2-3)8 Calculating Clocks and Discs1) Fowlers's Magnum Long Scale Calculator, c. 1930, Fowler & Co., Manchester, Ø 4 3/5 in., in leather case. - 2) Lord's Calculator, c. 1900, R. Waddington, Coventry, England, in the style of a pocket watch, nickel-plated brass, Ø 2 ¾ in. - 3) Fowler's Universal Calculator, c. 1935, William H. Fowler, England, 6 scales: C with constants, reciprocal, logarithm, 2 x sine and tangent, Ø 3 2/5 in., in case. - 4) Fowlers's Long Scale Calculator, c. 1930, Fowler's Limited, Manchester, pocket calculator, Ø 2 ¾ in., with English instructions in leather case. - 5) Calculigraphe, c. 1900 (Boucher's Calculator system), Fritz-Gustave Chatelain (FC), nickel-plated brass case, Ø 2 1/8 in. - 6) Halden's Calculex, c. 1925, Joseph Halden, Manchester, England, Ø 2 1/3 in., in leather case with 95-page miniature instructions. - 7) Logomat-mini 2000, c. 1972, Logomat Rechengeräte, Germany, commercial version, with 5 additional discs and magnifying glass in case. - And: 8) Molter calculating clock, 1920 onwards, variant 2, distribution Schacht & Westerich, Hamburg, Ø 2 ½ in. Start Price: EUR 240 Condition: (2-3/2-3)
3 Rechenscheiben1) Roulette "X", Fabien Carli, Marseille; logarithmische Skala, vernickelte Scheibe, Skalen mit Zelluloid geschützt, Ø 23,9 cm. - 2) Hauff Optima III, um 1910, Scheibenaddierer, rechnet bis 9999, Aluminium, Ø 20 cm. - Und: 3) Rechenscheibe Modell 1, ab 1919, Frankreich, entwickelt von Messieurs Jules Arnault und Louis Paineau, Aluminium in Holzrahmen, 26 x 26 cm. Start Price: EUR 180 Zustand: (2-3/2-3)3 Calculating Discs1) Roulette "X", Fabien Carli, Marseille; logarithmic scale, nickel-plated disc, scales protected with celluloid, Ø 9 ½ in. - 2) Hauff Optima III, c. 1910, disc adder, calculates up to 9999, aluminum, Ø 7 4/5 in. - And: 3) Calculating disc model 1, 1919 onwards, France, developed by Messieurs Jules Arnault and Louis Paineau, aluminum in wood frame, 10 x 10 in. Start Price: EUR 180 Condition: (2-3/2-3)
8 Rechenuhren1) Fowlers's Textile Calculator, Typ B, ab 1927, Fowler & Co., Manchester, Ø 8,6 cm, in Lederetui. - 2) Halden Calculex, ab 1908, Joseph Halden, Manchester, Ø 6,0 cm, in Aludose mit 95-seitiger Miniaturanleitung. - 3) Fowlers's Long Scale Calculator, um 1935, Fowler & Co., Manchester, Ø 6,7 cm, in vernickelter Klappbox. - 4) American Cash Register Company, für Cent und Dollar, Ø 4,7 cm, in Holzdose. - 5) Cerle à Calcul, um 1900, A. Boucher, Havre, Ø 5,2 cm. - 6) Calculateur Roplex, um 1960, Raphoplex, Frankreich, 13 x 13 cm, mit Anleitung in Lederetui. - Und: 7) 2 weitere Rechenuhren, jeweils unbezeichnet, im Boucher-Stil. Start Price: EUR 240 Zustand: (2-3/2-3)8 Calculating Clocks1) Fowlers's Textile Calculator, type B, 1927 onwards, Fowler & Co., Manchester, Ø 3 2/5 in., in leather case. - 2) Halden Calculex, 1908 onwards, Joseph Halden, Manchester, Ø 2 1/3 in., in aluminum box with 95-page miniature instructions. - 3) Fowlers's Long Scale Calculator, c. 1935, Fowler & Co., Manchester, Ø 2 3/5 in., in nickel-plated hinged box. - 4) American Cash Register Company, for cents and dollars, Ø 1 7/8 in., in wood box. - 5) Cerle à Calcul, c. 1900, A. Boucher, Havre, Ø 2 in. - 6) Calculateur Roplex, c. 1960, Raphoplex, France, 5 x 5 in., with instructions in leather case. - And: 7) 2 further Boucher-style calculating clocks, unmarked. Start Price: EUR 240 Condition: (2-3/2-3)
Spezial-Rechner für verschiedene Berufsgruppen1) Blumtritt's Metagraph, um 1910, halbkreisförmige Tabelle zum Vergrößern und Verkleinern von Gefäßformen, Ø 51,5 cm. - 2) Elektro-Schnellrechner, um 1920, Georg Bloch, Dresden, zur Leistungsberechnung aller Stromarten, mit Anleitung in Schachtel. - 3) Norma Grafia 190, ab 1965, Rechenscheibe für Graphiker, Aluminium, Ø 190 mm. - 4) Mensur-Rechenschieber für Orgelpfeifen, 1986, System Rensch, Orgelbau-Fachverlag, Breite 39 cm, mit Anleitung. - 5) Fahrni's Winkelrechner, um 1950, Gebrüder Scholl AG, Zürich; 14 x 15 cm, in Schachtel. - 6) Eisenbeton-Dimensionierer "Michaelis", um 1940, zur Bestimmung der Armierungen und Deckenstärken in Eisenbeton-Decken, 2 dreieckige Skalen, in Hülle. - 7) Ballistischer Rechner, um 1956, UdSSR, mit 2 Rechenscheiben. - Und: 8) 5 weitere Rechenhilfen. Start Price: EUR 120 Zustand: (3/3)Special Calculators for Various Professions1) Blumtritt's Metagraph, c. 1910, semi-circular table for enlarging and reducing vessel shapes, Ø 20 in. - 2) Elektro-Schnellrechner, c. 1920, Georg Bloch, Dresden, for calculating the power of all types of electricity, with instructions in box. - 3) Norma Grafia 190, 1965 onwards, calculating disc for graphic artists, aluminum, Ø 7 ½ in. - 4) Scale slide rule for organ pipes, 1986, Rensch system, Orgelbau-Fachverlag, width 15 3/5 in., with instructions. - 5) Fahrni's Winkelrechner, c. 1950, Gebrüder Scholl AG, Zurich; 5 ½ x 6 in., in box. - 6) Reinforced concrete dimensioner Michaelis, c. 1940, for determining the reinforcements and ceiling thicknesses in reinforced concrete ceilings, 2 triangular scales, in case. - 7) Ballistic calculator, c. 1956, USSR, with 2 calculating discs. - And: 8) 5 further calculating aids. Start Price: EUR 120 Condition: (3/3)
Herrmann's Rechenknecht, 1875Äußerst seltener logarithmischer Kreisrechner von "Wiesenthal & Cie., Aachen". Messingfassung, Ø 15,8 cm, auf gußeisernem 3-Bein-Tischstativ. - Ein interessantes Exponat und Sammlungsstück. Start Price: EUR 750 Zustand: (2-3/2-3)Herrmann's Rechenknecht, 1875Logarithmic circular slide rule by Wiesenthal & Cie., Aachen, Germany. Brass-mounted scale, 6 ¼ in., on cast-iron tripod. Very rare! Start Price: EUR 750 Condition: (2-3/2-3)
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