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ERTL (1/16th scale) No.1292 Massey Harris "55" Tractor, red, boxed, and No.250 McCormick Farmall Super-A Tractor, red, boxed, together with ERTL McCormick WD 30 Tractor, unboxed, No.447 International Hay Baler, No.492 International Spreader, both boxed, three International ploughs, Precision Series 'The Little Genius Plow', boxed, Country Classics McCormick-Deering Farmall F-12 Tractor, boxed, etc (12)
A Royal Copenhagen Tower Jar, by Esben Hanefelt Kristensen, with domed cover painted with stars on a dark blue ground and with further gilt scale decoration, the base decorated with four stylized panels with animals and characters from folklore, printed mark and artists monogram, 22.5cm highGood condition. No damage or repair.
Porsche Design by Eterna, 25 Jahre - Limitierte EditionFull-Set, Jahr 1998, Automatik, Chronograph, Modell-Nr. PO 11 6625.11.41.232 | Gehäuse-Nr. 1748 | Limitierung 1748/1998, Unterglas Tachymeterskala, kleine Sekunde, Stoppfunktion, Wochentags- und Datumsanzeige, Gehäuse Stahl/PVD-Beschichtung, Durchmesser 40 mm, Original-Armband, Stahl/PVD-Beschichtung, Original-Faltschließe, Stahl/PVD-Beschichtung, Länge 16,5 cm, Gesamtgewicht 157,3 g, Funktion gangbar, geprüft, Zustand gut, Zustand und Funktionalität durch unseren Uhrmachermeister geprüft, mit Original-Box, -Umverpackung und -Papieren, Umverpackung gut, Box gut, löst sich minimal auf, Garantieheft, Garantiekarte, Bedienungsanleitung, Zertifikat, 4 Ersatzglieder anbei, Länge 2,5 cmPorsche Design by Eterna, 25 Years - Limited EditionFull set, year 1998, automatic, chronograph, under-glass tachymeter scale, small second, stop function, weekday and date display, model no. PO 11 6625.11.41.232 | case no. 1748 | limitation 1748/1998, case steel/PVD-coating, diameter 40 mm, original strap, steel/PVD-coating, original folding clasp, steel/PVD-coating, length 16,5 cm, total weight 157,3 g, functional, tested, condition good, condition and functionality checked by our master watchmaker, with original box, outer packaging and papers, outer packaging good, box good, minimal dissolving, warranty booklet, warranty card, instruction manual, certificate, 4 spare links enclosed, length 2,5 cm
A SUPERB PAIR OF MIYAO-STYLE MIXED-METAL-INLAID AND PARCEL-GILT BRONZE VASES WITH SHOKI AND ONIJapan, late 19th century, Meiji period (1868-1912)Each vase with a baluster body supported on a spreading foot and rising to a gently waisted neck with flat everted rim, the shoulder with two long handles issued from baku heads, the exterior carved in high and sunken (shishiaibori) relief, inlaid in iro-e takazogan and hirazogan, and engraved in katakiri and kebori, with bamboo-framed panels surrounded by two snakes flanking a toad above and a snail below – an impressive example of the sansukumi motif. Each panel shows a different but complementary design, on one vase depicting a proudly standing Shoki holding his sword in one hand and extending the other, with a long-tailed pheasant amid chrysanthemums under a gnarled pine tree to the back; and on the other three oni depicted in different attitudes, one of them fighting back against the demon queller, the back with two long-tailed pheasants perched on a craggy rock. The body is further decorated with bamboo leaves, mushrooms, and leaves, the neck and foot with formalized bands.HEIGHT each 30.5 cmWEIGHT each 4.7 kgCondition: Very good condition with minor surface wear.Provenance: From the private collection of an intrepid and seasoned connoisseur who tirelessly travels the globe and acquires with passion, discernment and above all a sense of all-embracing eclecticism, bound by no rigid formula of what should constitute a worthy object save the admiration and wonder that it can produce in the viewer.The present pair of vases, impressively cast, finely carved in high and sunken relief, and masterfully inlaid in both hirazogan and takazogan, was clearly made by an extremely talented metalworker. The inspired use of inlays makes an attribution to the workshop of Miyao Eisuke reasonable. Although most often associated with large-scale bronze figures of samurai, the Miyao Company also manufactured or dealt in a wide range of craft goods including Shibayama-work panels and ivory figures. Apparently based first in Yokohama and then, after about 1890, in Nihonbashi-ku, Tokyo, the company is first recorded at the second Naikoku Kangyo Hakurankai (National Industrial Exposition) where Miyao Eisuke collaborated with the bronze caster Momose Sozaemon in the production of a bronze figure of seven drunken shojo.The combination of snake, frog, and snail (or slug) constitutes the sansukumi motif. Sansukumi translates to 'the three who are afraid of one another'. The three animals are in a state of mutually assured destruction: the snake will consume the frog, however the frog has already eaten a poisonous snail, so the snake must perish as well. This motif is connected to sansukumi-ken, a category of Japanese hand games played by using three hand gestures. The oldest sansukumi-ken game is mushi-ken, a game originally from China. In mushi-ken, the 'frog' represented by the thumb wins against the 'slug' represented by the pinkie finger, which, in turn defeats the 'snake' represented by the index finger, which wins against the 'frog'. Although this game was imported from China, the Japanese version differs in the animals represented. In adopting the game, the original Chinese characters for centipede or millipede were apparently confused with the characters for the 'slug'. The centipede was chosen because of the Chinese belief that the centipede was capable of killing a snake by climbing and entering its head. One of the few surviving sansukumi-ken games is jan-ken, which was brought to the West in the 20th century as rock paper scissors.
AN AMUSING IVORY OKIMONO OF A FRUSTRATED RAT CATCHERBy Toshimune, signed ToshimuneJapan, Meiji period (1868-1912)The alarmed rat catcher trying to fend off an inquisitive rat that is attempting to scale his body. The man carved in an animated pose, caught off guard by the rat who has managed to escape the trap; his face communicating his great surprise as his mouth hangs open. He is dressed in a robe incised with foliate motifs and holds a peculiarly small box, likely not big enough to contain the large rat. The ivory is stained and carved to cleverly delineate the shadows and movement of this dynamic okimono. Note the extremely well-carved bony fingers and toes, as well as the finely incised and stained body of the rat: Signed to the knee TOSHIMUNE.HEIGHT 8 cmCondition: Excellent condition with minor wear.Provenance: From a private collection in Belgium, published in the commissioned private catalogue 'The Nibajama collection' no: 150.Auction comparison:Compare a related ivory okimono of a woodsman, signed Toshimune, at Bonhams, Fine Japanese Art, 12 May 2011, London, lot 209 (sold for GBP 3,600).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number 2023/BE00441/CE).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
Steinway & Sons - Model O overstrung Grand Piano serial No 576699, manufactured in Hamburg 2006, with 88 keys (7 octaves) in a mahogany finished case with Steinway square-bottom legs and brass rollers castors, with combination agraffe front and rear duplex scale, treble strings with twelve whole and one-half sizes, bass strings copper wound with a steel core, nickel head tuning pins, Steinway hammers, keys, felts, and dampers, with una-corda, sostenuto and sustain pedals.L 5'10-3/4" W 57-3/4"The Steinway model O grand piano was originally marketed as the living room or miniature grand and is the largest of the small grand pianos manufactured by Steinway. Production of the model O ceased in 1924 and was not brought back into manufacture until 2006 with all the improved technical innovations that have followed.Dimensions: Length/Width: 180cm Depth/Diameter: 147cmCondition Report: This piano has had one owner from new and is being sold on behalf of an estate with no reserve.The action, keys, hammers, dampers and pedals are in excellent condition, showing signs of very little use. It is tuned and plays without faults. See YouTube videoThe finish is excellent with the odd light surface scratch and a few very minor lacquer chips.The case uprights (left and right) when viewing from the front show cracks in the lacquer (as per images) suggesting some movement in the case on the straight edges.
Mrs Janet Taylor, 104 Minories, London, England - Victorian mahogany cased Sympiesometer c 1860, glazed mahogany case with a cavetto moulded pediment, rectangular silvered register and Fahrenheit temperature scale, hydrogen gas filled syphon tube and a separate sliding vernier calibrated in barometric inches, to the left a separate mercury filled Fahrenheit thermometer and makers signature beneath, circular rotating recording disc within a curved aperture.Mrs Janet Taylor is recorded as a barometer retailer and navigation teacher in London, England, 1845-1875.The Sympiesometer patented in 1818 by the Edinburgh barometer maker Alexander Adie was an improved version of Robert Hooke's Thermobarometer. The hydrogen gas in the syphon tube is affected by both the temperature and air pressure. In order to take a reading the temperature is taken from the thermometer and the sliding vernier adjusted until the pointer on the top of the vernier corresponds with the temperature on the register scale. The barometric air pressure is then read from the top of the fluid in the syphon tube. The Sympiesometer was thought to be a safer, reliable and more portable barometer for use primarily at sea. Dimensions: Height: 60cm Length/Width: 10cm
TWO CHINESE BLUE AND WHITE PORCELAIN DISHES, 18TH CENTURY. The first decorated with two pheasants perched on rock work within a floral scene, with seal mark in double ring to base; Together with another blue and white dish densely decorated with a scale pattern and stylised floral motifs. Kangxi period (1662-1722). Approx. 27.5cm diam. (2) The first with repaired section to rim with chip and fritting. The other dish with 3cm firing fault to base, no visible cracks or chips, no repairs, some wear and scratched to the exterior.
ELIZABETH II 1980 ISLE OF MAN 1/2 SOVEREIGN Obverse; bust facing right legend around ISLE OF MAN ELIZABETH II Reverse, mounted Norse warrior date 1980 and Odin's Raven privy mark below 4 grams. Odin's Raven is a 2/3 scale replica of the Gokstad ship, which was sailed from Trondheim to Peel, Isle of Man, by a joint Manx and Norwegian crew. The project formed part of the 1979 Manx Millennium Celebrations, and was conceived and planned by local businessman Robin Bigland. Condition Report:Available upon request
Rolls-Royce Merlin Engines Collection Includes Rolls-Royce Aero Engines - Preliminary Performance Data for the Merlin R.M.6.S.M. Merlin Two-Stage Two-Speed Engine - Maintenance Manual, Rolls-Royce Instruction School Merlin 500 Course Notes 1952, Cutaway Drawing Merlin XX (The Aeroplane), Quarter Scale Merlin Project, Rolls-Royce Merlin 620 and 720 series Aero-Engines, Rolls-Royce Merlin 620 Series Aero Engine, Rolls-Royce Aero-Engines Merlin 61 - Running and Maintenance Notes, good condition. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10

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216134 item(s)/page