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Click here to subscribeSilver fusee lever pocket watch, London 1836, unsigned movement with pierced engraved balance cock, three arm balance with silver regulating scale, with gilt metal dust cover, the dial with Roman numerals, subsidiary seconds and Breguet style hands, plain case, case maker 'GH' (George Hammon), 51mm
John Forrest, London silver fusee lever pocket watch, Chester 1891, movement no. 88140, with compensated balance and silver regulating scale, with signed dust cover, signed dial with Roman numerals and subsidiary seconds within a foliate engraved case with an inset gold cartouche, case maker 'RG' (Robert Gravenor), 56mm
S. Smith & Son Patent Chronoscope, the white dial with Arabic numerals, centre seconds, split seconds and subsidiary dial, gilt frosted movement no. 24497, nickel case, 58mm; together with a further S. Smith & Son Chronoscope, the white dial with Arabic numerals, centre seconds and subsidiary dial, gilt frosted movement no. 52698, nickel case engraved no. 252-15Q, 58mm (at fault), also a nickel cased stopwatch, the dial with centre seconds, 1/30 recording scale and subsidiary dial, gilt frosted movement no. 500772, 52mm (at fault) (3)
A modern cast silver four-light candelabrum, by C. J. Vander, London 1966, in the Paul de Lamerie manner, shaped square baluster stem, foliate shell and fish-scale decoration, with four leaf-capped scroll arms with spool shaped capitals, on a raised square base with canted corners, height 44.5cm, approx. weight 151oz.
William Wise, Wantage, a part George III diminutive scale 8-day longcase clock, the twin train movement striking the hours on a bell, the engraved silvered square dial with man-o-war off the coast, 143 cm high Condition Report The case probably late 19th century, the movement same with later components, dial and chapter ring associated
Interesting antique short scale small bodied guitar, the open peg box with brass tuning strips and bone buttons, seventeen fret fingerboard, rosewood back and sides, the table with string and herringbone banding to the edges and string, block, ebony and pearl inlay to the sound hole (restorations)
* TOMMY LYDONPORTRAIT OF PICASSOoil on canvas, signed, further signed, titled and dated '97 verso61cm x 43cm FramedNote: Tommy was born in 1955, Glasgow, Scotland. He studied painting at the Glasgow School of Art where he also completed his post graduate studies. He has been Artist/Designer on several projects: the Garnethill Mural Project, Glasgow and has worked in performance both alone and in association with others; seven large-scale gable Murals commissioned by the Scottish Development Agency; and on the Easterhouse Mosaic Mural in Glasgow. He has worked in mixed - media installations, video and site specific projects. Since 1992 he has taken part in the Keleia Project as painter and selector. In 1996 he was elected a Member of the Council of the Keleia Project. Tommy is presently living and working in both Glasgow and Düsseldorf, Germany.
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