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Lot 733
'Speedmaster', ref. 175.0043, case no. 375.0043, 17-jewel Cal:1155 (7750) chronograph movement, gold dial with applied gold luminous baton hour markers, subsidiary dials for running seconds, 30 minute and 12 hour recording, luminous hands, polished case with outer tachymetre scale, twin pushers flanking the crown, snap on back, fitted makers link bracelet spare link and with deployant clasp, case, dial and movement signed36mm diam.Provenance: private collection Cardiff, consigned via our Cardiff officeCondition report:Comments: Movement: some minor staining/corrosion, ticks when would, chrono functions fine, not tested for accuracy, Dial: excellent, Glass: very minor scratches, Hands: excellent, Case: scratches and minor dints, similarly the bezel, Crown: one pusher very worn, other pusher very slightly worn, crown end worn off, Strap/Bracelet: a few links stretched.
Lot 734
'Seamaster', having integrated scale design 9ct gold bracelet with Omega buckle, brushed dial, block batons, centre seconds, date aperture, 74.5gms. in Omega box and outer box with wallet containing international guarantee and bookletProvenance: deceased estate Neath Port Talbot, consigned via our Carmarthen OfficeCondition report:Comments: Movement – appears currently functioning. Dial – very good. Glass – typical light marks and minor staining. Hands – very good. Case – typical light marks. Crown – adjusting correctly. Strap – typical light marks
Lot 789
many paper remnants applied to board including tattoo designs and other drawings, recovered from the artist’s New Orleans studio after being devastated by Hurricane Katrina53 x 42cmsProvenance: private collection Swansea, purchased by the vendor from a gallery exhibition for the artistAuctioneer’s Note: In August of 2005, Hurricane Katrina pummeled New Orleans, leaving John K. Lawson’s house and studio under nearly 10 feet of water for six weeks. Lawson first came to United States on a student exchange program to Louisiana State University. Lawson was drawn to the Deep South and became part of an underground art culture in New Orleans that included working in tattoo, T-shirt, and graffiti murals. Lawson became known for his unique drawing style and creations using recycled Mardi Gras beads. In 2005 Lawson’s home and studio were destroyed during Hurricane Katrina. He spent several years reworking his flood-damaged pieces. This gained the attention of several New York galleries and awards including the Pollack Krasner Foundation. In 2009, Lawson began working on a series of large scale figurative collage work. Some of these are currently on view in New York at MZUrban Art. Lawson divides his time between New Orleans and New York City, where he lives with his wife, and son, SebastianCondition report: Comments: framed and ready to hang
Lot 534
Coloured antiquarian map of Meirionethshire, showing coat of arms, title in cartouche, scale of miles, elaborate cherubic compass and the town plan of Harlech38 x 51cmsprivate collection Hampshire, consigned via our Cardiff officeCondition report: Comments: modern frame and glazed with glass verso showing text, in good condition and nicely coloured
Lot 273
FIVE BOXED DRAGON MODEL KITS TO INCLUDE PANTHER G TANK 1:72 SCALE, JAGDTIGER TANK 1:72 SCALE, 8.8 CM RAKETENWERFER 43 PUPPCHEN SET 1:35 SCALE, 7.5 CM PAK 40 GUN CREW 1:35 SCALE, SOVIET SU-85MM TANK DESTROYER 1:72 SCALE TOGETHER WITH THREE BOXED ACE MILITARY MODEL KITS 50MM PAK.38, 75MM PAK 97/98 AND 105MM FH-18/40
Lot 274
A BOXED TAKOM GERMAN LANDKREUZER P1000 RATTE 1:144 SCALE MODEL KIT, AIRFIX CROMWELL MK IV TANK 1:76 SCALE, DRAGON PZKPFWIII TANK 1:72 SCALE, MODEL COLLECT 128MM ANTI AIRCRAFT GUN, 1:72 SCALE, ACE 12.8CM KANONE 1:72 SCALE, TAMIYA GERMAN TANK ENGINE MAINTENANCE CREW SET 1:35 SCALE, FOUR BOXED TAMIYA MILITARY MINIATURES SETS
Lot 47
Six Gemini Aces 1/72 scale model aircraft in various liveries, comprising three Spitfire Mk IX, two Spitfire MK 1XC and Spitfire MK LFIXe, all boxed (two boxes lightly damaged).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 111
A collection of LGB (Lehman Gross Bahn) G-scale model railway items, including an 0-4-0 locomotive 2, another 0-4-0 locomotive celebrating the 125th anniversary of Ernst Paul Lehmann, a No. 92090 diesel shunter, four coaches, track, including straights, curves and points, controllers and a signal/control box, some boxed.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 48
Three Gemini Aces 1/72 scale model aircraft, comprising Supermarine Spitfire Mk. LF 1Xe No. 443 'Hornet' Squadron, Supermarine Spitfire Mk. IX No. 81 Squadron RAF and Supermarine Spitfire Mk. IX 601 SQN, all boxed.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 49
Fourteen 1/72 scale model Supermarine Spitfires, comprising ten by Witty Wings Sky Guardian, two by Dragon Warbirds Series, one by Easy Model and one by HM, all boxed.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 43
A PEARLWARE CHESTNUT BASKET, c.1800, of flared two handled oval section with open basket weave body and domed cover surmounted by a deep sugar bowl, the rims and handles printed in underglaze blue with a scale and scroll border, 8" wide over handles, together with a creamware sucrier and cover with rope twist handles painted in puce with flowers, 4" high overall, and a plain baluster milk jug and cover, all unmarked (3) (Est. plus 21% premium inc. VAT)Basket and cover remarkably good, glazing a little flawed, small chips to bowl surmount. No restoration. Cover rocks a little, Creamware both damaged
Lot 9
A CHINESE PORCELAIN PLATE of plain circular form, painted in famille verte enamels with a central roundel enclosing a flowering tree within a scale and flowerhead border, the rim with four loose arrangements of flowers, bears four character mark in underglaze blue, 12 1/2" diameter (Illustrated) (Est. plus 21% premium inc. VAT)No chips, cracks or restoration, minor wear to enamels
Lot 323
A coffee potPortuguese silverSpiralled decoration of fish scale like motifs alternating with beaded friezesDomed cover of identical decoration and bulb lid pommelCarved exotic wooden handleEagle hallmark 916/1000 (1938-1984) and same date maker's markSigned "Baptista" R. Passos Manuel 2" stamped "1º Título"Height: 24 cm807 g
Lot 111
Josette Urso OooLaLa 1 Watercolour on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Teetering between urban and natural subjects I make exploratory paintings and drawings working directly and urgently in response to my immediate environment. My approach involves "moment-to-moment" extrapolation governed by intuitive leaps of scale, color and wayward geometry. Contrasts and cross-fertilizations unfold and are cumulative, non-linear, free flowing and interpretive. Space becomes an ambiguous and malleable substance and I delight in its manipulation as I meander acrobatically in a kind of gymnasium of convoluted mark making and image collision. All along the way, I engage the known as well as the unknown in unforeseen ways. For me, drawing and painting parallel the act of seeing and are the most direct links to private time with the physical world. Despite the urgency of my process, as I work, time still slows down. My work becomes a record of this exploration and a reflection of my inherent energy and reason for living. Education MFA/ Painting, University of South Florida, Tampa, FL Select Exhibitions/Awards Recipient of awards including an Adolph & Esther Gottlieb Foundation grant, two Pollock-Krasner Foundation grants, a Mid-Atlantic NEA, the Basil H. Alkazzi Award and a Ruth and Harold Chenven Foundation Award. Residencies include Ucross (2014 and 1995); Yaddo; Stock 20, Taiwan; AIEP American Artist's Abroad, Cambodia; Ballinglen Arts Foundation, Ireland; Camargo Foundation, France; Millay and the VCCA. Her work has been shown widely in the United States and abroad in galleries, public institutions, and museums including the New York Public Library, the Drawing Center, the Bronx Museum of the Arts, Markel Fine Arts and Kenise Barnes Fine Art. Gallery Representation Markel Fine Arts, New York, NY Kenise Barnes Fine Art, Kent, CT Statement about AOAP Submitted Artwork In my studio, the outside literally comes in through large windows that look across Brooklyn's lower lying factory buildings toward the tall grandness of Manhattan. This view merges with a studio interior filled with playful arrangements from my nature and hand-made object collections: rocks, plants, pinecones, metal and velvet flocked figurines as well as chenille and wire constructions that I often hang in the windows, bringing attention to the spaces between the inside and the outside. In these small works on paper, from my "OooLaLa" series, as in all of my paintings, I engage in the moment with deep curiosity and awe of my surroundings.
Lot 112
Josette Urso OooLaLa 2 Watercolour on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Teetering between urban and natural subjects I make exploratory paintings and drawings working directly and urgently in response to my immediate environment. My approach involves "moment-to-moment" extrapolation governed by intuitive leaps of scale, color and wayward geometry. Contrasts and cross-fertilizations unfold and are cumulative, non-linear, free flowing and interpretive. Space becomes an ambiguous and malleable substance and I delight in its manipulation as I meander acrobatically in a kind of gymnasium of convoluted mark making and image collision. All along the way, I engage the known as well as the unknown in unforeseen ways. For me, drawing and painting parallel the act of seeing and are the most direct links to private time with the physical world. Despite the urgency of my process, as I work, time still slows down. My work becomes a record of this exploration and a reflection of my inherent energy and reason for living. Education MFA/ Painting, University of South Florida, Tampa, FL Select Exhibitions/Awards Recipient of awards including an Adolph & Esther Gottlieb Foundation grant, two Pollock-Krasner Foundation grants, a Mid-Atlantic NEA, the Basil H. Alkazzi Award and a Ruth and Harold Chenven Foundation Award. Residencies include Ucross (2014 and 1995); Yaddo; Stock 20, Taiwan; AIEP American Artist's Abroad, Cambodia; Ballinglen Arts Foundation, Ireland; Camargo Foundation, France; Millay and the VCCA. Her work has been shown widely in the United States and abroad in galleries, public institutions, and museums including the New York Public Library, the Drawing Center, the Bronx Museum of the Arts, Markel Fine Arts and Kenise Barnes Fine Art. Gallery Representation Markel Fine Arts, New York, NY Kenise Barnes Fine Art, Kent, CT Statement about AOAP Submitted Artwork In my studio, the outside literally comes in through large windows that look across Brooklyn's lower lying factory buildings toward the tall grandness of Manhattan. This view merges with a studio interior filled with playful arrangements from my nature and hand-made object collections: rocks, plants, pinecones, metal and velvet flocked figurines as well as chenille and wire constructions that I often hang in the windows, bringing attention to the spaces between the inside and the outside. In these small works on paper, from my "OooLaLa" series, as in all of my paintings, I engage in the moment with deep curiosity and awe of my surroundings.
Lot 113
Josette Urso OooLaLa 3 Watercolour on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Teetering between urban and natural subjects I make exploratory paintings and drawings working directly and urgently in response to my immediate environment. My approach involves "moment-to-moment" extrapolation governed by intuitive leaps of scale, color and wayward geometry. Contrasts and cross-fertilizations unfold and are cumulative, non-linear, free flowing and interpretive. Space becomes an ambiguous and malleable substance and I delight in its manipulation as I meander acrobatically in a kind of gymnasium of convoluted mark making and image collision. All along the way, I engage the known as well as the unknown in unforeseen ways. For me, drawing and painting parallel the act of seeing and are the most direct links to private time with the physical world. Despite the urgency of my process, as I work, time still slows down. My work becomes a record of this exploration and a reflection of my inherent energy and reason for living. Education MFA/ Painting, University of South Florida, Tampa, FL Select Exhibitions/Awards Recipient of awards including an Adolph & Esther Gottlieb Foundation grant, two Pollock-Krasner Foundation grants, a Mid-Atlantic NEA, the Basil H. Alkazzi Award and a Ruth and Harold Chenven Foundation Award. Residencies include Ucross (2014 and 1995); Yaddo; Stock 20, Taiwan; AIEP American Artist's Abroad, Cambodia; Ballinglen Arts Foundation, Ireland; Camargo Foundation, France; Millay and the VCCA. Her work has been shown widely in the United States and abroad in galleries, public institutions, and museums including the New York Public Library, the Drawing Center, the Bronx Museum of the Arts, Markel Fine Arts and Kenise Barnes Fine Art. Gallery Representation Markel Fine Arts, New York, NY Kenise Barnes Fine Art, Kent, CT Statement about AOAP Submitted Artwork In my studio, the outside literally comes in through large windows that look across Brooklyn's lower lying factory buildings toward the tall grandness of Manhattan. This view merges with a studio interior filled with playful arrangements from my nature and hand-made object collections: rocks, plants, pinecones, metal and velvet flocked figurines as well as chenille and wire constructions that I often hang in the windows, bringing attention to the spaces between the inside and the outside. In these small works on paper, from my "OooLaLa" series, as in all of my paintings, I engage in the moment with deep curiosity and awe of my surroundings.
Lot 115
Tamara Jovandić-Everson Tanya Ink and Mixed Media on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Tamara finished the Academy of Art in Sarajevo and has lived and worked in North London since 1992. She has over thirty group exhibitions in the UK, Ireland, France and the USA, and five solo shows. Tamara has exhibited at prestigious art galleries such as Mall Gallery, Cork Street, Royal College of Art, and many more. Tamara's paintings, for a period of years, were about exploring female sexuality and nudity through expressionistic imagery, highlighting spiritual and religious themes which suggest a paradox. Tamara's preoccupation for dramatic contrast and religious themes, using live models and working quickly and directly onto canvas, comes from a fascination with Italian Baroque and Caravaggio's use of chiaroscuro and his rich and dark palette. Intending to relate to the viewer on the most intimate level, these works are always faceless and express the universality of torment through human emotion. Exploring the human body through suffering, sacrifice, isolation, and emptiness is autobiographical: based on life in exile, and a homeland torn apart in the civil war (former Yugoslavia). The works are generated from studies of life models. Drawings are then enlarged and painted on a larger scale. In recent works, there is further development in growing out of the narrative, investigating 'painting within painting', freeing and enlarging further parts of figurative artworks, bringing dramatic contrasts by using a variety of mediums to build texture including sand, plaster, and resin... Education 1986-1991 Academy of Art, Sarajevo Select Exhibitions/Awards 2018: Highgate Gallery - solo show 2002: Mediterraneo Gallery, Chiswick, London 2000: Terra Gallery, Chiswick, London 1999: Workhouse Art Gallery, Chelsea, London 1994: Locus Gallery, Hampstead, London 1991: Zvono Gallery, Sarajevo 1991: Silver Medal on graduation 1992: Member of ULUBIH (Society of Contemporary Artists of Bosnia and Herzegovina) 1995: Sponsorship by Prof August Wiedmann (Goldsmiths College) 2000: The Hesketh Hubbard Art Society Award, Mall Galleries, London 2017: International Award - the best painting at Chelsea Town Hall show
Lot 116
Tamara Jovandić-Everson Jessica Ink and Mixed Media on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Tamara finished the Academy of Art in Sarajevo and has lived and worked in North London since 1992. She has over thirty group exhibitions in the UK, Ireland, France and the USA, and five solo shows. Tamara has exhibited at prestigious art galleries such as Mall Gallery, Cork Street, Royal College of Art, and many more. Tamara's paintings, for a period of years, were about exploring female sexuality and nudity through expressionistic imagery, highlighting spiritual and religious themes which suggest a paradox. Tamara's preoccupation for dramatic contrast and religious themes, using live models and working quickly and directly onto canvas, comes from a fascination with Italian Baroque and Caravaggio's use of chiaroscuro and his rich and dark palette. Intending to relate to the viewer on the most intimate level, these works are always faceless and express the universality of torment through human emotion. Exploring the human body through suffering, sacrifice, isolation, and emptiness is autobiographical: based on life in exile, and a homeland torn apart in the civil war (former Yugoslavia). The works are generated from studies of life models. Drawings are then enlarged and painted on a larger scale. In recent works, there is further development in growing out of the narrative, investigating 'painting within painting', freeing and enlarging further parts of figurative artworks, bringing dramatic contrasts by using a variety of mediums to build texture including sand, plaster, and resin... Education 1986-1991 Academy of Art, Sarajevo Select Exhibitions/Awards 2018: Highgate Gallery - solo show 2002: Mediterraneo Gallery, Chiswick, London 2000: Terra Gallery, Chiswick, London 1999: Workhouse Art Gallery, Chelsea, London 1994: Locus Gallery, Hampstead, London 1991: Zvono Gallery, Sarajevo 1991: Silver Medal on graduation 1992: Member of ULUBIH (Society of Contemporary Artists of Bosnia and Herzegovina) 1995: Sponsorship by Prof August Wiedmann (Goldsmiths College) 2000: The Hesketh Hubbard Art Society Award, Mall Galleries, London 2017: International Award - the best painting at Chelsea Town Hall show
Lot 117
Tamara Jovandić-Everson Mia Ink and Mixed Media on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Tamara finished the Academy of Art in Sarajevo and has lived and worked in North London since 1992. She has over thirty group exhibitions in the UK, Ireland, France and the USA, and five solo shows. Tamara has exhibited at prestigious art galleries such as Mall Gallery, Cork Street, Royal College of Art, and many more. Tamara's paintings, for a period of years, were about exploring female sexuality and nudity through expressionistic imagery, highlighting spiritual and religious themes which suggest a paradox. Tamara's preoccupation for dramatic contrast and religious themes, using live models and working quickly and directly onto canvas, comes from a fascination with Italian Baroque and Caravaggio's use of chiaroscuro and his rich and dark palette. Intending to relate to the viewer on the most intimate level, these works are always faceless and express the universality of torment through human emotion. Exploring the human body through suffering, sacrifice, isolation, and emptiness is autobiographical: based on life in exile, and a homeland torn apart in the civil war (former Yugoslavia). The works are generated from studies of life models. Drawings are then enlarged and painted on a larger scale. In recent works, there is further development in growing out of the narrative, investigating 'painting within painting', freeing and enlarging further parts of figurative artworks, bringing dramatic contrasts by using a variety of mediums to build texture including sand, plaster, and resin... Education 1986-1991 Academy of Art, Sarajevo Select Exhibitions/Awards 2018: Highgate Gallery - solo show 2002: Mediterraneo Gallery, Chiswick, London 2000: Terra Gallery, Chiswick, London 1999: Workhouse Art Gallery, Chelsea, London 1994: Locus Gallery, Hampstead, London 1991: Zvono Gallery, Sarajevo 1991: Silver Medal on graduation 1992: Member of ULUBIH (Society of Contemporary Artists of Bosnia and Herzegovina) 1995: Sponsorship by Prof August Wiedmann (Goldsmiths College) 2000: The Hesketh Hubbard Art Society Award, Mall Galleries, London 2017: International Award - the best painting at Chelsea Town Hall show
Lot 122
Vanessa Jackson RA Uptown I Acrylic/Collage on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Lives and works in London Education St Martin's School of Art 1971-75, Royal College of Art 1975 -78 Statement about AOAP Submitted Artwork Making postcards for the Hepatitis C Trust charity is always a challenge, to make very small paintings, usually including collage to construct a sense of scale in the miniature.
Lot 123
Vanessa Jackson RA Uptown II Acrylic/Collage on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Lives and works in London Education St Martin's School of Art 1971-75, Royal College of Art 1975 -78 Statement about AOAP Submitted Artwork Making postcards for the Hepatitis C Trust charity is always a challenge, to make very small paintings, usually including collage to construct a sense of scale in the miniature.
Lot 124
Vanessa Jackson RA Uptown III Acrylic/Collage on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Lives and works in London Education St Martin's School of Art 1971-75, Royal College of Art 1975 -78 Statement about AOAP Submitted Artwork Making postcards for the Hepatitis C Trust charity is always a challenge, to make very small paintings, usually including collage to construct a sense of scale in the miniature.
Lot 127
Jane Wachman Sea and Sand I Acrylic on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Prior to becoming an artist, she worked in the fashion industry surrounded by beautiful fabrics and textures. This, she believes, has been a big influence on her practice. She lets the colours and layers mix themselves on the canvas. The use of bold, strong colours is integral to her work For her the act of painting is a continuous process always changing, always taking away to create something new. Jane works as a full-time artist and is based at Wimbledon Art Studios. Jane undertakes commissions and works with interior designers. Education 2008-09 Wimbledon School of Art - Art Foundation 2009-11 The John Cass School of Art, London Metropolitan University - BA (Hons) in Fine Art Select Exhibitions/Awards 2021 The Other Art Fair - Truman Brewery E1 2021 Dancing with Trees - Gustavo Bacarisas Gallery, Gibraltar 2020 Three (Group Show) - Graham Hunter Gallery, W1 2020 Spring Show/Art Buyer (Group Show) - Upstart Gallery, Putney, SW15 2020 Lloyd's Art Society - Lloyd's of London, EC3 2020 The Affordable Art Fair - Battersea, SW11 2020 Gestural 2 (Solo Show) - Graham Hunter Gallery, W1 2019 Revisited (Solo show) - A&D Gallery, W1 2019 The Affordable Art Fair - Battersea, SW11 Gallery Representation Jane works with several galleries out of London. She works with design consultants on a regular basis who house her work in commercial buildings, offices and hotel projects. She undertakes commission work as she works on a large scale. Her paintings have been sent to the USA, Australia and Europe. Statement about AOAP Submitted Artwork The works for Art on a Postcard are inspired by The Witterings in West Sussex. Jane sails with her husband out of Chichester Harbour and is familiar with the views of the Downs. Jane's work is inspired by travel. When painting Jane pulls together memories of places through mark making. As an artist she references the ever-changing outlines of the landscape. She identifies with shape, form and structure when creating her paintings. Influences as far as the wild colours of India and Morocco sit alongside more familiar coastal hues of West Sussex and the Downs which she frequents often. Colour is integral to her work. Her paintings are intuitive; the colours are an extension of her personality coming through into her work however hard she tries to curb it. Travelling to new places she is inspired by all she encounters.
Lot 128
Jane Wachman Sea and Sand II Acrylic on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Prior to becoming an artist, she worked in the fashion industry surrounded by beautiful fabrics and textures. This, she believes, has been a big influence on her practice. She lets the colours and layers mix themselves on the canvas. The use of bold, strong colours is integral to her work For her the act of painting is a continuous process always changing, always taking away to create something new. Jane works as a full-time artist and is based at Wimbledon Art Studios. Jane undertakes commissions and works with interior designers. Education 2008-09 Wimbledon School of Art - Art Foundation 2009-11 The John Cass School of Art, London Metropolitan University - BA (Hons) in Fine Art Select Exhibitions/Awards 2021 The Other Art Fair - Truman Brewery E1 2021 Dancing with Trees - Gustavo Bacarisas Gallery, Gibraltar 2020 Three (Group Show) - Graham Hunter Gallery, W1 2020 Spring Show/Art Buyer (Group Show) - Upstart Gallery, Putney, SW15 2020 Lloyd's Art Society - Lloyd's of London, EC3 2020 The Affordable Art Fair - Battersea, SW11 2020 Gestural 2 (Solo Show) - Graham Hunter Gallery, W1 2019 Revisited (Solo show) - A&D Gallery, W1 2019 The Affordable Art Fair - Battersea, SW11 Gallery Representation Jane works with several galleries out of London. She works with design consultants on a regular basis who house her work in commercial buildings, offices and hotel projects. She undertakes commission work as she works on a large scale. Her paintings have been sent to the USA, Australia and Europe. Statement about AOAP Submitted Artwork The works for Art on a Postcard are inspired by The Witterings in West Sussex. Jane sails with her husband out of Chichester Harbour and is familiar with the views of the Downs. Jane's work is inspired by travel. When painting Jane pulls together memories of places through mark making. As an artist she references the ever-changing outlines of the landscape. She identifies with shape, form and structure when creating her paintings. Influences as far as the wild colours of India and Morocco sit alongside more familiar coastal hues of West Sussex and the Downs which she frequents often. Colour is integral to her work. Her paintings are intuitive; the colours are an extension of her personality coming through into her work however hard she tries to curb it. Travelling to new places she is inspired by all she encounters.
Lot 132
Mary Yacoob Manifold 02 Ink on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Mary Yacoob's work encompasses ink on paper, printmaking, large-scale vinyl artworks and light boxes. She appropriates the visual languages of electrical and engineering diagrams, architectural plans, cartography, and alphabetical systems. Playing with repetition and geometry, systems and chance, her work involves transfiguring source materials, creating intricate, yet monumental and mysterious thought forms. Education Based in London, Mary Yacoob gained a MA in Fine Art at Central Saint Martins, and a BA in Fine Art at London Metropolitan University. She received a BA in English Literature and Political Science. Select Exhibitions/Awards Solo exhibitions include Five Years Gallery, The Hospital Club, The Centre for Recent Drawing and Seven Seven Gallery. Group exhibitions include The Royal Academy Summer Exhibitions in 2019 and 2021, Gallery 46, &Model, PayeShurvell, Guest Projects, Saturation Point, and Dark Matter Studio. Residencies include The Delta (Δ) Research Placement at Flat Time House with the Diagram Research Group, The North Devon Artist Residency in 2020, Mutton Fist Press in 2019 and the AA2A residency at Camberwell College of Art print department in 2011. Mary Yacoob's works are in the collections of Yinka Shonibare / Guest Projects, Brunel University Art Collection, and private collections. Her artist books are in the Tate Gallery Archive; Chelsea College of Art Special Collection and in the London College of Communication Library. Statement about AOAP Submitted Artwork Mary Yacoob's drawings are inspired by geometric proof pictures. The drawings deconstruct simple forms, such as circles and triangles, reconstructing them with fractured lines, forming complex perceptual fields. The drawings explore how simple diagrams can be repurposed for playful, gestural and creative encounters.
Lot 137
Angelina May Davis Last Tango Gouache on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About I am a painter currently working in Birmingham Artspace, in an industrial building in Aston. After graduating with a degree in Fine Art Painting in 1988 from Coventry Lanchester Polytechnic I exhibited at Ikon Gallery, Lanchester Gallery, Leicester City Gallery and MAC amongst other spaces before completing an MFA at UCE in 1998 Throughout those years I was involved in setting up and running various collaborative artist studios in Birmingham. Raising a family from 1997 I moved my practice to the dining table for 10 years before beginning to make large paintings again in a studio from 2007. In 2020 I began the Turps Banana Correspondance Course and have enrolled for a 2nd year. I recently had 2 large paintings included in Bloomberg New Contemporaries 2021 and reached the 2nd round of John Moores in 2020. I was also longlisted for this years Contemporary British Painting Prize and have been shortlisted for the last 2 years in the Jacksons Painting Prize. My large scale water colour 'Pond' was selected by Juliette Losq for the Outstanding Water Colour Prize and I was highly commended in the Beep Painting Bienniel 2020. Education BA Hons Fine Art Coventry Polytechnic 1985-88 MA Fine Art UCE 1996-98 Turps Banana Correspondence Course 2020/21 and 2021/22 Select Exhibitions/Awards 1991 Secret Life of Objects, Ikon Gallery, Birmingham 1992 Solo Exhibition, Lanchester Gallery, Coventry Polytechnic 1992 Solo Exhibition, Behind Closed Doors, City Gallery, Leicester 1993 Solo Exhibition, Living on the Ceiling, MAC, Birmingham 2020 BEEP, Elysium Gallery, Swansea 2021 Ikon for Artists Ikon Gallery Birmingham 2021 Without Borders Touring Exhibition Elysium Gallery Swansea 2021 Bloomberg New Contemporaries , Firstsite Colchester and South London Gallery 2021 Worcester Open The Art House Worcester Jacksons Outstanding Water Colour Award 2021 Shortlisted for Jacksons Painting Prize 2020 and 2021 2nd Round John Moores 2020 Long Listed Contemporary British Painting Prize 2021 Statement about AOAP Submitted Artwork This is based on a series of drawings of logs from the wood pile that transformed through the act of drawing. I enjoy finding relationships and humour in inanimate objects and use this to explore narratives and reflect on my own life.
Lot 273
Jo Dumpleton Pierrot Graphite on Bristol Board Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Hertfordshire based Jo Dumpleton studied illustration at Camberwell College of Arts, London. Having experimented with various drawing styles she became absorbed by intricate pencil drawings. Mostly made at small scale, they are delicately intimate. She takes inspiration from 18th century portrait miniatures and the black and white musical sequences of Busby Berkeley. Focusing mainly on portraiture, she uses antique photographs as source material. Select Exhibitions/Awards Recent Group Exhibitions 2021/2022 Trinity Buoy Wharf Drawing Prize, London/Wiltshire 2021 Purslane (Online) 2021 Project Papyrophilia (Online) 2021 Mothflower (Online) Awards 2021 Trinity Buoy Wharf Drawing Prize (Shortlisted) Gallery Representation Jo has work available at Project Papyrophilia and Rise Art.
Lot 383
Sonja de Graaf Four Contemplative Moments 1/4 Watercolour and Graphite on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Sonja de Graaf was born in The Netherlands and in 2001 she moved to Florence where she graduated at the Libera Accademia di Belle Arti. Her paintings investigate the beauty, the energy and the turmoils of women's youth. With a skilful and evocative use of colour she breaks the veil of the dominant aesthetic models to reveal the innocence, the fragility and the sweetness, in one word humanity of the subjects in which their real and intimate sensuality lies. Education BA Fine Arts, Florence 2008 Select Exhibitions/Awards 2021 Questione di Forme, Libri Liberi, Florence Italy 2015 And there she was, Creative Collective, Florence, Italy 2014 The flower Electric, OPC Chianti 2013 The story of the creative, Angel Orensanz Foundation 172 Norfolk Street, New York NY 2012 International Art exhibition and art forum in Shanghai CEIBS 'L arte della fuga' Casa Masaccio, San Giovanni sull'arno Gallery Representation New Blood Art UK Statement about AOAP Submitted Artwork I usually work on a larger scale so it was quite a challenge having to restrain so much. I really enjoyed the process understanding what would work for the format and in what direction to take the drawings. It was quite meditative and I'm glad I managed to pour as much of myself in as I would normally.
Lot 384
Sonja de Graaf Four Contemplative Moments 2/4 Watercolour and Graphite on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Sonja de Graaf was born in The Netherlands and in 2001 she moved to Florence where she graduated at the Libera Accademia di Belle Arti. Her paintings investigate the beauty, the energy and the turmoils of women's youth. With a skilful and evocative use of colour she breaks the veil of the dominant aesthetic models to reveal the innocence, the fragility and the sweetness, in one word humanity of the subjects in which their real and intimate sensuality lies. Education BA Fine Arts, Florence 2008 Select Exhibitions/Awards 2021 Questione di Forme, Libri Liberi, Florence Italy 2015 And there she was, Creative Collective, Florence, Italy 2014 The flower Electric, OPC Chianti 2013 The story of the creative, Angel Orensanz Foundation 172 Norfolk Street, New York NY 2012 International Art exhibition and art forum in Shanghai CEIBS 'L arte della fuga' Casa Masaccio, San Giovanni sull'arno Gallery Representation New Blood Art UK Statement about AOAP Submitted Artwork I usually work on a larger scale so it was quite a challenge having to restrain so much. I really enjoyed the process understanding what would work for the format and in what direction to take the drawings. It was quite meditative and I'm glad I managed to pour as much of myself in as I would normally.
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