Lead 1:32 scale military figures by various makers including Segal and Britains (32), white metal mounted European 18th Cavalry (1one + 1one extra horses), other white metal figures, (6), smaller scale mounted figures (9), with a Britains 4,7 inch Naval Gun, P, generally P-F, Hill Infantry G (5), (70+)
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pre-WW2 German toys comprising unusual wood and plaster castle in the style of Moritz Reichel or Gottschalk with a 16 piece Lineol Germany 70mm scale composition pre-WW2 German Army band, bass drummer and clarinetist repainted, otherwise a few cracks and minor paint loss only, castle very good with minor chips to plaster, (17),
'The morning of the Battle of Waterloo' 1/32 scale diorama in large plywood with plexiglass sides display case, display case measures 592mm X 338 mm X 261mm, superbly modelled and painted using Airfix plastic kit figures, very good condition, some wear to case where it with been moved, 'Following a night of torrential rain a detachment of the 2nd Foot Guards (The Coldstream) are about to take up positions at Hougoumont Farm, A trooper of the 10th Hussars leaves with despatches, a second, dismounted, awaits orders'
Two Noris mounted figures of the Kaiser (Wilhelm II) with the Kaiserin, both Kaisers 50mm scale, wearing a General's and a Cuirassier's uniform, Kaiserin 45mm scale, Kaisers, Kaiser General's horse both left legs with obvious repairs, with repaired tail, saddle missing stirrups, Kaiserin G, (2)
Noris 60mm scale Artillery figures comprising of both Horse and Field Artillery personnel, Horse Artillery officer, bugler, kneeling (3) and standing (4) figures, Field Artillery standing figures (3), with one gun, 'machine guns' (3), G-VG, gun shield slightly bent, most figures with paint loss to arms, two machine guns with possible repair to ammo belt, (16)
A selection of 60mm scale Noris figures comprising of a Beefeater with replaced staff, one solid and one hollow cast US 19th Century Infantry in white, US Infantry in grey (8), Prussian soldier in light blue, F-G, (12), Grey infantry, two detached rifles, bugle mouthpiece missing, Prussian missing rifle
Noris 70mm scale mounted Arab warriors on horses, black horse with one lower leg detached, though present, horse's head retouched, one stirrup missing and part of neck tassle, one horse stripped of paint, missing tail, small hole to right flank, no saddle, charging grey missing tail, one stirrup and part of neck tassle, standing grey missing one stirrup, riders missing weapons and shields (4)
A PAIR OF FLEMISH CARVED MARBLE ALLEGORICAL FIGURES ATTRIBUTED TO JAN CLAUDIUS DE COCK (1667-1735), LATE 17TH / EARLY 18TH CENTURY possibly representing Day and Night, one in the form of the infant Hercules holding a club, the other as a young girl, possibly Omphale, weeping and holding probably a torch in her left hand, now missing, on rectangular bases and later concrete plinths (4) the figures: 91.8cm and 90.5cm high, 30.5cm wide the plinths: 68.7cm high PROVENANCE Lionel de Rothschild (1882-1942) Edmund de Rothschild (1916-2009) The Trustees of Exbury HouseCOMPARATIVE LITERATUREJ. Leeuwenberg and W. Halsema-Kubes, Beeldhouwkunst in het Rijksmuseum, Catalogus, The Hague/Amsterdam, 1973, no. 339a ; H. Bussers, La Sculpture au Siècle de Rubens dans les Pays-Bas méridionaux et la Principauté de Liège, exh. cat., Musées Royaux des Beaux-Arts de Belgique, Brussels, 1977, p. 38, nos. 5-6; H. Bussers, « Enkele Gegevens over de Antwerpse beeldhouwer Joannes Claudius de Cock », in Bulletin des Musées Royaux des Beaux-Arts de Belgique, i-iii, 1992, pp. 331- 42; C. Lawrence, 'Cock', in J. Turner [ed.], The Dictionary of Art, London/New York, 1996, 7, pp. 500-1.CATALOGUE NOTEJan Claudius de Cock was born in Antwerp and became a sculptor, draughtsman and writer. He trained during the early 1680s in the workshop of Peeter Verbrugghen the Elder, and after his death in 1686 continued to work with Peeter the Younger, joining the Guild in 1688-89 and gaining his independence in 1691. In 1693 he went to Holland to work on the Palace of Breda for King William III, Stadtholder of the Netherlands, making portrait busts of members of the House of Orange."By 1697-98 De Cock had returned to Antwerp, where he established a large workshop of assistants who helped produce his vast oeuvre of sacred and profane subjects on both a small and a monumental scale. As well as being influenced by the later Antwerp school of the Verbrugghen family, he admired antique art and the sculpture of François Duquesnoy (1597-1643)" (Lawrence, 1996). The famous 'putti' in all materials by the latter had become an important part of the common heritage of Flemish and Dutch sculptors thereafter.The present statues are close in style and spirit to the secular statuary that De Cock produced for gardens, courtyards and stairwells in Dutch and Flemish houses in the 18th century, notably a marble statue of a little black boy at life-size and wearing a mural crown (a veritable crenellated fortress!), which is signed and dated 1704 (fig. 1: Rijksmuseum, Amsterdam, inv. R.B.K. 1972-134, 94-7 cm high: see Leeuwenberg & Halsema-Kubes 1973 and Bussers 1977). This is probably an allegory of Africa from a set of the Four Continents.One of our figures clearly represents the Infant Hercules with the club that he was to use in his Labours, slaying a variety of horrible monsters; while the little girl perhaps held the standard symbol of Omphale, a distaff - in her lowered left hand: the piercing in her clenched fist indicates that this was perhaps fashioned in metal, for the sake of durability. In a rare moment of weakness, the hero surrendered the club, a symbol of his machismo in exchange for her ('girly') distaff, to show how much he was in love with her. The fact that she is now weeping and that both have their proper symbolic attribute returned may refer to the end of the brief love-affair.The fact that the present pair is neither signed nor dated may be a reflection of the fact that they are not quite finished, witness the uncarved wedge of marble behind the ankles of the infant Omphale. Even so, close parallels may be found in other marble putti that are signed and dated: a pair of allegories from 1715 (a year after the Battle of Blenheim had put an end to the conquest of the Low Countries by King Louis XIV of France) representing Day - 'Dies' in Latin (wide awake, holding a torch and accompanied by a cockerel) and Night - 'Nox'(sleepy and with an owl) that was exhibited by Agnew's, London, in 1981, no. 8, 86.5 cm high (fig. 2). They are thought possibly to be identical with 'Two Statues Life and Death by de Cock' listed in the inventory of 1728 of the Dutch collector A. Grill, though this is at odds with the very obvious Latin inscriptions (unless those were posthumous).Another comparable putto, this time seemingly a laurel-wreathed Cupid with a torch, setting fire to a hideous hag trying to pull him down to the ground, probably the normal allegory for Envy (fig. 3): bought for the Virginia Museum of Fine Arts, Richmond, VA, (58.5 x 31cm), this is dated 1731 and demonstrates Jan Claudius de Cock's versatility, vivid imagination and technical prowess.
A SCALE MODEL OF THE THREE-MASTED SCHOONER 'ACAMAS' FIRST HALF 20TH CENTURY with wooden masts, decks, lifeboats and other details, mounted in an ebonised glazed case 56.3cm high, 85.8cm wide, 28.4cm deep CATALOGUE NOTE 'Acamas' was built at Mary Port in 1897 by T. Ritson & Son. Eventually, the ship was sold to Norway. She was posted missing in 1918 on a passage from Rio to New York.
Quantity of Various Makes. 10 EFE commercial vehicles including- Atkinson Tanker, Suttons. Atkinson Flatbed, McPhees and AEC Box Van, Hovis. 5x Eligor- 1929 Mercedes-Benz Limousine, 4x Citroen vans, various liveries. 8x Solido including BMW 530, Lancia Rally, Chevrolet Camaro, Peugeot 504 TAXI and an Alfa Sud etc. Vitesse Morgan 4/4. OOC Leyland PD3, Black Prince. Solido RT Double Decker Bus. Danbury Mint 1932 Cadillac V16. Polistil 1:25 scale Ferrari 308GTB etc. All boxed, some age wear to a few. Contents VGC-Mint. (50) £80-120
30+ Transformers and vehicles by various makes. Plus an early Balyna Super Soccer set, boxed with original inner packing pieces and accessories including; goals, 2x football teams, magnetic rods, table legs and instructions. (This was one of the predecessors/alternatives to Subbuteo). Vehicles include; 8x smaller scale Transformers. Together with Matchbox items; Rolls Royce Silver Spirit, Car Transporter, Articulated Tanker, Mazda RX7, Renault 5TL, etc. A Corgi BT van, Capri, Porsche 911, Ford Sierra, Renault Trafic, etc. Plus a small bag of Micro Machines. GC-Mint. £50-70
16x Airfix HO-OO scale military vehicles. Including; 2x Landing Crafts. Antar Tank Transporter. Half-Track & Gun. German Tiger Tank. 6x6 Truck. Troop Carrier. German Panthar Tank. Field Gun & Tractor. 155mm Self-Propelled Gun. Patton Tank. 2x Soviet T34 Tanks. Centurion Tank. Sherman Tank. DUKW. All boxed as new, very minor wear. Contents VGC-Mint. £40-60
A limited issue 1:18 scale CMC 1961 Ferrari 250 GT Berlinetta Passo Corto (SWB). A fine scale model of this iconic Italian sports car and an example finished in the harder to find yellow with black interior. With finely detailed engine bay, interior, spoked wheels and rubber tyres. Boxed, with all packing and paperwork. Vehicle Mint. £175-225
A large scale 1970s/80s Pelham Puppet of Mickey Mouse from the display range. Intended for shop displays with Pelham Puppets metal plaque to side of controller. Mickey Mouse in blue jacket, red trousers and yellow shoes. GC-VGC, some wear to paintwork and slight paint cracking in places. £80-120
15x Tri-ang Minic etc plastic vehicles. A large scale Mettoy friction drive Municipal Refuse Collection Vehicle with it's box. One cream doors cracked plus another crack on bodywork. 2x large scale Tri-ang Minic vehicles; a No.2 Armoured Car (210M) and a Saloon (203M). Plus 12x small scale 'Push and Go' vehicles; Tarpaulin Lorry (3104), Cement Lorry (3106), Breakdown Lorry (3107), Petrol Tanker (3099) and 8x Vauxhall (3532). GC-VGC for age. £40-60
5x Tri-ang Minic vehicles. A post-war Streamline Saloon (9M) in red. A pre-war Streamline Sports Tourer (14M) in light blue-grey with white tyres. A Vauxhall Cabriolet (19M) in dark blue with black mudguards/running boards. A small-scale Steamlined Saloon in green. Plus the remains of a Caravan (16M) in red and cream, with the remains of it's box. Tyres missing to most examples. AF-GC, some wear, minor/some chipping and surface rust. £40-60
20x Dinky Dublo, Morestone, Husky, etc. small scale vehicles. Including; AEC Mercury Tanker, Land Rover & Horse Box, Bedford flatbed, Commer van, Ford Perfect, Austin Wagon, Britains Bedford truck, 2x Tractors, Husky Ford Thunderbird, Morestone AA Land Rover, etc. QGC-GC, some chipping to most. £50-70
A QUANTITY OF BOXED AND UNBOXED MODERN DIECAST VEHICLES, to include a collection of boxed Brumm 1/43 scale Ferrari racing cars, including a number of limited edition models, Onyx, Model Box, Polistil, Burago, Matchbox, Corgi, Lledo, built Airfix Jaguar E type model converted to slot car etc, majority are complete and in fairly good condition, some have minor damage and wear (two boxes)
A QUANTITY OF BOXED CORGI CLASSICS JAMES BOND VEHICLES, mainly from the James Bond Collection and the Ultimate Bond Collection, all appear complete with accessories etc, and look to have hardly ever been removed from boxes, majority of boxes in good condition but some have damage and wear, with a quantity of 1/64 scale James Bond cars in opened bubble packs with the Collectors Cards removed (two boxes)
A Rare Stick Barometer by George Adams _ The silvered brass scale calibrated from 27" to 31" with weather indications and a sliding vernier incorporating a brass pointer and a small brass knob for adjustment. The engraved inscription to the arch reads; Made by G. Adams, No 60 Fleet Street, London. Instrument Maker to his Majesty. The fine mahogany case (c. 103cm) with exposed mercury tube, surrounded with herringbone mahogany veneer, well turned mahogany cistern cover and architectural top with central brass finial, c.1765. Note: George Adams was an outstanding barometer maker, optician and instrument maker. He was apprenticed to James Parker in 1724 and Thomas Heath in 1726 who was also a maker of some note. He was instrument maker to His Majesty's Office of Ordnance between 1746 and 1748. He became instrument Maker to the Prince of Wales in the 1750s and then Instrument Maker to his Majesty King George III in 1760. George Adams died in 1773 leaving two sons by the names of George and Dudley to carry on the business into the 19th century.Collect in person or specialist courier
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186097 item(s)/page