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A selection of objects of virtu and works of art to include three brass stacking wool weights, a cast iron paperweight with crowned lion, a cannonball, a micro mosaic of flowers, 7.5cm, a pair of Edwardian opera glasses, a spinning top, a guinea scale, staybusk, a vernacular ladle, 51cm, a brass slip top spoon, 17cm, a fossilized ammonite, 9cm, a bronze needle, 11cm, two watch keys, three enamel patch boxes, one marked 'a pinch of this deserves a kiss', one marked 'within you'll see what's dear to me', a tortoiseshell penknife and a mother of pearl penknife, two desk seals, a white metal S decanter label, a carved bone scoop and a cased cigarette holder and a circular brass paperweight and silver pepperette, also a 'Fairy Ball', three small Victorian coins cast together, dated 1855 showing Britannia and motto 'Victoria Regina' (Qty)
Frodsham, London, a rosewood and brass strung bracket clock, early 19th century in a dome top case enclosing an arched 6 inch white enamel dial with Roman numerals, subsidiary date dial and strike silent dial in the arch, marked Frodsham, Gracechurch Street, London, double fusee eight day movement striking on a bell and repeating mechanism (cord absent), the back plate also marked Frodsham, Gracechurch Street, London, fish scale grille sides and ring handles and raised on gilt brass ball feet, 34cm high, 24cm wide, 18cm deep and a conforming brass strung bracket en-suite, 28cm wide (2)
Collection of Hornby tinplate 0 gauge items, all mainly in original boxes, to include: McAlpine and Sons tipper; Shell lubricating oil tanker; No. 41 passenger coach (x2); No. 1 cattle truck; one dozen straight rails, B1; No. 1 buffer; No. 2 double arm signal; No. 1 level crossing; turn table track etc., together with vanguards diecast 1:3 scale model of an Austin mini, spruce green, in original box.(B.P. 24% incl. VAT)
Minerals: A large green nephrite freeform 82cm wide 68kg Tools and amulets made of Nephrite date back to Early Neolithic times. For centuries, jadeite and nephrite were considered the same and were not identified as different until 1863 with a difference in colour and a small variation on the Mohs hardness scale. Nephrite can be found in a translucent white to very light yellow form which is known in China as mutton fat jade, in an opaque white to very light brown or grey which is known as chicken bone jade, as well as in a variety of green colours. It was much prized in Chinese culture and used for utilitarian and ceremonial items. It was revered in other cultures including the Maoris in New Zealand, where it is called greenstone and the native North American Indians of British Columbia, both of whom used Nephrite for tools before the arrival of the Europeans and for ceremonial jewellery and carvings.
Bacon (G W) New Chart of the British Isles, New Survey Map of South Scotland and sundry Ordnance Survey and two boxes in the form of bindings with gilt lettering for Ordnance Survey of Great Britain Condition Report: Lot 168 - the OS map boxes are full and include the following:1:25,000 scale : Chalford and Sapperton, Horsley and Kingscote and Tetbury.1” scale: Stroud and Chepstow, Gloucester and Cheltenham, Cheltenham Bacon's Cheltenham.1: 25,000 scale: Ordinance survey for Miserden and Painswick.
A Victorian gold snake or serpent bracelet, c.1850,with graduated basket-style links with quatrefoil bead cluster decoration. The naturalistic head with a pear-shaped cabochon garnet, emerald eyes incised scale and scrolled wire decoration to a concealed box clasp and later safety chain, pendant drop deficient. Tested as approximately 15ct gold. A later case by Asprey & Co. Ltd., New Bond St., London. 119mm long, 15.56g
18th century Worcester plate painted in coloured enamels in the London atelier of James Giles, with a version of the Lady Mary Wortley Montagu pattern, with exotic birds perched on rockwork, within gilt cartouches, alternating with mirror-shaped panels of flowers, on a blue scale ground, blue fret mark, circa 1770, 9 inches diameter CONDITION REPORT Small rim chip and minor frits to gilding
18th century Worcester plate from the Lord Craven Service, painted in coloured enamels in the London atelier of James Giles, with flowers and leaves, within gilt cartouches, alternating with mirror-shaped panels of flowers, on a blue scale ground, blue fret mark, circa 1768, 9 inches diameter.N.B. See Stephen Hanscombe, James Giles, China and Glass Painter, figure 19, for another plate from this service. The 6th Baron Craven (1737 - 1791), is recorded four times in the Giles ledgers, spending the considerable sum of £86.7.6 CONDITION REPORT Good original condition
A 19th century drum sextant by Troughton & Simms Of typical form, signed above the silvered scale, the lacquered brass case further engraved 'Awarded to GEnT Cadet Edward R James for Proficiency in Surveying RM Academy DECr. 1851'. The case 7.5 cm diameter. CONDITION REPORTS: Generally good condition, expected wear.
Qing Dynasty, 1644-1912 AD. A massive matched pair of ceramic dragon temple roof terminals, each formed in three sections comprising one forward-facing creature with its tail wrapped around the body of the lower, rearward-facing partner; the body with scale detailing and serrated spine, four-toed claws, rosette whorls to the shoulders; each upper dragon with a xiaoyang winged monkey attendant to each side. 250 kg total, 130cm overall assembled (51"). Property of a London gentleman; acquired before 1995. [2] Fine condition.
9th-7th century BC. A large bronze belt end with catch ring; decorated with a scale pattern border; in the centre a row of four winged creatures with the forepart of a winged lion, with the tail of a fish. 52 grams, 11.5cm (4 1/2"). Acquired on the UK art market; previously the property of a German collector; acquired 1980-1990. Fine condition, small repair to socket. Rare.
Song Dynasty, 960-1127 AD. A ceramic ewer with light olive glaze, barrel-shaped body with a band of scale detailing, broad shoulder with two pierced lugs and a zoomorphic spout with applied eyes and comb, trumpet-shaped mouth, round-section strap handle with animal-head detail. 2.2 kg, 34cm (13 1/2"). Property of a North London gentleman; formerly in the O’Hara collection. Fine condition.
6th century AD. A gold bracteate of Type C with beaded wire rim and ribbed loop; border of concentric ring-and-dot and scale motifs surrounding a repoussé profile head with dressed hair, brow-band and bird-head finial, one hand raised to the mouth. Cf. Montelius, O. Sveriges Forntid: Atlas I, Stockholm, 1874, plate 136, items 460-466; see also Franceschi, G., Jorn, A. & Magnus, B. Mennesker, Guder og Masker i Nordisk Jernalderkunst, vol.1, Borgen, 2005 for discussion. 5.11 grams, 39mm (1 1/2"). Property of a professional collector; acquired before 1990. Accompanied by X-ray Fluorescence test certificate 00884-2017VJ. [A video of this lot is available on the TimeLine Auctions website] Very fine condition.
6th-8th century AD. A shallow bronze dished scale-pan with concentric rings, three hooks to the rim with attachment plates, punched rosettes to the rivets. 1 kg, 26cm (10 1/4"). The property of an English gentleman; formerly in a German collection; acquired 1980s-early 1990s. Fine condition.
12th-15th century AD. A mixed group of iron single-edged knives comprising: one slender with curved edge, open socket to attach a wooden handle; one narrow with scale-tang grip, old collector's inked number '24'; one with scale-tang grip, broad triangular blade, flat bolster; one with integral flat-section grip, returned scrolls. 186 grams total, 17-18.5cm (6 3/4 - 7 1/4"). Private collection, Cambridgeshire, UK; acquired prior to 2000. [4, No Reserve] Fair condition.
A Royal Copenhagen dish of triangular form with sea gull detail within a moulded scale border with printed and painted marks to reverse number 354, together with a matching two handled cake plate, number to base 304, also together with a satsuma type bowl with painted female character panels, a continental model of a pair of birds, a Franklin Mint limited edition model of a black Labrador - Ready to Retrieve, etc
A robe à la Française, the silk 1730s, the construction French, 1750-60, woven with large-scale naturalistic flower-heads, the open robe with broad box pleats to the back, graduated robing panels which run from bodice to hem, single engageants, all edged with coloured silk fly braid; with near matching petticoat of ivory damask silk with deep floral border and stomacher made from matching silk (3) CONDITION REPORT: Dress: Most dresses of this period have suffered alterations to a degree. Fabric- generally good, some of the back 'branches' have eroded. Perspiration stains at underarms. The natural linen lining appears to be original- all of the stitches are made by hand, but I think the armholes and sleeves where they are attached have been cut and re-set, probably to remove stained areas. The 'tail' of the bodice lining has been cut, shortened, and folded back. The front bodice closure edges have been folded back and tacked inside to make the bodice narrower. Round lead weights from the cuffs have been removed. Engageants trimmed with fly braids are good but there are patched repairs to the ivory silk lining on both. Front skirt- both front hem edges show crease lines where it was folded over in the past and then unpicked and put back to original level. The front skirt has pleats which are tacked in place at intervals which are not original. Lower hem level robings have been added using the near similar petticoat silk- not immediately noticeable. The silk lining to the inside skirt opening edges has been re-done using matching 18th century silk. Back of the dress- box pleats are good and look unaltered with good symmetrical pattern, matching fabric is generally good. Two small spot stains at centre back pleats and another to right side of pleats (minor). The rear hem has an unusual horizontal seam- 18cm up from hem edge, however it is all hand sewn and may just be a frugal use of fabric. Black threads are heavily eroded over sleeves but generally good down the main body of the dress itself with just minor losses. Petticoat- Made of similar but not identical brocade. Colours are good. Fine splits in damask ground above front hem border. Occasional fine split in brocaded area, the largest 2.5cm long. Small hole in damask satin below waistband area. Petticoat has been shortened by folding over the silk at the top. I suspect is was originally wider also. Stomacher- has been formed from two joined panels of brocade that matched the petticoat. It is backed in coarse pale pink dyed linen. The silk is somewhat 'cockled'; it doesn't sit flat. Silk is slightly worn along creases. There are patched repairs on far left and right sides. I am unsure of the date of the construction of the stomacher.
A Spitalfields brocaded silk robe à l'Anglaise, the silk probably Anna Maria Garthwaite, the fabric late 1730s, construction altered circa 1750, woven with large-scale sprays of hops, blossom in shades of blue, brown mauve with bright green and chartreuse silk foliage, the double engageants with scalloped edges, pleated front robings, part lined in ivory silk; together with a front petticoat panel (2)Provenance: Sizergh Castle, Cumbria CONDITION REPORT: The bodice robing tips have been cut, waistline is altered. The silk is fresh and bright and sturdy overall. Faint perspiration stains at underarms with slight splitting at right underarm and small repair at left underarm. Slight soiling to silk at hem edge. Front left hem edge has been slightly raised. Skirt is lined at front opening edges and lined centre-back with panel from waist to hem. Front openings are also lined in ivory silk at the edges. Silk lining is split in places along hem edge - minor. Petticoat panel - taken apart from other panel used on other matching dress. Faint stain to centre above hem with holes within - although because the pattern is busy - not immediately noticeable.
A Spitalfields brocaded silk robe à l'Anglaise, the silk late 1730s, probably Anna Maria Garthwaite, the construction 1750, woven with large-scale sprays of hops, blossom in shades of blue, brown mauve with bright green and chartreuse silk foliage, the double engageants with scalloped pinked edges, pleated front robings, the front skirt opening with later sewn-in petticoat panel, lined in ivory silkProvenance: Sizergh Castle, Cumbria CONDITION REPORT: Fabric is clean, fresh and good, the front skirt panel could be detached if so desired. The other part of the petticoat is sold with the second matching dress. Perspiration stains and small splits at underarms. The bodice has been cut and taken in at both side seams, the skirt folds at the waist have been altered to match, the waist seams have been altered.
A fine and rare pale turquoise silk damask pet-en-lair robe, circa 1770, the fabric late 1730s, early 1740s, the lightly boned short jacket with closed-front, angular elbow cuffs trimmed with matching ruffles, 'sack' back, with matching petticoat and narrow ruffled choker band, the fabric woven with large-scale flowerheads c.1730-40 (3)Provenance: Sizergh Castle, Cumbria CONDITION REPORT: Jacket/bodice appears un-altered, perspiration stains at underarms (not obvious when displayed on a mannequin), slight soiling down front bodice closure panels, shows no sign of alteration from the 1770s shape. Faint discolouration at elbows. Linen lining is stained in places. Occasional faint discolourations to sack back (minor). Pleats have been distorted due to poor storage (minor). Rear neck ruffle is slightly soiled. Fabric is fresh, slight fading. Petticoat/skirt: has a few faint yellowish stains, overall good condition. Neither piece appears to have been altered which is incredibly rare. Choker made from matching silk: occasional brown stains.
A Spitalfields forest-green damask silk robe à l'Anglaise, circa 1770, the fabric circa 1743, woven with large scale flowerheads, berries and leaves, with ribbon-tied close front bodice, the angular cuffs edged in self-fringingSee V&A Museum for a similar Anna Maria Garthwaite design, no T.391-1971.Provenance: Sizergh Castle, Cumbria CONDITION REPORT: Fabric has been re-used from an earlier dress and the bodice is formed from patches of fabric, perspiration stains at the underarms, stains to hem and two pink stains on front skirt, silk lining to hem edge has a few small holes and one repair, let out centreback and under armholes
A hand coloured engraving on laid paper by Heeston entitled ‘The Green Bag, it’s Contents & all it’s Appendages are insufficient to turn the Scale of Public Opinion’, depicting Caroline outweighing George on the scales of justice, published by SW Fores July 11th 1820, minor tear to corner, framed 480 x 365mm overall (caricature, cartoon, commemorate, commemorative) * See BM Satires 13757

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216136 item(s)/page