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Lot 73
Three assorted wristwatches - Tissot, gentleman's black dial with luminous baton hour markers and hands, circular dial with cream tonneau surround, stainless steel case back and original bracelet strap with clasp, 36mm excluding crown; Regency - gentleman's wristwatch with baton quarters, centre seconds and date at 3, gold-plated case with flexible strap, 33mm (lacks crown); and Avia - lady's 9ct gold wristwatch, Arabic dial with fish scale chapter ring, 16mm excluding crown, flexible 9ct gold bracelet strap (3)
Lot 144
A World War I Three Drawer Telescope By Ross London, 1914 and Pair of Opera Binoculars by Baker, London. Telescope marked ‘Ross, London 1914’ and ‘Tel Sig (Mk III) Also G.S. No 4493’. Binoculars marked ‘Baker optician, 244 High Holborn, London’ together with a 19th Century Cedar Apprentices’ Chest of Drawers - Five drawers with metal knobs together with a vintage Apothecary scale weights, H32 x W24 x D17 cm
Lot 3083
A Superbly Made Peppermint And Jet-Black Toned Acrylic Cased Valve Wireless Receiver, with period four-valve chassis, case in the manner of a Catalan Fada, with ridged dial, magnified window for circular tuning scale, twin knobs above light indictor, on shaped base; with a matching design example in soft peach and jet black (case only). (2)
Lot 181
Charlotte Cornish Signed Limited Edition Coloured Print ' Through Dearbolts Wood ' no.1/14, 71cms x 92cms together with Nicholas Barnham Signed Artists Proof 'Burnham Overy Staithe Boathouse ' 77cms x 46cms and Scale Drawing of ' Proposed Re-Building of 'The Swan ', High Street, Cosham for Brickwood & Co Ltd', 75cms x 49cms, all framed and glazed
Lot 185
A rare Worcester finger bowl and stand, circa 1770Of plain U-shape, richly decorated with swags of colourful flowers within gilt-edged panels, reserved on a blue scale ground, gilded rims, stand 16.5cm diam, square marks (2)Footnotes:ProvenanceR David Butti CollectionAn almost identical finger bowl was sold by Bonhams on 18 May 2011, lot 325.For further information on this lot please visit Bonhams.com
Lot 8
An important Venetian enamelled and gilded tazza, first quarter 16th centuryThe broad shallow tray painted to the centre with a circular medallion of a stag recumbent on grass beneath a radiant sun, within white and red line borders, the rim with a gilt scale band embellished with blue-and-white dots flanked by red dots, within blue-and-white dot borders, on a low folded spreading foot, 24.5cm diam, 5.9cm highFootnotes:ProvenanceLady 'Lili' Maria Elisabeth Augusta Cartwright (née von Sandizell)Thence by descent to her son, William Cornwallis Cartwright, Aynhoe Park, OxfordshireThence by family descent to the present ownerThis tazza belongs to a distinctive group of vessels all painted with medallions in a very similar style and palette dating to the first quarter of the 16th century. A small number of these include deer or stags. See for example the jug with a stag to one side and a lion to the other in the Victoria and Albert Museum (accession no. 681-1884), illustrated by Barovier Mentasti et al., Mille Anni di Arte del Vetro a Venezia (1982), pp.102-4, no.112, the honeycomb-moulded tazza with a standing stag from the Salomon De Rothschild collection in the Louvre (accession no. OA 1976), and the large pitcher with a recumbent stag from the M Émile Gavet Collection sold by Galerie Georges Petit in Paris in 1897, lot 585 (present whereabouts unknown).For a tazza of identical form with a similar border to the rim, see that with a medallion of a recumbent doe to the centre in the Corning Museum of Glass (accession no. 2002.3.36). Another of very similar form with a swan or pelican is illustrated by Erwin Baumgartner, Reflets de Venise (2015), pp.57-9, no.11, where the dating of tazzas such as this is also discussed. Compare also to the tazza with a pelican or swan in the Victoria and Albert Museum (accession no. C.2475-1910).Other tazzas painted with female deer include a rib-moulded example in the British Museum (accession no. S.377) illustrated by Hugh Tait, The Golden Age of Venetian Glass (1979), p.29, no.5, one in the former Royal Scottish Museum, illustrated in the Journal of Glass Studies, vol.5 (1963), p.147, no.29, and a bowl with a standing doe in a quatrefoil cartouche sold by Sotheby's on 26 May 1981, lot 204. Tazzas of different form with medallions of other animals all painted beneath a sun in a strikingly similar style are cited by Dwight Lanmon and David Whitehouse, Glass in the Robert Lehman Collection (1993), p.33, and by Baumgartner (2015), p.59.The treatment of the grass, painted in bright green with tiny lines or shapes painted in black, together with the rendition of the sun with distinctive linear dashed rays, is consistent with all of the vessels aforementioned. It is therefore probable that they were decorated in the same workshop in Venice, perhaps even by the same hand. The treatment of the grass can be further compared to the Venetian enamelled goblet sold by Bonhams on 21 May 2014, lot 35. It is perhaps interesting to note that with the exception of the jug with the stag and lion in the Victoria and Albert Museum, all of the recorded vessels differ slightly from the present lot in the addition of water to the foreground.For further information on this lot please visit Bonhams.com
Lot 145
A Chelsea figure of a shepherd, circa 1765Modelled as a gentleman standing beside a flowering tree stump, wearing a tricorn hat, pink coat and scale patterned breeches, holding a basket of flowers in his hands, the scrolled based picked out in gold, 19.1cm high, gold anchor markThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 10
A façon de Venise enamelled and gilded tazza, 16th centuryThe broad shallow tray decorated to the rim with a gilt scale band embellished with blue dots within white dot borders, on a low spreading folded foot, 25.1cm diam, 4.8cm highFootnotes:ProvenanceLady 'Lili' Maria Elisabeth Augusta Cartwright (née von Sandizell)Thence by descent to her son, William Cornwallis Cartwright, Aynhoe Park, OxfordshireThence by family descent to the present ownerFor further information on this lot please visit Bonhams.com
Lot 186
A Worcester vase, circa 1770Of baluster form, the blue scale ground reserved with two large gilt-edged panels containing printed and coloured landscapes with figures before classical ruins alternating with two smaller landscape panels, four small panels painted with puce floral sprigs to the shoulder, the neck with a formal gilded border, 20.3cm high, square markFor further information on this lot please visit Bonhams.com
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