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Lot 262
Matchbox and other makes: twelve 2nd/3rd issues Models of Yesteryear in pink and yellow window boxes, twenty late issues in maroon boxes; six Corgi including Jaguar Rally 1953 Set and Fuller's Brewery Steam Wagon; Hot Wheels 1/18 scale Batmobile; five others by My Toy and Lledo, all but one boxed, E, boxes G-VG (44)
Lot 511
James Bond Gilbert: The Secret World of 007 comprising four-scene colour card background, blue Aston Martin, Dragon Tank, Disco Volante hydrofoil, eleven figures, Laser Table, flip-action map/pool table, 'M's desk, unused transfer sheet (for Disco Volante, 007 and Dragon Tank), specifiction/ instruction sheet with printers' code M- 6963 in A.C. Gilbert Co. brown corrugated box with 18509 to inner tab and 49-5980 to one end, overall G, one figure not belonging (as smaller scale) (17)
Lot 1521
A Samson porcelain 'famille rose' vase and domed cover, the ovoid body painted with flowers beneath pink scale shoulders, pseudo Chinese marks to base, together with a pair of Samson porcelain rectangular tea caddies and domed covers, painted with flowers within blue borders, heightened in gilt, height approx 11.5cm (faults and restoration).
Lot 1604
A Wedgwood green glazed vase, 1930s, the ribbed swollen body decorated in silver lustre with a repeating overlapping scale design, in the style of Norman Wilson, impressed marks to base with pattern No. 'D55', together with a copper coloured three handled vase, a 1950s vase and a green glazed jug.
Lot 808
A WALNUT & EBONISED MANTEL CLOCK, JAPY FILS, France, the 95mm dia dial with Roman numerals "moon" hands, and brass bezel, the 2 train movement with outside countwheel, striking on a bell, the case with broken arch pediment, canted corners and pierced scale fret side panels, 24.5cms high (with pendulum, dial af)
Lot 162
A pair of Lynton two handled vases and covers, painted by S D Nowacki, both signed, with shipping scenes in raised gilt foliate frames reserved on a royal blue and bright blue and gilt scale ground, on flared laureate foot and square gilt plinth, 40cm h, gilt printed mark, late 20th c . ++In fine condition
Lot 170
A First Period Worcester scale blue ground plate, enamelled with three panels of dishevelled birds and subsidiary reserves of insects in gilt scrolling frames and scalloped rim, 19.5cm diam, painted open crescent in underglaze blue, dealer's label, c1775 Provenance: Mallett of Bath and London. ++In fine condition apart from from a small flat rim chip. In the vendor's ownership for many years.
Lot 249
A Chelsea two handled, pineapple moulded cup and saucer, Gold Anchor Period, painted with birds on boughs or in flight and with puce and gilt scale work, entwined handles and dentil rim, stand 15cm diam, painted anchor in gilt , c1770. ++Insignificant firing crack on the underside of the stand; some wear to the gilding on the rim of the cup. No restoration
Lot 742
GREENWOOD (C & J) - MAP OF THE SOUTH EAST CIRCUIT OF THE PRINCIPALITY OF WALES COMPRISING THE COUNTIES OF GLAMORGAN BRECON & RADNOR FROM AN ACTUAL SURVEY MADE IN THE YEARS 1826 & 1827, scale 3/4 inch: 1 mile, engraving, in brightly coloured in a contemporary hand, with vignette of Llandaff Cathedral, backed on linen, contemporary tooled green morocco box gilt, aeg, London: C Greenwood & Co [c1830]; J B Roost - Neue Wand Karte von Europa. Afrikas' nord kuste. , lithograph coloured in outline, backed on linen, Munich 1864 (2). ++++
Lot 958
A Victorian mahogany stick barometer, signed on the engraved and silvered scale Dollond London, in ebony line inlaid and flame figured case with arched top and bun cistern cover, 94cm h. ++In fine original condition with some staining of the silvering; the four screws by which it is secured slightly rusted but undisturbed
Lot 975
A Regency brass inlaid mahogany longcase clock, signed on the slightly convex painted dial Sharp & Son Corner House London Bridge, the eight day movement with brass bezel in break-arched case with scrolling spandrels, stop fluted pilasters and scale pattern side frets, the trunk enclosed by a conforming flame figured door, on panelled base, 201cm h. ++The movement cleaned and overhauled. In good condition with pendulum and brass sheathed weights. The case in good condition with minor shrinkage crack in one side of the base
Lot 389
The Entombment - a medieval Nottingham alabaster panel, circa 1450, the panel depicts the body of Christ partly enveloped in a shroud being placed in the tomb, His head supported by Nicodemus, His feet held by Joseph of Arimathea, the Virgin stands to the centre before three figures, to her right the damaged headless figures of Mary Cleophas, her hands held in prayer, and of St. John holding a palm frond, seated in the foreground Mary Magdalene, a box of ointment at her feet, retaining traces of original colour, in particular the green background painted with characteristic dotted red and white daisy-like florets, 42cm high, 26cm wide, mounted on a fabric covered board. There are 98 recorded English alabaster representations of The Entombment, the majority being panels in or from Passion altarpieces. During the Middle Ages, when the majority of the population could neither read nor write, works of art performed the double function of teaching the Christian religion and providing an aid to prayer, consequently churches were aglow with religious images, carved, painted and in stained glass. Against this background, from about 1380, Nottingham emerged as the European centre for the large scale production of carved, painted and gilded alabaster figures, panels and altarpieces, both for the church and for domestic shrines. There was a thriving export trade and to this day far greater numbers of Nottingham alabasters survive on mainland Europe than in this country. Here, the Reformation initiated by Henry VIII's break with Rome saw the wholesale destruction of 'superstitious' images and the demise of the Nottingham alabaster industry. However, some of these 'condemned' alabasters were hidden away and saved from destruction, but more significantly many escaped via a thriving illicit export trade to France and beyond.
Lot 1116
A mid 17th century embroidered panel, with a central lady depicting the sense of smell holding a three-dimensional flower comprised of needle lace, wrapped wire and petal-shaped satin fabric. The lady dressed in a green split skirted dress with wide collar and cuffs, all worked in needle lace, the petticoat worked in metal thread and silk combination needle lace with applied metal trim. The figure worked in stump work technique with wooden hands, one hand holding a fan, the face shown as ink drawn. The lady stands under an ornate canopy on a hummock of metal burden stitch, the canopy drapes being needle lace and the background having been embroidered with metal threads. The rest of the ground is embroidered with large scale flowers in silk covered metal thread work and with a hound chasing a rabbit to the foreground. The ground being further detailed with spangles. Mounted, glazed and framed, 34.5 x 25cm
Lot 1117
A mid 17th century embroidered panel, the central cartouche worked mostly in silk covered cut metal thread work, with a reclining stag and unicorn flanking a large scale fruiting tree with butterflies and insects. The stag and unicorn worked in needlelace. The cartouche flanked by a needlelace rhino and leopard to east and west, a fine house with mica windows above and a flowering jardinere with needle lace, satin stitch, metal threadwork and domed sequins below. To each of the corners is an allegorical figure depicting the seasons or elements within small settings. Further motifs include peapods, roses, a hound, a peacock with closed tail and a caterpillar. Mounted, glazed and framed 51.5 x 39cm
Lot 1302
A Victorian sampler, worked in silk threads to a fine linen even weave ground with central verse entitled 'The Rose', inscribed 'Elizabeth England Aged 10 years 1838', above a large scale flowering jardiniere and surrounded by further small scale spot motifs including bowls of fruit, a flowering jardiniere and parrots. Enclosed within a trailing floral border. Mounted, glazed and framed, 31.5 x 44cm
Lot 1336
A George III sampler, neatly worked in silk threads to an even weave linen ground with an imposing house centrally placed with lawn and steps flanked by tall trees and surrounded by a display of open tailed peacocks, flowering jardiniere, birds, dogs and bowls of fruit, below a large scale stylised floral border. Inscribed 'AGNAS CALDWALL 1801' with further initials of family members. All enclosed within a zigzag berry border. Mounted, glazed and framed, 41.5 x 51.5cm
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186096 item(s)/page