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Lot 1403
Three Corgi Vintage Glory of Steam 1:50 scale limited edition diecast model vehicles Pickfords Fowler B6 Road Locomotive (Talisman) Low Loader & Cylinder Load 80102, Wynns 4CD Road Tractor 80305, Trailers & Log Load and Le Mont Blanc Fowler B6 Showmans Locomotive 'Onward' 80110, all in original boxes.
Lot 110
John Speed (British, 1552-1629)HEREFORDSHIRE'Herefordshire described', 1610, John Sudbury and George Humble, circa 1612-1624Engraved map, with inset plan of Hereford, a second inset of 'a great battail', figures of a surveyor and a map maker, scale and cartouche, shields and decorative cartouche, etc., Hand coloured 44 x 56cm (17 5/16 x 22 1/16in).Together with two engraved maps of Herefordshire by Joan Blaeu and Robert Morden (3)For further information on this lot please visit Bonhams.com
Lot 73
MIQUEL BARCELÓ (Felanitx, Mallorca, 1957)."Bestiaire", 1990.Lithography on Velin paper. Copy 8/26.Published by Talleres Item, Paris.Signed and numbered at the bottom.Size: 45 x 33 cm; 48 x 36,5 cm (frame).A painter and sculptor, Barceló began his training at the School of Arts and Crafts in Palma de Mallorca, where he studied between 1972 and 1973. In 1974 he made his individual debut, at the age of seventeen, at the Galería Picarol in Mallorca. That same year he moved to Barcelona, where he enrolled at the Sant Jordi School of Fine Arts, and made his first trip to Paris. In the French capital he discovered the work of Paul Klee, Fautrier, Wols and Dubuffet, as well as "art brut", a style that was to exert an important influence on his first paintings. During these years he reads extensively, and is enriched by works as diverse as the writings of Breton and the surrealists, Lucio Fontana's "White Manifesto" and Arnold Hauser's "Social History of Literature and Art". In 1976 he held his first solo exhibition in a museum: "Cadaverina 15" at the Museum of Mallorca, consisting of a montage of 225 wooden boxes with glass lids, with decomposing organic materials inside. That same year, back in Mallorca, he joined the Taller Lunàtic group and took part in its social, political and cultural protest actions. In 1977 he made a second trip to Paris, and also visited London and Amsterdam. That same year he exhibits for the first time in Barcelona, and meets Javier Mariscal, who becomes one of his best friends in the city. Together with him and the photographer Antoni Catany, as a member of the group "Neón de Suro", he takes part in exhibitions in Canada and California, and collaborates with the publication of the magazine of the same name. It was also in 1977 that he received his first large-scale painting commission: a mural for the dining room of a hotel in Cala Millor, Mallorca. The following year, at the age of twenty-one, he sold his first works to some collectors and galleries, and finally moved to Barcelona. His international recognition began in the early eighties, giving a definitive boost to his career with his participation in the São Paulo Biennial (1981) and the Documenta in Kassel (1982). In 1986 he was awarded the Premio Nacional de Artes Plásticas, and since then his work has been recognised by the most important awards, such as the Prince of Asturias Award for the Arts (2003) and the Sorolla Prize of the Hispanic Society of America in New York (2007). Barceló is currently represented in the most important contemporary art museums in the world, such as the MoMA in New York, the Centre Pompidou in Paris, the Guggenheim in Bilbao, the Marugami Hirai in Japan, the Reina Sofía in Madrid, the Patio Herreriano in Valladolid, the CAPC in Bordeaux, the Carré d'Art in Nimes, the Museum of Contemporary Art in Caracas and the Museum of Fine Arts in Boston, among others.
Lot 159
Rolex: A pilot's watch Oyster Perpetual Sky-Dweller model 326934, stainless steel case, automatic movement, 2011-22 from serial number to rehaut, round blue dial with stainless steel-edged lume-filled baton hour markers, date aperture at 3, inner 24 hour indicator scale, outer seconds track, tapered hands with lume inserts, centre seconds hand, fluted bezel, screw-down crown with coronet, on a stainless steel Oyster bracelet strap with signed Rolex foldover clasp marked F8K, no box and papersDimensions:Case: 42mm excluding crown
Lot 234
THOMAS FLATMAN (BRITISH, 1635-1688) AFTER JACOB HUYSMANSPortrait miniature of Catherine of Braganza, Queen Consort of King Charles II, dressed as a shepherdesssigned with initials (centre left)on vellumrectangular, 107mm highin a black wood frameProvenanceTomkinson and Propert Collections, no. 75;John Pierpont Morgan (1837-1913);Christie’s, 24 June 1935, lot96 (35 gns to John Tapp);Sotheby’s, London, 9 November 1944, lot 102;Mikel Papier Collection, thence by descent.FootnoteThe original large-scale portrait by Jacob Huysmans is in the Royal Collection, inv. no. 405665.Condition reportSmall diagonal line visible lower right to background, possible old repair.Horizontal creases/marks centre and centre left and far centre right.Under glass and unexamined out of frame.Under uv light fluoroses on her strap and a little where her dress meets her skin.
Lot 2073
OO scale Hornby R1038 The Orient Express boxed set, mostly excellent condition. Includes a United States Lines locomotive which has age related fatigue on front bogie, missing whistle and detail pack. Also includes three Pullman coaches fitted with lights, box has storage wear. P&P Group 2 (£18+VAT for the first lot and £3+VAT for subsequent lots)
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