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Click here to subscribe19th century Dutch small bodied guitar; Back and sides: ebonised, repaired crack running diagonally through the length of back; Top: spruce, repaired hairlines between bridge and body end; Neck: ebonised; Fretboard: stained maple, wear throughout; Frets: wear throughout, refret; Scale length: 620mm; Nut width: 42mm; Case: compressed foam case; Overall condition: fair
19th century guitar of the Panormo School in need of restoration; Back and sides: rosewood, back parted from sides to lower bout, hairline cracks to side; Top: natural spruce, general play wear throughout; Neck: good; Fretboard: rosewood; Frets: worn and tarnished; Hardware: missing tuning strips and bridge pins; Scale length: 635mm; Nut width: 48mm
Antique Lacote style parlour guitar in need of restoration; Back and sides: large open hole to side towards end pin, further hairline cracks running from this area; Top: fine grain natural spruce, hairline parting to centre through bridge; Neck: good; Fretboard: ebony with tapered frets running onto table; Frets: worn and tarnished; Hardware: missing tuning strip and bridge pins; Case: fitted hard case; Scale length: 635mm; Nut width: 45mm
Interesting antique Spanish guitar labelled Manuel Guerra...Cadiz Ano 1887, in need of some restoration; Back and sides: walnut with mahogany centre, repaired splits and over-lacquering; Top: natural spruce, long hairline splits and heavy over-lacquering; Neck: cedar, dings and refinishing; Fretboard: rosewood, wear throughout; Frets: brass refret; Case; soft bag; Nut width: 48mm; Scale length: 635mm; Overall condition: poor/in need of restoration *Ivory exemption reference SQQ8579E
1962 A A Jones classical guitar; Back and sides: Indian rosewood, hairline to lower bout, further marks and scratches; Top: natural spruce, light wear; Neck: cedar; Fretboard: ebony; Frets: mild wear and mild tarnishing; Case: original semi-rigid case; Nut width: 52mm; Scale length: 652mm; Overall condition: good for age *Purchased by the vendor from John Cadman in 1965, who was the vendor's guitar teacher at the time. This guitar was used by John Cadman to record the music for John Morris's 'Tales of the Riverbank'
2012 Terry Pack Prototype C-1 classical guitar; Back and sides: Indian rosewood, a few light marks; Top: natural cedar, a few minor dings but generally good; Neck; mahogany; Fretboard: ebony; Frets: good; Hardware: good; Case: original hard case; Nut width: 52mm; Scale length: 650mm; Overall condition: good *A prototype classical guitar designed by Terry Pack when he was considering introducing a classical model into his acoustic line-up
Antique Spanish guitar labelled Cid Campeador, Valencia; Back and sides: rosewood, repaired hairlines to sides, general play wear throughout; Top: natural spruce, play wear to top, one small hairline to lower bout, top with intricate pearl, boxwood and mastic inlay to the sound hole and edges; Neck: cedar, light wear; Fretboard: ebony, minor bow; Frets: good, refret; Hardware: brass engraved tuning strips with pearl buttons, bridge block with repaired hairline splits through bridge pins; Case: contemporary hard case; Nut width: 50mm; Scale length: 645mm; Overall condition: good for age
1977 Helmut Hanika classical guitar; Back and sides: tight grained maple, hairline crack to treble side within the waist, longer hairline crack to bass side within the waist; Top: natural spruce; Neck: mahogany; Fretboard: rosewood; Frets: good; Hardware: good; Nut width: 52mm; Scale length: 650mm; Case: Hiscox hard case; Overall condition: fair
1959 José Ramirez Flamenco guitar, made by Felix Manzanero; Back and sides: cypress, light wear and dings but generally good for age; Top: natural spruce with applied golpeador, lifting to golpeador, minor play wear to surface; Neck; cedar; Fretboard: ebony; Frets: good; Hardware: good; Case: period hard case; Nut width: 52mm; Scale length: 655mm; Overall condition: good
1960s Airline 7214 Amp in Case short scale electric guitar; Body: gold finish, checking throughout, scratches, dings and general scuffs mainly to the edges; Neck: ebonised, a few minor dings; Fretboard: rosewood; Frets: generally good, although tarnishing to treble side of most frets; Electrics: working, including amp case (110 volts), tremolo switch does not appear to function; Hardware: split to pickguard on treble side, minor splits around screws, light pitting to tuner strip; Case: original Amp in Case hard case; Weight: 2.58kg; Overall condition: good for age
Andrews SSB short scale bass guitar; Body: American black walnut solid body with white birds eye maple effect front and back; Neck: twenty fret sycamore; Electrics: working, single bar humbucker pickup with coil switching; Hardware: Stentor machine heads and other miscellaneous hardware; Weight: 4.07kg; Overall condition: good
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