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Lot 278
NASH, DAVID1945 Surrey/EnglandTitel: Charred Scale Column. Datierung: 2004. Maße: 77 x 30 x 28cm. Als Beigabe liegt der Skulptur ein signierter Katalog bei: Ausst.-Kat. Kunsthalle Emden, Altana Kulturstiftung Bad Homburg, Kunsthalle Mannheim, 2008/2009, Edition Scheffel (Hrsg.).Provenienz: - Galerie Edition Scheffel, Bad Homburg- Privatsammlung Bayern- Nash ist einer der bedeutendsten britischen Bildhauer und Land-Art-Künstler- Allansichtig eindrucksvoll- Arbeiten des Künstlers sind vertreten in den wichtigen öffentlichen Sammlungen, darunter Metropolitan Museum of Art, New York, Tate Modern, London, und Museum Folkwang, EssenDer britische Bildhauer und Land-Art Künstler David Nash hat sein künstlerisches Leben dem Studium von Bäumen und dem Werkstoff Holz gewidmet und dabei über Jahrzehnte hinweg Wissen durch haptische Erfahrung und genaue Beobachtung aufgenommen. Als Bildhauer betrachtet er Holz nicht als einfaches Material, das er aus dem Wald holt, um dann eine bereits bestehende Idee auszuführen. Vielmehr sind es der Stamm, die Äste, die Oberfläche und sogar die Wurzeln, die ihn inspirieren und künstlerische Möglichkeiten vorschlagen, die dann im Laufe seiner Arbeit mit der Kettensäge oder dem Meißel in der Hand verifiziert, entkräftet oder umgewandelt werden. Dabei verwendet er stets abgestorbene oder ohnehin gefällte Bäume. Er geht von ihrer jeweiligen Beschaffenheit aus, berücksichtigt ihre Struktur, ihr Alter, ihre Farbe und ihre Formbarkeit. Aus den massiven Baumstämmen befreit Nash nicht nur geometrische Basisformen, sondern auch Naturformen. Durch das Einschneiden serieller Strukturen fächert er einen massiven Holzblock wie eine Ziehharmonika auf oder verwandelt schwere Baumstämme in filigran wirkende Säulen oder Ei-Formen. Bekannt wurde David Nash vor allem auch für seine Holzarbeiten mit angekohlter Oberfläche. Durch die Karbonisierung wird die Oberfläche von einem organischen in einen mineralischen Zustand versetzt. Die tiefschwarze Oberfläche lenkt die Aufmerksamkeit weg vom Material und hin zur gestalterischen Form. David Nash Objekte 2000er Baum Skulptur Holz FeuerErläuterungen zum Katalog
Lot 392
A late 19thC Samson Worcester porcelain tea caddy and cover, decorated with reserves of exotic birds and butterflies, against a blue scale ground, gilt heightened, hatch mark, 13.5cm high, together with a Samson Chelsea porcelain figure of an eighteenth century girl, modelled seated, 10cm high, and a late 19thC Mintons porcelain jug, decorated with floral sprays, printed marks, including Mortlock's Limited, London. (3)
Lot 178
Group of Chinese export wares and Japanese ceramics , including 2 Chinese export teapot stands , Chinese export teabowl , , Chinese saucer , Japanese small imari teapot circa 1880 and a late 19th C Japanese plate .Wear to the enamels on the teapot stands , cracks to teabowl and saucer , lime scale to edge of plate .
Lot 316
Aristide Maillol Daphnis and Chloé. A most sweet, and pleasant pastoral romance for young ladies, translated out of the Greek of Longus by G. Thornley. Paris und London, Ph. Gonin für A. Zwemmer 1937. Berühmte Buchillustration von Aristide Maillol mit einer Extra-Suite der Holzschnitte. 'Classical themes and figure styles appear throughout Maillol's work .. Daphnis et Chloé, small in scale, is one of the most harmonious of his books' (E. Garvey). 1 von 250 numerierten Exemplaren der Londoner Ausgabe auf Maillol-Bütten, im Druckvermerk vom Künstler signiert. Mit einer zusätzlichen Suite der Holzschnitte. Die Folge der 57 Holzschnitte, von denen einige nicht für die Buchillustration verwendet wurden, auf verschiedenen Papieren abgezogen, einige im ersten Zustand. 6 Holzschnitte des Buches in der Suite nicht enthalten, 6 in zwei und 1 in drei Zuständen. Im gleichen Jahr erschienen auch eine französische und eine deutsche Ausgabe. EINBAND: Pergamentband d. Zt. und Halbpergamentdecke, beide mit goldgeprägtem Rückentitel. 20,5 : 13 cm. - ILLUSTRATION: Mit 52 Orig.-Holzschnitten von A. Maillol und einer Extrasuite mit 57 Holzschnitten. - KOLLATION: Vereinz. kl. Stockflecken auf den Blättern der Separatabzüge, ansonsten sehr gut erhalten. - PROVENIENZ: Privatsammlung Nordrhein-Westfalen. LITERATUR: Guérin 76-127. - Monod 7238. - Skira 216. - Rauch 141. - Artist and the Book 174. - Garvey/Wick 22. - Strachan S. 337. 1 of 250 numbered copies of the London edition on Maillol laid paper, signed by the artist in the imprint. With an additional suite of woodcuts. With 52 original woodcuts by A. Maillol and an extra suite with 57 woodcuts, some not used for book illustration, printed on various papers, some in first state. 6 woodcuts of the book not included in the suite, 6 in two and 1 in three states. Contemp. vellum with gilt title on spine and orig. wrappers in contemp half vellum cover with gilt tilte on spine. - Suite here and there slightly foxed, otherwise good copy. Dieses Objekt wird regel- oder differenzbesteuert angeboten.
Lot 110
A GEORGE II CARVED WALNUT OPEN ARMCHAIR ATTRIBUTED TO DANIEL BELL AND THOMAS MOORE, CIRCA 1735102cm high, 72cm wide, 59cm deep overallProvenance:Private Collection, LondonRetailer's label for Norman AdamsSee Adam Bowett, Early Georgian Furniture 1715-1740, page 180, plate 4:73, for a related chair with strikingly similar legs, supplied by Daniel Bell and Thomas Moore, with a November 1734 bill to the 'Honourable Counsellor Rider' of Sandon Hall, Stafford, 'To ten hansome Wallnuttree Chairs broad banister backs cutt in shape with scrole tops finneard with very good wood, loose compass seats, stuft in white Hessings with rich carved fore feet with Lyons faces on Ye Knees and Lyons Paws...with scrolls...to ye fore-rails...£27.10.00'.Whilst this armchair displays similar features to the Sandon Hall chair, such as the legs and compass seat, the exceptional piercing and carving to the back of this armchair and the carving to the arms and the seat rail seem more balanced with the quality and scale of the base.Geoffrey Beard and Christopher Gilbert, Dictionary of English Furniture Makers 1660-1840, records: Daniel Bell 'St Martin's Lane, London, cabinet maker 1724-1734,...recorded in partnership with Thomas Moore as early as 1724 when the firm supplied goods to Benjamin Mildmay, Earl Fitzwalter for Moulsham Hall between 1724-34; Thomas Moore is recorded as 'London, cabinetmaker 1734-d1738...at St Martin's Lane. The younger James Moore, son of the Royal cabinetmaker, died in 1734, and it seems probably that Thomas was a member of the family who at that date or earlier had entered into partnership with Daniel Bell.'See also Christie's Books, Masterpieces of English Furniture, The Gerstenfeld Collection, pages 80 and 207, plate 58, cat no. 52, for a pair of George II walnut side chairs, the legs with related acanthus drapery, bold lion masks and paw feet. Closely related chairs are seen in the 1741 painting by William Verelst of the Gough Family, and these Gerstenfeld chairs are also referenced as prototypes for an identical Chinese model in rosewood. The Victoria and Albert Museum, London, has in it's collection giltwood seat furniture with some related features made circa 1730 by chair maker Thomas Roberts junior made for Robert Walpole, Houghton Hall, Norfolk. These Houghton sofas and chairs are carved naturalistically with lion's masks and lion's legs and feet.Condition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some chips and losses,The inner supporting rails to hold the seat in place are later replacements, the other rails and blocks with signs of age including old woodworm holes and fillerTo the rear of the back there are some old repairs and replacements including splicing, there is some filler also. This would appear to have had some professional restoration carried out previouslyThe surface has been cleaned and polished overallThe tapestry to the seat has age, there is a hole to the central decoration, there are also signs of repair to the sides, there are signs of other tack marks to the rails of the drop in seatOverall the frame is entirely solid and stablePlease refer to additional images for visual reference to conditionCondition Report Disclaimer
Lot 47
A DERUTA MAIOLICA POLYCHROME PORTRAIT DISH 16TH CENTURY Painted with the head and shoulders of a woman before a ribbon scroll inscribed LORENZA BELLA, within a border of alternate panels of scale ground and stylised foliage36.5cm diameterProvenance: Private Collection, OxfordshireCondition Report: Repaired. About half the rim has been glued back in places, large sections. Surface wear.Condition Report Disclaimer
Lot 120
James Cauty (British, b. 1956) Reface Digital print on paper with gold pen (Hirst + Face) Signed to the verso and numbered 6/13 to the front 70 x 61 cm (27 x 24 in) each one Over a diverse and productive career Cauty has distinguished himself as a musician, record producer, artist and cultural provocateur through fusions of high art, low art and popularist mediums to spectacular effect. As a teenager Cauty drew the intricate multi-million selling Lord of the Rings poster for British retailer Athena. With Alex Patterson as The Orb and with Bill Drummond as The KLF and the Justified Ancients of Mu Mu, Cauty co-wrote and produced a string of global top ten hits. As The K-Foundation, Cauty and Drummond staged a series of seminal actions including the 1994 K Foundation Art Award for Worst Artist of the Year and the K Foundation Burn A Million Quid. From experimental sonic weapons (the Advanced Acoustic Armaments), to anti-Iraq war postage stamps (Stamps of Mass Destruction), and model making (Riot In A Jam Jar and the Aftermath Dislocation Principle) Cauty’s work combines dissent, cultural subversion and gleeful level of high humour. His roguish and voluble approach has earned him a cult following for work that remains radical, responsive and darkly comical. He produces work that draws on and responds to contemporary culture, sampling it and selling it back as recorded realities. In 2013 Cauty completed The Aftermath Dislocation Principle (ADP), a vast 1:87 scale-model landscape (equivalent to 1 sq mile in miniature) which has been completely looted, destroyed, burnt and is devoid of life apart from 3000 or so model police that attend this apocalyptic aftermath. In 2015 the ADP was installed in Banksy’s Dismaland in Weston Super Mare. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 121
Andy Council (British, b. 1974) Title Unknown, 2008Original work in white posca pen on black card Signed and dated in white crayon 29 x 21 cm (11 x 8 in) Andy Council is a Bristol UK based artist who creates composite beasts made up of architectural landmarks and other recognisable elements. He often incorporates collaboration with communities in his process; identifying local and personal landmarks with people which are then included in the pieces. His work takes the form of illustration,painting and huge murals which can be seen across the UK and beyond. Andy has pieces in Bristol City Museum's permanent collection and two large scale works in Chelsea & Westminster Hospital, London. He has exhibited in the US and has had his work published internationally. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 28
Mark Lyken (Scottish, b. 1973) Let Me Taste Your Smoke KissSpray paint and acrylic on canvas Signed titled and dated by the artist in black pen verso50 x 50 cm (19 x 19 in)Mark Lyken is a multitalented visual and acoustic artist dividing his time between painting, composing electronic sound works and film making. His paintings and visual art are heavily influenced by digital transformation, technological meditation and the idea of computers as prosthesis of human personality as well as scale and time of a living cosmos. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 39
James Cauty (British, b. 1956)4th, 5th & 6th Class Stamp of Mass DestructionGiclee printsSigned and numbered 48/150 in black penWith gallery Certificate of Authenticity 70 x 61 cm (27.5 x 24 in) each oneThe 4th, 5th and 6th Stamps of Mass Destruction were issued in 2004 to mark the continuation of the “War on Terror”, and also withdrawn from sale after threat of legal action by the Royal Mail.Over a diverse and productive career Cauty has distinguished himself as a musician, record producer, artist and cultural provocateur through fusions of high art, low art and popularist mediums to spectacular effect. As a teenager Cauty drew the intricate multi-million selling Lord of the Rings poster for British retailer Athena. With Alex Patterson as The Orb and with Bill Drummond as The KLF and the Justified Ancients of Mu Mu, Cauty co-wrote and produced a string of global top ten hits. As The K-Foundation, Cauty and Drummond staged a series of seminal actions including the 1994 K Foundation Art Award for Worst Artist of the Year and the K Foundation Burn A Million Quid. From experimental sonic weapons (the Advanced Acoustic Armaments), to anti-Iraq war postage stamps (Stamps of Mass Destruction), and model making (Riot In A Jam Jar and the Aftermath Dislocation Principle) Cauty’s work combines dissent, cultural subversion and gleeful level of high humour. His roguish and voluble approach has earned him a cult following for work that remains radical, responsive and darkly comical. He produces work that draws on and responds to contemporary culture, sampling it and selling it back as recoded realities. In 2013 Cauty completed The Aftermath Dislocation Principle (ADP), a vast 1:87 scale-model landscape (equivalent to 1 sq mile in miniature) which has been completely looted, destroyed, burnt and is devoid of life apart from 3000 or so model police that attend this apocalyptic aftermath. In 2015 the ADP was installed in Banksy’s Dismaland in Weston Super Mare.This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 44
James Cauty (British, b. 1956) Bad Car Bad Art Set of 2 Pop Edition Giclee prints, with 1st Day Issue Stamps and press release poster Prints signed and numbered 9/100 and 15/100 in black pen 31 x 55.5 cm (12 x 22 in) Over a diverse and productive career Cauty has distinguished himself as a musician, record producer, artist and cultural provocateur through fusions of high art, low art and popularist mediums to spectacular effect. As a teenager Cauty drew the intricate multi-million selling Lord of the Rings poster for British retailer Athena. With Alex Patterson as The Orb and with Bill Drummond as The KLF and the Justified Ancients of Mu Mu, Cauty co-wrote and produced a string of global top ten hits. As The K-Foundation, Cauty and Drummond staged a series of seminal actions including the 1994 K Foundation Art Award for Worst Artist of the Year and the K Foundation Burn A Million Quid. From experimental sonic weapons (the Advanced Acoustic Armaments), to anti-Iraq war postage stamps (Stamps of Mass Destruction), and model making (Riot In A Jam Jar and the Aftermath Dislocation Principle) Cauty’s work combines dissent, cultural subversion and gleeful level of high humour. His roguish and voluble approach has earned him a cult following for work that remains radical, responsive and darkly comical. He produces work that draws on and responds to contemporary culture, sampling it and selling it back as recorded realities. In 2013 Cauty completed The Aftermath Dislocation Principle (ADP), a vast 1:87 scale-model landscape (equivalent to 1 sq mile in miniature) which has been completely looted, destroyed, burnt and is devoid of life apart from 3000 or so model police that attend this apocalyptic aftermath. In 2015 the ADP was installed in Banksy’s Dismaland in Weston Super Mare. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 45
James Cauty (British, b. 1956) Dead Dad 21 Giclee print Signed in plate and numbered 7/20 in pencil 31 x 38 cm (12 x 15 in) Over a diverse and productive career Cauty has distinguished himself as a musician, record producer, artist and cultural provocateur through fusions of high art, low art and popularist mediums to spectacular effect. As a teenager Cauty drew the intricate multi-million selling Lord of the Rings poster for British retailer Athena. With Alex Patterson as The Orb and with Bill Drummond as The KLF and the Justified Ancients of Mu Mu, Cauty co-wrote and produced a string of global top ten hits. As The K-Foundation, Cauty and Drummond staged a series of seminal actions including the 1994 K Foundation Art Award for Worst Artist of the Year and the K Foundation Burn A Million Quid. From experimental sonic weapons (the Advanced Acoustic Armaments), to anti-Iraq war postage stamps (Stamps of Mass Destruction), and model making (Riot In A Jam Jar and the Aftermath Dislocation Principle) Cauty’s work combines dissent, cultural subversion and gleeful level of high humour. His roguish and voluble approach has earned him a cult following for work that remains radical, responsive and darkly comical. He produces work that draws on and responds to contemporary culture, sampling it and selling it back as recoded realities. In 2013 Cauty completed The Aftermath Dislocation Principle (ADP), a vast 1:87 scale-model landscape (equivalent to 1 sq mile in miniature) which has been completely looted, destroyed, burnt and is devoid of life apart from 3000 or so model police that attend this apocalyptic aftermath. In 2015 the ADP was installed in Banksy’s Dismaland in Weston Super Mare. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 57
Andy Council (British, b. 1974) Triceratops, 2008 Screen print on black lux card stock, mounted in black Signed and numbered 6/25 in gold pen 29 x 31 cm (11 x 12 in) Andy Council is a Bristol UK based artist who creates composite beasts made up of architectural landmarks and other recognisable elements. He often incorporates collaboration with communities in his process; identifying local and personal landmarks with people which are then included in the pieces. His work takes the form of illustration, painting and huge murals which can be seen across the UK and beyond. Andy has pieces in Bristol City Museum's permanent collection and two large scale works in Chelsea & Westminster Hospital, London. He has exhibited in the US and has had his work published internationally. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 59
James Cauty (British, b. 1956) and Billy Childish (British, b. 1959) James ‘Naughty’ Cauty VS ‘Wild’ Billy Childish, 2006 London Art Fair 2006 promotional poster Open addition, signed by both artist in black pen 43 x 61 cm (17 x 24 in) Over a diverse and productive career Cauty has distinguished himself as a musician, record producer, artist and cultural provocateur through fusions of high art, low art and popularist mediums to spectacular effect. As a teenager Cauty drew the intricate multi-million selling Lord of the Rings poster for British retailer Athena. With Alex Patterson as The Orb and with Bill Drummond as The KLF and the Justified Ancients of Mu Mu, Cauty co-wrote and produced a string of global top ten hits. As The K-Foundation, Cauty and Drummond staged a series of seminal actions including the 1994 K Foundation Art Award for Worst Artist of the Year and the K Foundation Burn A Million Quid. From experimental sonic weapons (the Advanced Acoustic Armaments), to anti-Iraq war postage stamps (Stamps of Mass Destruction), and model making (Riot In A Jam Jar and the Aftermath Dislocation Principle) Cauty’s work combines dissent, cultural subversion and gleeful level of high humour. His roguish and voluble approach has earned him a cult following for work that remains radical, responsive and darkly comical. He produces work that draws on and responds to contemporary culture, sampling it and selling it back as recorded realities. In 2013 Cauty completed The Aftermath Dislocation Principle (ADP), a vast 1:87 scale-model landscape (equivalent to 1 sq mile in miniature) which has been completely looted, destroyed, burnt and is devoid of life apart from 3000 or so model police that attend this apocalyptic aftermath. In 2015 the ADP was installed in Banksy’s Dismaland in Weston Super Mare. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 72
RichT (British) Triangulators, 2009 Screen Print Signed, dated and numbered 19/25 in pencil 53 x 38 cm (21 x 15 in) Originally part of the British street art scene of the early noughts, Richt, aka Rich Thorne, has been straddling the illustration and painting worlds ever since. Establishing himself painting walls and exhibiting his work worldwide, he was featured in Tristan Manco’s influential Street Sketchbook, leading on to commercial work as an illustrator and art director for Aardman and the BBC. Richt’s recent experiments have seen him progress further still. His collaborations, including the epic ‘Spider Mandem’ collectible figure with Trap Toys, denote an irreverence for authority and a tongue-in-cheek sense of heroism, alongside other recurring themes further explored in his current work. Abstracting the graffiti aesthetic and combining it with his love for the 60s and 70s comic book artists, Richt’s refined lines and bold palettes reference the work of greats such as Jack Kirby. Most recently he has travelled to the States and Europe painting large-scale murals, including work with Hawaiian street art czars Pow! Wow! in DC. Richt currently works from his studio in Bristol, UK. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 73
James Cauty (British, b. 1956)5-11 Black smoke Terror AwareSet 3 pop edition giclee printsNumbered 26/100 with artist stamp31 x 33 cm (12 x 13 in)Over a diverse and productive career Cauty has distinguished himself as a musician, record producer, artist and cultural provocateur through fusions of high art, low art and popularist mediums to spectacular effect. As a teenager Cauty drew the intricate multi-million selling Lord of the Rings poster for British retailer Athena. With Alex Patterson as The Orb and with Bill Drummond as The KLF and the Justified Ancients of Mu Mu, Cauty co-wrote and produced a string of global top ten hits. As The K-Foundation, Cauty and Drummond staged a series of seminal actions including the 1994 K Foundation Art Award for Worst Artist of the Year and the K Foundation Burn A Million Quid. From experimental sonic weapons (the Advanced Acoustic Armaments), to anti-Iraq war postage stamps (Stamps of Mass Destruction), and model making (Riot In A Jam Jar and the Aftermath Dislocation Principle) Cauty’s work combines dissent, cultural subversion and gleeful level of high humour. His roguish and voluble approach has earned him a cult following for work that remains radical, responsive and darkly comical. He produces work that draws on and responds to contemporary culture, sampling it and selling it back as recorded realities. In 2013 Cauty completed The Aftermath Dislocation Principle (ADP), a vast 1:87 scale-model landscape (equivalent to 1 sq mile in miniature) which has been completely looted, destroyed, burnt and is devoid of life apart from 3000 or so model police that attend this apocalyptic aftermath. In 2015 the ADP was installed in Banksy’s Dismaland in Weston Super Mare.This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 79
James Cauty (British, b. 1956) Dead Dad 1, 2007 Lithograph poster, part of the Operation Magic Kingdom series Unsigned, open edition 70 x 48 cm (27 x 19 in) Over a diverse and productive career Cauty has distinguished himself as a musician, record producer, artist and cultural provocateur through fusions of high art, low art and popularist mediums to spectacular effect. As a teenager Cauty drew the intricate multi-million selling Lord of the Rings poster for British retailer Athena. With Alex Patterson as The Orb and with Bill Drummond as The KLF and the Justified Ancients of Mu Mu, Cauty co-wrote and produced a string of global top ten hits. As The K-Foundation, Cauty and Drummond staged a series of seminal actions including the 1994 K Foundation Art Award for Worst Artist of the Year and the K Foundation Burn A Million Quid. From experimental sonic weapons (the Advanced Acoustic Armaments), to anti-Iraq war postage stamps (Stamps of Mass Destruction), and model making (Riot In A Jam Jar and the Aftermath Dislocation Principle) Cauty’s work combines dissent, cultural subversion and gleeful level of high humour. His roguish and voluble approach has earned him a cult following for work that remains radical, responsive and darkly comical. He produces work that draws on and responds to contemporary culture, sampling it and selling it back as recorded realities. In 2013 Cauty completed The Aftermath Dislocation Principle (ADP), a vast 1:87 scale-model landscape (equivalent to 1 sq mile in miniature) which has been completely looted, destroyed, burnt and is devoid of life apart from 3000 or so model police that attend this apocalyptic aftermath. In 2015 the ADP was installed in Banksy’s Dismaland in Weston Super Mare. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 91
Dora and Rowdy Collaboration Dorallas, 2006Giclee print, in original cardboard and cellophane packaging Numbered 8/50 and signed by both artists in pencil 70 x 50 cm (27 x 19 in) Dora’s illustrative artwork, inspired by femininity, 1950's burlesque tattoo art and art nouveau has been featured in gallery exhibitions in the luminous city lights of Paris, Marseille, New York and her colourful graffiti adorning the streets of Berlin and many more. Dora has collaborated with some of the biggest artists and brands including Rowdy, Paris, Milk, and Puma and is now credited for the rebrand and fresh design identity of Lipcote. She was a member of “Great Birds of the British Isles“, a collective that came together in 2009. Rowdy is an integral part of the Bristol graffiti scene. His work appears worldwide and can be found in the most unlikely places, from underground rural settings to highly visible urban reaches. Rowdy’s trademark crocodiles are often huge in scale and are indicative of the playful nature of the imagery in his work. In his own words - 'My work appears in the traditional gallery sphere as well as in many outdoor spaces throughout the UK and beyond. What started out as vandalism in the 80s has now reached a mainstream status. It used to be a scene run by us for us. The City is not only my canvas it also provides the necessary visual stimuli that appear in many of my interior works’. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 333
Hand carved marble Aston Martin Valkyrie sculpture by International Artist Phillip Dutton-White.Solid hand carved Black Marble Aston Martin Valkyrie approximately scale 1-10.Supplied with a solid marble black diamond facetted base fitted with feature lighting (powered by usb pack not included). Sculpture and base housed within storage box.Click here for more details and images
Lot 334
Hand-formed brass Aston Martin Valkyrie sculpture by International artist Phillip Dutton-White.Brass sculpture of an Aston Martin Valkyrie approximately scale 1-10 hand-modelled in clay then a mould made and cast in brass. Set on a solid marble black diamond facetted base fitted with feature lighting (powered by usb pack not included). Sculpture and base housed within storage box.Click here for more details and images
Lot 2250
Large Scale 20th Century Doll Furniture comprising a W Hanney, Westbourne Grove, London two height oak chest of drawers, a mahogany chaise longue, three piece leatherette suite, Pit & Pat pair of 'cane' seated chairs, and two unlabelled pieces including wardrobe and dressing table with red knobs
Lot 2251
Modern 1/12th Scale Dolls House Furniture and Accessories, comprising bow front side board, six shield back chairs with gilt metal mounts to the reverse, carved bedstead, three tier dumb waiter and serving table, all indistinctly initialled in gold pen 'ST' or 'TS'; kneehole desk with green leather mount, signed Derek Childerhouse 1999; Celia Mayfield green leather upholstered wing armchair; rocking Windsor armchair, three height chest of drawers, oak barrel with handles all with the impressed squirrel and nut mark; Stan & Nina Terry double wardrobe; gilt brocade upholstered knoll settee and armchair, gilt framed mirror, Henning sewing machine, umbrella stand, umbrella, desk light etc
Lot 2252
Modern Dolls House 1/12th Scale Accessories, comprising assorted pottery vases initialled 'SW' to the base, miniature cloisonne vases, small jasperware vase, figures, dinner wares, spiral twist stem glass candlesticks, glass tazzas, decanters and stoppers, coloured glassware, Chinese style pottery vases etc; potted plant stamped 'CFR' to the underside and two finely stitched rugs; kitchenalia including pieces by Bert Spur, copper and other metalwares, pottery, coopered buckets etc (quantity)
Lot 2253
Modern Dolls House 1/12th Scale Chinoiserie Style Furniture, comprising a japanned bureau bookcase and contents, a similar three height chest of drawers, ebonised and gilt decorated armchair, two similar pedestal tables on tripod feet, a tip top occasional table, a games table with chess pieces on tripod base, two carpets and a rug (10)
Lot 2254
Modern Dolls House 1/12th Scale Furniture, comprising a breakfront bookcase with swan neck pediment enclosing various books, carved bone ornaments and two pottery swans; a pedestal desk with drawers and green leatherette mount; a bobbin leg turned drop leaf table; Georgian style four height chest of drawers on bracket feet; a yellow slubbed silk wing armchair with petit point cushion and another smaller in blue stripes with cushion, four lyre back chairs, a corner armchair, three hand made carpets and rugs (14)
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186097 item(s)/page