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Lot 652
Speed J. Bedfordshire and the Situation of Bedford Described. Map dated 1610. Elaborate strap-work and heraldic titular Cartouche, engraved vignette Plan of the town of Bedford with an annotated table of street names; also incorporating heraldic devices of local nobility together with an engraved and decorated mileage scale. Additonal vignettes h/c and the map h/c in outline. Mounted, framed and glazed with original textual commentary text visible on verso. CONDITION REPORT: Some light browning and very minor repairs to closed tears. Blank margin cropped to decorated map margin along at least one side
Lot 556
Two Meissen porcelain cups, `Neuer Ausschnitt` shape, one painted with Watteau style figures and green scale border, the other painted all over with rose buds with gilt border, both with cancelled mark and a pair of Volkstedt porcelain figures of child street vendors holding baskets, hayfork mark to base A/F
Lot 41
Circle of Jonathan Richardson Sr. (London 1665-1745 Bloomsbury) A family portrait; traditionally identified as The Thornhill family, Oil on canvas, 128 x 166cm (50 1/4 x 65 1/4in). Provenance: W. Willcocks; Dr Geoffrey Hattersley-Smith; Thence by descent. Exhibited: The Whitechapel Art Gallery, 1906, No. 287 as Thornhill Family Portrait, by Hogarth (lent by W. Willcocks). This portrait is thought to be of Sir James Thornhill, his wife and son, though in the past 20 years mixed opinions to the sitters’ identity have been made. In 1906 the portrait was exhibited at The Whitechapel Art Gallery as being a portrait of Sir James Thornhill and his family, by Thorhill’s son-in law William Hogarth (1697-1764). A photograph of the present painting is also in the archives at The National Portrait Gallery, London and annotated as being by Michael Dahl (1659-1743). When compared to works depicting Sir James Thornhill by various artists including Hudson, Highmore and Richardson, certain facial likenesses can be seen, although the present painting would depict Thornhill as slightly younger than these works. Sir James Thornhill (1675-1734) was apprentice to Thomas Highmore (1660-1720), also learning much from the work of Antonio Verrio (d.1707) and Louis Laguerre (d.1721) who were all decorative painters working in London. Thornhill decorated palace interiors with large-scale compositions, including The ceiling of the Great Hall at Greenwich Hospital, thought to be his masterpiece. In 1718 George I made Thornhill court painter, and in 1720 Serjeant painter shortly before knighting him.
Lot 327
A Victorian yellow gold serpent choker necklace, the graduated overlapping scale-like chain terminating in a serpent head, with cabachon ruby eyes, applied with two-colour gold, suspending a heart pendant locket from mouth, set further with ruby, enclosing a lock of hair to glazed compartment to reverse, in original green leather fitted case, tested as 15ct gold
Lot 246
A mahogany cased Admiral Fitzroy's barometer by Davis & Company, the arched case housing a gilt brassed Royal Warrant crest over a syphon tube, storm tube and ivorine scale, the back inscribed "Davis & Company Admiral Fitzroy's Prize Medal Barometer", 120 cm high CONDITION REPORTS Half of glass missing - Part of moulding broken below warrant of right hand side. Inscription to the back very stained. Tubes intact though one bracket missing to the Storm tube. Ivorine scale worn. Some re-gluing to the carving to the inner section above ivorine scale. Outer case with staining and marking particularly left hand side. Small chip to left hand side to arched top
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216134 item(s)/page