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Click here to subscribeReplicarz model of the 1965 Goldenrod LSC, 1/18th scale, in the original box, the car built by the Summers brothers Bill and Bob. Bob Summers piloted the car to a land speed record of 409.27 miles per hour, he held the record for a total of 44 years, 10 months and 12 days. The car was powered by four fuel injected Chrysler Hemi engines mounted inline that created a total output of 2,400 HP.
Late 18th century F. Watkins oak cased stick barometer, having a shaped top with two ball finials over an arched cornice supported on brass-mounted column over a long trunk with visible tube beneath moulded floral rosettes, silvered dial in two divisions engraved with seven weather conditions to either side and a manual 28 to 31" scale, approx 96 x 16 cms. Provenance: Glympton Park, Oxfordshire and thus by descent to the present owner.
Corgi 1/50 Scale Lorries (4) - CC13103 Volvo F88 Tautliner - Elddis Transport Ltd, CC12702 ERF ECS curtainside - Stoford Transport Ltd, CC12409 Volvo FH globetrotter fridge trailer - McBurney Transport, CC12004 MAN flatbed trailer with container load - A R R Craib Transport Ltd, all boxed (4)
Corgi 1/50 Scale Lorries (4) - CC12415 Volvo FH globetrotter bulk tipper P Hinchcliffe, CC12106 Renault premium bulk tipper Bannerman Transport, Tain, CC12921 Scania Topline bulk tipper Kenneth McWilliam Transport, CC12421 Volvo FH globetrotter feldbinder tanker Lomas Distribution, all boxed (4)
The Cody Flyer c1911-12 - 12 page sales catalogue illustrating the aircraft and detailing three different models of this machine with prices ranging from £750 to £1,800- Also illustrating and detailing Mr S F Cody's new Monoplane, with 8 aircraft photographs and one full page scale drawing, in red card cover size 7.5" x 10", plus its original printed brown envelope from Cody's Flying School at Farnborough- Also another 4 page catalogue with 6 photographs and interesting information- Plus a Handbill illustrating his "Man lifting large Kite" with explanation (3)
Corgi 1/50 Scale Lorries (4) - CC13804 Mercedes Benz Actros crane trailer and brick load - A Howe & Sons Ltd, CC12701 ERF ECS curtainside - ERF The New Generation, CC13708 Scania R series high roof flatbed trailer and rails - Lawsons Haulage Ltd, CC11905 ERF EC flatbed trailer and log load - Jos Millican Ltd, all boxed (4)
Corgi 1/50 Scale Lorries (4) - 75604 Renault premium curtainside Kent Connection ltd, CC13701 Scania R Series topline curtainside Mason Bros, Transport Ltd, 76601 Scania refrigerated box trailer - H E Payne Transport Ltd, 76801 MAC artic platform trailer with sheeted load - Stiller Transport, all boxed (4)
Corgi 1/50 Scale Lorries (4) - CC12813 Scania T topline bulk tipper - J J Bartlett Haulage Ltd, CC12929 Scania topline fridge trailer - Dennis Oates & Sons, CC13512 Volvo FM curtainside - Ian Craig (haulage) Ltd, CC13225 DAF XF super space cab curtainside - Chamberlain Transport Ltd, all boxed (4)
Shropshire - Railways - Original Plans five original large scale plans for the Shrewsbury to Hereford railway between Craven Arms and just north of Ludlow, drawn on a scale of 10 inches to the mile. The line has been highlighted in colour. The maps show the ownership of the land on either side as well as a wealth of other features including the station and marshalling yards at Craven Arms, and a section of the now long abandoned Bishop's Castle Railway, showing its junction with the main line. No date but probably 1860. Each map measures approx. 660x710mm, printed on thick paper, a few close tears (easily repairable in our view). Rare
Corgi 1/50 Scale Lorries (4) - CC12814 Scania T cab general purpose tanker - Atchinson Topeka Ltd, CC13211 DAF XF space cab curtainside - C M Downton Ltd, CC13606 DAF CF fridge trailer - Drysdale Freight Cockburnspath, CC12801 Scania T-Cab Feldbinder tanker - Ian Hayes Transport, all boxed (4)
Corgi 1/50 Scale Lorries (4) - CC12012 MAN F2000 curtainside Phillips (Seahouses) Ltd, CC12430 Volvo FH globetrotter skeletal trailer and container - N T Whitfield Transport Ltd, CC12906 Scania Topline fridge trailer - P & C Hamilton, CC12510 Atkinson Borderer Tautliner - W H Bowker Ltd, all boxed (4)
Erpa Schabak Scale Aeroplanes Boxed, a collection to include Lufthansa DC10, b737, A300, B747, Ju52,727, B-707, Jet Box Lockheed l-1011, Australian airlines MD-81, British Airways 757, Swissair Airbus A310, Icelandair Douglas DC-8, NLM City hopper Fokker F-27, Crossair SF340 and 3 Lufthansa puppets (14)
Corgi 1/50 Scale Lorries (4) - CC13412 MAN TGA XXL curtainside - Gerry Jones Transport Services Ltd, CC12102 Renault premium curtainside - WM Armstrong Ltd, 76603 Scania refrigerated box trailer - D Steven & Sons of Wick, CC12933 Scania topline fridge trailer - Edward Gilder & Co, all boxed (4)
Tri-ang Hornby OO Gauge Train Set, Locomotives, Track Controller, accessories, to include BR locomotive R754, Intercity 125 locomotive and carriages, Princess Elzabeth Tring locomotive, line controller, a selection of Lima and Peco track, Tri-ang boxed closed good van, brake truck Hornby QXR tanker, Merit empty box, Airfix model diesel shunter and more, comes with 3 diecast car models of Burgao Ferrari 240 Testa Rossa 1957 1:18 scale, Newray City Cruisers collection BMW, Vespa mini scooter diecast
WWII - Escape from The German Invasion of Greece - remarkable typescript prepared by Lt Col W J McDonnel, Royal Engineers, being a detailed account of his escape together with a party of 40 officers and other ranks, from the Island of Kos, in advance of the German invasion of the island in 1943. Folio 18pp in good condition. Together with a printed return of all personnel on active service from Ludlow in 1940, ten printed forms with ms insertions being returns of officers in the Royal Engineers, and two WWII vintage large scale maps - one of Palestine and the other of the coast of Egypt. McDonnel, an experienced airfield engineer, describes being ordered from Jerusalem to the island on September 19th1943 in order to prepare a landing strip near the town of Kos for use by Dakota aircraft in night landing operations. When he got there, he was told there was no Army plant on the island, no Royal Engineers and the only military assistance he could be given would be a small working party but could be assisted by the Italian forces. He then goes into detail describing aerial actions, bombing, and the eventual successful invasion by the Germans of the island, prompting a desperate attempt to escape. What is quite remarkable is that a large contingent of the British forces gave themselves up to the Germans in order for their fellow officers and men to have a better chance to escape - which they did by constructing a raft with the help of local Greek patriots with a daring plan to raft to the safety of Turkey. However, they had a fortuitous encounter with an officer of the SBS who told them that a Naval caique was due to rendezvous with him - and they escaped that way. This remarkable document will yield much new information on a theatre of WWII which is often overlooked. The German invasion led to one of the worse of their many war crimes. On 3 October 1943, 1000, German troops invaded Kos and 3000 Italian and 2000 British troops surrendered the following day. On 5 October 1943, the Germans executed near Linopotis, more than 100 (106 or 110 according to records and witnesses) Italian officers, who were unwilling to cooperate
Corgi 1/50 Scale Lorries (4) - CC12001 MAN curtainside - John Mitchell Transport, CC13227 DAF XF space cab curtainside - L V Transport Ltd, CC13902 Foden Alpha log trailer - R & H Scott Timber Haulage, CC12928 Scania topline Houghton Parkhouse 'The Professional' livestock transporter - R W Stewart, all boxed (4)
Ephemera - carton containing a good selection including an original als of the 18th c politician Sir Joseph Mawsby, two bw photographs of Mussolini taken on a visit to Livorno in 1932, an interesting ms set of depositions relating to a sudden death in 1870, an1830 copy of the Lancet and other publications relating to Baron Larrey, personal friend of Napoleon; an als of Nathan Benjamin, American Missionary dated 1844, a 19th c ms poem concerning a storm at sea, a ms letter to the shipwreck society dated 1841 with a plan to protect ships from wreck, an attractive document relating to a knighthood dated 1890, two alss of the 18th c philanthropist Joseph Butterworth, an interesting ms letter mentioning the American War of Independence, six antique maps from Walpoole's British Traveller, early 19th c , a large scale original photograph of party on a cricket outing in 1912, a fine signed portrait of Air Chief Marshall Sir Frederick Brookhill, two amusing sheets of original cartoon artwork by the artist 'Furnival' relating to fishing in Lancashire, an original copy of Sozialpolitik im lande der lords by Helmut Schneider, a copy of 'Hollar - A Czech Émigré in England' signed by members of the Free Czech Army in 1943, a copy of the Russian publication of the first photographs of the reverse of the Moon
Corgi 1/50 Scale Lorries (4) - CC12428 Volvo FH Houghton Parkhouse 'The Professional' livestock transporter - Fred Greenwood & Son, CC13106 Volvo F88 fridge trailer - H E Payne Transport Ltd, 75408 Layland DAF 85 curtainside - T Brady & Son, CC12201 Scania curtainside - A Wishart & Sons Ltd, all boxed (4)
FRESQUE EN STUC REPRÉSENTANT UN ENSEMBLE DE DIVINITÉSDynastie Yuan/Début de la Dynastie MingA POLYCHROME STUCCO FRESCO DEPICTING A GROUP OF CELESTIAL MAIDENSYuan/early Ming Dynasty Painted with a group of four ladies against a background of swirling clouds, engaged in a conversation, dressed in loose robes and billowing sashes, the rounded faces with serene expressions, their hair elaborately styled and adorned with jewels, one holding a ruyi sceptre, all in shades of red, ochre, green and black, with details picked out in raised gesso, traces of gilding, framed. 108cm (42 1/2in.) x 59.5cm(23 3/8in.)Footnotes:元/明早期 灰泥彩繪天女圖壁畫Provenance:Collection of Jürgen L. Fischer (d. 2013), Baden-Baden, acquired by his father from Bernheimer, Munich, in the 1960s (by repute)Nagel, Stuttgart, 17 May 2006, lot 819 Published:Jürgen L. Fischer, Chinese Art, Munich 1997, p.18 來源： 巴登-巴登Jürgen L. Fischer珍藏（逝於2013年），其父於1960年代得自慕尼黑Bernheimer（傳）納高拍賣行，斯圖加特，2006年5月17日，編號819出版： Jürgen L. Fischer，《中國藝術》，慕尼黑，1997年，頁18Painted in a highly dynamic and animated style, this fresco with its gilt-gesso highlights must be seen in the wider context of large-scale Buddhist paintings that first appear in the Mogao Cave temples in Dunhuang, and in the Yuan dynasty in the large Daoist pantheon painted in the Yongle Palace in Shanxi, see, for instance, The Murals in Yongle Palace, Tianjin, 2007, pls.54, 55, 64 and 65. Compare with two frescoes featuring ladies with similarly round faces, billowing scarves and precious hair ornaments, the first dated to the Jin/Yuan dynasty, sold in Sotheby's New York, 22 and 23 March 1999, lot 341, the second, dated to the Song/Jin dynasty, sold in Sotheby's Hong Kong, 3 and 4 December 2015, lot 287. Compare also with a large fresco of a Guanyin and two attendant bodhisattvas, dated to the Yuan/Ming dynasty, from the Robert H. Ellsworth Collection, sold in Christie's New York, 20 March 2015, lot 772.For further information on this lot please visit Bonhams.com
Par of armorial cups and saucersChinese export porcelainPolychrome "Famille Rose" enamelled, yellow, black and gilt decoration of flower garlands and armorial shield for Sebastião Xavier da Gama Lobo (1730-1786)Fish scale pattern and stylized floral frieze to baseQianlong reign, ca. 1770Literature: Nuno de Castro, "A Porcelana Chinesa e os Brasões do Império", p. 158;Alberto Varela Santos, "Portugal na Porcelana da China - 500 Anos de Comércio", vol. III, pp. 905-911.Alt.: 6 cm (chávena)Diam.: 3,5 cm (prato)
Jean-Léon Gérôme (French, 1824-1904)The Nile in flood, Thebes signed 'J.L.GEROME.' (lower left)oil on canvas78.1 x 116.9cm (30 3/4 x 46in).Footnotes:ProvenanceWith Vose Galleries. Private collection, Canada. ExhibitedParis, Salon, 1901 (according to Ackerman).Vose Galleries, Boston Sale, New York 7-8 March 1929, no. 168. LiteratureOeuvres de J.-L. Gérôme (Bibliothèque nationale, Paris), XXIII, 14 b. Gerald M. Ackerman, The Life and Works of Jean-Léon Gérôme, London, 1986, no. 468, p. 285 (illustrated, dated 1901 and catalogued as lost).Gerald M. Ackerman, Jean-Léon Gérôme, Monographie révisée, catalogue raisonné mis à jour, Paris, 2000, no. 468, p. 354 (illustrated, dated ca. 1900-1904 and catalogued as La Plaine de Thèbes pendant l'inondation du Nil, and catalogued as lost).Gérôme's interest in recording ancient Egyptian monuments was sporadic, and these subjects are rare within his oeuvre. His fascination with the Colossi of Memnon, however, was more enduring. The focus of at least six compositions in various media, these storied statues of the 18th-dynasty pharaoh Amenhotep III (1386-1353 BCE) form a distinctive subgroup of Gérôme's Orientalist works produced between 1856 and 1904. These images yield important information about archaeology, conservation, and tourism, Egypt's pharaonic and classical past, its natural history and changes in its agricultural practices, and Gérôme's understanding and experiences of them all. In the present work, exhibited at the Paris Salon in 1901 and likely based on on-the-spot sketches made during Gérôme's first trip to Egypt in 1856-7 (including a sketch dedicated to Gérôme's mentor, Paul Delaroche; fig. 1), the artist depicts the Colossi at sunrise, at the beginning or, perhaps more likely, at the end of the annual Nile flood. The view is to the approximate north; today, this would position the artist on the modern road on Luxor's West Bank, which connects the Nile ferry docks to some of Egypt's most-trafficked tourist sites. This particular stretch of road lies atop an old berm built around the hawd or irrigated field around the Colossi, which helped to contain the rising waters of the flood. The artistic liberties that Gérôme has taken with the siting of the statues is readily apparent; nevertheless, the basic conception of the Theban hills in the background, with the statues at the entrance to the ancient mortuary temple of Amenhotep III on the floodplain nearer the Nile, is accurate. (In addition to his sketches, Gérôme may also have used contemporary photographs as an aide-mémoire, notably those taken by his friend and traveling companion during that first Egyptian journey, Auguste Bartholdi; fig. 2.) Contemporary viewers would have known Gérôme's subject by the time of the painting's exhibition in 1901, both from his earlier visual examples, including widely circulated prints made by Gérôme's dealer and father-in-law, Adolphe Goupil, and related literary texts. Describing a photogravure made after one of Gérôme's Colossi scenes, one 19th-century author penned, 'Now, the ruined statues of King Memnon, fabled of old to sing at sunrise, form the conspicuous heroes of this wide desert scene, where all seems colossal, strange, adapted to another scale that that of humanity ... Other lands tempt by their beauty, by their capacity of improvement; Egypt fascinates by its stability of ruin, and by its story of a splendid past, written in granite. Of all the artists whom genius has given a mission to penetrate into this place of awe, and bring back the record of its desolation, none equals Gérôme in the tangible distinctness of the impression he leaves; he seems to carve his national types in adamant, and fetch them up to the eye as a series of images that can be weighted, felt, and estimated.' Théophile Gautier's laudatory words about Gérôme's Colossi subjects had first been published in 1856, to the great interest of French visitors to the Salon. They were transcribed into English by the artist's American biographer, Fanny Field Hering, in 1892, making them as well-known in that country as abroad: With a sigh and a shudder, we move on beside the great critic [Gautier] and pause before the Memnon and Sesostris. / 'Two mountains sculptured in the form of man which neither time, nor tremblings of the earth, nor conquerors much more terrible, have been able to move from their base. They are there, their colossal hands crushing their knees, shapeless, monstrous, flat-nosed, returning slowly to rock, standing out against the arid background of the Lybian [sic] range which lies barren beneath a scorching sun - rosy in the light, blue in the shadow. Memnon has lost his voice, and, since the Roman Emperor essayed its restoration, no longer salutes Aurora. The inscriptions on the pedestal seem to-day untrue, but the phenomenon of his melodious vibration is established by history in the most incontrovertible manner. At the foot of these gigantic statues, a group of men and camels may serve as a scale of comparison; they scarcely attain the height of the base-plate. To relieve this landscape of limestone and granite, M. Gérôme has placed in the foreground several clumps of green herbs, which the summer will soon change into tawny tufts, resembling a lion's mane ... / The Plain of Thebes is the reverse side of the picture we have just described. The foreground consists of fragments of enormous columns, in scattered blocks, on one of which is carved the image of a god; it is the debris of a ruined palace, probably that of Amenophis; beyond the ruins stretches a plain subject to inundations, crossed by a road along which a caravan of dromedaries is passing ...The two colossi, with great difficulty diminished by the distance, reappear, seen from the back, their royal tresses gathered and knotted behind their heads like a queue à la prussienne. Farther on, the eye discovers blackish lands, besprinkled with trees and palms, and to the right hillocks, or rather mounds formed of ruins, fragments of which stick up through the ground. In the background a chain of distant mountains, rosy and purple; over them a sky mixed with heat, which seems to lie far above and behind the shimmering, luminous atmosphere, and on which a flock of wandering storks make microscopic points,' (quoted in Fanny Field Hering, Gérôme: The Life and Works of Jean Léon Gérôme, New York, 1892, pp. 66-7; Gautier's original French text appeared in L'Artiste, 28 December 1856, p. 23). The 'shimmering, luminous' atmosphere that Gautier describes in the Plain of Thebes is repeated in the present work.
Isaac Taylor (British 1730-1807) and Thomas Kitchin (British 1719-1784): 'New Map of the County of Hereford', very rare 18th century engraved map of Herefordshire on rolled canvas backing, the margins with 288 heraldic shield for subscribers with only 77 filled pub. 1754, 118cm x 113cmNotes: The first and one of the rarest of Isaac Taylor's large-scale surveys, only 77 subscribers were procured, with subsequent maps not including the heraldic arms due to the unsuccessful result. Possibly less than 100 maps were eventually printed.
Thomas Bowen (Welsh 1733-1790): 'A New and Correct Map of Great Britain from the most accurate surveys', rare 18th century engraved map with hand colouring; together with a collection of others including: John Bayly's map of 'Gloucestershire' 1779; 'Large Scale Railway & Station Map of England & Wales' 1875; 'Stanford's Map of the Environs of Paris' 1870; and a 19th century map of 'Texas and Indian Territory' (8) (unframed)
3 Snuffbottles mit verschiedenfarbigen Überfängen. H 5 - 8 cm. Größere Flasche mit breiten, seitlichen Taotiemasken und je einem Fabelwesen auf den Fronten, in dunkelviolettem Überfang. / Kugelartiger Korpus mit blauem, blattartigem Überfang. / Überfanggläser: rot kleinteilig, dunkel mit Taotiemaske, Kugel mit blauem Palmblatt. / Flache Flasche mit kleinteiligem, zartem Überfang aus rotem Glas. Alle mit Stöpsel, teils mit Lanzette. Aufrufzeit 26. | Okt 2023 | voraussichtlich 11:59 Uhr (CET)3 Snuffbottles with different colored over. H 5 - 8 cm.Larger bottle with wide lateral taotie masks and a mythical creature on each of the fronts, in dark purple overlay / spherical body with blue leaf-like overlay /. Overlay glasses: red small-scale, dark with taotie mask, sphere with blue palm leaf. / Flat bottle with small-piece delicate overlay of red glass. All with stopper, some with lancet. Call time 26 | Oct 2023 | expected 11:59 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Barocker sächsischer Humpen. Dippoldiswalde. Sogenanntes Annaberger Steinzeug. Um 1700.Gedrehter Scherben, dunkelbraun engobiert und salzglasiert, Emailbemalung in Blau, Weiß, Gelb, Rot und Gold. H 18 cm. Konischer Walzenkrug mit Bandhenkel, mittig umlaufend schmales Schuppenband, gewulstete Blattfriese, Streifenbänder. Zinndeckel mit Kugeldrücker, graviert "JTW", innen gepunzt (Prag). Wandungs- und bodenrissig, teils bestoßen und geklebt, Zinnmontierung mit Defekten.Aufrufzeit 26. | Okt 2023 | voraussichtlich 14:53 Uhr (CET) Baroque sächsischer tankard. Dippoldiswalde. So-called Annaberg stoneware. Around 1700.Turned body, dark brown engobed and salt-glazed, enamel painting in blue, white;, yellow, red and gold. H 18 cm. Conical cylindrical jug with ribbon handle, central circumferential narrow scale band, beaded leaf friezes, striped rims. Pewter lid with spherical notch, engraved "JTW", hallmarked inside (Prague). Wall and base cracked, partly punctured and glued, pewter mounting with defects..Call time 26 | Oct 2023 | expected 14:53 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
2 Tafeltücher. Anfang 20. Jh.Leinendamast. 340 x 160 bzw. 280 x 160 cm. Durchgängig mit Rosenranken verziertes Tuch mit gesticktem Monogramm MH. / Von Hohlsäumen gerahmtes Tuch mit Rosen-Bordüre, mittig kleinteiliger Blattraport. Gesticktes Monogramm "HD". 2 minimale Flecken am Rand des rosenverzierten Tuches.Aufrufzeit 26. | Okt 2023 | voraussichtlich 16:16 Uhr (CET)2 tablecloths. Early 20th centuryLinen damask. 340 x 160 or 280 x 160 cm.Canvas decorated throughout with rose vines with embroidered monogram MH. / Cloth framed by hemstitches with rose border, centered small-scale foliage rapport. Embroidered monogram "HD". 2 minimal spots on the edge of the rose decorated cloth.Call time 26 | Oct 2023 | expected 16:16 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Tasse mit Purpurmalerei. Ludwigsburg. Blaumarke, 1780. Purpur und Grün bemalt, goldstaffiert. Tasse (H 4,5 cm), Untertasse (Ø 12,5 cm). Unter einer grünen Schuppenbordüre purpurfarben gemaltes Garbenmuster. Minimale Randbereibung. Aufrufzeit 27. | Okt 2023 | voraussichtlich 10:30 Uhr (CET)Cup with purple painting. Ludwigsburg. Blue mark, 1780. Purple and green painted, gold decorated. Cup (h 4,5 cm), saucer (Ø 12,5 cm). Under a green scale border purple painted sheaf pattern. Minimal rim rubbing. Call time 27 | Oct 2023 | expected 10:30 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Barocke Teedose mit Watteau-Malerei. Meissen. Schwertermarke, um 1750/60. Polychrom bemalt, goldstaffiert. H 12 cm. Rechteckige Dose mit Deckel. Unter einem purpurfarbenen Schuppenfond und Blumengirlanden die grisaillegemalte Darstellung von höfischen Figuren in einer Landschaft. Rosenknauf fehlt. Aufrufzeit 27. | Okt 2023 | voraussichtlich 10:37 Uhr (CET)Baroque tea caddy with Watteau painting. Meissen. Sword mark, circa 1750/60. Polychrome painted, gold decorated. H 12 cm. Rectangular box with lid. Under a purple scale background and floral garlands the grisaille painted depiction of courtly figures in a landscape. Rose knob missing. Call time 27 | Oct 2023 | expected 10:37 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Barocke Tasse mit Frucht- und Blumenmalerei. Meissen. Schwertermarke, um 1750. Polychrom bemalt, goldstaffiert. Tasse (H 5 cm), Untertasse (Ø 13,5 cm). Bauchige Tasse mit gewundenem Asthenkel. Unter einer purpurfarbenen Schuppenbordüre Frucht- und Blumenbuketts. Minimaler Goldabrieb. Aufrufzeit 27. | Okt 2023 | voraussichtlich 11:05 Uhr (CET)Baroque cup with fruit and flowers painting. Meissen. Sword mark, circa 1750. Polychrome painted, gold decorated. Cup (h 5 cm), saucer (Ø 13.5 cm). Bellied cup with twisted branch handle. Under a purple scale border fruit and flower bouquets. Minimal gold rubbing. Call time 27 | Oct 2023 | expected 11:05 am (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
RETTELBITSCH, "Möbel-Lexikon - Nachschlagebuch""Entwürfe im korrekten Massstab gezeichnet für 265 Küche, Vorplatz, Kontor, Wirthschaft, Schlafzimmer, ...". Selbstverlag. Nürnberg. Um 1900. 20,5 x 13 cm. 287 Seiten mit Abbildungen, inclusive Verzeichnis und Kostenaufstellung. Im farbigen Broschureinband. Aufrufzeit 28. | Okt 2023 | voraussichtlich 10:34 Uhr (CET) RETTELBITSCH, "Furniture Lexicon - Reference Book""Designs drawn to the correct scale for 265 kitchen, forecourt, Kontor, Wirthschaft, bedroom, ..." Self-published. Nuremberg. Circa 1900. 20.5 x 13 cm. 287 pages with illustrations, including index and cost breakdown. In colored booklet binding. Call time 28th | Oct 2023 | probably 10:34 am (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Armbanduhr: Ingenieur Chronograph. IWC SCHAFFHAUSEN. Referenz-Nr. 3725, Gehäuse-Nr. 3134428. Titan. ø 42 mm. 133 Gramm. Für Mercedes AMG. Automatikwerk, 31 Lagersteine, Gangdauer 44 Stunden. Wasserdicht bis 120 Meter. Gehäuse mit Start-Stopp-Taste und Rückstelltaste. Saphirglas, schwarzes Zifferblatt, Leuchtmasse, kleine Sekunde, Hilfszifferblatt für 30-Minuten-Zähler, Tachymeterskala. Original-Armband mit Faltschließe. Bedienungsanleitung, Garantie-Service-Heft, Garantiekarte, 2 Ersatz-Armband-Glieder, Original-Box, Karton. Im Kurzzeit-Test funktionstüchtig.Die Uhr kommt aus einem Sammlungsnachlass und ist über einen langen Zeitraum nicht bewegt worden. Für Funktion und Ganggenauigkeit können wir keine Garantie übernehmen * Partnerauktion Bergmann.Provenienz : Nachlass einer privaten Sammlung, verkauft durch Uhrenfachgeschäft Andreas Huber, München 2005.Aufrufzeit 25. | Okt 2023 | voraussichtlich 18:39 Uhr (CET) Watch: Ingenieur Chronograph. IWC SCHAFFHAUSEN. Reference no. 3725, case no. 3134428. Titanium. ø 42 mm. 133 grams.For Mercedes AMG. Automatic movement, 31 jewels, power duration 44 hours. Water resistant to 120 meters. Case with start-stop button and reset button. Sapphire crystal, black dial, luminous material, small seconds, sub-dial for 30-minute counter, tachymeter scale. Original bracelet with folding clasp. Instruction manual, warranty service booklet, warranty card, 2 spare bracelet links, original box, cardboard box. In short time test working.The watch comes from a collection estate and has not been moved for a long period of time. For function and accuracy we can not guarantee * Partner auction Bergmann.Provenance : Estate of a private collection, sold by watch specialist Andreas Huber, Munich 2005.Call time 25 | Oct 2023 | expected 18:39 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
COE-ONE, SIMPSON spray paint and acrylic on card album cover signed31cm x 31cmCoe-One is a street artist raised in South Africa, currently living and working in London. Having grown up painting graffiti, he now largely focuses on characters which can be seen in cities around the world. "He thinks of his characters as personalities on a wall that are trying to get the attention of whoever's passing by... and if they get an interaction, even better." Known for his large scale murals, he is now experimenting with painting on a smaller scale so the personalities can be taken into people's homes. Instagram: coe1one
JAMES TALON, FATBOY SLIM MDF, steel, giclee print, dry transfer and spray paint on card album cover, signed by the artist and Fatboy Slim (Norman Cook)31cm x 31cmJames Talon formally studied fine art early in life but by his own admission then spent the next 25 years of his life pissing about in music. Now he has returned to art and brought with him his wide cultural pop knowledge. James work is neither painting nor sculpture but a refreshing mixture of both forms. In his work everyday objects like Rizla packets, razor blades, sweets and music cassettes are given new life by exaggerating their scale and applying wit and graphic motifs. He has exhibited in Miami, Chicago, London and Brighton. James cites many influences including music in all its forms and of course the master of pop art - Warhol.Instagram: james_talon
TOM LIGHTBODY, DRIED COLOUR ROSES IN SEPIA fine liner pens on card album cover, signed31cm x 31cm Tom Lightbody is an illustrative graphic artist based in the west of Scotland. His influences range from Schiele to Sainer and whether he is creating large scale mural work or small fineliner drawings, his work is always recognisable due to the vertical and horizontal cross hatching. However, he is mainly interested in an expressive aesthetic - with line, colour interaction and form always the principle focus. Instagram: lightbody107
DISH, DEMAND THE IMPOSSIBLE silkscreen print in 4 colours hand pulled by the artist on card album cover, hand finished details in posca pen, signed31cm x 31cm Dish is an artist from London and now living and working in Bergen, Norway. Her striking work and strong style has been described as feminine and seductive, juxtaposed with distinctively dark lines and tones. Her large scale wall paintings / murals can be found dotted around Bergen and London. Instagram: dish_kunst
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