STAR WARS - A Master Replica's Luke Skywalker Elite series A New Hope Lightsaber, 2005 collectors society exclusive #0519, in acrylic display case with certificate of authenticity and original packing box. 1:1 Scale. Master Replicas created officially licensed, high-quality, prop replicas modelled using casts of the original pieces borrowed from Lucasfilm to a strict limited availability. These items come from a single-owner collection and were kept in excellent condition.
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STAR WARS - A Master Replicas Luke Skywalker Signature Series Star Wars A New Hope Lightsaber, Mark Hamill signature to plaque, limited edition #0606, with acrylic display case, certificate of authenticity, and in original box, and shipping package, 1:1 Scale. Master Replicas created officially licensed, high-quality, prop replicas modelled using casts of the original pieces borrowed from Lucasfilm to a strict limited availability. These items come from a single-owner collection and were kept in excellent condition.
STAR WARS - A Master Replicas Star Wars Episode v: The Empire Strikes Back, Boba Fett Signature Series Helmet signed by Jeremy Bulloch, limited edition #117 / 750, on display stand, with certificate of authenticity, boxed and with original shipping box. 1:1 Scale. Master Replicas created officially licensed, high-quality, prop replicas modelled using casts of the original pieces borrowed from Lucasfilm to a strict limited availability. These items come from a single-owner collection and were kept in excellent condition.
A monumental bronze bowl signed ‘Abu Bakr Muhamad Ibn Hasan Al-Herati’,Herat, Iran, 13th century,of hemispherical form on a short foot, with wide flaring rim, the rim with six inscription cartouches, four comprising thuluth inscriptions and rabbits on a vegetal ground and two with naskh inscriptions, alternating with roundels, area of loss to rim, 71.3cm. diam. Published: Christie’s Arts of the Islamic and Indian Worlds, Including works from the Simon Digby Collection, Thursday 7 April 2011, lot 46 (£70,000-100,000 estimate). Provenance: Acquired by the vendor from a UK Private Collection, where it had reputedly been acquired in the 1960’s.Inscriptions:In thuluth to the rim: al'izz wa'l-iqbal wa'l-dawla wa'l salama wa'l-shafa'a wa'l-... wa'l-shukr wa'l-shakira wa'l-'afiya wa'l-tama wa'l-rahma wa'l-rahima, "Glory and fortune and wealth and well-being and happiness and intercession and ... and gratitude and gratefulness and health and entirety and mercy and compassion."In naskh to the rim: Owner's inscription haji hasan (?) khalvati, "Haji Hasan (?) Khalvati"Maker's inscription 'amal abi bakr muhammad ibn hasan (?) al-herati, "made by 'Abu Bakr Muhammad ibn Hasan al-Herati" Footnotes: This large bowl is a very rare example of large scale Khorassan metalwork, the quality of which is confirmed by the engraved inscriptions; the maker's signature to the rim, the owner's inscription, and the benedictory inscriptions in thuluth wishing good health and compassion on the owner. The bowl stands on a wide, circular foot and is larger in diameter than any of the published Khorassan bronze cauldrons, the largest comparable vessels datable to this period. The presence of a maker's signature is particularly remarkable and is paralleled in the aforementioned caudrons indicating the casting large bronze vessels was something of a technical feat. A cauldron in the State Hermitage Museum, St Petersburg has a maker's signature of Abu Bakr Mahmud Saffra and a further example in the Victoria and Albert Museum is signed Abu Bakr (see A.S. Melikian Chirvani, Islamic Metalwork from the Iranian World, London, 1982, pl. 10, p. 48). The signature on our bowl is also interesting as it places the vessel's manufacture in Herat, which was formerly eastern Khorassan. Condition Report: Intact with dented areas on rim, natural patination to the surface.
Omega Speedmaster gentleman's stainless steel automatic wristwatch, Ref. 175.0083, Cal. 1152, movement No. 55597732, black dial with subsidereary dials, red seconds hand and date aperture, tachymeter scale bezel, on Omega stainless steel bracelet, with fold-over clasp and service historyCondition Report:Movement functioning, hands moving freely, date and push buttons functioning, dial good bezel with a couple of very small minor scratches - not detrimental, few light scratches to case and bracelet, bracelet and clasp good, inner circumference = 19.5cm, case diameter = 38mm (excluding crown), no papers, fully serviced 2004
Omega Speedmaster gentleman's stainless steel automatic triple date automatic wristwatch, black dial with subsidereary dials, tachymeter scale bezel, on Omega stainless steel bracelet, with fold-over claspCondition Report:Movement functioning, one push button missing, some scratches to bracelet, case and bezel, dial good, case stiff to come off so cannot obtain serial number, cal etc, case diameter = 38mm (excluding crown), inner circumference = 18.5cm, clasp good,small spot to cover from inside - appears this will come off
*KATHLEEN MURIEL SCALE (MURIEL HARDING-NEWMAN) (1913-2006) Ursula McCannell signed "M Scale" upper right, pencil on paper, with additional portrait sketch and other drafts verso, the sheet 45.8cm x 29.2cm (unframed)Note: This work would have been executed whilst K.M. Scale was studying at Farnham School of Art in the 1930s.Ursula McCannell (1923-2015) was the only child to the painter Otway McCannell, the former head of Farnham School of Art where K.M. Scale studied. At the age of 13 she showed at the Wertheim Gallery and had her first major exhibition at the Redfern Gallery in London when she was sixteen, which led to her being elected the youngest member of the Woman's International Art Society and the youngest exhibitor at both the New English Art Club and the Royal Academy (1940).Ursula McCannell studied at the Farnnham Art School, benefiting from her father's enthusiasm and discipline. She attended the Royal College of Art where she met Peter Rees Roberts whom she later married. In the succeeding years she had numerous one man shows at prestigious, leading galleries and important group shows including: Royal Academy, Leicester Galleries (London) €“ 'Artists of Fame and Promise', Leger Gallery (London) the London Group and the New English Art Club.Her work is held in many private and public collections including the Contemporary Arts Society and Manchester City Art Gallery.The picture showing Ursula at the easel at aged 14 shows the influence of K.M. Scale, who as a fellow young female artist, was no doubt an inspiration to Ursula's burgeoning talents.
*KATHLEEN MURIEL SCALE (MURIEL HARDING-NEWMAN) (1913-2006) 'William Otway McCannell FRSA RBA (1883-1969) the sitter depicted bust-length before blue and black drapery, signed "Scale" in pencil upper right, oil on linen laid on panel, 61cm x 51cm (unframed)Note: This work would have been executed whilst K.M. Scale was studying at Farnham School of Art in the 1930s.William Otway McCannell was a British painter, illustrator, writer and Principal of Farnham School of Art, where Scale studied. McCannell's daughter Ursula (1923-2015) was the youngest member to be elected to the Women's International Art Club at aged 14, then three years later became the youngest artist to exhibit at the Royal Academy (1940).Overall dimensions: 61cm x 51cm
*KATHLEEN MURIEL SCALE (MURIEL HARDING-NEWMAN) (1913-2006) 'Venus greeted by the Seasons' signed "K. M. Scale, 1937" lower right, oil on board, 88.5cm x 95.5cmExhibited: Royal Academy, 1937, no. 534'Prominent Living Artists', Russell-Cotes Art Gallery & Museum, Bournemouth, 1938, no. 924 K M Scale/Harding-Newman - A Retrospective, Dorset Museum, 1995, no. 4.This work was showcased in cartoon form in Punch Magazine in 1937, topically reproduced to coincide with the Coronation of King George VI and Queen Elizabeth in Punch's review of the Royal Academy's exhibition of 1937. The fact that the hugely popular and influential Punch used Scale's work to mark the most important occasion of the year, shows the growing admiration and esteem the artist was held in at the time.Framed dimensions: 114cm x 121cm
*KATHLEEN MURIEL SCALE (MURIEL HARDING-NEWMAN) (1913-2006) A head and shoulders portrait of a young woman with wavy blonde hair standing before a landscape with red-roofed buildings, signed "K.M. Scale, 1935" lower right, oil on canvas, 46cm x 35.5cm (unframed on stretcher)Overall dimensions: 46cm x 35.5cm
*KATHLEEN MURIEL SCALE (MURIEL HARDING-NEWMAN) (1913-2006) 'Eve in the Garden of Eden' 1930s, Art Deco composition depicting Eve holding the forbidden fruit as the serpent, coiled around a tree behind her, speaks temptation to her, oil on plywood, 76.5cm x 76.5cm (unframed); a study of a mother and child in a landscape verso, signed "K.M. Scale" lower leftOverall dimensions: 76.5cm x 76.5cm
*KATHLEEN MURIEL SCALE (MURIEL HARDING-NEWMAN) (1913-2006) 'Venus in Shell (Sea Nymph)' signed K.M. Scale, 1959(-66) lower left, oil on board, 75cm x 67cmExhibited: Royal Society of British Artists Society of Women Artists, 1959, 1967 K M Scale/Harding-Newman - A Retrospective, Dorset Museum, 1995, no. 52Note: The artist had always wanted to include a scalllop shell in one of her paintings as tribute to her father, as this was his family crest.Framed dimensions: 87.5cm x 79cm
*KATHLEEN MURIEL SCALE (MURIEL HARDING-NEWMAN) (1913-2006) 'Ophelia' bust-length portrait study, signed "K.M. Scale" lower left, oil on canvas, 55.5cm x 40.25cm (unframed on stretcher); with an unfinished portrait sketch versoExhibited: K M Scale/Harding-Newman - A Retrospective, Dorset Museum, 1995, no. 45.Overall dimensions: 55.5cm x 40.25cm
*KATHLEEN MURIEL SCALE (MURIEL HARDING-NEWMAN) (1913-2006) 'Eve' bust-length portrait study of a woman wearing a garland of flowers and standing before a fantastical landscape with boats, aeroplanes and a crescent moon, signed "K.M. Scale, 1969" lower left, oil on board, 64cm x 55.5cmExhibited: K M Scale/Harding-Newman - A Retrospective, Dorset Museum, 1995, no. 51.Note: It is believed that the background of this work was influenced by the monumental event of 1969, the Apollo 11 moon landing.Framed dimensions: 74cm x 63.5cm
*KATHLEEN MURIEL SCALE (MURIEL HARDING-NEWMAN) (1913-2006) Pink camellia and white amaryllis' still life botanical study, signed "K. M. Scale Harding Newman, 1986" lower left, watercolour on paper, 59cm x 45cmExhibited: K M Scale/Harding-Newman - A Restrospective, Dorset Museum, 1995, no. 64.Framed dimensions: 79.5cm x 63.5cm
*KATHLEEN MURIEL SCALE (MURIEL HARDING-NEWMAN) (1913-2006) 'Mercury (Hermes) and Minerva (Athena) with Paris' 'Mercury (Hermes) and Minerva (Athena) with Paris', watercolour and pencil, 26.5cm x 20cmExhibited: K M Scale/Harding-Newman - A Retrospective, Dorset Museum, 1995, no. C82.Framed dimensions: 48cm x 40cm
*KATHLEEN MURIEL SCALE (MURIEL HARDING-NEWMAN) 'Girl in pink jacket' 1937, bust-length portrait study of a woman standing before a mountainous landscape with shafts of light breaking through the dark clouds, signed "K.M. Scale" lower left, later further signed "Harding Newman", oil on board, 64cm x 55.5cmExhibited: K M Scale/Harding-Newman - A Retrospective, Dorset Museum, 1995, no. 55.Framed dimensions: 76cm x 67.5cm
*KATHLEEN MURIEL SCALE (MURIEL HARDING-NEWMAN) (1913-2006) 'Blue Eyes' bust-length portrait study of a woman wearing a blue beaded necklace and standing before an exotic river landscape, signed "K.M. Scale Harding-Newman, 1999" lower right, oil on panel, 44cm x 42cmFramed dimensions: 62cm x 59.5cm
Tissot - A steel 'Navigator' chronograph wristwatch, circa 1973, reference 45 501, circular 'reverse panda' dial with white batons and hands, orange chronograph sweep, orange minutes sweep, subsidiary dials for running seconds at 9H and hours with orange hand at 6H, date window at 3H and outer tachymetre scale, 17 jewel Lemania mechanical automatic movement calibre 1341, with start/stop and reset pushers above and below the crown, cushion shaped case, 40mm wide, to a black strap with pin buckle
Tag Heuer - A steel limited edition 'Mercedes Benz SLR' chronograph wristwatch, circa 2009, model number CAG2111, serial number RRL6372, number 2599 of a limited edition of 3500, circular black dial with silver coloured batons and hands, red tipped chronograph sweep, subsidiary registers for running seconds at 3H and minutes at 9H and crescent shaped date window at 6H, bidirectional timing track with adjusting wheel at 9H, tandem signed 37 jewel mechanical automatic ETA movement calibre 2894-2 V8DJ2, TAG calibre17, with start/stop and reset pushers above and below the crown, case, 45mm diameter, black outer tachymetre scale, to a black strap with fold over clasp, presented in the original case with outer card box, instruction booklet, guarantee card dated 1/4/2009 and CD
Tag Heuer - A steel 'Carerra' chronograph wristwatch, circa 2010, model number CV2013-1, serial number FR8271, circular brown dial with silver coloured batons and hands, orange centre chronograph sweep, subsidiary dials for running seconds at 9H, minutes at 12H and hours at 6H and date window at 3H, tandem signed 25 jewel mechanical automatic ETA movement calibre 7750 TAG calibre 16, with start/stop and reset pushers above and below the crown, case, 42mm diameter, brown outer tachymetre scale, verso with exhibition back, to a brown strap with fold over clasp, presented in the original case with instruction booklet and guarantee card dated 7/9/2010
A box of c:1:72 scale diecast unpainted Napoleonic Soldiers, two packets of Langley Models Loco Drivers and Bus Drivers & Conductors, an English Miniatures Figure of an Infantryman of 95th Rifle Brigade, a Figure of Lord Nelson, a bronze effect Figure of a Napoleonic period Infantryman, a painted diecast Figure of a British Napoleonic period Infantryman, a painted resin Figure of a Saxon Warrior, a Bust of Sir John Moore, two boxed Almond Sculptures Models of Napoleonic period Soldiers (incomplete), a modelling Magnifying Glass and Paintbrushes
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186097 item(s)/page