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Lot 157
A Quantity of XX Century Toys, including Micro Scalextric Ultimate Velocity (no cars), Meccano construction set, Nuts and Bolts excavator, Chad Valley slide projector, Cluedo, Battleships, Heller 1:400 scale HMS King George V and Academy 1:400 scale R.M.S. Titanic plastic model kits (both started) and other items. Unchecked for completeness.
Lot 318
A late 19th Century Samson tea caddy, of oval fluted form enamelled in famille rose style with an armorial and floral sprays, 13.5cm high and a Dresden small coffee pot of wrythen fluted tapering form painted with floral sprays on a green scale ground, 14.5cm high with the matching cream jug, 7.5cm high (3)
Lot 352
A Japanese dish, of circular form with wavy rim painted in multicoloured enamels and gilt with panels of flowers on a green prunus blossom ground, under glaze blue mark, 28.5cm diameter, a pair of New Hall style tea bowls and saucers painted with floral sprigs within a pink scale border and a continental porcelain scent bottle painted in blue and white with flowers and leaves, the hinged lid with chased white metal mount opening to reveal an inner floral stopper, 7.5cm long (6)
Lot 318
A late 19th Century Samson tea caddy, of oval fluted form enamelled in famille rose style with an armorial and floral sprays, 13.5cm high and a Dresden small coffee pot of wrythen fluted tapering form painted with floral sprays on a green scale ground, 14.5cm high with the matching cream jug, 7.5cm high (3)
Lot 352
A Japanese dish, of circular form with wavy rim painted in multicoloured enamels and gilt with panels of flowers on a green prunus blossom ground, under glaze blue mark, 28.5cm diameter, a pair of New Hall style tea bowls and saucers painted with floral sprigs within a pink scale border and a continental porcelain scent bottle painted in blue and white with flowers and leaves, the hinged lid with chased white metal mount opening to reveal an inner floral stopper, 7.5cm long (6)
Lot 10
A Worcester scale blue ground coffee cup and saucer, reserve painted with birds, insects and butterflies against a scale blue ground, blue square mark, the saucer measures 13cms diameter, minor imperfection to cup rim, a similar Worcester tea cup, a similar coffee cup and a Worcester style saucer, and a Worcester style mug decorated with oriental`s, minor chip to rim (6)
Lot 287
A late 18th early 19th century gilt wood and gesso cartel barometer, with a 18cm dial printed Barometer Metallique with outer scale, mechanism later, later back casing, the gilt wood and Gesso case with flambeau finial above a vase and mask, pendent ribbons and leaves with a shaped undercut base with pendent leaves and grapes, 75cms
Lot 297
A George III mahogany bracket clock with a 19cm silvered chapter ring with Roman and Arabic numerals with leaf and flower spandrels, the roundel in the arched signed William Mayhew, Woodbridge, flanked by leafy scrolls of flowers and leaves, the two train fusee and chain movement striking on a saucer bell now lacking with a brass pendulum with locking screw, the case with an arched moulded top with a loop handle, brass scale fret sides, the hinged door glass detached possibly later, raised upon a plinth base and gilt brass bracket feet 40.5cms x 29cms x 17.5cms, minor pieces of moulding missing with a winding key (illustrated)
Lot 114
Daphne Charlton - Self Portrait oil on canvas executed circa 1933 12 x 10 in., 30.5 x 25.4 cm Daphne Charlton was a student at the Slade School of Art, as was Stanley Spencer, and her husband George taught there. The Charltons were introduced to Spencer in 1939 and from then on he often visited them at their Hampstead home. All three went on a painting holiday together in the summer of 1939 to Leonard Stanley, a remote village in Gloucestershire. During this stay Daphne Charlton painted Spencer`s portrait, and soon after their return to London Spencer produced a large scale portrait of her, which sits in the Tate collection, London.
Lot 23
Live Steam traction engine `Allchin Royal Chester` with Ransome Threshing Box and Baler 1.5inches to the foot scale, scratch built by Bowman Curr of Balterley, the threshing box is contained within a display case, together with a framed information plaque. The traction engine measures 67cm long.
Lot 199
An emerald and diamond flexible sprung bangle, set to the centre with an oval cabochon emerald, 11 x 7mm, in a raised collet above asymmetric swirling linear fields filled with round brilliant cut diamonds, to tapered flexible sides of graduated fish-scale links with pierced foliate pattern on the inside, of yellow precious metal which tests for 18ct gold; internal width 5.2cm, gross weight 47.12g. total estimated weight of diamonds approximately 1.15cts
Lot 472
Attributed to Charles Francois Lacroix de Marseille (French, 1700-1782) Shipwrecked figures off a lighthouse in a storm oil on canvas 38 x 56cm (15 x 22in) Canvas possibly lined, fine weave canvas under original canvas. Small scale losses across painting in upper layer. Areas of retouching in foreground. Frame in good condition. Overpaint and repair to the right-hand side.
Lot 597
A Regency mahogany triple pad top bracket clock signed Thomas Holmes Cheadle, the silvered one piece dial signed in the arch above two subsidiaries, wavey hands, Roman numerals, three train fusee movement chiming and repeating on 6 bells, the backplate signed to a curved plate, with brass scale side fret panels, folding carrying handle above, on ogee bracket feet, 43cm (17in)
Lot 23
Live Steam traction engine `Allchin Royal Chester` with Ransome Threshing Box and Baler 1.5inches to the foot scale, scratch built by Bowman Curr of Balterley, the threshing box is contained within a display case, together with a framed information plaque. The traction engine measures 67cm long.
Lot 339
Draughtsman's instruments - an Ecobra 3832 518mm radius beam compass a Rotring 2000 pen set , others (4)unused; a koh-i-noor rapidograph set used; a compass/ divider; spare nibs; a ten piece Ellipse set; scale rules, set squares; French curves; etc. A Polar Compensation Planimeter with optical tracer for Teledyne post, boxed; a Proportional divider, cased; a Keuffel and Esser and Co lettering set , a qty of spares (2)
Lot 320
A PORCELAIN FIGURINE OF A BURYAT MAN RUSSIAN, AFTER A 1912 MODEL BY PAVEL KAMENSKY, IMPERIAL PORCELAIN MANUFACTORY, EARLY 20TH CENTURY Height 40 cm. Provenance: Acquired by the grandfather of the currentowner in the late 1920s?1930s. Thence by descent. Related literature: For similar works, seeE. Khmelnitskaya, Farforovaya Rossiya P.P. Kamenskogo,Moscow, Lyubimaya Kniga, 2013, p. 318. Realistically modelled wearing a blue Buryat long-sleeved robe (?degel?) elaborately decorated with native Buddhist ornament, dragons and flowers and a hat, both with furry trims, on a green naturalistically shaped base, with incised inscription in Cyrillic on the underside ?Buryat?. The series ?Peoples of Russia? by Kamensky were commissioned personally by Nicholas II from the Imperial Porcelain Factory in 1907 with the purpose of showing the cultural diversity of Imperial Russia. Kamensky, a well-known and established sculptor, collaborated withthe Imperial Manufactory on this project for the following decade. One of the distinctive qualities of his work is the highly realistic representation of figures, achieved through consultation with leading ethnological specialists, studies and censuses. The Buryat, in his brightfestive blue ?degel? with various Buddhist ornaments and characteristic face is a spectacular example of craftsmanship and a thorough knowledge of the subject.The rare large scale of the present lot distinguishes it from other pieces in this renowned series. A comparable example of a Buryat man in terms of size and clothing is held in the collection of the State Hermitage Museum, inventory number: ?ERF-3708? in Cyrillic. This impressive porcelain figure of Buryat comes from the private collection of the German professor and diplomat Max Meyer (1886?1967). Having studied structural design at the Technical University in Munich, he was awarded a scholarship to the Maximilinaeum (Bavarian Parliament) and soon became a professor at the Bauhausschool in Weimar, famous for such illustrious fellows as Walter Gropius, Paul Klee and Wassily Kandinsky. After the school was closed under pressure from the Nazi regime, which considered it a centre for communist intellectualism, Meyer moved to Moscow where he lived and worked for five years. It was during this time that he started collecting Russian works of art, acquiring numerous objects, including several lots offered here for sale (lots 319, 329, 335, 338, 376, 377, 379, 382).
Lot 320
A PORCELAIN FIGURINE OF A BURYAT MAN RUSSIAN, AFTER A 1912 MODEL BY PAVEL KAMENSKY, IMPERIAL PORCELAIN MANUFACTORY, EARLY 20TH CENTURY Height 40 cm. Provenance: Acquired by the grandfather of the currentowner in the late 1920s–1930s. Thence by descent. Related literature: For similar works, seeE. Khmelnitskaya, Farforovaya Rossiya P.P. Kamenskogo,Moscow, Lyubimaya Kniga, 2013, p. 318. Realistically modelled wearing a blue Buryat long-sleeved robe (‘degel’) elaborately decorated with native Buddhist ornament, dragons and flowers and a hat, both with furry trims, on a green naturalistically shaped base, with incised inscription in Cyrillic on the underside “Buryat”. The series “Peoples of Russia” by Kamensky were commissioned personally by Nicholas II from the Imperial Porcelain Factory in 1907 with the purpose of showing the cultural diversity of Imperial Russia. Kamensky, a well-known and established sculptor, collaborated withthe Imperial Manufactory on this project for the following decade. One of the distinctive qualities of his work is the highly realistic representation of figures, achieved through consultation with leading ethnological specialists, studies and censuses. The Buryat, in his brightfestive blue ‘degel’ with various Buddhist ornaments and characteristic face is a spectacular example of craftsmanship and a thorough knowledge of the subject.The rare large scale of the present lot distinguishes it from other pieces in this renowned series. A comparable example of a Buryat man in terms of size and clothing is held in the collection of the State Hermitage Museum, inventory number: “ERF-3708” in Cyrillic. This impressive porcelain figure of Buryat comes from the private collection of the German professor and diplomat Max Meyer (1886–1967). Having studied structural design at the Technical University in Munich, he was awarded a scholarship to the Maximilinaeum (Bavarian Parliament) and soon became a professor at the Bauhausschool in Weimar, famous for such illustrious fellows as Walter Gropius, Paul Klee and Wassily Kandinsky. After the school was closed under pressure from the Nazi regime, which considered it a centre for communist intellectualism, Meyer moved to Moscow where he lived and worked for five years. It was during this time that he started collecting Russian works of art, acquiring numerous objects, including several lots offered here for sale (lots 319, 329, 335, 338, 376, 377, 379, 382).
Lot 512
A group of twenty-four 1:43 scale Ferrari models by various manufacturers, seven Minichamps models include examples from the Shumacher and Eddie Irvine drivers collection; Onyx models include three models driven by Jean Alessi and Nicky Lauda; other models include four by Solido, three by Jouef and others (24)
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216134 item(s)/page