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Lot 388
A mahogany dome top mantel clock, 19th century, the painted dial signed 'Saml. Shortman, Newnham', Roman numerals, twin fusee movement with bell strike, side ring handles above arched brass scale fret panels, on ball feet 43cm highdial probably retouched/repainted. The front glass bezel hinge is weak. Movement not tested and stops after a few minutes so probably needs attention. A few age age marks to case. Old damage noted to rear door.
Lot 383
A mahogany bracket clock, early 19th century, single pad top arched case with carrying handle, white dial (retouched) marked 'Perigal, London', shaped hands, Roman numerals and Arabic minutes, bell striking fusee movement, pull repeat cord, rectangular brass scale side frets, on brass ogee feet36cm high, 28cm wideThe rear door-lock is loose. Ther front door lock does not secure properly. Seems to work, but not tested for duration.
Lot 1
An early George I silver punch bowl. Robert Timbrell & Joseph Bell I, London, 1714. Designed with two rows of fluted bands to the circular body and raised on a fluted, circular foot, the cartouches with chased scale borders within scroll frames, one engraved with arms, possibly a variant of Enys impaling Nicholas (of Lazy Hill, Dublin), the other vacant, the underside scratch engraved with the initials E over IE, 1732 and the scratch weight 34=12, 25.2cm dia., 15cm high, approx. weight 34.1oztFootnotes: Arms: on a fess embattled 3 cinquefoils between and within 3 birds all within a bordure IMPALING on a chevron a crescent between and within 3 cross crosslets fitchy. Families: possibly a variant of Enys (with a bordure) IMPALING Nicholas (of Lazy Hill, Dublin). (With thanks to Pursuivant Research)cf: For a similar example by the same maker (albeit with Monteith rim) see Christie's New York, lot 587, French Furniture, 30th March 2011: https://www.sothebys.com/en/auctions/ecatalogue/2011/french-furniture-n08743/lot.587.html?locale=en Condition Report: The bowl is in good condition commensurate with age. Some general surface scratching, nicking and minor pitting noted. Heavier nicking and scratching to base inside the bowl. A ding to the lobed lower section of the body. Some other small dings and bruising noted to body and foot. Some dark marks and tarnish noted. Foot pushing in slightly and a small split beginning to form in one area where it has pushed in. Both cartouches look to have been applied with a layer/patch of silver over the original cartouches - some solder visible at edges. Possible erasure to the vacant cartouche. Engraved coat of arms to other cartouche is crisp (later). Some solder above the engraved cartouche which obscures some of the decoration. Hallmarks to underside of foot are clear. Wobbles slightly on foot. Some wear to decoration commensurate with age. Rim very slightly out of round. Overall an attractive punch bowl in good condition commensurate with age. Further images available to download via this link: https://we.tl/t-OGOjPrCZyR
Lot 1A
Peter Denmark (1950-2014) Acrylic on canvas "Crucifixion" 182cm wide by 248cm high Provenance, the painting was collected from the artist's widow at his home in the Cambridgeshire Fens. Peter Denmark exhibited in London at various venues and galleries from the late 1970s. These included the Colony Room Club and The Groucho Club in Soho. He continued to show in London yearly after moving to the Cambridgeshire Fens in 1999. Many of Peter’s paintings are in private collections, including those of fellow artists Damian Hirst and Gavin Turk. This painting is a statement piece and is very large, please see photos for scale!
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