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BRASS POSTAL SCALE ON WOODEN OBLONG BASE; SOLITAIRE GAME; 1930's STAINED AND POKER WORKED WOODEN MUSICAL TRINKET BOX; 4 CERAMIC ADVERTISING ASHTRAYS, 'BASS', 'PLAYERS', ETC.. LEATHER STUD BOX WITH CUFF LINKS, AND TWO RAILWAY RELATED ENAMELLED TIE CLIP, COCKBURN PORT MINIATURE BOXED, A LLEDO SPECIAL EDITION DIECAST VINTAGE VAN AND CASSETTE TAPES ETC....
Alan Pell of Spalding Lincolnshire Street Organ contained in a Black Lacquered Case with Brass Fittings painted with a Scene of Lovers under a Tree with a Lamb, Hand Cranked, 52cms wide x 63cms high x 35cms wide with Three 25 Note Scale Reels (Wartime Melody, Underneath the Sprawling Chestnut Tree, Andrew Lloyd Webber Medley, Lilli Marlene, Berlin Air and Glenn Miller Medley) stood on a purpose built cart
A COLLECTION OF UNMADE AIRFIX 1:72 SCALE CONSTRUCTION KITS to include Armstrong Whitworth Sea Hawk, Avro 504K (x2), Hawker Demon, Hawker Hart, Gloster Gladiator Mk 1, Hawker Typhoon, De Havilland Gipsy Moth, De Havilland DH88 Comet Racer British Bulldog Fokker Dr.1 and 1930 4½ litre Bentley etc. together with a boxed Corgi Boeing B.17G "Sentimental Journey' and two boxed 1:24 Burago 1928 Mercedes-Benz SSK
A 1:144 scale Corgi made diecast model Dambusters Lancaster Bomber AJ-G. Highly detailed model. Supplied with a presentation base autographed by Dambuster Bomb Aimer George Johnny Johnson and 617 Squadron pilot Benny Goodman. Wonderful model (unboxed). NOTE: Proceeds from this lot are being donated towards the ' Attack On The Sorpe Dam ' film project. The film tells the story of the famous Dambusters raid of WWII, and features testimony from George 'Johnny' Johnson himself. A preview of the footage completed so far, as well as an appearance by George 'Johnny' Johnson, is taking place on February 9th at The Watershed Cinema in Bristol. Tickets can be purchased here: www.dambusters.eventbrite.co.uk )
AUGUSTUS WELBY NORTHMORE PUGIN (1812-1852) OR EDWARD WELBY PUGIN (1834-1875)NEEDLEWORK WOOL RUG, CIRCA 1850 the panel a section of a larger carpet, worked with panels of fleur-de-lys on a red ground and with panels bearing the cypher M with coronet, reserved on a blue ground and bearing inscription to one end DEUS ABSCONTIUI ET VES* and to the other VERE TU ES DELECTABIS, lined and converted to a hanging209cm x 117cmProvenance: St. Leonards - Mayfield Chapel, Mayfield, Sussex, England.Note: The remains of a medieval palace belonging to the Archbishops of Canterbury was converted into a school, Mayfield School of the Holy Child, by Edward Welby Pugin in 1863-6. This needlework rug originally ran the entire length of the Chapel. Due to the sheer scale of the work, the rug was constructed in small panelled sections and later stitched together to form the carpet. Hand-stitched by the sisters of Mayfield Chapel, the carpet was produced for Mother Cornelia Connelly, founder of the Society of the Holy Child Jesus. The border speaks of the hidden God and delighting in him day and night and in this section the inscription loosely translates from Latin to: 'you are joyful'. As in other projects E.W. Pugin continued to use the decorative designs of his father of which this may be one.
WILLIAM MORRIS (1834-1896) FOR MORRIS & CO.'PEACOCK & DRAGON' WOVEN WOOL DOUBLE CLOTH HANGING, CIRCA 1878 hand-loom jacquard woven193cm x 128cmLiterature: Parry, Linda 'William Morris Textiles', V&A 2013, p.224, no.36Note: This woven furnishing textile was made for use as heavyweight curtains or a wall covering. William Morris's increasing interest in historical woven textiles can be detected in his woven designs of the late 1870's and 1880's. This textile was clearly influenced by a visit to Vincent Robinson's shop in London in the same year it was designed. He described the room he saw there as 'from Damascus ... all vermilion and gold and ultramarine very beautiful and is just like going into the Arabian Nights'. However, the massive scale of the repeat (109cm by 90cm) and dense texture is far closer to northern European sources. By producing it as a thick woollen structure, Morris intended to recreate the effect of medieval tapestries.
AFTER JOHN BELL (1811-1895)BRONZE TABLE LAMP, CIRCA 1895 cast as the figure of a boy, crouching down and holding aloft the light fitting, raised on a stepped marble base, fitted with a frilled glass shade28cm high to top of fitting, 36cm high with shadeNote: This bronze lamp base is based on 'The Bride's Inkstand', modelled by Bell and made by the Felix Summerly Art Manufactory around 1847. Felix Summerly was a pseudonym used by Henry Cole (1802–82), who worked closely with Prince Albert on the organisation of the Great Exhibition, and later the South Kensington Museum. The workshop oversaw the production of a number of small-scale works of art designed by contemporary artists intended for the dissemination of good design.
WILLIAM MORRIS (1834-1896) FOR MORRIS & CO.RARE PAIR OF 'PEACOCK & DRAGON' WOVEN WOOL AND MOHAIR DOUBLE CLOTH CURTAINS, CIRCA 1878 hand-loom jacquard woven (2)247cm x 146cmLiterature: Parry, Linda 'William Morris Textiles', V&A 2013, p.224, no.36 Note: Previously unrecorded this wool and mohair version, slightly reduced in scale, may have been produced as a special commission.
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186097 item(s)/page