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Click here to subscribeA Mountfleet Models 1/32 scale kit built model of an Admiralty Coaster C642 boat, handpainted in grey and black with green deck and removable superstructure to reveal rudder servo, motors, and steam unit with various other radio controlled fixtures and fittings, sold with a Spektrum DX6i hand set, and two model boat batteries, length 49.5" housed on a wooden display stand. Model is executed to a very high standard
A Caldercraft 1/32 scale kit built model of an Imara twin screw harbour tug boat, comprising of red and black hull with grey superstructure and stained wooden decking, fitted with twin can motors powering twin propellers, fitted with battery and twin electronize FR30 HX micro processor systems, with various light features, fixtures and fittings, complete with wooden display stand and a Planet T5 2 point fur GHZ digital remote control, model is built to an exceptionally high standard
A collection of mixed scale modern release diecasts to include Atlas Editions, Corgi Toys, Eligor and others, specific examples to include an Eligor 1/43 scale All Blacks Iveco truck together with a flip-over boxed Super Tank, a Jack Richards & Sons Corgi limited edition 1/50 scale tractor unit, together with others
A pair of Chinese cloisonne vases decorated with flowers against a blue ground with cloud motifs, with ruyie border to the mouth and fish scale pattern to the foot (h- 23.5cm), together with another Chinese cloisonne vase decorated with flowers against a black ground with manji pattern, the mouth decorated with ruyie border (h- 23cm) (3)
A large Chinese cloisonne vase decorated with flowers against a black ground with manji pattern, the mouth with ruyie border and the foot with fish scale pattern (with carved wood stand) (height inc. stand- 37cm), together with a Chinese cloisonne tea caddy/tobacco jar of globular form on a tapered stem foot, decorated with dragons and pearl of wisdom against a black ground with cloud motifs, the mouth with ruyie border and the foot decorated with lotus motifs (with carved wood stand) (height inc. stand- 24.5cm), and another carved wood stand (5)
Late 19th/early 20th century boxwood and brass clinometer rule by Stanley, with inset magnetic compass, screw action protractor hinge divided to one degree with rise in inches per yard scale under, spirit level to one edge, marked 'W.F. Stanley Great Turnstile Holborn' with tables of distances, angles and thickness H16cm closed: in original leather covered case with instructionsCondition Report:Instrument looks to be in very good condition.Box showing signs of wear consistent with age, use and storage and lacks outer casing to one end of base.
ASSORTED BOXES comprising four fitted drawing instrument sets, brass bound dome jewellery casket, base of table top scale set various rulers and accessories, desk top writing box with two glass inkwells ETCProvenance: deceased estate CeredigionComments: drawing sets are not complete, wear overall, see images
A Meissen plate from the 'Brühl'sche Allerlei' service, circa 1746Modelled by Johann Friedrich Eberlein with a pierced rim with alternating panels of trellis and flowers, the latter finely painted in enamels, the well painted with a radish and a turnip and two flower sprays, gilt-edged rim, 26.4cm diam., crossed swords mark in underglaze-blue, impressed 21 (small restuck section to rim)Footnotes:Provenance:Heinrich Graf von Brühl (1700-1763);The Hoffmeister Collection, Hamburg, acquired in 1979;Sold from the above in these Rooms, part III, 24 November 2010, lot 72Literature:D. Hoffmeister, Meissen Porzellan des 18. Jahrhunderts Sammlung Hoffmeister (1999), I, no. 226Exhibited:Hamburg, Museum für Kunst und Gewerbe, 1999-2009The 'Brühlsche Allerlei' service was one of the most magnificent table services made at the Meissen manufactory and is comparable in scale and ambition to the better-known Swan Service. The service has been thoroughly discussed by Johanna Lessmann, Das 'Brühlsche Allerlei' Ein Service für Heinrich Graf von Brühl, in U. Pietsch (ed.), Schwwanenservice (2000), pp. 106-123. The service originally comprised over 2000 pieces, including dinner, dessert and coffee services, and at Brühl's death in 1763, still included 145 soup plates and 269 dinner plates. Most of the modelling work on the service appears to have been done by J.F. Eberlein and J.G. Ehder, whose work records include numerous references to the service.Eberlein's work report for September 1746 notes: 'Einen runden Teller mit dem Gräffl. Brühlischen Dessein zum durchbrechen, zur Gräffl. Brühlischen Conditorey' (a circular plate with Count Brühl's design for piercing, to Count Brühl's Confectionary) (quoted by Lessmann, op.cit, p. 208). One hundred and forty-four such pierced plates from the dessert service were recorded in the inventory of the service after Brühl's death (Lessmann 2000, p. 107). Another dessert place from the service was sold in these Rooms from the Hoffmeister Collection (no. 225), 26 May 2010, lot 64.Saleroom notices:Please note, there are two professionally restuck sections to the pierced rim. Please see full condition report online.For further information on this lot please visit Bonhams.com
Olivia Rose Durley Pink Dreams, 2023 Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Olivia's work handles the two realities of paint; it's illusionistic spatiality and it's material presence. Her practice appropriates a balance between the fixed nature of photography and the timelessness of painting; photographic details are blurred within painterly brushstrokes and structures. The aberration of the two components creates an enigmatic, placeless experience within nature that on one hand forms a sense of familiarity and on the other, an unidentifiable discomfort. Olivia scrutinises the evolving colours and tones amplified through cloud formations, using her painting technique to highlight the fleeting transience of time and a feeling of nostalgia. She views the landscape as a latent oil painting continuously emerging and coming into being, fascinated by that precious, short space of time in which the sky bursts into colour before it is then submerged into dusk - a distant memory. Education BA (Hons) Fine Art Painting, University of Brighton 2017 Select Exhibitions/Awards House & Garden magazine - The Art Edit, June 2018 The World of Interiors magazine - Artistic Impressions/Spring Pickings, January/February/March 2023 The Other Art Fair London - March 2022, June/July 2022, March 2023 Upcoming: Roy's Art Fair London - 28 September - 1 October 2023 Gallery Representation Rise Art Statement about AOAP Submitted Artwork Although the scale of my work is usually a lot larger than the size of a postcard, the concept of painting onto a postcard corresponds significantly to the context of my paintings. I'm inspired by memories, snapshots in time or moments that were once there. By relaying these moments through paint I hope to evoke nostalgia or trigger thoughts in someone's mind using the basic principles of colour, light and form to create an abstracted landscape. Each postcard has painterly details of moments drawn from my subconscious from the past few months. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Simon Laurie Gin and Limes, 2023 Acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Simon Laurie is a contemporary Scottish landscape and still life artist, whose paintings are characterised by references to Scottish life and society, incorporating fish, boats, religious symbols and everyday items. These objects are arranged upon a rich textural ground created by the application of multiple layers of acrylic paint. He has worked with acrylic paint for almost 30 years, developing his own individual style and fundamental visual language. Simon was born in Glasgow and studied at Glasgow School of Art from 1982 to 1988. He was elected a member of the Royal Scottish Society of Painters in Watercolours (RSW) in 1991 and the Royal Glasgow Institute (RGI) in 2000, where he served as convener for six years. He has had many solo shows, both in the UK and abroad, and has won many prestigious and major awards. His work is held in many public, private and corporate collections. Education Glasgow School of Art Select Exhibitions/Awards Selected Solo Exhibitions 2020 Scottish Arts Club, Edinburgh 2017 Veneer Gallery, Glasgow 2017 Artists' Open House, Dulwich 2016 Open Eye Gallery, Edinburgh Leiper Fine Art, Glasgow 2014 Fidra Fine Art, North Berwick 2013 Panter and Hall Gallery, London 2013 Open Eye Gallery, Edinburgh 2013 Artists' Open House, Dulwich 2010 Open Eye Gallery, Edinburgh 2009 John Davies Gallery, Moreton on Marsh Scottish Arts Club, Edinburgh Panter and Hall Gallery, London 2008 Open Eye Gallery, Edinburgh 2007 Panter and Hall Gallery, London 2006 Gatehouse Gallery, Glasgow 2005 The Open Eye Gallery Panter and Hall Gallery, London 2004 Roger Billcliffe Gallery, Glasgow 2003 Open Eye Gallery, Edinburgh Panter and Hall Gallery, London 2001 Open Eye Gallery, Edinburgh Panter and Hall Gallery, London 2000 Roger Billcliffe Gallery, Glasgow 1999 Open Eye Gallery, Edinburgh 1998 Glasgow Print Studio 1996 Scottish Arts Club, Edinburgh 1995 Mercury Gallery, London 1993 Mercury Gallery, London Elektra Fine Art, Toronto 1991 Mercury Gallery, London Kelly Gallery, Glasgow Gallery Representation Panter and Hall, Morningside Gallery Edinburgh, Lemond gallery Glasgow Statement about AOAP Submitted Artwork The paintings are fairly representative of my work but obviously on a much smaller scale. Simple objects on strong colour. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Mathew Gibson Washing Station, 2023 Watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Mathew Gibson is an artist who lives and works in London. He makes small scale paintings primarily in egg tempera of imaginary interiors and still lives. Education Kent Institute of Art & Design 1990-91. Interdisciplinary M.A. in Art & Architecture Norwich School of Art 1987-90. B.A. Fine Art Camberwell College of Art & Design 1986-87. Foundation Studies Select Exhibitions/Awards 2023 PREVIEW Grammercy Park Studios, Gt Pulteney st, London 2022 DELTA GAMMA Saatchi Gallery Chelsea, London 2016 BLACK PAINTINGS Charlie Smith/Galerie Heike Strelow, London Art Fair 2015 THE FUTURE CAN WAIT Bermondsey Project Space, London 2010 MATHEW GIBSON England & Co. Westbourne Grove, London 2005 SUNDAY TIMES Watercolour Prize, Mall galleries, London 2004 SUNDAY TIMES Watercolour Prize (runner up), Mall galleries, London 2003 HUNTING ART PRIZE, Royal College of Art, London 2002 DISCERNING EYE (prize winner), Mall Galleries, London Statement about AOAP Submitted Artwork Studies for new work. These explore architectural settings informed by municipal buildings, shared spaces that are ambivalent about growing and becoming or falling into decay and disuse. The spaces are equipped for personal washing and drying, focusing on handwashing. The images invite viewers to ask what the spaces are for and who will use them. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Olivia Rose Durley Beyond, 2023 Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Olivia's work handles the two realities of paint; it's illusionistic spatiality and it's material presence. Her practice appropriates a balance between the fixed nature of photography and the timelessness of painting; photographic details are blurred within painterly brushstrokes and structures. The aberration of the two components creates an enigmatic, placeless experience within nature that on one hand forms a sense of familiarity and on the other, an unidentifiable discomfort. Olivia scrutinises the evolving colours and tones amplified through cloud formations, using her painting technique to highlight the fleeting transience of time and a feeling of nostalgia. She views the landscape as a latent oil painting continuously emerging and coming into being, fascinated by that precious, short space of time in which the sky bursts into colour before it is then submerged into dusk - a distant memory. Education BA (Hons) Fine Art Painting, University of Brighton 2017 Select Exhibitions/Awards House & Garden magazine - The Art Edit, June 2018 The World of Interiors magazine - Artistic Impressions/Spring Pickings, January/February/March 2023 The Other Art Fair London - March 2022, June/July 2022, March 2023 Upcoming: Roy's Art Fair London - 28 September - 1 October 2023 Gallery Representation Rise Art Statement about AOAP Submitted Artwork Although the scale of my work is usually a lot larger than the size of a postcard, the concept of painting onto a postcard corresponds significantly to the context of my paintings. I'm inspired by memories, snapshots in time or moments that were once there. By relaying these moments through paint I hope to evoke nostalgia or trigger thoughts in someone's mind using the basic principles of colour, light and form to create an abstracted landscape. Each postcard has painterly details of moments drawn from my subconscious from the past few months. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Sinta Tantra Happy Talk, 2023 Gold leaf on paper Signed on Recto 10 x 15cm (3¾ x 5¾ in.) About Artist Sinta Tantra (b.1979) is known for her colourful large scale public artworks and geometric paintings. Living and working in between her two studios in London and Bali, Tantra's artwork occupies multiple dimensions and scales. Her canvas shifts comfortably from a bridge slicing through the urban skyline to a stretched linen frame produced within the intimate setting of her studio - each artwork is an abstract blueprint for her utopian aspirations. Born in New York to Balinese parents, Sintra grew up in London and studied art at the Slade School of Fine Art (2003) and at the Royal Academy Schools (2006). Within her work, motifs derive from Western movements such as Bauhaus, Art Deco, modernism and abstraction. Her Balinese identity within the post-colonial context is central to her work. The drawings of 20th century Balinese artist, architect and stone carver I Gusti Nyoman Lempad have informed explorations into two-dimensional lines and three-dimensional space. Her pop-tropical colour palette draws from the culture and environment of Bali. Education Slade School of Fine Art (2003) Royal Academy Schools (2006) Select Exhibitions/Awards Solo shows such as Modern Times at Kristin Hjellegjerde Gallery in London (2020) have seen Tantra move beyond the walls and into the architectural space, while others explore dimensionality within the canvas as seen at A House in Bali at the ISA Art Advisory in Jakarta (2017), and Flatland: A Romance of Many Dimensions at Pearl Lam Gallery in Hong Kong (2016). Her work has been included in biennials and group exhibitions exploring identity, post-colonialism and the environment such as Framer Framed (2020) in Amsterdam, Karachi Biennale (2019), Folkestone Triennial UK (2017), and Liverpool Biennial UK (2012). Tantra's work is part of the Government Art Collection, the Benetton Foundation collection and other private international collections. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Laura Jane Scott Necessary Limits (Mini), 2023 Grayboard, Interior paint Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Laura Jane Scott is an artist working in minimalist, geometric abstraction and colour-field painting. Her desire for formal simplicity through geometric form and her striking use of colour enables her to produce work where painting explores a model of architectural form and where colour embodies a physical structure. The resulting work is a refined visual vocabulary of form and colour. "My aim is always to express an idea as simply and as elegantly as possible. To strip everything back to only what is necessary to communicate that idea. My work is primarily an exploration of balance, of positive and negative space, of presence and absence." Education Laura studied at Camberwell College of Arts and Ravensbourne University London. Select Exhibitions/Awards Laura's work has been exhibited widely over the past seven years in London, Edinburgh, New York and Hamburg and has featured twice in the Royal Academy's Summer Exhibition. Gallery Representation Laura is represented by Kittoe Contemporary in London and frequently shows work with &Gallery in Edinburgh. She also sells work independently and accepts commissions for large scale installations. Statement about AOAP Submitted Artwork Laura has submitted two works to Art on a Postcard Summer 2023. The first is a miniature of her relief series 'Necessary Limits' which explores colour, balance and form within the confines of some self-imposed boundaries. The second, 'Measured', is a minimalist painting of saturated, clean-edged shapes using colours from Laura's signature palette and the component shapes that often appear in her work. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Claire Kerr Lake, 2023 Pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Claire Kerr is a painter based in Dublin; she also uses drawing, print, objects and text. Modest in scale, her work invites intimacy with a viewer but leaves open the question of meaning and interpretation. Often concerned with the fundamental properties of an image - surface, depth, context - her work seeks out the idiosyncratic or peculiar, trains of thought at a tangent, an unobtrusive weirdness. Education Wimbledon School of art and IADT, Dun Laoghaire Select Exhibitions/Awards Selected one-person exhibitions One Thing Turns into Another: New Work, BravinLee Programs, New York, opening 24 October, 2019 What else do I believe in?, Purdy Hicks Gallery, London, 5 May - 5 June, 2017 Madrid Paintings, New Work, espacio artkunstarte, Madrid, 26 February - 31 July, 2016 Should we have stayed at home and thought of here? Galerie Stefan Röpke, Cologne (Düsseldorf-Cologne Open Galleries), 05 September - 11 October, 2014 Selected group exhibitions Summer Show 2022, Graphic Studio Dublin, 30 July - 3 September, 2022 The Golden Fleece Award: 21 Years, Solstice Arts Centre, Navan, Co. Meath, 23 April - 4 June, 2022 Eye on Nature, Purdy Hicks Gallery, London, 27 January - 28 February, 2022 Paint on a Photo of a Painting Based on a Photograph, espacio artkunstarte, Madrid, 10 September - 23 December, 2020 Selected Awards 2021 Print Residency, Graphic Studio Dublin (DLR) 2021 Arts Council of Ireland, Visual Arts Bursary (an Chomhairle Ealaíon) 2016 Residency, r/e projects, Madrid 2013 Culture Ireland/Cultúr Éireann 2012 Golden Fleece Award 2009 Thomas Dammann Jr Memorial Trust Award 2002 Fergus O'Ryan Memorial Award Gallery Representation Purdy Hicks Gallery, London Statement about AOAP Submitted Artwork The lake in this drawing is the mysterious Loe Pool in Cornwall, one of the locations associated with Excalibur and the Lady of the Lake. I visited the lake last spring and with no-one else around, it seemed timeless in the sunny afternoon. The ripples on the surface of the water and the rushes by the water's edge were exactly as I had imagined from reading about Sir Bedevere in Tennyson's Idylls of the King, when, instead of throwing the sword into the depths of the lake as he had promised, he at first hides it at the water's edge, replying to Arthur's question as to what had happened, ''I heard the water lapping on the crag/ And the long ripple washing in the reeds'', giving himself away by his answer. I drew the lake as if through a monocular or lens, or perhaps as if at the end of an old film, wanting to give a sense of both nearness and distance in time and space. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Christopher Gee Crow at Night, 2023 Acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Christopher Gee (b.1987) is a British artist from Portsmouth, England. He lives and works on the Thames Estuary, Essex. His small scale works on paper explore stillness and isolated scenes. His paintings are informed by historic houses and landmarks, often forgotten or overlooked sites of familiarity and intrigue. Walking and collecting are key to his practice. His graphic yet naïve-looking paintings, conjure places both historical and imagined, taking us on a fragmented journey through forested landscapes, vernacular architecture, and archaic towers. The intimacy and execution of these paintings convey themes of silence and solitude. His influences include Northern Renaissance painting, Folk Art, the Romantic landscapes of Caspar David Friedrich and the naive paintings of Alfred Wallis. He also takes inspiration from the novels of Hermann Hesse and W.G. Sebald. Education MA Drawing UAL Wimbledon College of Art London, 2012 BA Drawing UAL Camberwell College of Art London, 2010 Fine Art Foundation UAL Byam Shaw School Central Saints Martins London, 2007 Select Exhibitions/Awards Small is Beautiful, Flowers Gallery, Cork Street, London Nov 2022 - Jan 2023 Small is Beautiful, Flowers Gallery, Cork Street, London 2021 Winter Show, Amanda Aldous Gallery, Hampshire 2021 Winter Exhibition, 155a Gallery, Dulwich, London 7 Dec 2020 - 23 Jan 2021 Small is Beautiful, Flowers Gallery, Cork Street, London Dec 2020 - Jan 2021 Sophie Breitmeyer, The Art Registry, London 2020 You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Margaux Carpentier Moon, 2023 Ink on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Margaux Carpentier is an image maker and story-teller working mainly in London, sometimes in France, and further away. She studied in both Paris and Surrey and spent her early twenties playing poker, playing with pens and various mediums until she developed her unique graphic style. She now adapts her illustrations in 3D as well as large scale murals. Earthy and folk inspired, her work also draws on fantastical elements and wild imagination. She creates pictures using a symbolic language, so each piece can be read by all, in many different ways. Her work is inspired by the infinite combinations of colours offered by the world; her images transcribe the choreography of living things. She works on varied projects, from large murals, installations and paintings to detailed book illustrations, and even toys! You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Margaux Carpentier Stone, 2023 Ink on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Margaux Carpentier is an image maker and story-teller working mainly in London, sometimes in France, and further away. She studied in both Paris and Surrey and spent her early twenties playing poker, playing with pens and various mediums until she developed her unique graphic style. She now adapts her illustrations in 3D as well as large scale murals. Earthy and folk inspired, her work also draws on fantastical elements and wild imagination. She creates pictures using a symbolic language, so each piece can be read by all, in many different ways. Her work is inspired by the infinite combinations of colours offered by the world; her images transcribe the choreography of living things. She works on varied projects, from large murals, installations and paintings to detailed book illustrations, and even toys! You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Peter Randall-Page RA Li VI (detail), 2023 Linocut Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Artist Peter Randall-Page was born in the UK in 1954 and studied sculpture at Bath Academy of Art from 1973-1977. During the past 40 years Peter Randall-Page has gained an international reputation through his sculpture drawings and prints. He has undertaken numerous large-scale commissions and exhibited widely. In 2015, he was elected as a Royal Academician in the category of sculpture. His work is held in public and private collections throughout the world including Japan, South Korea, Australia, USA, Turkey, Eire, Germany and the Netherlands. A selection of his public sculptures can be found in many urban and rural locations throughout the UK including London, Edinburgh, Manchester, Bristol, Oxford and Cambridge and his work is in the permanent collections of the Tate Gallery and the British Museum amongst others. Education 1973-1977, Studied at Bath Academy of Art Select Exhibitions/Awards Recent Solo Shows (Selected) 2020 A Little bit of Infinity Rabley Gallery, Marlborough 2019 Peter Randall-Page Solo show Kloster Schoenthal sculpture park, Switzerland 2017-18 Peter Randall-Page at Castle Drogo National Trust Castle Drogo, Dartmoor, Devon 2016 Peter Randall-Page RA: Works on Paper City Art Centre Edinburgh Caught in the Act Gibberd Gallery, Harlow On the Particular Experience of Being Alive Art Center Antares, Finland You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Laura Jane Scott Measured, 2023 Interior Paint on card Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Laura Jane Scott is an artist working in minimalist, geometric abstraction and colour-field painting. Her desire for formal simplicity through geometric form and her striking use of colour enables her to produce work where painting explores a model of architectural form and where colour embodies a physical structure. The resulting work is a refined visual vocabulary of form and colour. "My aim is always to express an idea as simply and as elegantly as possible. To strip everything back to only what is necessary to communicate that idea. My work is primarily an exploration of balance, of positive and negative space, of presence and absence." Education Laura studied at Camberwell College of Arts and Ravensbourne University London. Select Exhibitions/Awards Laura's work has been exhibited widely over the past seven years in London, Edinburgh, New York and Hamburg and has featured twice in the Royal Academy's Summer Exhibition. Gallery Representation Laura is represented by Kittoe Contemporary in London and frequently shows work with &Gallery in Edinburgh. She also sells work independently and accepts commissions for large scale installations. Statement about AOAP Submitted Artwork Laura has submitted two works to Art on a Postcard Summer 2023. The first is a miniature of her relief series 'Necessary Limits' which explores colour, balance and form within the confines of some self-imposed boundaries. The second, 'Measured', is a minimalist painting of saturated, clean-edged shapes using colours from Laura's signature palette and the component shapes that often appear in her work. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
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