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Lot 132
Hondartza Fraga Turntable Drawings I, 2022 Inks on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Fraga's practice combines traditional forms of drawing with a wider range range of media. Her interests lie in the tensions between drawing and digital forms of image making. She is interested in our relationship to remote places, places like deep sea and deep space and the mediated images through which we might experience them. Her work often zooms in on the errors, noise and fragmentation of the imagery and how those idiosyncrasies shaped our understanding of the images and their objects. Education 2017-present PhD Practice-led Candidate School of Design, University of Leeds, UK 2005-07 MA Fine Art at Sheffield Hallam University, UK 2000-05 BA Fine Art at University of the Basque Country, Spain Select Exhibitions/Awards Solo Shows 2021 Ghosts of Saturn, Espacio Alexandra, Santander, Spain 2021 Wonderful Order, new work commissioned by North Lincolnshire Museum 2020 Conjunctions and Oppositions, Beyond Scale (miniature gallery), Online 2018 Not for Navigation, (curated by Our Big Picture) Grimsby Minster, Grimsby, UK (solo exhibition) Group Shows 2022 Seeing Stars (also curated by Fraga), The Stanley and Audrey Burton Gallery, University of Leeds 2021 Definitions of Drawing, Sunny Bank Mills, Leeds 2021 Letting it Settle, Touchbase Gallery, Folskstone 2018 Cosmic Perspectives, curated by Lumen Studios, Ugly Duck, London 2018 Truth and Fantasy, Chrysalis Arts, touring exhibition, UK Awards 2017-present White Rose of the Arts and Humanities Full Scholarship Award (PhD Practice-Led) 2014 Arts Council GfA Award for the project Cuiroseaty, with Lorna Johnson 2013 The Leverhulme Trust: Artist in Residence, Maritime Historical Studies Centre, University of Hull Gallery Representation Espacio Alexandra, Santander, Spain Statement about AOAP Submitted Artwork Turntable Drawings' are abstract drawings produced with ink on wet paper using an adapted turntable. As the paper rotates at a speed of 33rpm (revolutions per minute) it spreads and distorts how the ink settles on it. The work is an exploration of tensions between control and letting go, chaos and order, gesture and trace, form and content, stillness and movement. Each little drawings is the trace of an encounter between materials and actions. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Lot 133
Hondartza Fraga Turntable Drawings II, 2022 Inks on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Fraga's practice combines traditional forms of drawing with a wider range range of media. Her interests lie in the tensions between drawing and digital forms of image making. She is interested in our relationship to remote places, places like deep sea and deep space and the mediated images through which we might experience them. Her work often zooms in on the errors, noise and fragmentation of the imagery and how those idiosyncrasies shaped our understanding of the images and their objects. Education 2017-present PhD Practice-led Candidate School of Design, University of Leeds, UK 2005-07 MA Fine Art at Sheffield Hallam University, UK 2000-05 BA Fine Art at University of the Basque Country, Spain Select Exhibitions/Awards Solo Shows 2021 Ghosts of Saturn, Espacio Alexandra, Santander, Spain 2021 Wonderful Order, new work commissioned by North Lincolnshire Museum 2020 Conjunctions and Oppositions, Beyond Scale (miniature gallery), Online 2018 Not for Navigation, (curated by Our Big Picture) Grimsby Minster, Grimsby, UK (solo exhibition) Group Shows 2022 Seeing Stars (also curated by Fraga), The Stanley and Audrey Burton Gallery, University of Leeds 2021 Definitions of Drawing, Sunny Bank Mills, Leeds 2021 Letting it Settle, Touchbase Gallery, Folskstone 2018 Cosmic Perspectives, curated by Lumen Studios, Ugly Duck, London 2018 Truth and Fantasy, Chrysalis Arts, touring exhibition, UK Awards 2017-present White Rose of the Arts and Humanities Full Scholarship Award (PhD Practice-Led) 2014 Arts Council GfA Award for the project Cuiroseaty, with Lorna Johnson 2013 The Leverhulme Trust: Artist in Residence, Maritime Historical Studies Centre, University of Hull Gallery Representation Espacio Alexandra, Santander, Spain Statement about AOAP Submitted Artwork Turntable Drawings' are abstract drawings produced with ink on wet paper using an adapted turntable. As the paper rotates at a speed of 33rpm (revolutions per minute) it spreads and distorts how the ink settles on it. The work is an exploration of tensions between control and letting go, chaos and order, gesture and trace, form and content, stillness and movement. Each little drawings is the trace of an encounter between materials and actions. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Lot 134
Hondartza Fraga Turntable Drawings III, 2022 Inks on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Fraga's practice combines traditional forms of drawing with a wider range range of media. Her interests lie in the tensions between drawing and digital forms of image making. She is interested in our relationship to remote places, places like deep sea and deep space and the mediated images through which we might experience them. Her work often zooms in on the errors, noise and fragmentation of the imagery and how those idiosyncrasies shaped our understanding of the images and their objects. Education 2017-present PhD Practice-led Candidate School of Design, University of Leeds, UK 2005-07 MA Fine Art at Sheffield Hallam University, UK 2000-05 BA Fine Art at University of the Basque Country, Spain Select Exhibitions/Awards Solo Shows 2021 Ghosts of Saturn, Espacio Alexandra, Santander, Spain 2021 Wonderful Order, new work commissioned by North Lincolnshire Museum 2020 Conjunctions and Oppositions, Beyond Scale (miniature gallery), Online 2018 Not for Navigation, (curated by Our Big Picture) Grimsby Minster, Grimsby, UK (solo exhibition) Group Shows 2022 Seeing Stars (also curated by Fraga), The Stanley and Audrey Burton Gallery, University of Leeds 2021 Definitions of Drawing, Sunny Bank Mills, Leeds 2021 Letting it Settle, Touchbase Gallery, Folskstone 2018 Cosmic Perspectives, curated by Lumen Studios, Ugly Duck, London 2018 Truth and Fantasy, Chrysalis Arts, touring exhibition, UK Awards 2017-present White Rose of the Arts and Humanities Full Scholarship Award (PhD Practice-Led) 2014 Arts Council GfA Award for the project Cuiroseaty, with Lorna Johnson 2013 The Leverhulme Trust: Artist in Residence, Maritime Historical Studies Centre, University of Hull Gallery Representation Espacio Alexandra, Santander, Spain Statement about AOAP Submitted Artwork Turntable Drawings' are abstract drawings produced with ink on wet paper using an adapted turntable. As the paper rotates at a speed of 33rpm (revolutions per minute) it spreads and distorts how the ink settles on it. The work is an exploration of tensions between control and letting go, chaos and order, gesture and trace, form and content, stillness and movement. Each little drawings is the trace of an encounter between materials and actions. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Lot 167
Lucie Flynn Rebel Rebel, 2022 Indian Ink on Watercolour Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Lucie Flynn is a contemporary artist who has moved into creating large scale paintings on the streets, her work is instantly recognisable and stands out loud and proud - nothing comes close to her dynamic style and the path in which she practices her form. Using combinations of spray paint, acrylic, inks and collage Flynn builds bright, clashing palettes with bold sweeps and splatters, layers of paint pulse and crackle. After attending Reigate School of Art she began her art career producing and exhibiting work on the top floor of The Dragon, Shoreditch, with artists such as Julie Verhoeven and Wolfgang Tilmans when the area was a hotspot for creatives who are now household names, i.e.: Jake and Dinos Chapman, Scott King, Ben Eine and Banksy. Around this time, Flynn was scouted to work in the production and management team at Damien Hirst's studio and alongside him on international exhibitions and his personal art collection. Lucie continues to push the boundaries of what is expected of a gallery artist - mixing things up with her street style that is undeniably unique and would be hard to compare. Education Reigate School of Art and Buckinghamshire University Select Exhibitions/Awards I am so Busy, the artist's first solo exhibition at This Way Up Gallery, Shoreditch (2000), was a sell-out. Numerous galleries have gone on to exhibit her work, recently including three group shows: Up at Jealous Gallery, Shoreditch (2020), Yes at Gallery 46, Whitechapel (2021), and She/Her/Hers at Oakland Gallery, Liverpool (2022) and most recently her first solo show in central London at The Union, Soho named Be An Exceptional Woman. Press coverage includes The Telegraph ~ Stella magazine, GQ, Vogue, Living Etc., BBC South East News, to name just a few. Lucie Flynn's work is held in numerous UK and international private collections. Gallery Representation Zebra One Gallery and Our Types You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Lot 170
Lucie Flynn Last Night, 2022 Indian Ink on Watercolour Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Lucie Flynn is a contemporary artist who has moved into creating large scale paintings on the streets, her work is instantly recognisable and stands out loud and proud - nothing comes close to her dynamic style and the path in which she practices her form. Using combinations of spray paint, acrylic, inks and collage Flynn builds bright, clashing palettes with bold sweeps and splatters, layers of paint pulse and crackle. After attending Reigate School of Art she began her art career producing and exhibiting work on the top floor of The Dragon, Shoreditch, with artists such as Julie Verhoeven and Wolfgang Tilmans when the area was a hotspot for creatives who are now household names, i.e.: Jake and Dinos Chapman, Scott King, Ben Eine and Banksy. Around this time, Flynn was scouted to work in the production and management team at Damien Hirst's studio and alongside him on international exhibitions and his personal art collection. Lucie continues to push the boundaries of what is expected of a gallery artist - mixing things up with her street style that is undeniably unique and would be hard to compare. Education Reigate School of Art and Buckinghamshire University Select Exhibitions/Awards I am so Busy, the artist's first solo exhibition at This Way Up Gallery, Shoreditch (2000), was a sell-out. Numerous galleries have gone on to exhibit her work, recently including three group shows: Up at Jealous Gallery, Shoreditch (2020), Yes at Gallery 46, Whitechapel (2021), and She/Her/Hers at Oakland Gallery, Liverpool (2022) and most recently her first solo show in central London at The Union, Soho named Be An Exceptional Woman. Press coverage includes The Telegraph ~ Stella magazine, GQ, Vogue, Living Etc., BBC South East News, to name just a few. Lucie Flynn's work is held in numerous UK and international private collections. Gallery Representation Zebra One Gallery and Our Types You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Lot 222
Marina Abramović My Skin, 2022 Unique Pigment Print Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Since the beginning of her career in Belgrade during the early 1970s, Marina Abramović has pioneered performance as a visual art form. She created some of the most important early works in this practice, including Rhythm 0 (1974), in which she offered herself as an object of experimentation for the audience, as well as Rhythm 5 (1974), where she lay in the centre of a burning five-point star to the point of losing consciousness. These performances married concept with physicality, endurance with empathy, complicity with loss of control, passivity with danger. They pushed the boundaries of self-discovery, both of herself and her audience. They also marked her first engagements with time, stillness, energy, pain, and the resulting heightened consciousness generated by long durational performance. The body has always been both her subject and medium. Exploring her physical and mental limits in works that ritualise the simple actions of everyday life, she has withstood pain, exhaustion and danger in her quest for emotional and spiritual transformation. From 1975-88, Abramović and the German artist Ulay performed together, dealing with relations of duality. She returned to solo performances in 1989 and for The Artist Is Present (2010) she sat motionless for at least eight hours per day over three months, engaged in silent eye-contact with hundreds of strangers one by one. Select Exhibitions/Awards Abramović was one of the first performance artists to become formally accepted by the institutional museum world with major solo shows taking place throughout Europe and the US over a period of more than 25 years. Her first European retrospective 'The Cleaner' was presented at Moderna Museet in Stockholm, Sweden in 2017, followed by presentations at the Louisiana Museum of Modern Art in Copenhagen, Denmark, Henie Onstad, Sanvika, Norway (2017), Bundeskunsthalle, Bonn, Germany (2018), Centre of Contemporary Art, Torun (2019), and Museum of Contemporary Art Belgrade, Serbia (2019). The artist's operatic project '7 Deaths of Maria Callas' debuted at the Bayerische Staatsoper, Munich, Germany in 2020, and toured to Palais Garnier, Paris, France and the Greek National Opera, Athens, Greece in 2021. Further performances are scheduled for spring 2022 at Deutsche Oper Berlin, Germany (8-10 April) and Teatro di San Carlo, Naples, Italy (13-15 May). In 2023, Abramović will be the first female artist to host a major solo exhibition in the Main Galleries of the Royal Academy of Arts in London. Select solo exhibitions include 'Akış / Flux', Sakıp Sabancı Museum, Istanbul, Turkey (2020); 'As One', NEON + MAI, Benaki Museum, Athens, Greece (2017); 'The Space In Between Marina Abramović and Brazil', SXSW, Austin, Texas, USA (2016); 'Terra Comunal - Marina Abramović + MAI', SESC, Pompeia, São Paulo, Brazil (2015); '512 Hours', Serpentine Gallery, London, UK (2014); 'Holding Emptiness', Contemporary Art Center, Malaga, Spain (2014); ''The Life and Death of Marina Abramović' (with Robert Wilson), Park Avenue Armory, New York, NY, USA (2013); 'Balkan Stories', Kunsthalle Wien, Vienna, Austria (2012); 'The Abramović Method', Padiglione d'Arte Contemporanea, Milan, Italy (2012); 'The Artist Is Present', Garage Center for Contemporary Culture, Moscow, Russia (2011); 'The Artist is Present', Museum of Modern Art, New York, NY, USA (2010); and 'Seven Easy Pieces' at the Guggenheim Museum, New York, NY, USA (2005). Abramović has participated in many large-scale international exhibitions including the Venice Biennale (1976, 1997) and Documenta VI, VII and IX, Kassel, Germany (1977, 1982 and 1992). She has also established the MAI (Marina Abramović Institute) to support the future exploration and promotion of performance art. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Lot 259
Rod Kitson Gold is Green, 2022 Linocut and Oil Paint on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Rod Kitson is an artist based in London whose work is concerned with the experiential and developmental elements of a daily practice. His temporal projects have taken in life-size painted recreations of his live-in workspace, portraiture and mythologised figure drawing. Select Exhibitions/Awards Wells Art Contemporary, ING Discerning Eye 2021 Statement about AOAP Submitted Artwork "I wanted to explore the push and pull of various techniques and their effect on the visual impact of an image. The start point of the postcards was large-scale charcoal life drawings, which I embellished with imagery in ink and oil. Then I played with them in Procreate before coming back to analogue and cutting in lino and colouring." You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action
Lot 260
Rod Kitson Moura Encantada, 2022 Linocut and Oil Paint on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Rod Kitson is an artist based in London whose work is concerned with the experiential and developmental elements of a daily practice. His temporal projects have taken in life-size painted recreations of his live-in workspace, portraiture and mythologised figure drawing. Select Exhibitions/Awards Wells Art Contemporary, ING Discerning Eye 2021 Statement about AOAP Submitted Artwork "I wanted to explore the push and pull of various techniques and their effect on the visual impact of an image. The start point of the postcards was large-scale charcoal life drawings, which I embellished with imagery in ink and oil. Then I played with them in Procreate before coming back to analogue and cutting in lino and colouring." You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action
Lot 261
Rod Kitson Need an Axe to Break the Ice, 2022 Linocut and Oil Paint on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Rod Kitson is an artist based in London whose work is concerned with the experiential and developmental elements of a daily practice. His temporal projects have taken in life-size painted recreations of his live-in workspace, portraiture and mythologised figure drawing. Select Exhibitions/Awards Wells Art Contemporary, ING Discerning Eye 2021 Statement about AOAP Submitted Artwork "I wanted to explore the push and pull of various techniques and their effect on the visual impact of an image. The start point of the postcards was large-scale charcoal life drawings, which I embellished with imagery in ink and oil. Then I played with them in Procreate before coming back to analogue and cutting in lino and colouring." You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action
Lot 262
Rod Kitson The Red Weather, 2022 Linocut and Oil Paint on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Rod Kitson is an artist based in London whose work is concerned with the experiential and developmental elements of a daily practice. His temporal projects have taken in life-size painted recreations of his live-in workspace, portraiture and mythologised figure drawing. Select Exhibitions/Awards Wells Art Contemporary, ING Discerning Eye 2021 Statement about AOAP Submitted Artwork "I wanted to explore the push and pull of various techniques and their effect on the visual impact of an image. The start point of the postcards was large-scale charcoal life drawings, which I embellished with imagery in ink and oil. Then I played with them in Procreate before coming back to analogue and cutting in lino and colouring." You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action
Lot 327
Tom White Hand Study, 2022 Oil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Tom White's (b.1995) work revolves around the question of how the artist creates something more viscerally real than a mimetic, photorealistic representation of a person. His practice is rooted in a long-standing fascination with people and painting the figure; specifically, White is interested in how the artist captures an essence of the subject, and the phenomenological presence of sensation in painting. White paints those who are closest to him, marking his works with an indelible emotionality that transports the viewer into the interior of a private moment in time. The paintings allude to an ephemeral narrative; they invite interpretation of and engagement with exactly who, what and where is being depicted. Whether working on a large or smaller scale, the figures in White's paintings are often greater than life-size. This scale lends itself to his painting process which harmonises expressive, gestural marks with more refined areas of painterly precision. Working from his own photographs he exploits the versatility of oil paint as a medium, balancing areas of thinly veiled brushwork with impasto marks to create an emphatic sense of mood and lighting. Education MAFA Painting - Camberwell College of Arts - 2020/21 Select Exhibitions/Awards April 2022 (Group Show) Art For Ukraine, with The Auction Collective - Online April 2022 (Group Show) Abstraction and Daydreaming, Quo Vadis, London, UK April 2022 (Group Show) Emergence, The Room, London, UK February 2022 (Group Show) A Body of Work, Grove Collective, London, UK January 2022 (Group Show) ASSEMBLE, VO Curations, London, UK November 2021 (Group Show) London Grads Now. 21, Saatchi Gallery, London, UK October 2021 (Group Show) Under The Same Sky, Safehouse 1, London, UK September 2021 (Group Show) Dix Artistes, St Clar, France September 2021 (Group Show) Camberwell MA Fine Art Graduate Showcase, South London Gallery, London, UK June 2021 (Group Show) UNMUTE, Copeland Gallery, London, UK March 2021 (Group Show) Abjection as Abstraction, with Serving The People - Online January 2021 (Group Show) Fresh Perspectives, with London Paint Club - Online Statement about AOAP Submitted Artwork Hands are one of the things that painters either love or loathe; they can be so distinctive to a person, so characteristic of their being. Jewellery is the same; a public display of something often deeply personal and private to an individual. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardises the charitable work we do. Anyone found doing will subject to legal action.
Lot 352
Janet Golphin Still Life with Lilies, 2022 Mixed Water Based Media on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Member of the Royal Watercolour Society since 1992 Vice President of the Royal Watercolour Society 1996-99 Works mainly in mixed Water-based media on a paper support Lives & works in West Yorkshire Education Leeds College of Art Bradford School of Arts & Media 1st Class (Hons)Degree Contemporary Surface Design & Textiles Select Exhibitions/Awards £1000 Jeffrey Archer Award Royal Watercolour Society Open 1992 Widely exhibited at RA, Summer Exhibition, Royal Scottish Academy Summer Exhibition Sunday Time Watercolour Exhibition and galleries around the UK Works in collections in the UK Germany and New York Gallery Representation The Russell Gallery. Putney Bankside Gallery Blackfriars London The Walker Galleries Harrogate Statement about AOAP Submitted Artwork My Art on a Postcard Summer 22 Collection are representational of still life paintings often produced but on a much smaller scale. Composition & juxtaposition of colour & shapes being key. My intention being for the viewer to visually engage and experience a physical connection to my work. The invitation to produce 4 postcards gave me a reason to test my intentions on a much smaller scale, a valuable process of creativity giving me much food for thought to take forward. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardises the charitable work we do. Anyone found doing will subject to legal action.
Lot 353
Janet Golphin Blue Stripes, 2022 Mixed Water Based Media on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Member of the Royal Watercolour Society since 1992 Vice President of the Royal Watercolour Society 1996-99 Works mainly in mixed Water-based media on a paper support Lives & works in West Yorkshire Education Leeds College of Art Bradford School of Arts & Media 1st Class (Hons)Degree Contemporary Surface Design & Textiles Select Exhibitions/Awards £1000 Jeffrey Archer Award Royal Watercolour Society Open 1992 Widely exhibited at RA, Summer Exhibition, Royal Scottish Academy Summer Exhibition Sunday Time Watercolour Exhibition and galleries around the UK Works in collections in the UK Germany and New York Gallery Representation The Russell Gallery. Putney Bankside Gallery Blackfriars London The Walker Galleries Harrogate Statement about AOAP Submitted Artwork My Art on a Postcard Summer 22 Collection are representational of still life paintings often produced but on a much smaller scale. Composition & juxtaposition of colour & shapes being key. My intention being for the viewer to visually engage and experience a physical connection to my work. The invitation to produce 4 postcards gave me a reason to test my intentions on a much smaller scale, a valuable process of creativity giving me much food for thought to take forward. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardises the charitable work we do. Anyone found doing will subject to legal action.
Lot 355
Janet Golphin Pot of Peonies, 2022 Mixed Water Based Media on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Member of the Royal Watercolour Society since 1992 Vice President of the Royal Watercolour Society 1996-99 Works mainly in mixed Water-based media on a paper support Lives & works in West Yorkshire Education Leeds College of Art Bradford School of Arts & Media 1st Class (Hons)Degree Contemporary Surface Design & Textiles Select Exhibitions/Awards £1000 Jeffrey Archer Award Royal Watercolour Society Open 1992 Widely exhibited at RA, Summer Exhibition, Royal Scottish Academy Summer Exhibition Sunday Time Watercolour Exhibition and galleries around the UK Works in collections in the UK Germany and New York Gallery Representation The Russell Gallery. Putney Bankside Gallery Blackfriars London The Walker Galleries Harrogate Statement about AOAP Submitted Artwork My Art on a Postcard Summer 22 Collection are representational of still life paintings often produced but on a much smaller scale. Composition & juxtaposition of colour & shapes being key. My intention being for the viewer to visually engage and experience a physical connection to my work. The invitation to produce 4 postcards gave me a reason to test my intentions on a much smaller scale, a valuable process of creativity giving me much food for thought to take forward. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardises the charitable work we do. Anyone found doing will subject to legal action.
Lot 37
Beatrice Hassel-McCosh Crocus, 2022 Watercolour on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Beatrice Hasell-McCosh' work uses natural form and the tradition of landscape painting as the lens to explore emotional themes, identity linked to place and human connection. Drawing is vital to her practise and she uses closely observed studies made from life to make large-scale paintings. She works as much from memory as from the studies and, in playing with scale, the focus of importance gives way (from direct figurative representation) to a flattened abstraction with aesthetic choices relating to composition, texture and gestural use of colour taking on the primary importance. With a degree in English and Classics reading widely around a subject is central to her practise. The titles of each large work cite the disparate elements of this research from literature to pop culture, song lyrics and art historical links. Education Beatrice (b.1990, UK) studied English and Classics at Leeds University and then spent two years studying at Leith School of Art in Edinburgh and The Royal Drawing School in London. Select Exhibitions/Awards Coming Up 2022 Jun. Solo show, The Garden Museum, London curated by The Violet Hour 2021 Feb. Aora: III, curated by Jenn Ellis, www.Aoraspace.com, online Mar. Art For Charity Collection, March Auction, Instagram Apr. Works on Paper III, Blue Shop Cottage, Group show Jun. Bucolia, Blue Shop Cottage, Camberwell Jun. Top 100, The Auction Collective, curated by Kate Bryan, Katy Wickremesinghe, Georgie Wimbush, Francesca Wilson, Benjamin Murphy and Tabish Khan. Jul. Les Danses Des Nocturnes, Spread Museum curated by Eastcontemporary Gallery, Entrevaux, South of France Jul. Ambrosia, Purslane, online Sept. Small Pleasures, AllMouth Gallery, online Nov. Art For Charity Collective, online Nov. Petrichor, Lilya Gallery, London Nov. Freedom From Torture, Sotheby's, London, selected by Blue Shop Cottage Nov. 50 x 50, curated by The Auction Collective, Soho Revue, London Nov. Reveille, The Violet Hour, London Dec. AORA, Mayfair, London Dec. The Violet Hour, online Statement about AOAP Submitted Artwork During the first lockdown in 2020 Beatrice drew comfort from the routine of making small watercolour sketches in the garden. As humans shrunk away from each other the reassuring continuity and cycle of nature became completely absorbing to the artist who, over a period of 6 months, watched and drew from the same spots continuously seeing plants grow up, crowd together (in antithesis to human society) blooming and dying and being replaced with the new. During such a period of uncertainty, she then began painting in oil in large scale, in part as a therapeutic physical act. In changing scale so dramatically from the original watercolour imagery her work is experienced as a much more physical space and reality becomes simply the material fact of the paint rather than the subject. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Lot 372
Ofunne Azinge As For My Household, The Light Will Always Shine, 2022 Acrylic Paint on Phototransfer on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Ofunne Azinge is a Nigerian - British painter based in Manchester, United Kingdom. Her work was previously exhibited at the Royal Academy of Arts in London. Ofunne's work primarily focuses on the history of post-colonialism in Nigeria and its effects on black men across the diaspora and black masculinity in painting. Born in Nigeria 1998 and moving to England at the age of 5 after being adopted, Ofunne's work draws from various aspects of her life including the socio-political effects of migration, nostalgia and the complexities of her upbringing. Her large-scale paintings combine the use of her unique image transfer method, figures painted in a mixture of black/blue/purple hues, compilations of symbols from various generations draw the attention of a wide range of audiences to experience her work. Education 2021 - Present MA Painting, Manchester School of Art, Manchester Metropolitan University, Manchester, United Kingdom 2018 - 2021 BA (Hons) Fine Art, Leeds Arts University, Leeds, United Kingdom 2017 LLB (Hons) Law, Leeds Beckett University, Leeds, United Kingdom 2016 BA (Hons) Fine Art, University of Leeds, Leeds, United Kingdom Select Exhibitions/Awards Awards 2021 - The Arts Club Award, Royal Academy of Arts, 2021 Exhibitions 2022 "Reclaiming the Nymph: A force of Nature", Group Show curated by Mollie Barnes, Gillian Jason Gallery (3rd March 2022 - 23rd April 2022), London, United Kingdom "Passports Please", Group Show, Subtitle Lab, Hosted by PI Artworks Gallery (3rd March 2022 - 5th March 2022), London, United Kingdom 2021 Royal Academy Summer Exhibition, Royal Academy of Arts, 2021 (22nd September 2021 - 2nd January 2022), London, United Kingdom Painting Writing, Group Show, PS Mirabel, Manchester, United Kingdom (25th September - 30th October 2021) "TSDAP'S New Graduates: 2021 Edition", Artsy (Online), Curated by TSDAP, Hosted by SHIM Art Network (12th July - 13th September 2021) "In these four walls" (Online), Leeds Arts University Graduate Show, (5th July 2021 - Present) 2020 "AND/NOW" (Virtual), Art steps, hosted by Leeds Arts University, Group Exhibition (7th May 2020 -) Statement about AOAP Submitted Artwork My postcard acts as an extension of my practice. It features photographs of my late parents' wedding - moments of celebration and joy in their lives. A symbol that, even in moments of despair, will always depict a snapshot of light. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Lot 38
Beatrice Hassel-McCosh Aconites, 2022 Watercolour on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Beatrice Hasell-McCosh' work uses natural form and the tradition of landscape painting as the lens to explore emotional themes, identity linked to place and human connection. Drawing is vital to her practise and she uses closely observed studies made from life to make large-scale paintings. She works as much from memory as from the studies and, in playing with scale, the focus of importance gives way (from direct figurative representation) to a flattened abstraction with aesthetic choices relating to composition, texture and gestural use of colour taking on the primary importance. With a degree in English and Classics reading widely around a subject is central to her practise. The titles of each large work cite the disparate elements of this research from literature to pop culture, song lyrics and art historical links. Education Beatrice (b.1990, UK) studied English and Classics at Leeds University and then spent two years studying at Leith School of Art in Edinburgh and The Royal Drawing School in London. Select Exhibitions/Awards Coming Up 2022 Jun. Solo show, The Garden Museum, London curated by The Violet Hour 2021 Feb. Aora: III, curated by Jenn Ellis, www.Aoraspace.com, online Mar. Art For Charity Collection, March Auction, Instagram Apr. Works on Paper III, Blue Shop Cottage, Group show Jun. Bucolia, Blue Shop Cottage, Camberwell Jun. Top 100, The Auction Collective, curated by Kate Bryan, Katy Wickremesinghe, Georgie Wimbush, Francesca Wilson, Benjamin Murphy and Tabish Khan. Jul. Les Danses Des Nocturnes, Spread Museum curated by Eastcontemporary Gallery, Entrevaux, South of France Jul. Ambrosia, Purslane, online Sept. Small Pleasures, AllMouth Gallery, online Nov. Art For Charity Collective, online Nov. Petrichor, Lilya Gallery, London Nov. Freedom From Torture, Sotheby's, London, selected by Blue Shop Cottage Nov. 50 x 50, curated by The Auction Collective, Soho Revue, London Nov. Reveille, The Violet Hour, London Dec. AORA, Mayfair, London Dec. The Violet Hour, online Statement about AOAP Submitted Artwork During the first lockdown in 2020 Beatrice drew comfort from the routine of making small watercolour sketches in the garden. As humans shrunk away from each other the reassuring continuity and cycle of nature became completely absorbing to the artist who, over a period of 6 months, watched and drew from the same spots continuously seeing plants grow up, crowd together (in antithesis to human society) blooming and dying and being replaced with the new. During such a period of uncertainty, she then began painting in oil in large scale, in part as a therapeutic physical act. In changing scale so dramatically from the original watercolour imagery her work is experienced as a much more physical space and reality becomes simply the material fact of the paint rather than the subject. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Lot 395
Damien Cifelli Citizen A, 2022 Pencil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Damien Cifelli is a self-taught, multidisciplinary artist from Edinburgh, Scotland. His work explores a fictitious land of his creation named Tarogramma; a hidden world that explorers have long been searching for in vain. His work is focused around the idea of fictional anthropology and storytelling. Referencing the scale and compositions of history paintings and historical sculpture, he builds a detailed culture; with its own aesthetic, way of living, and understanding of the world, that is at once alien and eerily similar to our own. Education Edinburgh University/Edinburgh College of Art. (MA) Architecture Select Exhibitions/Awards SOLO EXHIBITIONS 2022 - 'Hidden Door 2022' Old Royal High, Edinburgh (Upcoming) 2022 - 'Tarogramma' Hackney Downs Studios, London (Upcoming) 2022 - 'Damien Cifelli x Wolf and Badger' Wolf And Badger, Netil House, London 2019 - 'Tarogramma Archive' Edinburgh Art Festival. Dundas St Gallery, Edinburgh 2019 - 'Tarogramma Archive' Edinburgh Art Festival. Italian Cultural Institute, Edinburgh AWARDS Saatchi Art 'Rising Star' 2022 Dazed x Gap New Generation 2020 Foundwork Artist Prize, Final Selection Fashion Illustration Drawing Awards (FIDA) finalist Statement about AOAP Submitted Artwork Two small portraits of citizens of Tarogramma, believed to be siblings. The dominant colours of orange and green are representative of 'The Hand' a secretive and elite social class within Tarogramma. Little is known about their activities, but it is clear that they possess a significant amount of power. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Lot 396
Damien Cifelli Citizen Q, 2022 Pencil on paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Damien Cifelli is a self-taught, multidisciplinary artist from Edinburgh, Scotland. His work explores a fictitious land of his creation named Tarogramma; a hidden world that explorers have long been searching for in vain. His work is focused around the idea of fictional anthropology and storytelling. Referencing the scale and compositions of history paintings and historical sculpture, he builds a detailed culture; with its own aesthetic, way of living, and understanding of the world, that is at once alien and eerily similar to our own. Education Edinburgh University/Edinburgh College of Art. (MA) Architecture Select Exhibitions/Awards SOLO EXHIBITIONS 2022 - 'Hidden Door 2022' Old Royal High, Edinburgh (Upcoming) 2022 - 'Tarogramma' Hackney Downs Studios, London (Upcoming) 2022 - 'Damien Cifelli x Wolf and Badger' Wolf And Badger, Netil House, London 2019 - 'Tarogramma Archive' Edinburgh Art Festival. Dundas St Gallery, Edinburgh 2019 - 'Tarogramma Archive' Edinburgh Art Festival. Italian Cultural Institute, Edinburgh AWARDS Saatchi Art 'Rising Star' 2022 Dazed x Gap New Generation 2020 Foundwork Artist Prize, Final Selection Fashion Illustration Drawing Awards (FIDA) finalist Statement about AOAP Submitted Artwork Two small portraits of citizens of Tarogramma, believed to be siblings. The dominant colours of orange and green are representative of 'The Hand' a secretive and elite social class within Tarogramma. Little is known about their activities, but it is clear that they possess a significant amount of power. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Lot 400
Luke Woodgate Bayou Closeup 1, 2022 Acrylic Paint and Isograph Pen on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About I am an artist from the south east of England. I primarily make large scale landscapes. They are pen and ink drawings. The drawings are scanned into the computer where they are coloured by hand using a tablet. It's a technique I initially developed to form separate layers for screen printing. However as the drawings became more complex, screen printing was no longer an option. I now produce the work as short run giclee print edtions. The landscapes themselves are imagined. Inspried by photographs from my travels across America, Europe and Asia. Education BA Fine Art Printmaking. University of Brighton Select Exhibitions/Awards 2022- Royal Academy Summer Exhibition 2021- Royal Academy Summer Exhibition 2020- Solo show St Julians, Sevenoaks, Kent 2010-2019, various group shows in Brighton and London Statement about AOAP Submitted Artwork This postcard is an example of my ongoing development of techniques combining painting and isograph pen drawing. This medium will be the basis for most of my work going forward. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardises the charitable work we do. Anyone found doing will subject to legal action.
Lot 42
Jan Valik Fragments of a Day in Forest, 2022 Collage - Watercolour and Ink on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Paintings of Jan Valik are tangentially connected to the idea of landscape as a psychological space where relationship between human perception and the landscape consists of complex ties but also of fine nuances. His work balances on the edge of perception where abstract and figurative becomes fluid, evoked within a spatial and pictorial ambiguity interlocked with a tension of simultaneous presence and absence to disrupt conventional binaries of perception. Painting, as a constructed space, allows Valik to synthesise ideas to explore these notions of non-verbal immersion to impossible territories and fictive spaces. Education 2020 - 2022 Turps Banana Studio Programme, London, UK 2007 - 2012 MFA Degree, Academy of Fine Arts in Prague, Czechia Select Exhibitions/Awards Solo exhibitions (selected) 2022 Breakthrough, L.L. Contemporary, Toronto, CA 2022 Shifting Places, Husk Gallery, Brussels, BE 2021 Landscapes, Amart Gallery, Vienna, AT 2020 Verge, Husk Gallery, Brussels, BE Selected group exhibitions 2022 RWS Open, Bankside Gallery, London, UK 2022 Abstract on Paper II, Amart Gallery, Vienna, AT 2022 Contemporary British Painting Prize 2021, Unit 1 Gallery, London, UK 2022 Selects pt.1, Hoxton 253 x London Paint Club, London, UK 2021 Contemporary British Painting Prize 2021, Huddersfield Art Gallery, Huddersfield, UK 2021 Mediated Landscapes, FiveSparks Arts Centre, Harvard, US 2021 Panta Rhei, Husk Gallery, Brussels, Belgium 2021 Of Other Places: Gardens of Dreams, Art Exchange Gallery, Colchester, UK 2021 Fresh Perspectives, London Paint Club, online, London, UK 2020 In Arcadia, Husk Gallery, Brussels, Belgium Awards 2021 Shortlisted, Contemporary British Painting Prize 2021 2016 3rd Prize, Painting 2016, VUB Foundation, Slovakia Statement about AOAP Submitted Artwork These works on paper are actually and cut-out fragments of various recent watercolours and ink works. This was a great opportunity to create small yet dense new works, tiny in scale, yet ambitious in their visuality. Abstract fragments give rise to new almost spatial constellations on the verge of depth and colour. In all of those I was intrigued by keeping the associative qualities very much in play. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Lot 420
Kim Booker Torture Garden (1) After Rodin, 2022 Oil and Acrylic on Canvas Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Kim Booker's practice is rooted in the tradition of painting and the history of modern art. Her work takes influences from German Expressionism, idiosyncratic British painting such as the work of Roy Oxlade, and American abstract expressionism, yet she reinterprets the tradition with a current perspective on contemporary conflicts surrounding identity, gender and relationships. Her paintings are semi-autobiographical, often featuring female figures in poses suggestive of an emotional state. Booker's process and mark making are gestural and intuitive - the physicality of the act of painting is important. Working on large scale canvases, Booker's paintings are an extension of her body and an evolution of her emotions. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardises the charitable work we do. Anyone found doing will subject to legal action.
Lot 421
Kim Booker Torture Garden (2) After Rodin, 2022 Oil and Acrylic on Canvas Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Kim Booker's practice is rooted in the tradition of painting and the history of modern art. Her work takes influences from German Expressionism, idiosyncratic British painting such as the work of Roy Oxlade, and American abstract expressionism, yet she reinterprets the tradition with a current perspective on contemporary conflicts surrounding identity, gender and relationships. Her paintings are semi-autobiographical, often featuring female figures in poses suggestive of an emotional state. Booker's process and mark making are gestural and intuitive - the physicality of the act of painting is important. Working on large scale canvases, Booker's paintings are an extension of her body and an evolution of her emotions. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardises the charitable work we do. Anyone found doing will subject to legal action.
Lot 43
Jan Valik Tiny Portal, 2022 Collage - Watercolour and Ink on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Paintings of Jan Valik are tangentially connected to the idea of landscape as a psychological space where relationship between human perception and the landscape consists of complex ties but also of fine nuances. His work balances on the edge of perception where abstract and figurative becomes fluid, evoked within a spatial and pictorial ambiguity interlocked with a tension of simultaneous presence and absence to disrupt conventional binaries of perception. Painting, as a constructed space, allows Valik to synthesise ideas to explore these notions of non-verbal immersion to impossible territories and fictive spaces. Education 2020 - 2022 Turps Banana Studio Programme, London, UK 2007 - 2012 MFA Degree, Academy of Fine Arts in Prague, Czechia Select Exhibitions/Awards Solo exhibitions (selected) 2022 Breakthrough, L.L. Contemporary, Toronto, CA 2022 Shifting Places, Husk Gallery, Brussels, BE 2021 Landscapes, Amart Gallery, Vienna, AT 2020 Verge, Husk Gallery, Brussels, BE Selected group exhibitions 2022 RWS Open, Bankside Gallery, London, UK 2022 Abstract on Paper II, Amart Gallery, Vienna, AT 2022 Contemporary British Painting Prize 2021, Unit 1 Gallery, London, UK 2022 Selects pt.1, Hoxton 253 x London Paint Club, London, UK 2021 Contemporary British Painting Prize 2021, Huddersfield Art Gallery, Huddersfield, UK 2021 Mediated Landscapes, FiveSparks Arts Centre, Harvard, US 2021 Panta Rhei, Husk Gallery, Brussels, Belgium 2021 Of Other Places: Gardens of Dreams, Art Exchange Gallery, Colchester, UK 2021 Fresh Perspectives, London Paint Club, online, London, UK 2020 In Arcadia, Husk Gallery, Brussels, Belgium Awards 2021 Shortlisted, Contemporary British Painting Prize 2021 2016 3rd Prize, Painting 2016, VUB Foundation, Slovakia Statement about AOAP Submitted Artwork These works on paper are actually and cut-out fragments of various recent watercolours and ink works. This was a great opportunity to create small yet dense new works, tiny in scale, yet ambitious in their visuality. Abstract fragments give rise to new almost spatial constellations on the verge of depth and colour. In all of those I was intrigued by keeping the associative qualities very much in play. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Lot 70
Tamara Jovandić-Everson Untitled 3, 2022 Acrylic and Mixed Media on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Tamara finished the Academy of Art in Sarajevo and has lived and worked in North London since 1992. She has over thirty group exhibitions in the UK, Ireland, France and the USA, and five solo shows. Tamara has exhibited at prestigious art galleries such as Mall Gallery, Cork Street, Royal College of Art, and many more. Tamara's paintings, for a period of years, were about exploring female sexuality and nudity through expressionistic imagery, highlighting spiritual and religious themes which suggest a paradox. Tamara's preoccupation for dramatic contrast and religious themes, using live models and working quickly and directly onto canvas, comes from a fascination with Italian Baroque and Caravaggio's use of chiaroscuro and his rich and dark palette. Intending to relate to the viewer on the most intimate level, these works are always faceless and express the universality of torment through human emotion. Exploring the human body through suffering, sacrifice, isolation, and emptiness is autobiographical: based on life in exile, and a homeland torn apart in the civil war (former Yugoslavia). The works are generated from studies of life models. Drawings are then enlarged and painted on a larger scale. In recent works, there is further development in growing out of the narrative, investigating 'painting within painting', freeing and enlarging further parts of figurative artworks, bringing dramatic contrasts by using a variety of mediums to build texture including sand, plaster, and resin... Education 1986-1991 Academy of Art, Sarajevo Select Exhibitions/Awards MAIN SOLO SHOWS: 2018: Highgate Gallery - solo show 2002: Mediterraneo Gallery, Chiswick, London 2000: Terra Gallery, Chiswick, London 1999: Workhouse Art Gallery, Chelsea, London 1994: Locus Gallery, Hampstead, London 1991: Zvono Gallery, Sarajevo GROUP EXHIBITIONS: 2017 London Biennale, Chelsea 2015 Royal College of Art, 20/21 International 2014 Arthorp Gallery, Arts Depot Open 2011 Galery 69, Limogue, France 2010 Landmark Art Center, Summer Art Fair 2010 Russian Art Fair, Park Lane, London 2010 Christie's auction, St.Mary's Church, London 2010 The Dissenters Gallery, London 2009 The Bridge, Ladbroke Grove 2007 National Gallery Museum, Croatia 2006 Pro Art Exhibition, Chelsea Town Hal 2004 Salon des Arts, "Religion, Art & War", Knightsbridge, London 2003 Discerning Eye Exhibition, Mall Galleries, London2001 Unicorn Gallery, Fulham, London 2001 Terra Gallery, Chiswick, London 2000 Erotica, Olympia, Kensington, London 2000 DFN Gallery, Manhattan, New York, USA 1999 Candid Gallery, Islington, London 1997 Talisman Fine Art Gallery, London 1996 Workhouse Gallery, Chelsea, London 1996 The Octagon, Fulham, London 1995 Sternberg Centre for Judaism, London 1995 The Illaca Gallery, Brighton 1994 Art and Life in Exile Exhibition, University of London 1994 Salama-Caro Gallery, Cork Street, London 1994 The Crypt, St. Martins in the Fields, London 1994 Garter Lane Arts Center, Waterford, Ireland 1993 Leo Baeck Association, London Jewish Community, Hampstead 1991 Group Exhibition of ULUBIH, Collegium Artisticum, Sarajevo 1991 Biennial Exhibition of Student Drawing Gallery of Student City, Belgrade 1991 Exhibition at Foca Museum, Foca 1990 Exhibition (Oil on canvas), Kamerni Theatre Gallery, Sarajevo Statement about AOAP Submitted Artwork These works were based on life models and are observational, but expressive. In these works I tried to depict power of emotion by minimal use of colour via dramatic contrast and texture. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Lot 71
Tamara Jovandić-Everson Untitled 4, 2022 Acrylic and Mixed Media on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Tamara finished the Academy of Art in Sarajevo and has lived and worked in North London since 1992. She has over thirty group exhibitions in the UK, Ireland, France and the USA, and five solo shows. Tamara has exhibited at prestigious art galleries such as Mall Gallery, Cork Street, Royal College of Art, and many more. Tamara's paintings, for a period of years, were about exploring female sexuality and nudity through expressionistic imagery, highlighting spiritual and religious themes which suggest a paradox. Tamara's preoccupation for dramatic contrast and religious themes, using live models and working quickly and directly onto canvas, comes from a fascination with Italian Baroque and Caravaggio's use of chiaroscuro and his rich and dark palette. Intending to relate to the viewer on the most intimate level, these works are always faceless and express the universality of torment through human emotion. Exploring the human body through suffering, sacrifice, isolation, and emptiness is autobiographical: based on life in exile, and a homeland torn apart in the civil war (former Yugoslavia). The works are generated from studies of life models. Drawings are then enlarged and painted on a larger scale. In recent works, there is further development in growing out of the narrative, investigating 'painting within painting', freeing and enlarging further parts of figurative artworks, bringing dramatic contrasts by using a variety of mediums to build texture including sand, plaster, and resin... Education 1986-1991 Academy of Art, Sarajevo Select Exhibitions/Awards MAIN SOLO SHOWS: 2018: Highgate Gallery - solo show 2002: Mediterraneo Gallery, Chiswick, London 2000: Terra Gallery, Chiswick, London 1999: Workhouse Art Gallery, Chelsea, London 1994: Locus Gallery, Hampstead, London 1991: Zvono Gallery, Sarajevo GROUP EXHIBITIONS: 2017 London Biennale, Chelsea 2015 Royal College of Art, 20/21 International 2014 Arthorp Gallery, Arts Depot Open 2011 Galery 69, Limogue, France 2010 Landmark Art Center, Summer Art Fair 2010 Russian Art Fair, Park Lane, London 2010 Christie's auction, St.Mary's Church, London 2010 The Dissenters Gallery, London 2009 The Bridge, Ladbroke Grove 2007 National Gallery Museum, Croatia 2006 Pro Art Exhibition, Chelsea Town Hal 2004 Salon des Arts, "Religion, Art & War", Knightsbridge, London 2003 Discerning Eye Exhibition, Mall Galleries, London2001 Unicorn Gallery, Fulham, London 2001 Terra Gallery, Chiswick, London 2000 Erotica, Olympia, Kensington, London 2000 DFN Gallery, Manhattan, New York, USA 1999 Candid Gallery, Islington, London 1997 Talisman Fine Art Gallery, London 1996 Workhouse Gallery, Chelsea, London 1996 The Octagon, Fulham, London 1995 Sternberg Centre for Judaism, London 1995 The Illaca Gallery, Brighton 1994 Art and Life in Exile Exhibition, University of London 1994 Salama-Caro Gallery, Cork Street, London 1994 The Crypt, St. Martins in the Fields, London 1994 Garter Lane Arts Center, Waterford, Ireland 1993 Leo Baeck Association, London Jewish Community, Hampstead 1991 Group Exhibition of ULUBIH, Collegium Artisticum, Sarajevo 1991 Biennial Exhibition of Student Drawing Gallery of Student City, Belgrade 1991 Exhibition at Foca Museum, Foca 1990 Exhibition (Oil on canvas), Kamerni Theatre Gallery, Sarajevo Statement about AOAP Submitted Artwork These works were based on life models and are observational, but expressive. In these works I tried to depict power of emotion by minimal use of colour via dramatic contrast and texture. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Lot 165
A carved figure of horse and rider, Flemish, circa 1600 Oak with original polychrome, 96cm high. An unusual carving, possibly part of a large-scale Adoration group showing a servant holding the horse of one of the Three Kings. The stylised treatment of the leaves on the tree is very similar to those of Flemish tapestries.
![[MAP] 6 sections from HORWOOD'S large scale map of London, damaged, 1799, u/f (6).](https://cdn.globalauctionplatform.com/4335ecf2-664e-4353-a4e1-aebe00a5f029/28d90c85-6e77-4956-b107-aebe00b20727/468x382.jpg)
Lot 837
A late 17th century carved oak small coffer, the three panel top on original split pin hinges, enclosing an interior with candle box, over panelled sides and a two panel front with foliate meander frieze and foliate diamond carved panels, original iron lock, on scale carved stile feet, 38 x 18¼in. (96.5 x 46.5cm.), 20¾in. (52.5cm.) high.
Lot 220
A George IV mahogany and brass strung bracket clock with pull repeat, signed J.R. Saunders, Warminster, the convex white enamel dial with painted Roman numerals and Brequet style hands, an eight day twin fusee movement striking on a bell, the case with brass pineapple finial on a stepped top, with a chipped band to the top and bottom and strung brass detailing throughout, brass ring handles to the side above brass fish scale panels, raised on ball feet. 18 ½in. (46.9cm.) high.
Lot 2619
A French patinated and gilt bronze five branch candelabra, 19th century in the Louis XV style, the five, scrolled foliate arms holding foliate urn nozzles and drip pans, held aloft by a classical maiden with a dolphin at her feet, raised on a gilt bronze tripod pedestal base with foliage and scale decorated scroll feet, 28in. (71cm.) high.
Lot 2734
A compensated aneroid barometer by Brady & Martin Ltd, Newcastle-on-Tyne, the 4 3/8in. silvered dial calibrated in inches of mercury and reading to 1/100th inch by outer vernier scale, brass case with hanging loop, 4 ¾in. (12cm.) diameter overall, in the original dark blue velvet lined mid-oak box with key, with certificate of test dated 21/6/35. * Some small areas of wear to silvering on vernier ring. Tiny chip and two small frits to bevelled edge of glass. Not tested. The box with minor wear to velvet lining. Lock working. Some marks, scratches and stains to lid.
Lot 165
Cased scientific instrument, labelled 'Medical Research Council', 49cm.Condition report:It is a Sartorius Werke Göttingen beam scale. It is missing its balance scales, weights and possibly some other small parts. It is also missing its back glass panel. There are some very minor chips to its wooden frame. Please see additional uploaded images.
Lot 192
Die-cast models and vehicles, one box with five Corgi Classics including ref 27602 Atkinson 8 wheel rigid truck 'The Showmans Range'; ref 27801 Atkinson open pole truck set 'The Showmans Range'; and others; Bburago five metal models set, 1:43 scale; Brumm r157 Ferrari HP 420 and Ferrari 250 TRS; model tractor; Lledo and Matchbox models, mostly boxed.Qty: one box
Lot 508
NINE PIECES OF T.G. GREEN CORNISHWARE, comprising two storage canisters heights 13cm and 15.5cm (latter has a small repair to edge of lid), medium and large jugs, a milk jug with pint scale, a pudding basin diameter 13.5cm, a mixing bowl with pouring lip diameter 15cm, a flour sifter (missing lid), and an egg cup (Condition report: as stated, otherwise good condition, signs of light use, crazing) (9)
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