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Lot 1
A 19th Century Italian veined yellow marble scale corinthian column, surmounted with a small bronze figure of a Roman soldier, the fluted column with embossed capitals on a square plinth entitled Colonna Foca, in turn mounted on a square stepped plinth with classical bronze cast frieze on a further stepped square base, height 58cm.
Lot 1
A William IV mahogany five dial wheel barometer, having a swan neck pediment above a dry/damp indicator, thermometer dial, convex mirror reflector above silvered main dial, signed to the balance scale Grafsi & Fontana, Exeter, the case with ebony and boxwood stringing, height 106cm (see lot 406 for illustration)
Lot 1
A Meissen porcelain bell, late 19th Century, reserve decorated port and ruin scenes interspersed by flowers against a turquoise ground, underglaze blue AR mark, together with a Meissen porcelain inkwell and stand, the well reserve decorated flowers against a pink scale ground, the stand similarly decorated within a pierced floral border, blue crossed swords mark.
Lot 1
A George III mahogany bracket clock by James Tregent, Strand, the arched case surmounted by a handle on a pad over fish scale side frets, a moulded base and brass ogee bracket feet, the 7" arched silvered dial with outer ring of arabic numerals, inner ring of roman numerals, signed centre and two winding holes with subsidiary strike and silent dial to the arch, the twin fusee movement with Prince of Wales engraved back plate under a garland and neoclassical style surround striking on a single bell, 15.5" high.. Note: James Tregent is listed as being active 1770 to 1805 watchmaker to the Prince of Wales and The Duke of Sussex
Lot 1
A William IV Scottish rosewood veneered tea table the rectangular fold-over flap top swivels on a well frieze the front with gilt gesso carved trailing Whisteria and centred an anthemion plume gilt scale carving to the reeded pillastered stem and gilt cable border bowl the quatreform base with corner rondels to the gilt and moulded flattened turned feet on castors. 34.25in. (87cm.) wide. (see previous lot for illustration)
Lot 1
A good Burmantofts faience “Anglo-Persian” bulbous vase of large proportions with narrow neck and squat bulbous rim, the whole probably decorated by Victor Kramer in turquoise, blue, mauve and green to a design inspired by William de Morgan, with bold scrolled palmettes and flowers within stylised scale pattern rim, 20.5ins high (impressed to underside “Burmantofts Faience 25” with the artist’s initials “V” or “LK” and painted No. 42 design, and also No. 264 - bulbous rim broken in numerous places and restuck)
Lot 1
A pair of Coalport porcelain two handled urn pattern vases and covers in the “Worcester” manner, enamelled in colours with exotic birds on flowering branches, floral sprays and insects within shaped gilt reserves, on a blue scale ground, with moulded scroll handle and pinnacles to domed covers, 10.5ins high (green printed marks to bases)
![A Worcester Blue Scale Dessert Dish, circa 1765], of quatrelobed form with scroll handles, painted with circular, shield and](http://lot-images.atgmedia.com/SR/10041/2669547/155-63-10041_468x382.jpg)
![A First Period Worcester Bowl, circa 1770], with moulded wrythen fluting about a central rocaille frill edged reserve painte](http://lot-images.atgmedia.com/SR/10041/2669547/154-63-10041_468x382.jpg)
Lot 1
A First Period Worcester Bowl, circa 1770], with moulded wrythen fluting about a central rocaille frill edged reserve painted with a pair of Oriental pheasants near shrubs and a church within a blue scale band, diverse insects to the main border, the rim with nine kidney shape panels painted with strawberries, redcurrants, roses, lilies and other flowers punctuated by blue scale panels enriched in gilt, 26cm diameter (crack in base, some scuffing)
![An Enamelled Pottery Plaque, Parvillee, French, circa 1870], centrally enamelled with a green dragon swooping through a leaf](http://lot-images.atgmedia.com/SR/10041/2669547/170-63-10041_468x382.jpg)
Lot 1
An Enamelled Pottery Plaque, Parvillee, French, circa 1870], centrally enamelled with a green dragon swooping through a leaf filled sky, within three panels of stylised kufic script divided by scale pattern, with geometric guilloche border, "AP" monogram in blue on the reverse, "Parvillee" and "270", 40cm diameter, the foot ring pierced for suspension) 40cm diameter
![A Stainless Steel Chronograph Wristwatch, signed Omega, Speedmaster, Professional, circa 1995], mechanical lever movement, b](http://lot-images.atgmedia.com/SR/10041/2669547/452-63-10041_468x382.jpg)
Lot 1
A Stainless Steel Chronograph Wristwatch, signed Omega, Speedmaster, Professional, circa 1995], mechanical lever movement, black dial with luminous baton markers, three subsidiary dials for seconds, 30-minute and 12-hour register, case with pushers in the band to operate chronograph hand, black tachymetre scale bezel, case back with Speedmaster monogram and signed "Flight-Qualified by Nasa for all manned space missions, The first watch worn on the moon", Omega stainless steel bracelet with deployant clasp, 41cm wide, together with Omega box and warranty card
![A Gold Full Hunting Cased Quarter Repeating Keyless Lever Pocket Watch with Chronograph, signed Lega, circa 1900], frosted g](http://lot-images.atgmedia.com/SR/10041/2669547/468-63-10041_468x382.jpg)
Lot 1
A Gold Full Hunting Cased Quarter Repeating Keyless Lever Pocket Watch with Chronograph, signed Lega, circa 1900], frosted gilt fusee movement, overcoil hairspring, button in the band operated to strike hammers on gongs for the hours and the quarters, white enamel dial with Arabic numerals, subsidiary seconds, fifths of seconds outer scale, button in the band to operate centre chronograph hand, case with plain polished finish and numbered "333668", 58mm wide
Lot 1
F...Lindo (fl.1755-1765) Portrait of Lady Elizabeth Seymour, 1st Duchess of Northumberland, Standing, Full Length on a Balcony, Wearing a Gown with a Scarlet and Ermine Robe] Signed and dated "1765", also inscribed with the sitter's name and the artist together with the date on a plaque attached to the frame, oil on canvas, 76.5cm by 62cm (30in by 24 1/2in) *The picture is sold together with various documentation and letters from Alnwick Castle, Northumberland and a further letter from the Greater London Council, both dated 11th March 1970 and 23rd March 1970 respectively. The letter written by the Duke of Northumberland refers to the present portrait being a copy of the 1st Duchess of Northumberland by Sir Joshua Reynolds which is at Syon. The artist F. Lindo is thought to have originated from Isleworth, he painted a good many portraits in Lowland Scotland and in Aberdeenshire between 1760 and 1762, both head and shoulder studies and small scale pictures as well as full length portraits. He might have been a pupil of Francis Hayman (c.1708-1776). *The Duchess of Northumberland, here seen in ceremonial robes, is Elizabeth Seymour, the only surviving child of the Duke of Somerset; she married Hugh, 1st Duke of Northumberland in 1740. Ex. collection of Commander E. Culme-Seymour
![An Industrial Compendium Novelty Clock, circa 1880], the boiler shaped case with exposed pipes and bolted to a square shaped](http://lot-images.atgmedia.com/SR/10041/2669547/1220-63-10041_468x382.jpg)
Lot 1
An Industrial Compendium Novelty Clock, circa 1880], the boiler shaped case with exposed pipes and bolted to a square shaped base, two dials for meantime and aneroid barometer, thermometer tube on silvered scale to the side, single barrel movement with platform cylinder escapement, backplate numbered "1199", 33cm high
![A George III Mahogany Stick Barometer, signed Del Vecchio, No.4 Haymarket, London, circa 1810], the case with broken arched](http://lot-images.atgmedia.com/SR/10041/2669547/1305-63-10041_468x382.jpg)
Lot 1
A Gilt-Metal Aneroid Pocket Barometer, signed Baker, Optician, 244 High Holborn, London, circa 1890], the circular case with suspension loop, silvered dial signed "Baker, Optician, 244 High Holborn, London", scales for inches and the altimeter scale to 10,000ft, 7cm wide, together with leather bound wood case
Lot 1
A Gilt-Brass Aneroid Pocket Barometer, circa 1890], the circular case with 'later' suspension loop, 2-½ -inch silvered dial with barometric scale in inches and outer silvered ring controlled by the crown for feet from 0 to 8000, 7cm wide, together with leather bound wooden case with initials "J.C.J.C"
Lot 1
A Mahogany Eight Day Longcase Clock, signed Joseph Denton, Hull, circa 1780], the case with pagoda pediment with shell inlaid front, wood stop fluted Corinthian columns, the arched trunk door of good colour with barber pole stringing flanked by canted corners, rectangular plinth with moulded frame, 12-inch arched brass dial with silvered chapter ring, dial centre with fine engraved floral decoration and subsidiary dials for seconds and date, the arch with rolling moon with lunar scale, silvered arch plaque signed "Joseph Denton, Hull", four pillar movement with anchor escapement and rack striking on a bell, 230cm high *Joseph Denton is recorded as working in Hull between 1779-1814.
![A Late 19th Century Cream Painted, Carved and Part-Gilt Centre Table], the rectangular white marble top with apsidal ends on](http://lot-images.atgmedia.com/SR/10041/2669547/1339-63-10041_468x382.jpg)
Lot 1
A Late 19th Century Cream Painted, Carved and Part-Gilt Centre Table], the rectangular white marble top with apsidal ends on a conforming frame with a frieze of gilt laurel leaves, on tapered and fluted turned legs joined by a flat, scale-moulded I stretcher, on gadrooned turned feet, 89cm by 190cm by 70cm
Lot 1
Corgi-No.492 Volkswagen 1200 Polizei green and white near mint boxed complete with card 'true scale steering' disc; No.437 Cadillac Superior Ambulance cream and crimson generally very good condition (lacking roof beacon) boxed; and No.464 Commer Police Van ('County Police') metallic blue very good condition boxed (box crushed lacking one end flap and tape stained) (3).
Lot 1
YOUNG (EDWARD). The Complaint, and Consolation; or, Night Thoughts, first edition illustrated by WILLIAM BLAKE, 41 copper engravings, without the 'Explanation of the Engraving' at the end (frequently lacking), a few edges cropped, contemporary calf, gilt, extremities rubbed, small holes at joints, large 4to, (41 x 32cms) by R Noble for R Edwards, 1797.. *** This is William Blake's most ambitious work to date on which he spent over two years and made over 500 drawings. It is also Blake's first large scale commercial commission ***
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216134 item(s)/page