A Chinese porcelain vase decorated with phoenix amongst blossom on a dragon scale or feathered oxide red ground, the shoulders with geometric zigzag decoration, raised on a circular foot, 16.5 cm diameter, together with four various Chinese carved wooden vase stands and a black basalt relief work decorated miniature teapot, 17 cm long x 7.5 cm high CONDITION REPORTS The vase only - has losses / scratches to the enamel throughout, firing faults to include a chip to the base, however, this is covered in glaze so clearly during manufacture. Also has a slight dimple / bump to one area. In need of a clean. General wear and tear conducive with age and use to include firing faults, minor losses, etc. See images for further detail.
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Various mixed collectibles to include a brass artillery shell case trench art poker stand, height 28cm, a set of brass balance scales on stand, height 47cm (af), a large oak brass bound box with vacant interior, 13 x 47 x 35cm, a pewter coffee pot with ebony handle, height to top of ebony finial 24cm, a cold painted spelter figure of a young boy with basket of grapes, height 40cm (af), also a brass telescopic fishing pole/hook in leather case, length when extended 79cm (6).Condition Report: The holding pin for the scale beam is missing. The boy figure has a repaired arm.
Nine various English and French cabinet plates, including a Sèvres hand painted floral plate with pink and gilt border, a Paris porcelain cabinet plate with fish scale blue border, a Lerosey cabinet plate with a hand painted pheasant above gilt initials within a purple border, a Lerosey purple and white cabinet plate with ribbon border, and four others (9).Condition Report: Purple lerosey plate is scratched in a few places if one looks closely, pink serves plate has a repaired chip to underside rim and scratches Paris plate with turquoise fish scale border has a chip to underside rim, pheasant lerosey plate has scratches and fading top tinted purple border, other three have a variety of crazing, scratches and one chip
Matchbox (Super Trucks Series) group of four Jeeps including "Maddog"; "Fly-n-Hi", plus others; "Monsters of Wars" Pick-up "Invader" and larger scale "Grave Digger" with accessories and figure - conditions are generally Near Mint to Mint on generally Fair to Excellent blister cards (one has bubble loose). (6)
Maxwell (India) small scale Lincoln Continental "Police" Car (Matchbox copy) - red body, clear windows, grey interior, green roof-light, with "Police" on hood - Excellent (couple of very minor marks around edges) in a Near Mint box and Fun Ho (New Zealand) 56 Landliner Coach finished in orange, silver, black wheels - Good (does have small chips on roof edge panels) in a Good Plus to Excellent presentation window box. (2)
Small scale plastic made (Hong Kong) 101 Leyland Royal Tiger Coach - orange; 102 Volkswagen Camping Car - fluorescent green; 103 Rolls Royce Silver Cloud - blue; 105 Jaguar XK140 - orange and 107 Austin "Taxi" - red - all come with black wheels - conditions appear to be generally Near Mint to Mint in generally Good to Excellent carded boxes. (5)
Polistil smaller scale group to include RJ2 Ferrari 312 Racing Car - red, silver, racing number 1; RJ7 BRM Racing Car - silver, green, racing number 14 and RJ18 Ford Capri - metallic bronze - conditions are generally Near Mint to Mint in generally Excellent (couple of small marks around end flaps) carded picture boxes. (3)
Schuco (1/66th scale) Ford Capri group of 3 (1) Mark 1 - white body, red interior; (2) same as (1) but green body and (3) racing car finished in mid-blue, white bonnet, racing number 3 - conditions appear to be generally Near Mint to Mint in Excellent to Near Mint rigid perspex cases (two are Brazilian issue cases). (3)
Schuco a group to include (1/66th scale) Renault 17 Coupe - green, black interior; Audi 100 Coupe - metallic blue, red interior; Mercedes Bus - red, clear windows and Articulated truck & Trailer with Silo style load - blue cab, grey trailer, red plastic hubs - conditions appear to be generally Excellent to Mint in generally Good Plus to Near Mint rigid perspex cases (one is in Brazilian issue case). (4)
Aviation. Royal Dutch Airlines Boeing 777-300ER Collectable Scale Model. In Original PackagingAll autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
A LARGE AND FINE GEORGE III EMBROIDERED NEEDLEWORK PICTURE OF 'INSIDE OF A STABLE'BY MARY LINWOOD (1755 - 1845), AFTER GEORGE MORLAND, DATED '1803'worked in worsted wool and silks in a variety of stitches, with stitched signature lower centre and George Morland stitched signature middle right, in a glazed giltwood frame144 x 198.5cm Catalogue NoteThis 'tour de force' of a tapestry is a life size version of George Morland's painting 'Inside of a Stable' held by The Tate Gallery, London. The painting was first exhibited at the Royal Academy in 1791 and given the size of the current lot and the length of time Miss Linwood took to create her works, it is quite probable that she saw the original painting at the RA when it was first exhibited.Mary Linwood was born in Birmingham to Matthew and Hannah Linwood, being baptised on 18th July 1755. Her father was a linen draper and her mother an embroiderer but later founded and ran the Priory Boarding School in Leicester where Mary went to study. In the early 1770's, Mary joined the staff at The Priory, by then a well respected finishing school, and eventually went on to run the school as well as her own gallery in Leicester Square, London, that she opened in 1809.Mary specialised in creating full scale versions of paintings by leading artists such as George Morland, Sir Joshua Reynolds and Thomas Gainsborough. She submitted several of her 'pictures' to the Royal Academy in the late 1780s which, although rejected for not being 'a painting, drawing or sculpture' were universally praised by the then President, Sir Joshua Reynolds, and many other artists who happened to see them. In 1789, she created the much celebrated Salvator Mundi, after Carlo Dolci, for which she was offered 3000 guineas, around £400,000 in today's money. It is now in the Royal Collection.After a number of well received exhibitions in London and other major British cities, attracting the attention of George III and Queen Charlotte along with many others from the higher echelons of society, Mary took the plunge and invested in her own gallery at Sir Joshua Reynold's former studio in Savile House, Leicester Square, London. This was specifically to show her 'needle paintings', to promote the art of embroidery and quite probably her finishing school in Leicester. The gallery quickly became a highlight of the London tourist trail being featured in a number of publications including 'Curiosities of London' and Mogg’s 'New Picture of London' and 'Visitors’ Guide to its Sights' which states: “This beautiful style of needlework is the invention of a Leicestershire lady, and consists of fifty-nine of the finest pictures in the English and foreign schools of art, possessing all the correct drawing, just colouring and light and shade of the original pictures from which they are taken; in a word, Miss Linwood’s exhibition is one of the most beautiful the metropolis can boast and should unquestionably be witnessed, as it deserves to be, by every admirer of art.” A watercolour of a view of Mary's gallery (V&A, London, accession number p.6-1985) shows several of her pictures including the lot being offered here and a 'biographical sketch' in La Belle Assemblee issued in November 1821, says that “The Farmer’s Stable, after Morland, is as fine a copy of the original picture as can be conceived, perhaps, in any branch of art; but, considered as a piece of needlework, its truth and effect in drawing and colouring, and the clear making out of the minute detail, is a rare curiosity".The present lot is listed in the 1812 catalogue ‘Mary Linwood’s Gallery of Pictures in Worsted, Leicester Square’, No.10 ‘Farmer’s Stable, Morland’.
A SCALE MODEL OF THE THREE-MASTED FULL RIGGED SHIP 'ACAMAS'FIRST HALF 20TH CENTURYwith wooden masts, decks, lifeboats and other details, mounted in an ebonised glazed case56.3cm high, 85.8cm wide, 28.4cm deep Catalogue Note'Acamas' was built at Mary Port in 1897 by T. Ritson & Son. Eventually, the ship was sold to Norway. She was posted missing in 1918 on a passage from Rio to New York.
A SCALE MODEL OF THE ROWHEDGE CUTTER SMACK 'SUNBEAM'MID-20TH CENTURYwith wooden mast, deck and other details, mounted in a glazed case75.5cm high, 93cm wide, 21cm deep Catalogue Note'Sunbeam (CK328)' was built in 1881 by John Howard at Maldon for William Wadley Cranfield of Rowhedge and is still sailing today.
A GEORGE III RED JAPANNED MUSICAL LONGCASE CLOCKFOR THE SPANISH MARKET, BY ROBERT AND PETER HIGGS, LONDON, C.1775,the brass eight day repeating movement with eight knopped pillars and anchor escapement chiming on a nest of eight bells and striking on a ninth bell, the brass dial with a silvered chapter ring with black Roman hours and Arabic minutes, with a subsidiary seconds dial, date aperture and plaque inscribed 'Robert & Peter Higgs / London' on a matted centre, with foliate spandrels, beneath an arch with a 'Tocar Silencio' (Strike Silent) dial, the hood with gilt metal urn finials, a pagoda top with reticulated gilt metal grilles above an arched door flanked by brass inlaid, stop fluted columns and brass, fish scale grilles to the sides, on a body with an arched door decorated in low relief with a Chinoiserie lake scene with sailing boats before a bridge to an island with a pagoda with figures, trees and buildings beyond, flanked by brass inlaid stop fluted quarter columns, a panelled base with similar stop fluted quarter columns and scrolling foot, with keys, weights and pendulum265cm high
λ A LATE REGENCY ROSEWOOD AND BRASS MOUNTED MANTEL CLOCKBY RIGBY, CHARING CROSS, C.1820-30the brass eight day twin fusee repeating movement striking on a bell, the backplate inscribed 'J Rigby / Charing Cross', on a silvered dial similarly inscribed and with black Roman numerals, the case with a sarcophagus top with a flaming urn finial above glazed doors, the sides with cornucopia and hoop swing handles above gilt metal fish scale grilles, with brass flowerhead and scrolling foliate inlay and on ball feet, with pendulum and key42cm high, 24cm wide, 17.5cm deep
CORGI - a limited edition 50th Anniversary 1:43 scale gold plated Jaguar E-Type Series 1 3.8L, ref. A904910, complete in original box, with associated paperwork, no. 44 of only 50 issued, and 2 limited edition Corgi 50th Anniversary 1:43 scale models of the Jaguar E-Type Series 1 3.8L in British Racing Green, ref. A904909, both in original boxes, (3) All cars are in mint unplayed with condition, boxes are also in good condition, there is some fraying and creasing around the edges where boxes have been opened and closed
VANGUARDS - a group of Vanguards Collector's Club limited edition boxed diecast vehicles, mostly 1:43 diecast scale models, the majority of the models are the chrome editions, including many from the Vanguards Drive Time Collectors Club, and the Corgi Collector Club Vanguards Members Exclusive Editions (27)
JAGUAR E-TYPE - a group of diecast vehicles of various scales, associated with the Jaguar E-Type, including Burago 1:18 scale Jaguar E Cabriolet, boxed with original display stand, a Burago 1:18 scale model of the 1000 Miglia Jaguar E-Type Cabriolet, boxed with original display stand, and various other Jaguar E-Type vehicles from such brands as Corgi, Lledo and Franklin Mint (12)
A group of diecast vehicles of varying scales, including a 1954 Mercedes Benz 300SL by Franklin Mint Precision Models, a Rolls Royce Silver Serabh by Franklin Mint, a boxed Caterham Super Seven 1:18 scale model by Majorette, a James Bond 007 Aston Martin DB5, and various other diecast models in associated display cases (20)
Paul Räth Lunar globe, scale 1:10 400 000, circa 1963 Printed paper, cardboard sphere, Bakelite Printed maker's marks 45cm high, 33cm diameter Condition Report: Dis-colouration throughout, with some brown spotting in areas, some minor dings and losses to paper. There are three losses to surface with visible overpainting
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