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Lot 161
CORGI - a trio of Moffett-K001 M5 20.3 1:50 scale models of fork-lift trucks, all boxed in as new condition, plus a boxed Jungheinrich Diesel-/LPG fork lift truck (typ DFG/TFG 425s-435s) also a Trackside AEC Mammoth with artic low loader and cylinder load LNER (slight damage to box), a ROYAL MAIL definitive double deckerApprox 7 pieces
Lot 167
HUGE !! Handbuilt 1966 London Routemaster Bus Model in home made wooden case. Model is superbly detailed and measures approx 66cm long which suggests a scale of 1/8. Hand Built by Robert M Bartie. Superb advertising for Jacobs Crackers and Ty-Phoo Tea. Includes superb detailed Driver, Conductor and Passengers.
Lot 168
AMAZING EAGLEMOSS Hand built BACK TO THE FUTURE DELOREAN BIG 1/8 scale custom model in perspex case with added rail diorama. Incredibly detailed and exceptionally well constructed model, the star centrepiece of any collection. The model measures 55cm approx excluding the case. Hand Built by Robert M Bartie. “If My Calculations Are Correct, When This Baby Hits 88 Miles Per Hour, You're Gonna See Some Serious S***.'' !!
Lot 120
dating: provenance: Europe, Beautiful model manufactured to homage the victory of the Mille Miglia Race (1955) by the legendary driver Stirling Moss together with the navigator Denis Jenkinson driving the Mercedes-Benz 300 SLR number '722'. The model is finely crafted by CMC in a scale of 1:18, almost completely in metal, with seats lined in real fabric, pierced grilles and air intakes, opening bonnet and luggage racks, the engine is perfectly reproduced. The case is missing. The bonnet featuring the hand-made autograph made with a permanent marker.Provenance: heirs of an operator who had worked for many years at the highest levels in the world of car racing, in the journalist field. length 23,5 cm.
Lot 284
ARTS & CRAFTS POTTERY BOWL,the central reserve hand-painted with a mermaid surrounded by a school of fish, within a silver lustre fish scale and sea wave border, painted monogram and asterisk to base, 31.9cm diameterCondition generally good. Crazing throughout and minor wear as per age, though nothing of real note. Glaze and other manufacturing flaws present. Additional images now available.
Lot 79
Leonidas , 1940's hand wound chronograph wrist watch, silvered dial with outer Telemeter scale, subsiduary dials, constant second register and minute register with center second indicator. Three piece chrome plated case with snap on bezel and back, back numbered 551353, Landeron 48 two button hand wound chronograph movement, running and all funtions work correctly
![[OO GAUGE]. ASSORTED 1/76 SCALE DIECAST & OTHER MODEL VEHICLES most mint or near mint (some dusty from display), all unb](https://cdn.globalauctionplatform.com/24ab5ba5-6a82-4778-93a6-ae1b00ec19bb/0ce76e45-4f0f-47e3-bfea-aea000a26bed/468x382.jpg)
![[OO-9 SCALE]. A MISCELLANEOUS COLLECTION comprising two kit-built 0-6-0 tank locomotives, maroon livery; two coaches, green](https://cdn.globalauctionplatform.com/24ab5ba5-6a82-4778-93a6-ae1b00ec19bb/5fa7d6e3-60dc-40b7-8485-aea000a2d6d9/468x382.jpg)
Lot 11
MIGUEL ORTIZ BERROCAL (Villanueva de Algaidas, Malaga, 1933 - Antequera, Malaga, 2006)."Homage to Arcimboldo", 1976-1979.Bronze, copy 893/1000.Signed and numbered.Measurements: 29 x 16 cm (larger diameter); 6 x 12 cm (base).Miguel Ortiz Berrocal showed a special predilection for articulated and detachable bronze sculptures. Inspired by the main creative forces of the first half of the 1900s, the artist sought his own artistic path. He was inspired by science and created works based on mathematical, physical and scientific principles. He also developed the concept of "dismountability", understood as the process of searching for the inner forms of volumes, which implies that sculptures are composed of elements that must be assembled and disassembled in order to penetrate their invisible space. This sculpture, made up of 30 interlocking bronze elements, is a tribute to the unmistakable Giuseppe Arcimboldo, an artist who painted imaginary portraits composed of flowers and fruit during the 16th century.Berrocal began his training at the Escuela de Artes y Oficios in Madrid, where he was a pupil of Ángel Ferrant. He then went on to the San Fernando School of Fine Arts, where he was a pupil of Ramón Stolz. He complemented his training with work as a draughtsman in the studio of the architect Casto Fernández Shaw and as an assistant to several architects in Rome between 1952 and 1954. During his stay in Paris in 1955, he finally decided to devote himself to sculpture. His early works show the influence of Chillida, while at the same time denoting his preference for articulated and detachable forms in bronze. The difficulty involved in making each of his sculptures led him to decide to produce them in series. With this idea in mind, he produced two hundred copies of the sculpture "Maria de la O", for which he received the prize for sculpture at the Paris Biennale and which was later acquired by the MOMA in New York. In 1966 he settled permanently in Verona, and from 1968 he alternated his work between monumental and small-scale works. Together with several gallery owners, he founded the Società Multicettera, the first industry of small sculptures. He has exhibited in Italy, France, Germany, Spain and the United States, received the gold medal of the Bronze of Padua, the Grand Prize of Honour at the Brazil Biennial, and was named Knight of the Order of Arts and Letters by the French government. He has sculptures in public places in Korea, Bordeaux, Denmark and Switzerland, as well as in various places in Spain. He is represented in the Museums of Modern Art in New York and Paris, the Olympic Museum in Lausanne, the Kunsthalle in Hamburg, the Juan March Foundation in Madrid, the National Gallery in Rome and the Victoria & Albert Museum in London.
Lot 61
RUUD VAN EMPEL (Breda, 1958)"Study for woman" n.1. 2000.Cibachrome, photographic print on dibond, on plexiglass, copy 2/7.Signed, dated, numbered and titled on the back.Reproduced and inventoried on the artist's official website.Size: 118 x 84,5 cm.A typical feature of Ruud van Empel's work, which we can observe in the composition in question, is the perfection and idealisation of the figure depicted and its surroundings down to the smallest detail. "Van Empel's virtuosity lies in his ability to combine in photography the kind of ideas anchored in painting (historical references, the power of a gaze, the use of colour) and film (multi-image structure and the power of a narrative), and to do so on a large scale," writes Deborah Klochko in the catalogue "Ruud van Empel Photoworks 1995-2010". He studied at the Academie voor Beeldende Kunst St. Joost in Breda in the 1970s. In the late 1980s he moved to Amsterdam to work on his career as a visual artist. Her first photographic series were The Office (1995-2001), Study for Women (1999-2002) and Study in Green (2003). The Groninger Museum presented her first solo exhibition in 1999. She made the international breakthrough with her series World-Moon-Venus, which was shown at the George Eastman House in Rochester, New York. Curator Deborah Klochko invited him to participate in the exhibition entitled "Picturing Eden" at the George Eastman House. In particular, the World series, which explores the theme of innocence, made a deep impression. Van Empel placed neatly dressed black boys and girls in paradisiacal settings of untouched, non-existent nature. Interest in and appreciation of the series continues to this day all over the world. The breakthrough in the United States also brought renewed attention to Dutch museums. Van Empel has had solo exhibitions at the Het Valkhof Museum in Nijmegen, the Groninger Museum and the NoordBrabants Museum in 's-Hertogenbosch. Since the international recognition of his work gave Van Empel the status of an artist with his own independent formal language, he has progressively expanded his oeuvre with the series Theatre, from 2010 to 2013, and Souvenir, which offered a charged image of his youth in Breda. This series was acquired by the NoordBrabants Museum. But there is always a darker, if not always obvious, side to this. Ruud Schenk, curator of the Groninger Museum, wrote about this aspect in reference to the series Study for Women (2000-2002): As a viewer, you feel that there is something wrong with the depiction of the women: they are not completely real, but tend to be a mixture of real women and shop window mannequins. This generates a certain discomfort, an uneasiness that comes close to what was described as "das Unheimliche" (the uncanny) in the early 20th century". Although the photographic images seem to capture an era, it is hardly possible to assign a date to any of them. This timeless element in Van Empel's work has taken on a different meaning in his recent work, as he addresses themes such as transience and vanity in his Still Life series of 2014, and also portrays older people as in the portrait of an older woman in the Sunday series (2012), or in the Nude series (2014), in which he questions the model's pose and the aesthetics of the nude. His work has been reviewed in countless publications and he has held important international exhibitions, not only in institutions specialising in photography but also in renowned museums of modern visual art.
Lot 149
The Macallan Folio 1Distilled and bottled by The Macallan Distillers Ltd.In original presentation case (damages) accompanied by booklet. Good labelling. Level: into neck. 700ml. Single malt, 43% volume1 bottleFootnotes:Notes from The MacallanThe first release in a 24 part series that celebrates and revisits The Macallan's original print, press and film advertising campaign; mapping the story of The Macallan from a remote farmstead on the River Spey to a whisky that is enjoyed around the world.The first advertisement for The Macallan appeared in 'The Times' newspaper on the back page next to the crossword, on 27th March 1980. The format was unusual - small scale black and white ads, beautifully written in precise, witty prose. This was to be the forerunner of a long running and highly successful campaign; masterminded by creative director, David Holmes, and copywriter, Nick Salaman, of the then London agency, Holmes Knight Ritchie. Running through to the early 1990s, the campaign helped to establish The Macallan's credentials as a brand.This lot is subject to the following lot symbols: †† VAT at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 155
Three Chinese Export porcelain teapots, 18th century, each of bullet form: the first in a Kakiemon palette decorated with vases and flowers; the second in a Mandarin palette, the figural reserves against a pink scale ground; the third famille rose, lacking cover (all a/f). (3) First, length across handle and spout 20cm
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216136 item(s)/page