A first half of the 19th Century gilt metal cased Verge Watch, John Simpson of Middle Row, Holborn, 9993, the gilt movement with engraved cock, jewelled end stone and mono metallic balance and regulation scale, to plain fined pillars and further engine turned gilt dial, with outside minute track, circular lozenges, each with applied gilt Roman numerals to a matted centre and winding square at four, with gilt spade hands, in a hinged case with engine turned back cover and floral band, Makers Mark J R, No 9993, width 1 ¾”
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A third quarter of the 19th Century 18ct Gold open face Pocket Watch, Oliver Young of 27 Sandhill, Newcastle upon Tyne, No 24190, the frosted gilt movement with engraved cock and jewelled end stone, to a mono metallic balance, and regulation scale, with fined pillars and dust cover, to a Roman enamel dial with sunk subsidiary seconds and outside minute track (hairline), and blued steel spade hands, in a hinged case with engine turned back cover, centred with a vacant gartered cartouche and milled band, London 1875, Makers Mark MK, width 1 7/8”
An early 20th Century Silver cased open faced key wind Pocket Watch, J G Graves of Sheffield, No 611190, the gilt movement with engraved cock, jewelled end stone and bi-metallic cut compensated balance, with blued steel hairspring and silvered regulation scale, and waisted fined pillars and dust cover, to a signed Roman enamel dial, with subsidiary seconds and outside minute track, and gilt spade hands, in a hinged case, with engine turned back cover, centred with an initialled and gartered cartouche and milled band, Chester 1901, Makers Mark TPH, No 619000, width 2”
A late 19th Century Silver cased open faced Pocket Watch, R Stinson of Church Square, Hucknall, Torkard 53096, the gilt movement with engraved cock, jewelled end stone and mono-metallic balance, with regulation scale, to plain fined pillars and dust cover, and with a Roman enamel dial with sunk subsidiary seconds, outside minute track and silvered spade hands, in a hinged case, with engine turned back cover, centred with a gartered cartouche and milled band, London 1883, Makers Mark IH, No 53096, width 2 ¼”
A third quarter of the 19th Century Silver Cased open face Pocket Watch, J W Benson of Ludgate Hill, London, 37622, the frosted gilt movement with jewelled cock, bi-metallic cut compensated balance, with blued steel hairspring and regulation scale, to a signed Roman enamel dial with sunk subsidiary seconds, outside minute track and spade hands, in a hinged case with engine-turned back cover, centred with a cartouche within a garter and milled band, London 1872, Maker’s Mark JGO, width 2”; together with a base metal curb link Watch Chain with T-bar and Swivel (2)
A Mixed Lot comprising: a Silver Cased Chronograph Pocket/Stop Watch, HL & Co, the gilt jewelled movement to a Roman enamelled dial with outside minute track and further outside scale of 0-300, with subsidiary seconds and blued steel spade hands and further blued steel sweep centre seconds, in a polished case with hand set to the band and push button stop watch; together with a late 20th Century Heuer “Track Mate”, keyless Stop Watch, the jewelled movement to a painted dial with outside minute track and half hour subsidiary (2)
A 3rd quarter of the 20th Century Gold Plated two button Chronograph, Swiss, Emperor, the 17 jewel movement to a silvered circular dial, with applied Arabic and baton markers, within a second track and further scale of 1 to 20, and 1000 to 0, with subsidiaries for half-hours and hours at 3 and 9, in a circular polished case with bevelled bezel and snap-on back, with two button flanking the winding crown, and fitted sprung link bracelet, width 1 5/8”
A mid-19th Century Oak Cased Stick Barometer, A Deck of Kings Parade, Cambridge, the overhanging cornice to a glazed panel enclosing bevelled ivory plates, with scale of 27-31 and twin vernier adjustment, over a further ivory backed single scale mercury thermometer, to an urn-shaped cistern cover, height 39”
A good early 19th Century Mahogany and Brass line inlaid Mantel Clock, the domed case with inlaid frieze panel and pierced fish scale sound frets, over a further moulded frieze and plinth base raised on four brass ball feet, to a cast Brass bezel with convex glass enclosing a 7” painted Roman dial, with pierced and blued steel hands, to a movement with shouldered plates united by 5 knopped pillars with anchor escapement and pull repeat strike on a bell, height 16 ½”
A third quarter of the 19th Century Mahogany Cased Floor Standing 8-Day Regulator, Linford & Son of Norwich, the plain domed case with a single long glazed door, with a recessed panelled plinth base, to a 12” signed, silvered and engraved circular dial, with plain bezel over a detachable pierced foliate mount, with outside minute track and subsidiaries for seconds and hours, with blued steel hands and winding square at 9, to a single weight movement with plates united by four tapering pillars, and four spoke wheels, with deadbeat escapement and maintaining power, further brass cased weight and massive giltwood stemmed brass pendulum bob with adjustment screw to the base, over a silvered scale, height 72 ½” (ILLUSTRATED INSIDE BACK COVER)
Bartholomew (John) PHILIPS' ATLAS OF THE COUNTIES OF ENGLAND..., 48 double page map plates, contemporary cloth, 1885; Bacon (G.W.) NEW AND LARGE-SCALE ATLAS OF LONDON AND SUBURBS..., 69 double page map plates, publisher's cloth, spine worn and partially lacking, 1899, folio; and 5 others, atlases (7).
A pair of German 19th Century cluster of vases, each comprising: four oviform pattern three-handled vases, encrusted garlands of flowers, with raised foliated ornamentation, each on three foliated mounted feet, with pink scale bands and gilt ornamentation, 7in. x 8 3/4in. high (one much restored, the other riveted).
An oak bracket clock with carved fish scale decoration to the cornice above the silvered dial and roman numerals, with regulator and chime silent to the arch, enclosed by a glazed panel door, fitted eight day movement, by Lenzkirch, striking on five gongs, raised on a plinth base, 12in. x 18in. high.
A Farlow brass balance scale to weigh up to 50lbs inscribed "Chas Farlow & Co, 191 Strand" housed in leather outer case and bearing the initials "LL.E.S.P." together with three Farlow metal priests to include two "Cairnton Killers" (each 51/4", the third 5¾"), all three inscribed "Farlow London"
KARL MAUGHAN (NEW ZEALAND, B. 1964) EARTH 1 Signed and dated 2000 on verso, oil on canvas 45cm x 35cm (17.5in x 13.75in) and another by the same hand, 'Earth II', a pair (2) Notes: Karl Maughan has been painting gardens since the mid-1980s and this accomplished concentration on subject has made him an international reputation. Karl Maughan’s fascination with gardens has come through his wish to explore light and colour. Photographing his chosen gardens in differing lights, Maughan records as much detail as possible. In the studio he then collages selected elements into new composite images. Applying paint in small areas of the canvas to avoid premature drying, he pieces the work together like a mosaic. Rather than blending colours, he uses clean colours side by side, This ‘alla prima’ (wet onto wet) technique was popular with the Impressionists. Viewed from a distance his (mostly large scale) paintings have the heightened effect of photorealism. After ten years in London, Maughan returned to New Zealand in 2005. He lives in Auckland. In 1997 he was a finalist in the John Moore Painting Award. His work is held in public and private collections throughout the world including the Saatchin Collection, London where he was included in two exhibitions - 'Neurotic Realism', 1998 and 'I’m a Camera' 2001.
A painted plaster cast scale model of Sir Walter Scott Artist John Greenshields (c1792-1838), 56cm high Modelled from the Freestone statue, seated, height 58" (147.3cm) Inscribed on front of plinth: SIC SEDEBAT Presented to the Faculty by the trustees of Robert Cadell Greenshields began life as a stonemason but turned to sculpture under the direction of Robert Forrest of Lanark. his best-known work is the statue of Prince Charles Edward Stewart at Glenaladale in Inverness-shire. The present statue was made for Scott's longtime friend and associate, Robert Cadell. The modello for it of 1832 is at Powderham Castle in Devon
Watkins' Eikroneometer 10/6, the 2" circular dial within a chrome and brass scale casing, original box; also another pocket instrument, the 2.25" silvered dial signed J. Casartelli & Son Manchester with an inner scale 25-32 and an outer scale in feet 1000-4000, within a steel case and outer leather carrying case; also two barometer tubes within a wooden case -4
A First Period Worcester scale blue ground mask jug, of baluster shape, enamelled with swags and single flowers in gilt cartouche shaped panels, the handle with puce sprigs, the rims gilt, 18cm h, painted fretted square in underglaze blue, c1775 ++Old filled flat rim chip and a couple of minor nicks to the rim of the mask lip, no 'professional' restoration
A First Period Worcester polychrome coffee cup and tea bowl, enamelled with stylised flowers tied with a gilt ribbon and with two subsidiary sprays with gilt edged puce scale inner border, the tea bowl with stylised flowers beneath a gilt edged lilac trellis border, cup 6cm h, c1770 ++Cup in fine condition, the tea bowl with wear to the enamelled sprig on the interior and the gilding around the rim somewhat rubbed
A First Period Worcester scale blue ground coffee cup and saucer, enamelled in kakiemon style with chrysanthemum and banded hedge designs in gilt scrolling cartouches, saucer 12cm diam, painted open crescent in underglaze blue, c1770 ++In fine condition with some localised wear to the gilding on the rim of the cup
A live steam model of a William Allchin Ltd traction engine, built to approximately 1.5 inch scale, with fire-tube boileer, Stephenson's link reverse, spoked flywheel, spoked and straked wheels, worm and roller chain steering and other normal fittings and controls, 42cm h, 62cm l, probably mid 20th c ++In very good condition; in need of cleaning
A SAMSON SHAPED OVAL DISH in Worcester style, the centre painted with two exotic pheasants in colours, within a cartouche shaped surround within scale blue border and further subsidiary panels painted with exotic birds, butterflies and insects, the foot with seal mark, 11" wide (see illustration).
A Victorian marine stick barometer, the silvered dial inscribed 'J.B. Dancer, Optician, Manchester. No.282,' with vernier scale, thermometer, 41.5in (105.5cm) h, hung on a mahogany panel with further inset white panels. John Benjamin Dancer working at 13 Cross St, King St, Manchester 1838-78.
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