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Click here to subscribeA 50 BORE FLINTLOCK POCKET PISTOL SIGNED H.W. MORTIMER & CO, LONDON, CIRCA 1800, PROBABALY LIÈGE in the French taste, with turn-off barrel numbered '2', signed breech numbered en suite, box-lock action finely engraved with a hound on the left and a reclining stag on the right, folding trigger engraved with foliage, sliding safety-catch also locking the steel, and slender bag-shaped butt carved with palmette and scale over its surface 4.7 cm; 1 7/8 in barrel
LURCAT JEAN: (1892-1966) French Artist. A.L.S., `jean Lurçat´, one page, 4to, Paris, [9th January 1926], in French. The French artist refers to a proposal of his correspondent, stating in part `I proposed to me one day of last year if I would honour you with all my Seurat. Discussing the matter with a friend, owning a small draft (of the grande Jatte???), made me remember your kindness..´ Lurçat further suggests a meeting. Few stains to edges, not affecting the text or signature. Very small tears to the edges and fold edge. G Georges Seurat (1859-1891) French Painter and Dessinateur. Best known for his chromoluminarismand pointillism techniques. His work A Sunday Afternoon on the Island of La Grande Jatte, 1884-86, a large-scale painting, is one of the icons of late 19th-century.
TWOMBLY CY: (1928-2011) American painter of large-scale and graffiti works. A good signed 9 x 6 card photograph by the American Painter, the attractive image depicting his 1959 art work, without title, being an oil, crayons and pencil on carton. Large bold dark pencil signature, `CY Twombly´, with his name alone, to a clear area at the base of the image. EX
[IMPERIAL RUSSIAN NATIONAL ANTHEM]: A 4to printed copy of the Hymne Russe, being the Imperial Russian national anthem, with words and music, in Russian and French, by Alexei Lvov, published by the Alliance des Auteurs, Paris, (1893). The four page souvenir also features woodblock portraits of Tsar Alexander III, Maria Feodorovna and the future Tsar Nicholas II, as Tsarevich, and a further composition to the inside of a comic song advertising Etienne Picon bitters in honour of the Franco-Russian Alliance, and featuring a full page image of a cheerful, dapper gentleman holding several bottles. Some light creasing and minor age wear at the folds, GThe Russian fleet visited Toulon in October 1893 and their officers visited Paris where they were entertained on a magnificent scale.
CRUZ-DIEZ, CARLOS CRUZ-DIEZ, CARLOS 1923 Caracas/Venezuela - 2019 Paris Titel: "Schwimmende Chromostruktur". Untertitel: Schiffsmodell im Maßstab 1:100. Datierung: 1988-1989. Technik: Metall, Kunststofffolie und Papier, partiell bemalt. Auf Holzplinthe mit Acrylglashaube. Maße: 35 x 175 x 41,5cm. Bezeichnung: Signiert auf Aluminiumplakette auf der Plinthe rechts: Cruz-Diez. Darunter Plakette mit Werkangaben. Sockel/Rahmen: Holzsockel (85 x 175 x 35cm). Der Arbeit liegt ein erster, signierter Entwurf zur "Schwimmenden Chromostruktur" von 1988 bei (Collage auf leichtem Karton, fünffach gefaltet, 192 x 33,5cm). Provenienz: - Privatsammlung Nordrhein-Westfalen (direkt vom Künstler) Ausstellung: - Museum Ratingen, 2006 - Museum of Fine Arts, Houston 2011 (mit weiteren Stationen in Buenos Aires, Sao Paolo und Mexico City) Literatur: - Olea, Héctor/Ramirez, Mari Carmen: Carlos Cruz-Diez. Color in Space and Time. Houston/New Haven 2011, S. 494 f., Abb. Der venezolanische Künstler Carlos Cruz-Diez ist neben Viktor Vasarely und Julio Le Parc einer der führenden Persönlichkeiten der kinetischen und optischen Kunst. Er studiert an der École des Beaux-Arts de Caracas und arbeitet zunächst als Grafiker und Illustrator. Ab 1955 beschäftigt er sich intensiv mit wissenschaftlichen Farbtheorien und geometrischen Abstraktionen und untersucht das Zusammenwirken von Farbe und kinetischer Kunst. Nach diversen Lehrtätigkeiten in Caracas läßt er sich ab 1960 dauerhaft in Paris nieder und lehrt ab 1972 an der École Superieure des Beaux Arts in Paris als Professor für kinetische Techniken. In den letzten fünfzig Jahren hat Cruz-Diez die wahrnehmbaren und situativen Eigenschaften von Farbe im Raum erforscht und mit den Illusionen der Sinneswahrnehmung experimentiert. Mehr als nur eine optische Täuschung zeigen die kinetischen Effekte, die durch die chromatischen Bewegungen seiner charakteristischen "Physichrome" und "Chromostrukturen" ausgelöst werden. Mit seinen revolutionären Techniken verändert der Künstler die Sehgewohnheiten des Publikums. Das vorliegende Schiffsmodell eines Stückgutfrachters spielt in seiner Gestaltung mit genau diesen optischen Täuschungen und trägt unverkennbar die Handschrift Carlos Cruz-Diez. Der Realisierung dieses Schiffmodells geht eine spontane Idee eines Mannes voraus, der keine Vision scheut und den Mut hat diese umzusetzen: Jürgen Preuss, ein deutscher Top-Manager in der Überseeschifffahrt, fragt sich 1987, ob es nicht eine Alternative zur Verschrottung von ausgedienten Hochseefrachtern geben kann. Er ist als Sammler selbst der modernen Kunst sehr verbunden und hat die Vision einer Umnutzung als schwimmende Kulturzentren - den sogenannten FLAGSHIPS (Floating Art Giant Ships). Sie sollen in den großen Häfen dieser Welt zu sehen und zu begehen sein. Dabei soll Ingenieursleistung historisch festgehalten und mit Kunst und Kultur kombiniert werden. Und er fragt sich, ob er Künstler dazu bringen kann, an der Ausgestaltung der Frachter anhand von Modellen mitzuwirken. Informationen zu seinem Projekt und Pläne von Schiffsmodellen versendet er an 30 international bekannte Künstlern. 15 Künstler zeigen sich enthusiastisch und goutieren die Idee. Vier Künstler gestalten seine Schiffsmodelle. Carlos Cruz-Diez war sofort begeistert von dem Projekt und schickt schnell erste Entwürfe zur Gestaltung des Schiffes. Cruz-Diez hat bereits zuvor an diversen Projekten gearbeitet, in denen Kunst und Architektur miteinander verschmolzen waren, mit Auftragsarbeiten für öffentliche Räume in Frankreich, Spanien, Südkorea und den USA. 1977 gestaltet Cruz-Diez zwei gewaltige Turbinenhallen des Guri-Staudamms in Venezuela, dem drittgrößten Staudamm der Welt. Ein intensiver Austausch zwischen Carlos Cruz-Diez und Jürgen Preuss entwickelt sich und führt zu dem wunderschönen Entwurf dieser "Schwimmenden Chromostruktur", die 2011-2013 in seiner großen retrospektiven Ausstellung "Carlos Cruz-Diez: Color in Space and Time" im Museum of Fine Art in Houston, mit weiteren Stationen in Buenos Aires, Sao Paulo und Mexico City, ausgestellt wird. Leider ist das Projekt aus finanziellen Gründen nie realisiert worden. Carlos Cruz-Diez hätte an der Umsetzung dieses Projektes sicher seine Freude gehabt. Erläuterungen zum Katalog Carlos Cruz-Diez Venezuela Op Art Kinetische Kunst Nachkriegskunst Objekte 1980er Schiffe Objekt Metall Abstrakt CRUZ-DIEZ, CARLOS CRUZ-DIEZ, CARLOS 1923 Caracas/Venezuela - 2019 Paris Titel: "Schwimmende Chromostruktur". Subtitle: Model ship on a scale 1:100. Date: 1988-1989. Technique: Metal, synthetic foil and paper, partially painted. On wooden plinth with acrylic glass cover. Measurement: 35 x 175 x 41,5cm. Notation: Signed on aluminium plaque on the plinth, right: Cruz-Diez. Below plaque with work details. Frame/Pedestal: Wooden base (85 x 175 x 35cm). The work is accompanied by a first, signed sketch of "Schwimmenden Chromostruktur" from 1988 (collage on thin card, folded five times, 192 x 33,5cm). Provenance: - Private collection North Rhine-Westphalia (directly from the artist) Exhibitions: - Museum Ratingen, 2006 - Museum of Fine Arts, Houston 2011 (with further locations in Buenos Aires, Sao Paolo and Mexico City) Literature: - Olea, Héctor/Ramirez, Mari Carmen: Carlos Cruz-Diez. Color in Space and Time. Houston/New Haven 2011, p. 494 f., ill. Explanations to the Catalogue Carlos Cruz-Diez Venezuela OP Art Kinetic Art Post-War Art Sculptures 1980s Ships Object Metal Abstract
A George III South Staffordshire enamel oval patch box, the hinged cover printed in polychrome with a sailor taking leave of his weeping sweetheart within a gilt and blue border and surrounded by a radiating gilt scale ground of raised beads, enclosing a mirror plate, royal blue base, 6.5cm wide, c. 1800
A pair of Royal Crown Derby reticulated cabinet plates, painted by R Hague, signed, painted with two putti amongst roses, the pink ground with raised gilt flutes, the border pierced chain link and fish scale border, with turquoise jewels, 22.5cm diam, printed mark, Gilman Collamore New York retail mark, date code for 1910
Various diecast cars and vehicles to include Chrono 1:18 scale diecast Triumph Spitfire open convertible 1970 in white, H1040, two Vanguard 1:43 scale to include VA26003 Fraser racing and VA53000 Yellow/Black Triumph Dolomite Sprinter, a Days Gone Road Transport limited edition Scottish and Newcastle Breweries wagon and trailer, Corgi 80309 Garrett Road Tractor from Dibnah's Choice, five Oxford Diecast advertising vans, Models of Yesteryear, Corgi limited edition CC11411 Bedford TK Luton Van - Pickford's etc, all boxed (23).
Collection of nine coffee cans and saucers to include, Royal Crown Derby Imari pattern numbers 1128 and 2451, a late 19th century Royal Crown Derby with burnt orange, royal blue and gilt decoration, Crown Staffordshire decorated in the Imari palette painted with floral panels, Copeland floral and salmon scale border, also various other examples decorated with sprays of pink roses (9).
A temple of Set guard helmet from John Milius' fantasy film Conan the Barbarian. Temple guards wore their pointed helmets while stationed at the pyramid of warrior-mage Thulsa Doom (James Earl Jones).Made of metal and finished in black paint, the helmet is decorated with snake-scale detailing and flame designs at the crest. Leather cheek and neck guards hang down to protect the wearer, while a white cloth scarf is tied around the helmet brim. Rubber diamond detailing runs down the cheeks and a leather liner is fitted internally for comfort, with straps and buckles to secure the helmet under the wearer's chin. The helmet exhibits scratches, signs of corrosion, bending to some of the leather guards, and the crest is slightly loose. Dimensions: 27 cm x 24 cm x 46 cm (10 1/2" x 9 1/2" x 18")Estimate: £800 - 1,200 M
Thulsa Doom's (James Earl Jones) helmet blueprint from the production of John Milius' fantasy film Conan the Barbarian. The ruthless leader of the Cult of Set wore his imposing helmet during the opening raid on the young Conan's village. Embracing a reptilian aesthetic, the helmet design features the two-headed serpents of the Cult of Set rising to face each other on either side. This blueprint features the front, side and top design of the helmet at a 1:1 scale, complete with shading and detailing, as well as a full-body illustration of Doom in armour. In the bottom-right corner is an information field, which is headed with the Conan production logo and contains important production detail. The blueprint has been folded for storage and shows some minor creasing and discolouration. Dimensions: 77 cm x 80 cm (30 1/4" x 31 1/2")Estimate: £400 - 600 †Δ
A Mondoshawan maquette from the production of Luc Besson's sci-fi adventure The Fifth Element. Mondoshawan aliens exited their ship and entered an ancient Egyptian temple at the beginning of the film.This maquette was created by the art department as a concept model for the elaborate design of the large-scale creatures. It is made of a combination of fibreglass and resin. The head protrudes from the centre of the shoulders via an affixed metal wire. Several components running along the back of the shoulders are numbered in black marker, and the front displays dimensions, annotations and lines drawn in pencil. The maquette displays minor, visible glue remnants, dirt marks and cracks, and the resin has chipped away in some places, notably on the back. Dimensions: 36 cm x 31 cm x 56 cm (14" x 12 1/4" x 22")Estimate: £3,000 - 5,000 M
The Major's double underwater wetsuit from Rupert Sanders' live-action sci-fi adaptation Ghost in the Shell. Major Mira Killian (Scarlett Johansson) wore her wetsuit as she dived underwater to find peace after discovering a conspiracy surrounding her identity that tested her trust and loyalties.The wetsuit is made from grey and purple sections of Neoprene, with strips of black fabric applied to the inside of the seams. A printed purple scale-like pattern covers the suit and a zip fastening adorns the back, while several square-shaped segments made of foam and plastic are adhered to the hips. The lot also features a grey cotton towel featuring small rubber dots and a navy border. The wetsuit is labelled "Major Stunt Carly" and exhibits minor creasing. One side of the towel has begun to fray, and the lot is accompanied by a production wardrobe tag.Estimate: £2,000 - 3,000 †Δ
A cocaine-weighing scale from Martin Scorsese's Academy Award®-winning crime drama Goodfellas. Mafioso Henry Hill (Ray Liotta) and his girlfriend, Sandy (Debi Mazar), used Triple Beam Balance scales to weigh their cocaine. Later, their scale is used as evidence when Hill and Sandy are arrested.This 2610g OHAUS Triple Beam Balance scale features a beige plastic body, three tiered steel beams, and a 15.25 centimeter-wide steel plate affixed with a plaque featuring the black-and-white Goodfellas logo. The scale is in good overall condition with stained metal and scuffing throughout from production. Dimensions: 44.5 cm x 16 cm x 16 cm (17 1/2" x 6 1/4" x 6 1/4")Contains mechanical components; see mechanical components notice in the Buyer's Guide.Estimate: £1,500 - 2,500 Ω
Katniss Everdeen's (Jennifer Lawrence) hero bow from Francis Lawrence's sci-fi film The Hunger Games: Mockingjay - Part 2. Katniss wielded her bow as her primary weapon throughout the film, ultimately using it to assassinate President Alma Coin (Julianne Moore) at the climax. The bow is made of flexible black resin with a dark blue hue, and has a twisted polymer string looped around each end, with a metal nocking point halfway along the string's length. An ergonomic grip is situated just beneath the arrow rest; the area next to the rest is decorated with a blue-painted scale effect. The bow has some wear from production use, including some scuffs and scratches, and the bowstring is frayed in some areas. Dimensions: 140 cm x 27 cm x 5 cm (55" x 10 3/4" x 2")Estimate: £8,000 - 10,000 M
The Headless Horseman's (Christopher Walken) costume from Tim Burton's fantasy horror Sleepy Hollow. The Headless Horseman wore his costume throughout the film as he haunted the town of Sleepy Hollow, with this version of the costume worn during the first flashback scene, in which the Hessian was beheaded. Created by Academy Award®-winning costume designer Colleen Atwood, the costume consists of a grey, damask-patterned floor-length cape; a faux-leather and black velour tunic decorated with a double-headed dragon appliqué on the chest; a pair of gauntlets featuring bullion-embroidered double-headed axe emblems (labelled "Chris Walken 13121 The Headless Horseman Sleepy Hollow"); a thick leather belt with a large patterned belt buckle and an attached scabbard (labelled "Cosprop"); a pair of riding trousers with red-and-faux-silver ribbon detailing (labelled "Chris W, Hessian #1"); a pair of leather, scale-like thigh-high boots (right boot labelled "Chris W"); and a pair of removable ornate spurs (labelled "L" and "R" in red ink). Popper fastenings are located on the collar of the cape, allowing it to be easily attached to the tunic. The silver-coloured spurs comprise a metal open-mouthed face with a swirling protruding tongue leading to a spiked rubber wheel.The costume comes with a replica Sleepy Hollow town sign, cast from the original production moulds in resin and fibreglass. Intentional distressing is present on several components of the costume, including remnants of stage blood on the cape, and there is a small hole near the tunic's left armhole. The spurs remain in a fragile state and should be handled with care. Dimensions (sign): 42 cm x 54 cm x 2.5 cm (16 1/2" x 21 1/4" x 1")Estimate: £30,000 - 50,000 M
A miniature model Death Star surface section from George Lucas' Star Wars: A New Hope. This piece was part of a large-scale miniature set of the Death Star's immense surface, and was used for medium altitude shots, in which fighters flew over the Imperial station during the Rebel assault.Designed and built by Industrial Light & Magic's miniature model department, the construction of the Death Star miniatures was a massive undertaking, as the sequence called for a vast battlefield consisting of unique surface panels. Decorated with cast greeblies, the section is constructed from biscuit foam and finished in industrial grey paint. The lot displays light paint wear in places, and minor damage to one corner. Dimensions: 8 cm x 7.5 cm x 2.5 cm (3 1/4" x 3" x 1")Estimate: £1,000 - 1,500 †
A jacket, pillow, laptop bag, 3D glasses and a Death Trooper mini bust from Lucasfilm, the production company behind the Star Wars franchise. The Land's End jacket is dark blue and labelled size "L". The pillow is hand-stitched and decorated with a map of the Lucasfilm site, and is kept in a protective red drawstring bag. The laptop bag is grey with "Lucasfilm Ltd" embroidered on one side. The 3D glasses come in a black Lucasfilm case within a black card box. The bust is a hand-painted 1:6 scale Death Trooper mini bust, made of polyresin. It comes with a certificate of authenticity and a note from Lucasfilm, thanking a crew member for their work on Rogue One: A Star Wars Story. The items are all in their original packaging and are unused. Dimensions (pillow): 43 cm x 43 cm x 10 cm (17" x 17" x 4"); (bust in box): 10.5 cm x 18 cm x 22 cm (4 1/4" x 7" x 8 3/4"); (laptop bag) 8 cm x 53 cm x 34 cm (3 1/4" x 21" x 13 1/2"); (3D glasses box): 8.5 cm x 18 cm x 6 cm (3 1/4" x 7" x 2 1/2")Estimate: £400 - 600 M
An Arachnid Warrior's broken attack leg from Paul Verhoeven's sci-fi satire Starship Troopers. After Johnny Rico (Casper Van Dien) joined the war between humans and the alien Arachnids, the most common species he encountered in battle was the Warrior Bug, the primary soldier of the alien army. This fibreglass and foam core piece was designed and fabricated by Academy Award®-winning special effects group Amalgamated Dynamics, Inc. (ADI) as part of one of the battle-damaged large-scale practical Warrior bugs. It is hand-painted with alternating yellow and black segments and some green painted blood by the jagged back section where it was removed in battle. It is in good overall condition with some dirt staining, paint chipping, and a hairline crack down one side of the leg. Dimensions: 117 cm x 35.5 cm x 17.75 cm (46" x 14" x 7")Estimate: £2,500 - 3,000 US
A model miniature Joker helicopter from Tim Burton's superhero film Batman. A model helicopter was used during the film's climactic scenes, in which one of the Joker's (Jack Nicholson) henchmen assisted in the maniacal villain's attempt to escape a ledge high up on Gotham City cathedral. The Joker's helicopter was also briefly seen when he used a megaphone to mock Batman (Michael Keaton) after the superhero blew up Axis Chemicals. Two different scale models of the helicopter were created for the production, with this one being the smaller of the two, used for exterior shots of the vehicle in flight. A copy of the Aérospatiale SA 341 Gazelle, the model is made primarily of plastic, with wooden rotors, and painted in a lime-green-and-white colour scheme. Decals of the Joker laughing in front of a yellow-and-red target adorn each side, and three wooden seats finished in grey are located within the cockpit. The exterior of the model is intentionally distressed and dirtied, producing a more realistic appearance.A red light fitted into the helicopter's left-hand side flashes when powered by a pair of 9V batteries, stored within two battery packs hidden behind the back seat. The seat and battery packs are fitted with black Velcro to allow easy access and replacement. The search lamp and rotors remain untested. The model displays signs of wear, including light scratching, minor paint wear on the rotor, and some flaking of the green paint over time, notably on the right side. The lot is accompanied by a Warner Bros. Pictures certificate of authenticity. Dimensions: 70 cm x 64 cm x 23 cm (27 1/2" x 25 1/4" x 9")Contains electronics; see electronics notice in the Buyer's Guide.Estimate: £8,000 - 12,000 Ω
A Ray Harryhausen hand-drawn styracosaurus scale comparison from Jim O'Connolly's Western adventure The Valley of Gwangi. The image shows a styracosaurus face-on and in profile, along with a human for scale. Harryhausen often made detailed size comparisons as a matter of routine, as they were vital for his own reference, as well as that of the actors, to help visualise the true size of his creations. The drawing is richly detailed and rendered in pencil on paper. The artwork displays some minor smudging near the right edge, but remains in very good overall condition. Dimensions: 50 cm x 41 cm (19 3/4" x 16")Sold without copyright; see copyright notice in the Buyer's Guide. LiteratureA similar drawing can be seen on page 67 of The Art of Ray Harryhausen, published by Aurum.Estimate: £2,000 - 3,000 †Δ
A Ray Harryhausen hand-drawn scale comparison of the allosaurus Gwangi from Jim O'Connolly's Western adventure The Valley of Gwangi. The image shows the eponymous allosaurus in profile, along with an elephant and human for scale. Harryhausen often made detailed size comparisons as a matter of routine, as they were vital for his own reference, as well as that of the actors to help visualise the true size of his creations. The artwork is rendered in pencil on paper. The lot displays some minor marks and dirt remnants in the top-right corner, but remains in very good overall condition. Dimensions: 50 cm x 40 cm (19 3/4" x 15 3/4")Sold without copyright; see copyright notice in the Buyer's Guide.Estimate: £2,000 - 3,000 †Δ
Mixed Quantity of Boxed diecast commercials and models, including Corgi, Dinky, Oxford, Ertl, plus others, with boxed Corgi classic AEC bus set with paperwork, boxed with paper work Bradford city transport trolleybus, boxed Routemasters in exile the midlands, comic classics Dandy boxed with paper work, boxed 1/25 scale Ertl collectibles model T Ford 1912 delivery, two 1985 Corgis models boxed, two boxed matchbox models, two boxed Corgi Spike Milligan minis, boxed Corgi Ferrari 300, classics boxed Thornycroft van, four boxed collection series commercial models, five matchbox yesteryear “holiday” edition boxed models, three Corgi boxed 2012 Olympics models, 12 boxed Corgi cameo vintage collection models, three Oxford diecast boxed models, plus others all range from good to near mint condition, (55 items)
Farm Tractors and Implements, Boxed Schuco 03314 hay tedder, Siku Hay Fork, Ertl John Deere Waterloo By tractor, unboxed Lone Star Tractor and harrow, mobile conveyor, 3 x Matchbox kingsize tractors, 2 x Combine harvesters (one repainted) Crescent Trailer (some metal fatigue) with hay bales, 7 x small scale white metal models plus other items, in poor to excellent condition, including three Fire engines, one being Charbens. (30 items).
Quantity of Vintage boxed plastic model kits, including Airfix -72 scale swordfish, model has been partially painted and built comes with unused tranfers, Airfix 15 ton diesel locomotive appears to be complete unbuilt, Airfix -144 Boeing 707, partially built with unused sheet, two sealed Airfix 1:72 scale sets, one 1973 Cessna 0-2a, 1916 Reconnaissance aircraft, 1963 Revell 1/72 scale Nieuport 17, partially built with unused sheet, (6 items)
Three Danbury Mint USA Cars, including 1957 Ford Fairlane, green/cream body, 1956 Packard, cream/light blue/brown body (one wheel spat loose) 1968 Pontiac GTO convertible, metallic gold body, 1:24 scale models are in near mint unboxed condition plus Minichamps 1:18 scale Bentley 6.5 Litre blue train special, with outer box only, models have been on display. (4 items)
Scalextric and Triang TT Gauge Railways, boxed T.90 0-6-0 Tank Loco (two plastic wheels a.f) T95 0-6-0 Diesel Shunter Green Livery, T173 Bogie well wagon, T.279 Salt Wagon, T972 Bogie Tank ICI wagon,T77 Cattle Wagon, T81 Suburban Brake 2nd coach, T76 Shell Oil tank wagon, T70 Mineral Truck, T276 Container wagon, T72 Brake Van, Scalextric Start/Finish banner, A/259 Lap counter, PT/76 Chicane Set, quantity of plastic barriers, boxed Revell Model Racer Ferrari 250 GTO, in used condition, 2 x Scalextric cars MM/C67 & MMC.66, Victory Models MGA 1:18 scale, (missing windscreen, box is fair, four x original Vehicle manuals, including Fordson Tractor, Austin Healey Sprite and British Motor cars 1952 book (A.Lot)
Franklin mint Allis Chalmers WC Tractor 1/12 scale model, model is in near mint condition, has been previously displayed (dusty), in polystyrene packaging.This model has all the accessories, drivers cap, coffee flask, air fitter, exhaust stack, bonnet, there is no paperwork and as in description no damage but has been on display,
Mixed Vintage Diecast, including boxed Matchbox Moko Lesney No 2 Accessory pack Bedford Car Transporter, 42a Evening News Van, 65a 3,4 litre Jaguar, blue body, grey plastic wheels, 4 x unboxed 1’75 Matchbox Moko (repainted) 1:18 scale Chevrolet pickup, Schabak Escort Ghia boxed, 2 x Matchbox yesteryears, boxed Britain’s 9512 Ninety Land Rover and unboxed Polistil 1:25 scale Land Rover Trans American Tour, missing spotlight. (13 items)
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![LURCAT JEAN: (1892-1966) French Artist. A.L.S., `jean Lurçat´, one page, 4to, Paris, [9th January 1926], in French. The Frenc](https://cdn.globalauctionplatform.com/e999f7c7-3654-40ec-97bd-ac6f00c99025/a157d9c2-ca57-4553-9e7f-ac7100c89f0c/468x382.jpg)
![[IMPERIAL RUSSIAN NATIONAL ANTHEM]: A 4to printed copy of the Hymne Russe, being the Imperial Russian national anthem, with w](https://cdn.globalauctionplatform.com/e999f7c7-3654-40ec-97bd-ac6f00c99025/df32de44-1ee2-4985-ba55-ac70011e0d44/468x382.jpg)
