We found 186097 price guide item(s) matching your search
There are 186097 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
186097 item(s)/page
Lot 111
Cardiganshire. Speed (John), Cardigan Shyre Described with the due forme of the Shiretown as it was surveyed by J. S. John Sudbury & George Humble circa 1614, uncoloured engraved map, inset town plan of Cardigan, large strapwork cartouche, compass rose and milage scale, slight staining, two wormholes to the lower margin but not affecting the printed surface, 380 x 510 mm, English text on verso, together with Kitchin (Thomas). An Accurate Map of Cardigan Shire Drawn from an Actual Survey with Various Improvements..., circa 1765, engraved map with contemporary outline colouring and some later enhancement, lower margin trimmed to the neatline with a later paper extension, 345 x 530 mm, mounted, framed and glazedQTY: (2)
Lot 114
Devon. Donn (Benjamin), A Map of the County of Devon, abridged from the 12 sheet Survey, February 1st 1765, hand-coloured engraved map by Thomas Jefferys, decorative cartouche, compass rose and table of explanation, slight spotting, 505 x 545 mm, together with Bowen (Emanuel). An Accurate map of Devon Shire Divided into its Hundreds, Drawn from the best Authorities..., Carington Bowles & Robert Sayer, circa 1765, engraved map with contemporary outline colouring and some later enhancement, inset plan of Plymouth, long repaired closed tear affecting the printed surface, central fold strengthened on the verso, occasional marginal closed tears, slight staining and dust soiling, 535 x 680 mmQTY: (2)NOTE:Batten & Bennett, The Printed Maps of Devon, 45. Published as the key plate for Donn's large scale map of Devon but often found as a separate map.
Lot 120
England & Wales. Jaillot (Alexis-Hubert & Sanson Nicolas), Le Royaume d'Angleterre distingué en ses Provinces..., Paris, [1693], large engraved map with contemporary hand colouring, large uncoloured decorative cartouche and mileage scale, toned overall, 780 x 585 mm, together with Tirion (Isaak). Nieuwe Kaart van de Eilanden van Groot Brittannien..., Amsterdam, circa 1770, engraved map with contemporary outline colouring, inset map of the Orkney and Shetland islands, 330 x 375 mm, with Chatelain (Henry Abraham), Carte du Gouvernement Militaire de l'Angleterre ou l'on Represente l'Etat des Officiers de Guerre et celui des Forces de Terre et de Mer, circa 1708, hand-coloured engraved map of the British Isles with a historical tableau on either side of the map and French text below, overall size 350 x 465 mm, mounted, plus another 14 maps similar, including examples by or after Albrizzi, Vertue, Muller, Nolin, Bickham and Du Laporte, various sizes and conditionQTY: (17)NOTE:The first described map. R. W. Shirley. Printed Maps of the British Isles 1650 - 1750, Jaillot 2, state 2.
Lot 123
England & Wales. Ortelius (Abraham & Saxton Christopher), Anglia Regnum si quod aliud in toto Oceano ditissimum et florentissimum, Jan Baptist Vrients, Antwerp [1603], uncoloured map engraved by Pieter van den Keere, large decorative cartouche and strapwork mileage scale, additional strapwork cartouche paying tribute to Christopher Saxton and a large maritime vignette commemorating the attack of the Spanish Armada to lower-left, large margins, central fold and lower margin professionally restored on verso, 385 x 485 mm, Latin text on versoQTY: (1)NOTE:R. W. Shirley, Early Printed Maps of the British Isles 1477 - 1650, 258. Marcel Van den Broecke, Ortelius Atlas Maps, 20.
Lot 129
Europe. Andriveau (J. & Goujon J.). Carte Physique et Politique de l'Europe, Paris, 1843, large engraved map with contemporary outline colouring on two conjoined sheets, 975 x 1285 mm, together with De Vaugondy (Robert). L'Europe Divisée en ses Principaux Etats..., Paris, 1751, engraved map with contemporary outline colouring and some later enhancement to the cartouche and mileage scale, central fold split at the base and partially repaired on verso, 485 x 580 mm, with Philip (George & Son, publishers). Europe, circa 1860, lithographic map with contemporary outline colouring, one short marginal closed tear, 515 x 620 mm, plus Bartholomew (J. publisher). Europe, Edinburgh, circa 1880, colour printed photolithographic map, 430 x 550 mmQTY: (4)
Lot 150
North Wales. Jansson (Jan), Principatus Walliae pars Borealis vulgo North Wales, Amsterdam, circa 1648, engraved map with contemporary outline colouring, decorative cartouche and mileage scale, compass rose and numerous rhumb lines, slight staining, but largely confined to the margins, 405 x 515 mm, Latin text on verso, together with Bowen (Emanuel). A Map of the Six Counties of North Wales Divided into their respective Hundreds..., H. Parker, J & C Bowles, H, Overton, J. Ryall, R. Sayer and T. Kitchin, circa 1762, engraved map with contemporary outline colouring, originally published in 'The Royal English Atlas', one small rust stain, 410 x 515 mm, with Schenk (P. & Valk G.). Principatus Walliae pars Borealis vulgo North Wales, Amsterdam [1714 - 24], engraved map with contemporary outline colouring, decorative cartouche and mileage scale, compass rose and numerous rhumb lines, 405 x 515 mm, no text on verso, plus Mercator (Gerard & Hondius Henricus). Westmorlandia, Lancastria, Cestria, Caernarvan, Denbigh, Flint, Merionidh, Montgomery, Salopia cum insulin Mania et Anglesey, circa 1630, uncoloured engraved map, 360 x 415 mm, Latin text on versoQTY: (4)
Lot 175
Warwickshire. An album containing maps of Warwickshire, 17th - 19th century, engraved maps by or after Speed, Jansson, Blaeu, Saxton/Kip, Blome, Jefferys, Moll, Seller, Badeslade & Toms, Harrison, Van den Keere and Ordnance Survey, mostly uncoloured and partially or wholly laid onto an album sheet, the Ordnance Survey map is 16 sheets on a scale of 1 inch to 1 mile, 2 copies of the Saxton/Kip (both appear to be the 1610 edition, 2 copies of the Blome and the John Speed is the 1st edition with thread margins, occasional duplicates, various sizes and condition, all bound in a late 19th century half morocco album, boards worn and stained, slight wear to extremities, folio QTY: (1)
![Worcestershire. Speed (John), Worcestershire Described, John Sudbury & George Humble [1616], hand-coloured engraved map,](https://cdn.globalauctionplatform.com/e9dc0ac2-559f-4025-a874-ae7e01100a9c/ce7a25b5-ea63-4071-b5de-ae7f00f6f85b/468x382.jpg)
Lot 176
Worcestershire. Speed (John), Worcestershire Described, John Sudbury & George Humble [1616], hand-coloured engraved map, inset town plan of Worcester, large strapwork cartouche and compass rose, central fold strengthened on verso, 380 x 500 mm, Latin text on verso, together with Doharty (John). A Plan of the City of Worcester with References, 1741, uncoloured engraved city plan, slight creasing and dust soiling, one repaired closed tear affecting the printed image, 475 x 585 mm, with Moll (Herman). Worcestershire, circa 1720, hand-coloured engraved map, the vertical margins decorated with antiquities, 195 x 315 mm, plus Schenk (P. & Valk G). Wigoriensis comitatus cum Warwicensi nec non Coventriae Libertas, Amsterdam, circa 1700, engraved reticulated map with contemporary hand-colouring, uncoloured cartouche, heraldic shields and mileage scale, 430 x 520 mm, and Van den Keere (Pieter). Worcestershire, circa 1627, hand-coloured engraved miniature map, small margins, 85 x 125 mm, English text on versoQTY: (5)
Lot 29
Schranz (Joseph 1803-circa 1866). Mouillage des Flottes Anglo-Francaises Turque et Egyptienne dans le Bosphore, Octobre 1853, de la Rade de Beikos jusqu'à Buyuk-Déré (vue prise de la côte d'Asie),.../ Anchorage of the English-French, Turkish & Egyptian fleets in the Bosphorus, October 1853, from the road of Beikos up to Buyuk-Déré (taken from the Asiatic Coast), large-scale tinted lithograph by Sabatier and Bayot (shipping by Schranz), after Joseph Shranz, evenly-spaced vertical creases across the image with additional creasing, several repaired tears with small areas of loss to the printed surface, toned overall, mount stained, laid down on to later backing card, 830 x 1210 mmQTY: (1)
Lot 345
Raverat (Gwen 1885-1957). An album of 155 wood engravings by Gwen Raverat, 1909-28, compiled by the artist as a personal record of her work, containing 155 wood engravings, of which 65 (some with initials) are signed in pencil, many also titled in pencil, with handwritten name and address of the artist in pencil to front pastedown 'Gwendolen Raverat, Villa Adele, Vence, Alpes Maritimes', all engravings mounted on album leaves with titles and dates in the artist's hand in ink to lower margin, handwritten index by the artist in ink to first leaf, with some corrections and alterations, original plain cream cloth, rubbed, some marks and soiling, folio (leaves measure 32 x 25.5 cm, 12 1/2 x 10 ins)QTY: (1)NOTE:Provenance: Estate of the artist, thence by descent.Selborne & Newman 1-28, 30-38, 40-52, 54-60, 62-75, 77-89, 91-100, 102-106, 109-137 & 139-147.An important album compiled by the artist Gwen Raverat, containing a near-comprehensive selection of her early output between 1908 and1928, including many rare proofs. This collection provides a survey of the artist's output up to 1928, and includes her first wood engraving, The Knight of the Burning Pestle (1909), early works on the English ballad tradition, such as May Margaret, Fair Annie, Windy Day, Despair, The Marsh, Child Stealers, Bookplate for Geoffrey Keynes, The Witch, Nightmare, Sir Patrick Spens Ballad, Sailor's Wife, Boys by a Pond, Cobbled Yard, Annie of Rough Royal, Ballad, Travellers, Margaret's Ghost, Ballad, Clark Saunders, and The Quarrel, all 1909, engravings from the years 1910 to 1912, including Wood Nymph, May Margaret's Return, Sir Thomas Browne (numbers 1 and 2), The Dead Knight, the Brown Girl, two bookplates (1910), Prodigal Son, May Morning, Anthony & Cleopatra, The Palmer, The Retreat, Flying, Gypsies, King Lear, A Dream, The Little Visitation, The Creation of Light (drawn by Jacques Raverat, and cut by Gwen Raverat), Pieta, The Wood, The Storm, The Visitation, Shepherds, and The Manger, works produced from 1913 and through the First World War include: Shepherds (1914), The Dead Christ (1913), Baptism (drawn by Jacques Raverat), Mary & Elizabeth (1913), Haycocks, Bookplate for Lady Robert Cecil, Full Moon, The Hobby Horse (two versions), Judas Dead, Sky, Autumn Morning, Prodigal Son (drawn by Jacques RaveTrees & Pear Tree (signed and titled by the artist 'Noyers et Poiriers', The Avenue, Hoeing, Portrait of W. E. Darwin, The Edge of the Wood (numbers 1, 2 & 3), The Moor, Poplars in France, The Summit, Winter Morning, Elms by a Pond, The Poacher, Le Pelvoux (drawn by Jacques Raverat), The Goose Herd, Lost Traveller, Sheep, Sheep by a River, Houses, The Farm Pond, Primrose Wood, Boys Bathing, Portrait of Rupert Brooke, and Title page design for Poems of Rupert Brooke. Post-war works include Women Bathing, Bathsheba, the large scale Dancing Boys (1920), Duck Pond, Village Street, The Bolshevist Agent (numbers 1 & 2), cover design for Shadows of the Christ, Portrait of Jacques Raverat, Sleeping Beauty, David Old (first state), Crashaw's Shepherds Hymn.Views in the South of France include Jeu de Boules, Vence (1922), Olive Pickers, the large scale Adam & Eve (marked 'only print' in pencil), Streets by moonlight (large and small versions), Boules Players, The Philosopher, La Place en Hiver (1923), The Fourteenth of July-La Farandole (1923, Scandel, The Farmer's Wife, The Sexton, The Barber's Shop, La Place en Eté, The Fair Sex, The Middle of the Night, The Bridge at Villeneuve Loubet, The Town in Summer, Old Women, Witches, Death & The Emporer, Boules Players by Sunlight (1925), Portrait of Jacques Raverat (number 1 & 2), Christian Charity, Sewing (two impressions), Children, The Princess Lost (three versions), The Princess Lost number 2, The Balcony (two versions), The Riverbank (three versions), The Wild Swans (two versions), The Princess Bathes (two versions), The Wild Swans, The Prince Hunting (two versions), The Beauties of Nature, Sleepers, Apple Pickers, The Princess Followed, The Wicked Queen, Low Shore, The Princess in the Churchyard, and The Princess by the Lake.
Lot 93
Bacon (G. W., publisher). Bacon's Large Scale Atlas of London and Suburbs (Revised Edition) with an Alphabetical Index, circa 1910, title page and contents list, 21 (only) double-page and folding social, geographic and industrial maps, some maps excised and loose, and a 34 sheet map of greater London, slight spotting and occasional closed tears, hinges weak, publisher's half morocco gilt, worn and frayed, folio, together with Camden (William). Britannia: or a Chorographical Description of Great Britain and Ireland, together with the Adjacent islands..., 2 volumes, 1772, portrait frontispiece, with later colouring in a juvenile hand, titles printed in red & black, 15 (only) uncoloured engraved double-page maps by Robert Morden, numerous engraved plates, contemporary calf, rebacked, worn at extremities, folio, with Philip (George & Son). Philip's Atlas of the Counties of England, 1883, 48 double-page colour lithographic maps, upper hinge cracked, all edges gilt, publisher's half morocco gilt, worn and rubbed, folio, plus Bacon (G. W. publisher). New Large Scale Ordnance Atlas of the British Isles, circa 1890, title page with a near-contemporary ownership signature, 102 (of 104) double-page lithographic maps, slight water staining, all edges gilt, publisher's half morocco gilt, worn, rubbed and water stained, folio, with another copy similar, with one other similar and Dugdale (James). The New British Traveller, or Modern Panorama of England & Wales, 4 volumes, J. Robins & Co. 1819, allegorical frontispiece, additional vignette half-titles, folding engraved map of England and Wales with long closed tears affecting the printed image, 45 uncoloured engraved maps by J. Neele and 43 (only) uncoloured engraved plates, contemporary ownership signature to front endpaper, contemporary marbled calf gilt, several boards detached or near-detached, rubbed and worn, 4to, with Bastien (J. Fr.) Dictionnaire Géographique Portatif...., de Laurent Echard par Vosgien..., 2 volumes, Brussels, 1792, one (only) uncoloured folding engraved map of Europe, contemporary mottled calf with gilt decorated spines, bumped and worn at extremities, 8voQTY: (13)NOTE:Sold as a collection of maps, not subject to return.
Lot 318
A Victorian silver baluster milk jug, chased and engraved with flowers, 'C' scrolls and scale filled panels, London 1842, height 15cm, and a silver cushion shaped milk jug, Birmingham 1913 by Henry Matthews, height 9.5cm, total weight 392.4g.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 102
Spanish school, 17th century."Allegory of Faith".Wood carving, polychrome.It presents important faults.Measurements: 30 x 22 cm.Wood carving representing a female figure blindfolded and carrying a monstrance or chalice. Both attributes identify the Allegory of Faith. Stylistically, the piece is fully in keeping with the Baroque style: the dynamic attitude conveyed by the gesture, but also the deep, naturalistic drapery, bear witness to this. With her torso slightly arched backwards and her left arm folded to raise her tunic so as not to step on it as she advances, Faith takes the form of a young woman with idealised features. The iconography of Faith is probably distantly derived from the Roman Justice, a blindfolded female figure holding a scale, which in fact Christianity assimilated to the personification of divine justice.
Lot 87
LUCA GIORDANO (Naples, 1634 - 1705)."Allegorical scenes following the models of the decoration of the staircase of El Escorial".Oil on canvas. Re-coloured.It has 19th century frames.Measurements: 80 x 105 cm (x2); 97 x 118 cm (frame, x2).Pair of canvases in which a scene of allegorical character is presented in both cases, starring figures of mythological inspiration. The two images differ from each other, although they have a similar compositional structure. In both works a pyramidal composition can be seen, dominated at the top by the presence of a woman holding an attribute in her hands. Below her are all the figures, who appear to be arranged on a large cloud that acts as a base. In both paintings the background is indistinct and is dominated in the upper area by golden clouds that bathe the scene in a warm luminosity. Both paintings follow the aesthetic of the frescoes painted by Luca Giordano in the Escorial. In 1692 the artist was summoned to the Spanish court to participate in the ornamentation of the monastery of El Escorial, both on the staircase and the vaults of the basilica, where he worked between 1692 and 1694. In this area he combined historical scenes and allegories with real characters.Due to its technical characteristics, such as the directed light, the sobriety of the colour palette and the composition of the scene, this scene can be considered to be part of the Italian Baroque period, particularly linked to the artistic circle of Luca Giordano (Naples, 1634-1705), who painted scenes very similar to the one here, such as the one in the Museo de Bellas Artes in Cuba. During his lifetime Giordano enjoyed great popularity in both Italy and Spain. His style was influenced by artists such as Mattia Preti, Rubens, Bernini and, above all, Pietro da Cortona, whose physical types inspired those of Giordano. During the late 1670s he began his large-scale mural decorations (Montecassino, 1677-1678, and San Gregorio Armeno, Naples, 1679), followed in 1682 by the dome of the Corsini chapel in the church of Carmine (Florence) and those of the gallery and library of the Palazzo Medici Ricardi (Florence). In 1692 he was called to Madrid to carry out the mural decorations in the monastery of El Escorial, both in the staircase and in the vaults of the basilica, where he worked from 1692 to 1694. The former is his most painstaking work, the process of which was closely followed by the monarch himself, Charles II. This was followed by the decoration of the monarch's office and bedroom (destroyed) in the Royal Palace of Aranjuez. He was then commissioned to decorate the Casón del Buen Retiro (ca. 1697); the sacristy of Toledo Cathedral (1698); the decoration of the royal chapel of the Alcázar (destroyed); and Saint Anthony of the Portuguese (1699), in which Giordano depicted eight scenes from the life of Saint Anthony of Padua painted on tapestries. The arrival of Philip V in 1701 and the outbreak of the War of the Spanish Succession led to the end of his royal commissions and his return to Naples, although he continued to send paintings to Spain.
Lot 415
LOW COUNTRIES -- ZEELAND -- "COMITATUS ZELANDIÆ Novissimæ Delineatio per Nic. Visscher". (Amst.), N. Visscher, n.d. (after 1672, before 1719). Engr. map in cont. hand colouring w. scale indicator and large cartouches in upper left corner. 460 x 550 mm. (Small tear in lower margin (former rep. on v°), partly affecting image, some splits in places, but a good copy). -- Added: "UTRAQUE BEVELANDIA, & Wolfersdyck, Insulæ Orientaliores Zelandiæ Cisscaldinæ; Vernacule, De Oostelycke Eylanden van Bewester-Scheld". (Amst., Blaeu, 1662). Engr. map in cont. hand colouring w. large title cartouche. 430 x 560 mm. -- (2). NOTE:Ad 1: Blonk-v.d. Wijst 42, third state. - Ad 2: Id. 43B.
Lot 417
LOW COUNTRIES -- ZEELAND -- ("ZEELAND"). (Amst.), C.J. Visscher, 1631. Plain engr. map of Zeeland w. compass rose, scale indicator, 2 ships in full sail at sea and 2 puppets. 350 x 470 mm. (Slightly foxed, repair in lower upper right blank corner, but a good copy). NOTE:Similar to V.d. Krogt 3600:364, but later issue; Blonk-v.d. Wijst 18.7.
![LOW COUNTRIES -- FRIESLAND -- "NIEUWE BESCHRIJVI[N]GE VAN OOST EN WEST VRIESLA[N]T door Davidt Fabricio van Esentz soe wel vo](https://cdn.globalauctionplatform.com/e6945d44-49f2-46cf-825d-ae6a00d8e548/b0758e9c-0bbe-4c9a-8f28-ae6a00e5b496/468x382.jpg)
Lot 384
LOW COUNTRIES -- FRIESLAND -- "NIEUWE BESCHRIJVI[N]GE VAN OOST EN WEST VRIESLA[N]T door Davidt Fabricio van Esentz soe wel voor water als te lande neerstelijck beschreven. (Amst.), P. Kaerius, 1617 (= c. 1622). Handsomely cold. engr. map of the provinces Friesland, Drenthe and Groningen w. 2 compass roses, scale indicator, several ships in full sail at sea and 2 coats of arms. 382 x 495 mm. NOTE:Van der Krogt 3900:364:02.
Lot 416
LOW COUNTRIES -- ZEELAND -- ("ZEELAND"). (Amst.), C.J. Visscher, 1631. Engr. map of Zeeland in cont. hand colouring w. compass rose, scale indicator, 2 ships in full sail at sea and 2 puppets. 350 x 470 mm. (Professionally restored). NOTE:Similar to V.d. Krogt 3600:364, but later issue; Blonk-v.d. Wijst 18.7.
Lot 393
LOW COUNTRIES -- GRONINGEN -- "GRONINGENSE TERRITORIUM". (Cologne, c. 1587-1602). Cont. cold. engr. map of the province of Groningen by Fr. Hogenberg. 148 x 195 mm. Text on v° in Latin. Under passepartout. (Lower margin cut and professsionally repaired). NOTE:This map was first published in the early travel guide "Itinerarium orbis Christiani". It is the oldest map presenting only Groningen. It was engraved by Frans Hogenberg and the series of maps whereto it belongs, was used for several works: 'Itinerarium Belgicum' (Georg Braun, 1587), 'Belgici leonis chorographica' (Michael von Eitzing, 1587), 'De Europae virginis' (Michael von Eitzing, 1588) and in atlasses by Johannes Metellus (1598-1602). Our copy with latin text on v°, scale numbers/letters in the margin of the map, leaf 'q' on v°. - Cf. Vredenberg-Alink, p. 38 (IIA1,2, afb. 28).
Lot 398
LOW COUNTRIES -- (KUN, LJ.A. v.d. & R. MUSQUETIER. Kaart van de rivier de Boven-Maas van Visé tot Woudrichem. Opgem. en vervaardigd door den eersten landmeter bij den Algemene dienst van den Waterstaat E. Olivier Dz. ('s-Grav.), Topographisch Bureau, n.d. (1849-56)). 11 (of 34) lithogr. and engr. maps depicting the course of the river Maas through Limburg and adjacent lands. (Some very light foxing in places, slightly soiled, but in very good condition). NOTE:Very detailed area maps on the scale 1:10,000, from the fourth series of the 'Algemeene Rivierkaart van Nederland'. Present are the maps 14-20, 22-24, 27. - Cf. Koeman, Geschiedenis v.d. kartografie v. Ned., p. 180-1.
Lot 186
A gentleman's Omega Geneve automatic stainless steel wristwatch circa 1970round stainless steel dial with raised black hour baton markers,associated leather braceletdial diameter 31 mm., case diameter 35 mm.Condition: Appears to be in working order and keeping time however no guarantee can be offered as to the full working order. Some discolouration to dial minute scale rubbed between 12 and 10. Some scratches and wear to case
Lot 392
An 18ct yellow gold and ruby set double snake ring the interlocking snakes heads with single ruby set to head and diamond points to eyes and chased scale detail, with double hallmark for Chester, 1918, makers mark T & Sgross weight 8.6g size R 1/2Condition: One diamond point missing. Otherwise in fair condition
Lot 384
A fine Carlo Mazzaccara bowl back mandolin, cased. CONDITION REPORT: This was purchased directly from the luthier in 2013/2014. Table: Sitka spruce with inlaid faux tortoiseshell pick guard and raised rosewood arm guard. 31 rosewood fluted ribs from a vintage mandolin, the neck probably cherry, pear or aged birds eye maple, tuners gold plated Schaller, length of table 32.5 cm, width 20.5 cm, scale length 34 cm. One of Carlo Mazzaccara's specialities is creating instruments from donor / old antique and aged instruments.
Lot 159
A collection of large scale model trains,20th century, comprising a Tri-ang express 'Puff Puff' 73000 tin engine, 44cm long, 24cm high, two further wooden 'Puff Puff' trains, 37cm long, 19cm high, a Tri-ang engine 50.5cm long, and one other similar example (5) One with major rusting and paint loss throughout, the others with scuffs and scratches. Puff Puff sound still works
Lot 1200
Star Wars - Return Of The Jedi - a lifesize 1/1 scale 1m tall prop replica Ewok figure. Made from solid foam and rubber latex with hand-painted features, plastic eyes and realistic long grey fur. With posable arms, a removable brown fabric cowl and a replica spear. Appears in generally excellent condition, and makes for an impressive display piece. Measures approx; 107cm tall.
Loading...-
186097 item(s)/page