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Lot 123
Corgi 1/50 Scale Lorries (4) - 75604 Renault premium curtainside Kent Connection ltd, CC13701 Scania R Series topline curtainside Mason Bros, Transport Ltd, 76601 Scania refrigerated box trailer - H E Payne Transport Ltd, 76801 MAC artic platform trailer with sheeted load - Stiller Transport, all boxed (4)
Lot 129
Corgi 1/50 Scale Lorries (4) - CC12813 Scania T topline bulk tipper - J J Bartlett Haulage Ltd, CC12929 Scania topline fridge trailer - Dennis Oates & Sons, CC13512 Volvo FM curtainside - Ian Craig (haulage) Ltd, CC13225 DAF XF super space cab curtainside - Chamberlain Transport Ltd, all boxed (4)
Lot 1001
Shropshire - Railways - Original Plans five original large scale plans for the Shrewsbury to Hereford railway between Craven Arms and just north of Ludlow, drawn on a scale of 10 inches to the mile. The line has been highlighted in colour. The maps show the ownership of the land on either side as well as a wealth of other features including the station and marshalling yards at Craven Arms, and a section of the now long abandoned Bishop's Castle Railway, showing its junction with the main line. No date but probably 1860. Each map measures approx. 660x710mm, printed on thick paper, a few close tears (easily repairable in our view). Rare
Lot 134
Corgi 1/50 Scale Lorries (4) - CC12814 Scania T cab general purpose tanker - Atchinson Topeka Ltd, CC13211 DAF XF space cab curtainside - C M Downton Ltd, CC13606 DAF CF fridge trailer - Drysdale Freight Cockburnspath, CC12801 Scania T-Cab Feldbinder tanker - Ian Hayes Transport, all boxed (4)
Lot 128
Corgi 1/50 Scale Lorries (4) - CC12012 MAN F2000 curtainside Phillips (Seahouses) Ltd, CC12430 Volvo FH globetrotter skeletal trailer and container - N T Whitfield Transport Ltd, CC12906 Scania Topline fridge trailer - P & C Hamilton, CC12510 Atkinson Borderer Tautliner - W H Bowker Ltd, all boxed (4)
Lot 234
Erpa Schabak Scale Aeroplanes Boxed, a collection to include Lufthansa DC10, b737, A300, B747, Ju52,727, B-707, Jet Box Lockheed l-1011, Australian airlines MD-81, British Airways 757, Swissair Airbus A310, Icelandair Douglas DC-8, NLM City hopper Fokker F-27, Crossair SF340 and 3 Lufthansa puppets (14)
Lot 135
Corgi 1/50 Scale Lorries (4) - CC13412 MAN TGA XXL curtainside - Gerry Jones Transport Services Ltd, CC12102 Renault premium curtainside - WM Armstrong Ltd, 76603 Scania refrigerated box trailer - D Steven & Sons of Wick, CC12933 Scania topline fridge trailer - Edward Gilder & Co, all boxed (4)
Lot 174
Tri-ang Hornby OO Gauge Train Set, Locomotives, Track Controller, accessories, to include BR locomotive R754, Intercity 125 locomotive and carriages, Princess Elzabeth Tring locomotive, line controller, a selection of Lima and Peco track, Tri-ang boxed closed good van, brake truck Hornby QXR tanker, Merit empty box, Airfix model diesel shunter and more, comes with 3 diecast car models of Burgao Ferrari 240 Testa Rossa 1957 1:18 scale, Newray City Cruisers collection BMW, Vespa mini scooter diecast
Lot 825
WWII - Escape from The German Invasion of Greece - remarkable typescript prepared by Lt Col W J McDonnel, Royal Engineers, being a detailed account of his escape together with a party of 40 officers and other ranks, from the Island of Kos, in advance of the German invasion of the island in 1943. Folio 18pp in good condition. Together with a printed return of all personnel on active service from Ludlow in 1940, ten printed forms with ms insertions being returns of officers in the Royal Engineers, and two WWII vintage large scale maps - one of Palestine and the other of the coast of Egypt. McDonnel, an experienced airfield engineer, describes being ordered from Jerusalem to the island on September 19th1943 in order to prepare a landing strip near the town of Kos for use by Dakota aircraft in night landing operations. When he got there, he was told there was no Army plant on the island, no Royal Engineers and the only military assistance he could be given would be a small working party but could be assisted by the Italian forces. He then goes into detail describing aerial actions, bombing, and the eventual successful invasion by the Germans of the island, prompting a desperate attempt to escape. What is quite remarkable is that a large contingent of the British forces gave themselves up to the Germans in order for their fellow officers and men to have a better chance to escape - which they did by constructing a raft with the help of local Greek patriots with a daring plan to raft to the safety of Turkey. However, they had a fortuitous encounter with an officer of the SBS who told them that a Naval caique was due to rendezvous with him - and they escaped that way. This remarkable document will yield much new information on a theatre of WWII which is often overlooked. The German invasion led to one of the worse of their many war crimes. On 3 October 1943, 1000, German troops invaded Kos and 3000 Italian and 2000 British troops surrendered the following day. On 5 October 1943, the Germans executed near Linopotis, more than 100 (106 or 110 according to records and witnesses) Italian officers, who were unwilling to cooperate
Lot 139
Corgi 1/50 Scale Lorries (4) - CC12001 MAN curtainside - John Mitchell Transport, CC13227 DAF XF space cab curtainside - L V Transport Ltd, CC13902 Foden Alpha log trailer - R & H Scott Timber Haulage, CC12928 Scania topline Houghton Parkhouse 'The Professional' livestock transporter - R W Stewart, all boxed (4)
Lot 915
Ephemera - carton containing a good selection including an original als of the 18th c politician Sir Joseph Mawsby, two bw photographs of Mussolini taken on a visit to Livorno in 1932, an interesting ms set of depositions relating to a sudden death in 1870, an1830 copy of the Lancet and other publications relating to Baron Larrey, personal friend of Napoleon; an als of Nathan Benjamin, American Missionary dated 1844, a 19th c ms poem concerning a storm at sea, a ms letter to the shipwreck society dated 1841 with a plan to protect ships from wreck, an attractive document relating to a knighthood dated 1890, two alss of the 18th c philanthropist Joseph Butterworth, an interesting ms letter mentioning the American War of Independence, six antique maps from Walpoole's British Traveller, early 19th c , a large scale original photograph of party on a cricket outing in 1912, a fine signed portrait of Air Chief Marshall Sir Frederick Brookhill, two amusing sheets of original cartoon artwork by the artist 'Furnival' relating to fishing in Lancashire, an original copy of Sozialpolitik im lande der lords by Helmut Schneider, a copy of 'Hollar - A Czech Émigré in England' signed by members of the Free Czech Army in 1943, a copy of the Russian publication of the first photographs of the reverse of the Moon
Lot 124
Corgi 1/50 Scale Lorries (4) - CC12428 Volvo FH Houghton Parkhouse 'The Professional' livestock transporter - Fred Greenwood & Son, CC13106 Volvo F88 fridge trailer - H E Payne Transport Ltd, 75408 Layland DAF 85 curtainside - T Brady & Son, CC12201 Scania curtainside - A Wishart & Sons Ltd, all boxed (4)
Lot 238
FRESQUE EN STUC REPRÉSENTANT UN ENSEMBLE DE DIVINITÉSDynastie Yuan/Début de la Dynastie MingA POLYCHROME STUCCO FRESCO DEPICTING A GROUP OF CELESTIAL MAIDENSYuan/early Ming Dynasty Painted with a group of four ladies against a background of swirling clouds, engaged in a conversation, dressed in loose robes and billowing sashes, the rounded faces with serene expressions, their hair elaborately styled and adorned with jewels, one holding a ruyi sceptre, all in shades of red, ochre, green and black, with details picked out in raised gesso, traces of gilding, framed. 108cm (42 1/2in.) x 59.5cm(23 3/8in.)Footnotes:元/明早期 灰泥彩繪天女圖壁畫Provenance:Collection of Jürgen L. Fischer (d. 2013), Baden-Baden, acquired by his father from Bernheimer, Munich, in the 1960s (by repute)Nagel, Stuttgart, 17 May 2006, lot 819 Published:Jürgen L. Fischer, Chinese Art, Munich 1997, p.18 來源： 巴登-巴登Jürgen L. Fischer珍藏（逝於2013年），其父於1960年代得自慕尼黑Bernheimer（傳）納高拍賣行，斯圖加特，2006年5月17日，編號819出版： Jürgen L. Fischer，《中國藝術》，慕尼黑，1997年，頁18Painted in a highly dynamic and animated style, this fresco with its gilt-gesso highlights must be seen in the wider context of large-scale Buddhist paintings that first appear in the Mogao Cave temples in Dunhuang, and in the Yuan dynasty in the large Daoist pantheon painted in the Yongle Palace in Shanxi, see, for instance, The Murals in Yongle Palace, Tianjin, 2007, pls.54, 55, 64 and 65. Compare with two frescoes featuring ladies with similarly round faces, billowing scarves and precious hair ornaments, the first dated to the Jin/Yuan dynasty, sold in Sotheby's New York, 22 and 23 March 1999, lot 341, the second, dated to the Song/Jin dynasty, sold in Sotheby's Hong Kong, 3 and 4 December 2015, lot 287. Compare also with a large fresco of a Guanyin and two attendant bodhisattvas, dated to the Yuan/Ming dynasty, from the Robert H. Ellsworth Collection, sold in Christie's New York, 20 March 2015, lot 772.For further information on this lot please visit Bonhams.com
Lot 435
Par of armorial cups and saucersChinese export porcelainPolychrome "Famille Rose" enamelled, yellow, black and gilt decoration of flower garlands and armorial shield for Sebastião Xavier da Gama Lobo (1730-1786)Fish scale pattern and stylized floral frieze to baseQianlong reign, ca. 1770Literature: Nuno de Castro, "A Porcelana Chinesa e os Brasões do Império", p. 158;Alberto Varela Santos, "Portugal na Porcelana da China - 500 Anos de Comércio", vol. III, pp. 905-911.Alt.: 6 cm (chávena)Diam.: 3,5 cm (prato)
Lot 15
Jean-Léon Gérôme (French, 1824-1904)The Nile in flood, Thebes signed 'J.L.GEROME.' (lower left)oil on canvas78.1 x 116.9cm (30 3/4 x 46in).Footnotes:ProvenanceWith Vose Galleries. Private collection, Canada. ExhibitedParis, Salon, 1901 (according to Ackerman).Vose Galleries, Boston Sale, New York 7-8 March 1929, no. 168. LiteratureOeuvres de J.-L. Gérôme (Bibliothèque nationale, Paris), XXIII, 14 b. Gerald M. Ackerman, The Life and Works of Jean-Léon Gérôme, London, 1986, no. 468, p. 285 (illustrated, dated 1901 and catalogued as lost).Gerald M. Ackerman, Jean-Léon Gérôme, Monographie révisée, catalogue raisonné mis à jour, Paris, 2000, no. 468, p. 354 (illustrated, dated ca. 1900-1904 and catalogued as La Plaine de Thèbes pendant l'inondation du Nil, and catalogued as lost).Gérôme's interest in recording ancient Egyptian monuments was sporadic, and these subjects are rare within his oeuvre. His fascination with the Colossi of Memnon, however, was more enduring. The focus of at least six compositions in various media, these storied statues of the 18th-dynasty pharaoh Amenhotep III (1386-1353 BCE) form a distinctive subgroup of Gérôme's Orientalist works produced between 1856 and 1904. These images yield important information about archaeology, conservation, and tourism, Egypt's pharaonic and classical past, its natural history and changes in its agricultural practices, and Gérôme's understanding and experiences of them all. In the present work, exhibited at the Paris Salon in 1901 and likely based on on-the-spot sketches made during Gérôme's first trip to Egypt in 1856-7 (including a sketch dedicated to Gérôme's mentor, Paul Delaroche; fig. 1), the artist depicts the Colossi at sunrise, at the beginning or, perhaps more likely, at the end of the annual Nile flood. The view is to the approximate north; today, this would position the artist on the modern road on Luxor's West Bank, which connects the Nile ferry docks to some of Egypt's most-trafficked tourist sites. This particular stretch of road lies atop an old berm built around the hawd or irrigated field around the Colossi, which helped to contain the rising waters of the flood. The artistic liberties that Gérôme has taken with the siting of the statues is readily apparent; nevertheless, the basic conception of the Theban hills in the background, with the statues at the entrance to the ancient mortuary temple of Amenhotep III on the floodplain nearer the Nile, is accurate. (In addition to his sketches, Gérôme may also have used contemporary photographs as an aide-mémoire, notably those taken by his friend and traveling companion during that first Egyptian journey, Auguste Bartholdi; fig. 2.) Contemporary viewers would have known Gérôme's subject by the time of the painting's exhibition in 1901, both from his earlier visual examples, including widely circulated prints made by Gérôme's dealer and father-in-law, Adolphe Goupil, and related literary texts. Describing a photogravure made after one of Gérôme's Colossi scenes, one 19th-century author penned, 'Now, the ruined statues of King Memnon, fabled of old to sing at sunrise, form the conspicuous heroes of this wide desert scene, where all seems colossal, strange, adapted to another scale that that of humanity ... Other lands tempt by their beauty, by their capacity of improvement; Egypt fascinates by its stability of ruin, and by its story of a splendid past, written in granite. Of all the artists whom genius has given a mission to penetrate into this place of awe, and bring back the record of its desolation, none equals Gérôme in the tangible distinctness of the impression he leaves; he seems to carve his national types in adamant, and fetch them up to the eye as a series of images that can be weighted, felt, and estimated.' Théophile Gautier's laudatory words about Gérôme's Colossi subjects had first been published in 1856, to the great interest of French visitors to the Salon. They were transcribed into English by the artist's American biographer, Fanny Field Hering, in 1892, making them as well-known in that country as abroad: With a sigh and a shudder, we move on beside the great critic [Gautier] and pause before the Memnon and Sesostris. / 'Two mountains sculptured in the form of man which neither time, nor tremblings of the earth, nor conquerors much more terrible, have been able to move from their base. They are there, their colossal hands crushing their knees, shapeless, monstrous, flat-nosed, returning slowly to rock, standing out against the arid background of the Lybian [sic] range which lies barren beneath a scorching sun - rosy in the light, blue in the shadow. Memnon has lost his voice, and, since the Roman Emperor essayed its restoration, no longer salutes Aurora. The inscriptions on the pedestal seem to-day untrue, but the phenomenon of his melodious vibration is established by history in the most incontrovertible manner. At the foot of these gigantic statues, a group of men and camels may serve as a scale of comparison; they scarcely attain the height of the base-plate. To relieve this landscape of limestone and granite, M. Gérôme has placed in the foreground several clumps of green herbs, which the summer will soon change into tawny tufts, resembling a lion's mane ... / The Plain of Thebes is the reverse side of the picture we have just described. The foreground consists of fragments of enormous columns, in scattered blocks, on one of which is carved the image of a god; it is the debris of a ruined palace, probably that of Amenophis; beyond the ruins stretches a plain subject to inundations, crossed by a road along which a caravan of dromedaries is passing ...The two colossi, with great difficulty diminished by the distance, reappear, seen from the back, their royal tresses gathered and knotted behind their heads like a queue à la prussienne. Farther on, the eye discovers blackish lands, besprinkled with trees and palms, and to the right hillocks, or rather mounds formed of ruins, fragments of which stick up through the ground. In the background a chain of distant mountains, rosy and purple; over them a sky mixed with heat, which seems to lie far above and behind the shimmering, luminous atmosphere, and on which a flock of wandering storks make microscopic points,' (quoted in Fanny Field Hering, Gérôme: The Life and Works of Jean Léon Gérôme, New York, 1892, pp. 66-7; Gautier's original French text appeared in L'Artiste, 28 December 1856, p. 23). The 'shimmering, luminous' atmosphere that Gautier describes in the Plain of Thebes is repeated in the present work.
Lot 8728
Isaac Taylor (British 1730-1807) and Thomas Kitchin (British 1719-1784): 'New Map of the County of Hereford', very rare 18th century engraved map of Herefordshire on rolled canvas backing, the margins with 288 heraldic shield for subscribers with only 77 filled pub. 1754, 118cm x 113cmNotes: The first and one of the rarest of Isaac Taylor's large-scale surveys, only 77 subscribers were procured, with subsequent maps not including the heraldic arms due to the unsuccessful result. Possibly less than 100 maps were eventually printed.
Lot 8785
Thomas Bowen (Welsh 1733-1790): 'A New and Correct Map of Great Britain from the most accurate surveys', rare 18th century engraved map with hand colouring; together with a collection of others including: John Bayly's map of 'Gloucestershire' 1779; 'Large Scale Railway & Station Map of England & Wales' 1875; 'Stanford's Map of the Environs of Paris' 1870; and a 19th century map of 'Texas and Indian Territory' (8) (unframed)
Lot 1109
3 Snuffbottles mit verschiedenfarbigen Überfängen. H 5 - 8 cm. Größere Flasche mit breiten, seitlichen Taotiemasken und je einem Fabelwesen auf den Fronten, in dunkelviolettem Überfang. / Kugelartiger Korpus mit blauem, blattartigem Überfang. / Überfanggläser: rot kleinteilig, dunkel mit Taotiemaske, Kugel mit blauem Palmblatt. / Flache Flasche mit kleinteiligem, zartem Überfang aus rotem Glas. Alle mit Stöpsel, teils mit Lanzette. Aufrufzeit 26. | Okt 2023 | voraussichtlich 11:59 Uhr (CET)3 Snuffbottles with different colored over. H 5 - 8 cm.Larger bottle with wide lateral taotie masks and a mythical creature on each of the fronts, in dark purple overlay / spherical body with blue leaf-like overlay /. Overlay glasses: red small-scale, dark with taotie mask, sphere with blue palm leaf. / Flat bottle with small-piece delicate overlay of red glass. All with stopper, some with lancet. Call time 26 | Oct 2023 | expected 11:59 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 1500
Barocker sächsischer Humpen. Dippoldiswalde. Sogenanntes Annaberger Steinzeug. Um 1700.Gedrehter Scherben, dunkelbraun engobiert und salzglasiert, Emailbemalung in Blau, Weiß, Gelb, Rot und Gold. H 18 cm. Konischer Walzenkrug mit Bandhenkel, mittig umlaufend schmales Schuppenband, gewulstete Blattfriese, Streifenbänder. Zinndeckel mit Kugeldrücker, graviert "JTW", innen gepunzt (Prag). Wandungs- und bodenrissig, teils bestoßen und geklebt, Zinnmontierung mit Defekten.Aufrufzeit 26. | Okt 2023 | voraussichtlich 14:53 Uhr (CET) Baroque sächsischer tankard. Dippoldiswalde. So-called Annaberg stoneware. Around 1700.Turned body, dark brown engobed and salt-glazed, enamel painting in blue, white;, yellow, red and gold. H 18 cm. Conical cylindrical jug with ribbon handle, central circumferential narrow scale band, beaded leaf friezes, striped rims. Pewter lid with spherical notch, engraved "JTW", hallmarked inside (Prague). Wall and base cracked, partly punctured and glued, pewter mounting with defects..Call time 26 | Oct 2023 | expected 14:53 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 1701
2 Tafeltücher. Anfang 20. Jh.Leinendamast. 340 x 160 bzw. 280 x 160 cm. Durchgängig mit Rosenranken verziertes Tuch mit gesticktem Monogramm MH. / Von Hohlsäumen gerahmtes Tuch mit Rosen-Bordüre, mittig kleinteiliger Blattraport. Gesticktes Monogramm "HD". 2 minimale Flecken am Rand des rosenverzierten Tuches.Aufrufzeit 26. | Okt 2023 | voraussichtlich 16:16 Uhr (CET)2 tablecloths. Early 20th centuryLinen damask. 340 x 160 or 280 x 160 cm.Canvas decorated throughout with rose vines with embroidered monogram MH. / Cloth framed by hemstitches with rose border, centered small-scale foliage rapport. Embroidered monogram "HD". 2 minimal spots on the edge of the rose decorated cloth.Call time 26 | Oct 2023 | expected 16:16 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 2307
Tasse mit Purpurmalerei. Ludwigsburg. Blaumarke, 1780. Purpur und Grün bemalt, goldstaffiert. Tasse (H 4,5 cm), Untertasse (Ø 12,5 cm). Unter einer grünen Schuppenbordüre purpurfarben gemaltes Garbenmuster. Minimale Randbereibung. Aufrufzeit 27. | Okt 2023 | voraussichtlich 10:30 Uhr (CET)Cup with purple painting. Ludwigsburg. Blue mark, 1780. Purple and green painted, gold decorated. Cup (h 4,5 cm), saucer (Ø 12,5 cm). Under a green scale border purple painted sheaf pattern. Minimal rim rubbing. Call time 27 | Oct 2023 | expected 10:30 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 2320
Barocke Teedose mit Watteau-Malerei. Meissen. Schwertermarke, um 1750/60. Polychrom bemalt, goldstaffiert. H 12 cm. Rechteckige Dose mit Deckel. Unter einem purpurfarbenen Schuppenfond und Blumengirlanden die grisaillegemalte Darstellung von höfischen Figuren in einer Landschaft. Rosenknauf fehlt. Aufrufzeit 27. | Okt 2023 | voraussichtlich 10:37 Uhr (CET)Baroque tea caddy with Watteau painting. Meissen. Sword mark, circa 1750/60. Polychrome painted, gold decorated. H 12 cm. Rectangular box with lid. Under a purple scale background and floral garlands the grisaille painted depiction of courtly figures in a landscape. Rose knob missing. Call time 27 | Oct 2023 | expected 10:37 (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 2373
Barocke Tasse mit Frucht- und Blumenmalerei. Meissen. Schwertermarke, um 1750. Polychrom bemalt, goldstaffiert. Tasse (H 5 cm), Untertasse (Ø 13,5 cm). Bauchige Tasse mit gewundenem Asthenkel. Unter einer purpurfarbenen Schuppenbordüre Frucht- und Blumenbuketts. Minimaler Goldabrieb. Aufrufzeit 27. | Okt 2023 | voraussichtlich 11:05 Uhr (CET)Baroque cup with fruit and flowers painting. Meissen. Sword mark, circa 1750. Polychrome painted, gold decorated. Cup (h 5 cm), saucer (Ø 13.5 cm). Bellied cup with twisted branch handle. Under a purple scale border fruit and flower bouquets. Minimal gold rubbing. Call time 27 | Oct 2023 | expected 11:05 am (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 3360
RETTELBITSCH, "Möbel-Lexikon - Nachschlagebuch""Entwürfe im korrekten Massstab gezeichnet für 265 Küche, Vorplatz, Kontor, Wirthschaft, Schlafzimmer, ...". Selbstverlag. Nürnberg. Um 1900. 20,5 x 13 cm. 287 Seiten mit Abbildungen, inclusive Verzeichnis und Kostenaufstellung. Im farbigen Broschureinband. Aufrufzeit 28. | Okt 2023 | voraussichtlich 10:34 Uhr (CET) RETTELBITSCH, "Furniture Lexicon - Reference Book""Designs drawn to the correct scale for 265 kitchen, forecourt, Kontor, Wirthschaft, bedroom, ..." Self-published. Nuremberg. Circa 1900. 20.5 x 13 cm. 287 pages with illustrations, including index and cost breakdown. In colored booklet binding. Call time 28th | Oct 2023 | probably 10:34 am (CET).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 790
Armbanduhr: Ingenieur Chronograph. IWC SCHAFFHAUSEN. Referenz-Nr. 3725, Gehäuse-Nr. 3134428. Titan. ø 42 mm. 133 Gramm. Für Mercedes AMG. Automatikwerk, 31 Lagersteine, Gangdauer 44 Stunden. Wasserdicht bis 120 Meter. Gehäuse mit Start-Stopp-Taste und Rückstelltaste. Saphirglas, schwarzes Zifferblatt, Leuchtmasse, kleine Sekunde, Hilfszifferblatt für 30-Minuten-Zähler, Tachymeterskala. Original-Armband mit Faltschließe. Bedienungsanleitung, Garantie-Service-Heft, Garantiekarte, 2 Ersatz-Armband-Glieder, Original-Box, Karton. Im Kurzzeit-Test funktionstüchtig.Die Uhr kommt aus einem Sammlungsnachlass und ist über einen langen Zeitraum nicht bewegt worden. Für Funktion und Ganggenauigkeit können wir keine Garantie übernehmen * Partnerauktion Bergmann.Provenienz : Nachlass einer privaten Sammlung, verkauft durch Uhrenfachgeschäft Andreas Huber, München 2005.Aufrufzeit 25. | Okt 2023 | voraussichtlich 18:39 Uhr (CET) Watch: Ingenieur Chronograph. IWC SCHAFFHAUSEN. Reference no. 3725, case no. 3134428. Titanium. ø 42 mm. 133 grams.For Mercedes AMG. Automatic movement, 31 jewels, power duration 44 hours. Water resistant to 120 meters. Case with start-stop button and reset button. Sapphire crystal, black dial, luminous material, small seconds, sub-dial for 30-minute counter, tachymeter scale. Original bracelet with folding clasp. Instruction manual, warranty service booklet, warranty card, 2 spare bracelet links, original box, cardboard box. In short time test working.The watch comes from a collection estate and has not been moved for a long period of time. For function and accuracy we can not guarantee * Partner auction Bergmann.Provenance : Estate of a private collection, sold by watch specialist Andreas Huber, Munich 2005.Call time 25 | Oct 2023 | expected 18:39 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 212
COE-ONE, SIMPSON spray paint and acrylic on card album cover signed31cm x 31cmCoe-One is a street artist raised in South Africa, currently living and working in London. Having grown up painting graffiti, he now largely focuses on characters which can be seen in cities around the world. "He thinks of his characters as personalities on a wall that are trying to get the attention of whoever's passing by... and if they get an interaction, even better." Known for his large scale murals, he is now experimenting with painting on a smaller scale so the personalities can be taken into people's homes. Instagram: coe1one
Lot 189
JAMES TALON, FATBOY SLIM MDF, steel, giclee print, dry transfer and spray paint on card album cover, signed by the artist and Fatboy Slim (Norman Cook)31cm x 31cmJames Talon formally studied fine art early in life but by his own admission then spent the next 25 years of his life pissing about in music. Now he has returned to art and brought with him his wide cultural pop knowledge. James work is neither painting nor sculpture but a refreshing mixture of both forms. In his work everyday objects like Rizla packets, razor blades, sweets and music cassettes are given new life by exaggerating their scale and applying wit and graphic motifs. He has exhibited in Miami, Chicago, London and Brighton. James cites many influences including music in all its forms and of course the master of pop art - Warhol.Instagram: james_talon
Lot 47
TOM LIGHTBODY, DRIED COLOUR ROSES IN SEPIA fine liner pens on card album cover, signed31cm x 31cm Tom Lightbody is an illustrative graphic artist based in the west of Scotland. His influences range from Schiele to Sainer and whether he is creating large scale mural work or small fineliner drawings, his work is always recognisable due to the vertical and horizontal cross hatching. However, he is mainly interested in an expressive aesthetic - with line, colour interaction and form always the principle focus. Instagram: lightbody107
Lot 34
DISH, DEMAND THE IMPOSSIBLE silkscreen print in 4 colours hand pulled by the artist on card album cover, hand finished details in posca pen, signed31cm x 31cm Dish is an artist from London and now living and working in Bergen, Norway. Her striking work and strong style has been described as feminine and seductive, juxtaposed with distinctively dark lines and tones. Her large scale wall paintings / murals can be found dotted around Bergen and London. Instagram: dish_kunst
Lot 139
MICHAEL CORR, GOLDFINCH acrylic and spray paint on card album cover, signed31cm x 31cmMichael Corr is an award-winning contemporary painter and mural artist, who is based at his garden studio space in Alloa, Scotland. His work centres around portrait painting with an emphasis on colour and spontaneous mark making. Graduating from Duncan of Jordanstone College of Art and Design (Dundee), Corr’s formal training as a Graphic Designer along with a primary interest in expressive art, have developed into a uniquely powerful style of painting and drawing. Corr’s work has been featured in both group and solo exhibitions across Scotland. His work has private collectors in the UK and internationally. You can currently find his large scale mural work around Scotland and the US. Instagram: michaelcorrartist
Lot 203
BEN CAVANAGH, SILENCE spray paint and Posca pen on card album cover, signed31cm x 31cmBen Cavanagh is an artist living in Littlehampton, West Sussex. He specialises in big, colourful designs and characters drawn from imagination. Ben is inspired by street art, graffiti, anime, mythology and the natural world. He spends his time between painting large scale murals, digital art pieces and creating one off art on unusual objects, from spray cans to train tickets. Recently Ben has worked with Luminox watch brand, Aardman animation, Bangerz n Burgerz food chain, Artswork and many more. Instagram: benrcav
Lot 213
ROWDY, VICTORY TO THE WORKERS gouache, ink, acrylic and spray paint on card album cover, signed31cm x 31cmRowdy is an integral part of the Bristol graffiti scene. His work appears worldwide and can be found in the most unlikely places, from underground rural settings to highly visible urban reaches. Rowdy’s trademark crocodiles are often huge in scale and are indicative of the playful nature of the imagery in his work. In his own words - 'My work appears in the traditional gallery sphere as well as in many outdoor spaces through out the UK and beyond. What started out as vandalism in the 80s has now reached a main stream status. It used to be a scene run by us for us. The City is not only my canvas it also provides the necessary visual stimuli that appear in many of my interior works. Instagram: rowdyunofficial
Lot 194
ELPH, NO MORE BLUES acrylic, ink and gouache on card album cover, signed31cm x 31cmBorn in 1977, Elph grew up Edinburgh, Scotland and he started painting graffiti aged 12 inspired by the book Subway Art. Obsessed with comic books, illustration and graphic design, a self confessed ‘visual addict’, he creates everything from pencil drawings to large scale murals.Instagram: elphone
Lot 292
BORDALO II, FRAGILE 2023 fine art print on paper, signed and numbered, from an edition of 500. Boradlo spray painted the symbols on every print by hand, making each one unique.60cm x 60cmArtur Bordalo (Lisbon, 1987) uses the artist name Bordalo II, which he chose as a tribute to his grandfather, the painter Real Bordalo, in order to promote a continuity and reinvention of his artistic legacy. His youth took place between the hours spent in the studio of his grandfather Real Bordalo and the adventures around illegal graffiti in the underworld of the city of Lisbon. He attended the Painting course at the Faculty of Fine Arts in Lisbon for eight years, without ever having completed it, but says that these years allowed him to discover sculpture, ceramics, and to experiment with a variety of materials that have distanced him from painting, which had taken him there in the first place. The excessive production and consumption of stuff, which results in the continuous production of “garbage” and consequently in the destruction of the Planet, are the central themes of his production. This “garbage” assumes itself as the unusual and unique raw material that Bordalo uses in the construction of small and large scale pieces that he has spread around the world and that, above all, intend to be the vehicle of a universal manifesto. Instagram: b0rdalo_ii
Lot 113
RUN, THE ONE AND ONLY gouache and tempera on card album cover, signed31cm x 31cmGiacomo Bufarini, better known as RUN, is a London-based Italian artist whose works can be seen adorning on streets from China to Senegal. His recognisable style shows a level of detail and complexity rarely seen in street art today. RUN creates playful characters that speak to diverse audiences on multiple levels. The expansive scale of his works captivates the viewer, affecting a renaissance of muralism that reaches beyond the boundaries of street art.Instagram: giacomorun
Lot 151
MASER, ON LOOP high quality giclee print on card album cover, signed, 1/131cm x 31cmMaser truly embodies the centric spirit of contemporary visual art in Ireland today. Having created artwork since 1995, over the last 24 years, Maser has earned much respect professionally and has generated a large and dedicated following in Ireland and abroad – through his seamlessly imaginative and unique graphic style. Maser is internationally recognized for his expansive repertoire of contemporary visual art, which includes works on canvas, sculptures, prints, immersive installations, interactive exhibitions and exquisite large-scale murals. His unique, artistic style draws upon numerous influences including optical art and mid-century art, and is regularly complemented with bold colors, pattern and text. Maser is ambitious and is unafraid to experiment with any artistic format. Instagram: maserart
Lot 15
ERIC STEFANSKI, CRYING AND DANCING oil stick on enamel paint on card album cover, signed31cm x 31cmEric Stefanski lives and works in Chicago. He studied at the School of the Art Institute of Chicago and received his MFA at the School of the Museum of Fine Arts Boston. His work is a reflection on the failure, humour, and sincerity that comes with being an artist. He explores themes of modern society and art history while reflecting on his own personal history through large-scale abstract work that incorporates text. Instagram: ericstefanski
Lot 177
λ CHRISTO (AMERICAN/BULGARIAN 1935-2020) OVER THE RIVER, PROJECT FOR ARKANSAS RIVER, STATE OF COLORADO Pencil, charcoal, wax crayon and pastel Signed and dated 2010 (verso) 35 x 38.5cm (13¾ x 15¼ in.)Provenance: Acquired directly from the artist by the present owner in January 2012 Lots 177 and 178 relate to the Over the River project, an example of the kind of large scale, environmental installation synonymous with Christo and Jeanne-Claude. The project was to be constructed along a 42 mile stretch of the Arkansas River between Salida and Canon City to the east of the Rocky Mountains in south-central Colorado. The concept was to suspend multiple fabric panels high above the river creating a continuous impression of silvery, translucent material billowing over the water. The original inspiration for the design came in 1985 when Christo and Jeanne-Claude were working on one of their most iconic projects, the wrapping of the Pont Neuf in Paris. One of the fabric panels was suspended above the Seine as it was moved into place, planting the seed of inspiration in the artists' minds for Over the River. The search for an appropriate site began in 1992, with the artists prospecting eighty-nine rivers across seven states before narrowing the search down to six possible locations. In 1996, Arkansas River was chosen as the best site, its high banks allowing for the greatest elevation. By 2011, Christo had received all the necessary federal and local government permits, however, public reaction to the project was divided and a local campaign group launched lawsuit opposing the work on environmental grounds. The ensuing legal battle waged for five years without resolution. Tiring of the battle, Christo decided to devote his energies to other projects and this truly monumental feat of artistic and logistical endeavour was never realised.
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