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Click here to subscribe38 Boxed EFE Exclusive First Editions diecast models to include 2 x De Luxe Series (25204DL Bristol Omnibus, 15104DL Leyland National), 4 x OO Scale (E 10601, E 10702, E10202 and one other), 25203 Bristol, 15104 Leyland National, P.S.V. Circle Bristol Lodekka, 19706 Regent V (Orion) Hebble, 29412 Bristol RELH D/P Coach, 12201 Black & White Harrington Grenadier, etc (diecast ex, boxes gd overall)
23 Cased Oxford diecast 1:76 scale models to include 12 x Oxford Showtime (76AEC005, 76SST005, 76BD013, etc), 4 x Oxford Construction (76MB010, 76LAN2016, 76FT027, etc), 4 x Oxford Omnibus (76WFA004, 76PD2002, RM102, etc), 2 x Oxford Rail (OR76ROR001, OR76ROR004) and an Oxford Military 76MJ002 model (diecast ex, cases gd to vg overall)
60 Cased Oxford Diecast Commercials 1:76 scale models to include 76TR011 Benny Burger Mobile Trailer, 76TK008 Watneys Bedford TK Barrel Truck, 76AK013 Austin 3 Way Van Wynns, 76RAB007 Post Office Supplies Dept. Scammell Scarab Flatbed Trailer, 76FT1002 Ford Transit Mk1 Post Office Telephones, etc (diecast ex, boxes gd to vg) (2 boxes)
23 Cased Oxford Diecast 1:76 scale models to include 8 x Oxford Emergency (76MA006, 76FT033, 76LAN180006, etc), 7 x Oxford Automobile Company (76LAN1109003, 76REL003, 76REL001, etc), 6 x Oxford Roadshow - mostly sealed (RM102 ltd edn, 76RAB001, 76TK002, etc), 2 x Oxford Rail (OR76ROR002, OR76ROR003). Diecast ex, boxes gd to vg
35 Cased Oxford Diecast Chipperfields Circus models to include 18 x ltd edn examples with COAs - mostly sealed (Chipperfields Caravan, Chipperfields Leopard Trailer, Chipperfields Leopards, Chipperfields Lions, Chipperfields Horse Box, Chipperfields Elephant Trailer, Chipperfields Booking Office, Chipperfields Advertising Truck, Chipperfields Camel Trailer, Chipperfields Ballast Truck, Chipperfields Mobile Shop, Chipperfields Pantechnicon, Chipperfields Lion Trailer, Chipperfields Giraffes, Chipperfields Generator, Chipperfields Elephants, 2 x Chipperfields Box Vans) and 17 x 1:76 Railway Scale models (diecast ex, some card sleeves have come undone) (2 boxes)
26 Boxed & sealed Atlas Editions Eddie Stobart 1:76 scale diecast models to include F1459, RV100, H156, F018, M344, H8505, H132, F1467, T101, H6098, H345, T101, RS02, F1460, H6088, H6668, H5699, H069, H113, H4663, 2 x Atkinson Borderer Flatbeds, 2 x AEC Ergomatic 6 Wheel tippers, ERF LV Platform Trailer and a World of Stobart #4664105 (2 boxes)
29 Boxed & sealed Atlas Editions Eddie Stobart 1:76 scale diecast models to include H4939 Volvo FH Walking Floor Trailer, H4500 Volvo FH Curtainside Trailer, H8200 Scania R440 Highline Walking Floor Trailer, H4941 Volvo FH Skeletal Trailer & Container, Stobart Sport Scania P380 / Oakley Horsebox, etc (diecast ex, boxes vg overall)
67 Cased Oxford Diecast Commercials 1:76 scale models, featuring multi-model sets, to include 76TPU002 Ford Transit Dropside Network Rail, 76CWT004 Commer Walk Thru Van, 76BSA001 AA BSA Motorcycle and Sidecar, 76BSA004 Post Office Telephones BSA Motorcycle & Sidecar, 76BSA002 RAC BSA Motorcycle and Sidecar, etc (diecast ex, boxes gd to vg)
Five Boxed diecast models to include a Sun Star 1:18 scale The New Millennium Edition Lincoln Limousine diecast model no. 1260 and 4 x Burago diecast models (1536 Ferrari 456GT - broken wing mirror, 1502 XK 120 Roadster, 1508 Jaguar XK 120 Coupe and 1509 Mercedes-Benz SSK). Diecast ex unless stated, boxes gd
Three Boxed Airfix military plastic model sets to include a HO:OO Scale Gun Emplacement Assault Set and 2 x Military History Series figure sets (French Grenadiers of the Imperial Guard - 1815, and Waterloo British Infantry - 1815) - all three sets painted, (appear gd but unchecked for completeness), together with a Palitoy Action Man helicopter, and a Hasbro Action Man camp bed and rifle rack
Seven boxed plastic model kits, to include Airfix 1:72 B-25 Mitchell, Sepecat Junior, 1:32 1910 B Type Bus (Old Bill), OO Scale Harrow Locomotive, Revell 1:72 Lockheed SR-71, Avro Dambuster Lancaster & Matchbox 1:72 Gloster Gladiator, most appear complete, boxes distressed, together with one further unboxed example & two sets of Greek plastic miltary figures
Three Boxed plastic model kits to include an unbuilt Tamiya 1:12 Big Scale Series Porsche Turbo RSR Type 934 kit no. BS1220, unbuilt Frog F137 Shell Welder ship kit (tatty box) and an Aurora Aston-Martin Super Spy Car kit no. 585 - 249 (partially built - contents appear gd but unchecked for completeness). Boxes show storage wear
Collection of around 150 play worn mostly military metal figures and diecast vehicles, to include 19th century, Britains, Johillco and Timpo Toys examples, featuring Britains Guardsmen, small scale soldiers, flat soldiers, battleships and submarines (featuring Timpo Toys), aeroplanes, bandsmen, stretcher bearers, Britains artillery, WW1 soldiers, etc, together with a small quantity of scratch built wooden boats and tanks (2 boxes)
Leyly Matine-Daftary (Iran, 1937-2007)Les Coquilles (The Shells) oil on canvas, framedtitled 'Les Coquilles' on the verso, executed in the late 1980s90 x 72cm (35 7/16 x 28 3/8in).Footnotes:Provenance:Property from a private collection, London'The softness you see is because of the difference in the technique which I am lately using in my work. My method has changed slightly. I have painted plants before and also shells, but gradually I have paid more attention to detail. That's not how it was ten or twelve years ago. Then, it was just planes of colour positioned next to each other. It had neither lines nor details'- Leyly Matine-DaftaryBonhams is proud to present this magnificent painting by one of Iran's foremost female modernists Leyly-Matine Daftary. Leyly was born in Tehran in 1937. After having completed her primary education in Tehran, she attended Cheltenham Ladies College in Gloucestershire. She then went on to obtaining a Fine Art degree from the Slade School of Fine Arts in London before returning to Tehran in the late 1950s. Her artistic career began in the early 1960s, an era of great innovation in the arts in an international scale. Leyly was part of the first generation of Iranian women artists and part of the new wave of artists in Iran breaking against traditional art forms and techniques. The year of the revolution 1979 Leyly moved to Paris where she lived for the rest of her life.Here the artist beautifully captures a still life with shells using a novel perspective. The warm but soft colour palette and the delicate placement of the pieces in conjunction with the stark backdrop creates a visually stylized overall composition. Leyly is best known for her focus on extreme simplification of form, freshness of colour and the reduction of space into flat surfaces.For further information on this lot please visit Bonhams.com
Adam Henein (Egypt, 1929-2020)Om Kalthoum bronzesigned 'A HENEIN' and numbered 'A.P. I.IX', executed in 2003154 x 50cm (60 5/8 x 19 11/16in).Footnotes:Provenance:Property from a private collection, CairoPublished:Mona Khazindar (ed.), Adam Henein, Turin, 2005 (another from the edition illustrated, pp.182-183)Exhibited:Adam Henein: Lasting Impressions, Sharjah Art Foundation, 2019 (another from the edition)Peripheral Vision, Barjeel Art Foundation, Sharjah, 2010 (another from the edition)'No one can describe the extent of my pride when I went to Paris, stood in the middle of Europe, and raised my voice in the name of Egypt.' – Umm Kulthum Mona Khazindar (ed.), Adam Henein, Turin, 2005 (another from the edition illustrated, pp.182-183)The present work is an important and monumental tribute by one of the greatest Egyptian sculptors of the century, Adam Henein, to the greatest female singer in Arab music history, Um Kulthum. Born in at the turn of the century, Kulthum was known as the Star of the East (kawkab el-sharq). She is recognized as one of the Arab world's most famous and distinguished performers. Abstract forms, pure volumes and dynamic movement characterise Henein's mature works. 'Um Kulthum' is elegantly striking by its expressive and asymmetrical rendition and the dynamism and movement of its planes. This artwork embodies a sense of simple monumentality and timelessness that is characterised by an allusive simplification of form that is both modern and archaic. The sculpture is elegant, coherent and a characteristic style of its own that is undeniably inspired by both ancient Egyptian Pharaonic art and European Modernism while reflecting the sophistication of the artist.Adam Henein was born in Cairo in 1929 into a family of metalworkers. In 1953, he graduated from School of Fine Arts, Cairo, he went on to receive a two-year grant to study at the Luxor Atelier. The atelier was established a decade earlier by the notable Egyptian artist and scholar Mohamed Nagi to promote Egyptian art education in school circular. In 1954 and 1956 Henein received the Luxor price for his artistic achievements. Two years later, he received a diploma in advanced practices from the Munich Academy in Germany.In 1971, Adam Henein was invited to participate in an Egyptian contemporary art exhibition in Paris at the Musée Galliera. He spent the next two and half decades, from 1971 to 1996 in Paris pushing his practice through sculpture and painting and continued focusing on ancient Egyptian themes and traditional materials. The early 1970s marked an important evolution in Henein's artistic practice, whilst in Paris he was given the opportunity to be exposed to the work of great western modern sculptors and artists whose freedom of interpretation he found to be deeply inspiring.In the late 1990s Henein returned to his homeland. He contributed greatly to his Egypt's cultural landscape, particularly in Aswan where he established the city's annual International Sculpture Symposium. Upon his return to Egypt he was also appointed by the Minister of Culture to head the design team involved in the restoration of the Great Sphinx in Giza. Henein was awarded Egypt's State Medal, the State Merit Award, as well as the Mubarak Award in the arts. His works have been exhibited at the Institu du Monde Arabe in Paris, the Metropolitan Museum of Art in New York, The MATHAF in Doha, The ASB Gallery in Munich as well as in London and Rome.Throughout his vast career Henein produced a significant number of large and small-scale sculptures handling a variety of different mediums such as bronze, granite, plaster, limestone and terracotta. In 2014, the Adam Henein Museum opened its door in Cairo's Al-Harraniya district, which is a priceless gift from the artist himself to his native country. The museum is dedicated to the largest collection of Henein's sculptures as well as featuring some of his paintings.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Sliman Mansour (Palestine, born 1947)Shaheda Min Tel al-Zaatar (The Witness of Tel al-Zaatar) oil on canvas, framedsigned 'Sliman Mansour' in Arabic and English and dated '1976' (lower left), executed in 197694 x 77cm (37 x 30 5/16in).Footnotes:The Witness of Tel al-ZaatarA rare and poignant 1976 painting by Sliman Mansour in memory of the Tel al-Zaatar Massacre, and the earliest work by the artist to come to auctionProvenance: Property from the collection of a Diplomat at the Embassy of Qatar, London, thence by descent to the present ownerNote: The authenticity of the present work has been confirmed by the artistBonhams is proud to present this rare painting by one of the most sought-after Palestinian artists of our generation, Sliman Mansour. Mansour was born in 1947 and spent his childhood around the verdant hills and fields of Birzeit and then spent his adolescence in Bethlehem and Jerusalem. His childhood experiences left a significant mark on his work, heightening a sense of gradual loss in Palestine, notably after the occupation of the West Bank and Jerusalem in 1967. His early encounters also presented him with the symbols and images he would later use to preserve and highlight the Palestinian identity.The present work was executed in 1976, widely considered Mansour's artistic prime and shortly after he produced his critically acclaimed and widely known masterpiece Jamal Al Mahamel. The painting depicts a sorrowful and ghoulish figure playing a shebbabeh or traditional Palestinian shepherd's flute. The figure is a witness to the harrowing Tel el-Zaatar Massacre which happened in the very same year, one of the greatest tragedies to befall Palestinian refugees during the Lebanese Civil War. The siege of the Tel el-Zataar refugee camp began in January of 1976 with an attack by Christian Lebanese militias led by the Lebanese Front as part of a wider campaign to expel Palestinians, especially those affiliated with the opposing Palestine Liberation Organization (PLO) from northern Beirut. After five months, the siege turned into a full-scale military assault in June and ended with the massacre in August 1976 which resulted in the death of over 2,000 civilians. The green figure in the current work is both noble and ghoulish, representing the mixture of dignity and sorrow which characterises the Palestinian plight for freedom and making use of red and green colour palettes which Palestinians at the time were banned from using by Israeli authorities. She stands against a backdrop of typically Palestinian brick dwellings and possibly ancient ruins, Indicating the rich tapestry of civilisations that Palestine historically harboured. As a female the figure also pays tribute to the increasing role of women in Palestinian activism during the period and also highlights the particular tragedy of the massacre which saw women as the principal survivors. By using symbols derived from Palestinian life, culture, history, and tradition; Mansour uniquely illustrates Palestinians' resolve and connection with their land. His paintings epitomize art as a form of resistance. With orange trees, he represents land lost in the Nakba of 1948. With olive trees, he represents land occupied in 1967. With women wearing traditional embroidered dresses, he represents Palestinian land and the Palestinian revolution. With the landscape of Palestine and its stone terraces, he represents the mark of Palestinian farmers on the land. With images of Jerusalem, and the glistening Dome of the Rock, he represents the Palestinian homeland and the dream of return.For further information on this lot please visit Bonhams.com
A PAIR OF SPODE DISHES, CIRCA 1815, rectangular, two-handled, decorated in pattern '1943' with embossed and painted flower groups, gilt painted 1943, 20cm long; together with a Spode plate, circa 1820, painted in Chelsea style with the '2423' pattern of a central flower spray inside 'peacock scale', the border with three birds in branches, red painted marks, 21cm diameter; and a pair of Spode dishes, shell shaped, painted pattern '3883', 22cm long (5)
‡ A WORCESTER CHOCOLATE CUP AND STAND, CIRCA 1770, blue ground, painted in Kakiemon style with mirror and vase shaped panels of flowers inside gilt frames against a blue-scale ground, blue fretted square mark, cup 7cm high, stand 14.5cm diameter Provenance: a Swiss Private Collection of English Porcelain (Lots 44-76)
A SINGLE STONE DIAMOND RINGThe brilliant cut diamond weighing 0.70 carats in a four claw setting, partial London hallmarkSize/dimensions: finger size K 1/2Gross weight: 3.2 gramsOffered for sale with a Beaverbrooks Diamonds Your Diamonds Certificate, Date 9th November 2021, stating:Clarity: SI1Colour (GIA scale): GCondition Report: There sis wear to the ring commensurate with use, some scratches and scuffs to the surfaceCondition Report Disclaimer
Norden (John) augmented by Speed (John).Midle-Sex [Middlesex] described with the Most Famous Cities of London and Westminster.George Humble, no date [1614 or later], hand-coloured engraved map with inset plans of London and Westminster and views of St. Peters and St. Pauls, plate mark 386mm x 513mm, pages on reverse numbered 29/30, signature T, 'Scale of Pases' on scale of London map, several repaired tears to top and bottom of map, framed, glazed front and rear (frame weak) [Howgego no. 7 (2)];Merian [Matthaeus], Grundtriss [Grundriss] der Statt London ....No date [1638 or later] hand-coloured engraved plan showing the extent of the Fire of London, with inset plan of proposed new layout, plate mark approx 308mm x 425mm, mounted, framed and glazed, Baynton-Williams gallery label verso, map a little shaded, not examined out of frame. [see Howgego, page 7]
Yorkshire.A Map of the County of York Reduced from the Large Survey in Twenty Sheets of the late Thomas Jefferys and Drawn from a Scale of Two Statute Miles to One Inch, Revised and Corrected to the Present Time by Wm. Faden.Wm. Faden, Jan. 1st, 1816, hand-coloured folding map in 84 sections, mounted on four linen sheets, overall 123cm x 152cm, stain to inset plan of Hull, original slipcase with wear to James Wyld label and to corners) [Whitaker 332]
* Cooke (Peter). Supermarine Spitfire LF IXe. A fine composite scale model by Peter Cooke, finely crafted and detailed down to the last rivet, depicting aircraft JE-J No. MK 392 as flown by leading British Ace Johnnie Johnson during 1944 & 1945, of moulded resin painted in authentic camouflage colour scheme with comprehensive surface detailing, the definitive representation of the type, contained in a perspex diorama display case with grass-effect base having applied makers label, wingspan 40 cm QTY: (1)NOTE:Provenance: Dominic Winter Auctioneers, South Cerney, May 2014, lot 123 (sold for premium inclusive £2356).This model is accompanied by a copy of a typescript signed letter from Air Vice-Marshall J. E. Johnson (his initials on his aircraft) referring to combat operations in which his "aircraft MK 392 took part in 123 offensive patrols, including the Normandy invasion, and shot down many aeroplanes and was hit only twice, once by cannon-shell from an FW-190 and once by flak on the same day 23rd August 1944"; the letter to the maker of this model Peter Cooke dated 18th May 1982.
* Fiat. A rare Pocher 1/8 scale model of the 1907 Grand Prix FIAT racing car, displayed in bespoke wood and glass display cabinet, well built and hand-finished with detailed 16.3-litre four-cylinder engine, drive chains are detached (at least one present in case), case dimensions 27 cm wide. x 27 cm deep x 51.5 cm high QTY: (1)
* Hornby Dublo. A selection of Hornby Dublo model railway locomotives, rolling stock, track, and railway buildings etc., including Duchess of Montrose steam locomotive & tender (not working), L30 Bo-Bo diesel locomotive (not working), seven assorted goods vehicles (2 in original boxes), two signal cabins in original boxes, two level crossings in original boxes, girder bridge in original box, selection of track and points (some in original boxes), two signal gantries and buffers, three-piece foot bridge, platform (not OO scale), railway & rail side buildings (variable condition), etc.QTY: (a carton)
* Live Steam Model. A scale model traction engine by DRM Engineers of Birmingham, late 20th-century, very well-detailed model of brass and steel construction, finished in black, green and red, housed in original glazed display case, model length approx. 29 cm, height 20 cm and width 13 cmQTY: (1)NOTE:Appears to be in excellent unused condition.
* Thames Slipper Launch. A fine wooden scale model of Thames Slipper Launch built by Chris Brown Lt. Engineering, blue and cream painted hull, planked style decking with chromed fittings, two wood and fabric chairs with a rear seat, 63 cm long, presented on a wooden stand with brass makers plaqueQTY: (1)NOTE:Provenance: Beale Park Model Boat Museum, Pangbourne, Berkshire.
* A Hurricane Pilot’s immediate D.F.C. group of four attributed to Flight Lieutenant Victor Smith, Nos. 3 and 198 Squadrons, Royal Air Force, killed whilst flying a Typhoon over Holland in 1943Distinguished Flying Cross, G.VI.R., the reverse officially dated 1943,1939-1945 Star, Air Crew Europe Star, War Medal together with Air Council condolence letter, extremely fine, sold with copied research and photographs of the grave QTY: (4)NOTE:Provenance: DNW (now Noonan's) London, 22 September 2000 (lot 775). Please note the card boxes of issue and case of issue mentioned in their description are no longer with the lot. The group was mounted and the boxes misplaced.D.F.C. London Gazette 23 March 1943: ‘This officer has completed 29 sorties over enemy territory at night, often in adverse weather. During these operations he has attacked an anti-aircraft gun post, a railway station and buildings and a convoy of motor vehicles, raking them with machine gun fire. He has displayed great courage, skill and keenness.’Flight Lieutenant Victor Smith was born in 1915 at Dewsbury, Yorkshire, and was educated at Hitchin Grammar School. He enlisted in 1940 and joined No. 3 Squadron (Hurricanes) as a Sergeant Pilot in 1941, flying night patrols over London and long range night intruder missions over northwest Europe in the summer of 1942. In early June 1942 he overshot at Manston owing to a sudden change in the wind and badly damaged his aircraft, but on the 28th of the following month ‘Damaged a Ju.88 off Haamstede’; on the 29th was ‘Shot at by an armed trawler’; and on the 31st was ‘Attacked by night fighter near Gilze and ship off Haamstede’. On the night of 9/10 August he tangled briefly with a twin-engined night fighter but jettisoned his tanks to hasten a safe getaway.Commissioned Pilot Officer in the General Duties branch, R.A.F.V.R., at the end of August 1942, he coverted with 3 Squadron to Typhoons in early 1943, and was awarded his D.F.C. in March. Operational again from May 1943, he was promoted Flying Officer and over the next three months participated in numerous ‘Rhubarbs’, attacking a variety of targets including rail transport, barges, trawlers, and on one occasion E/R-boats. At the end of August 1943 he was posted Flight Commander with 198 Squardon which at this period was frequently tasked alongside the ‘Bombphoons’ of 3 Squadron for strikes along the Dutch coast.On the night of 1 November 1943 the Operations Record Book of 198 details the hour ‘0800 - ?’ for the following “operation”: ‘In the evening, F/Lt. V. Smith, D.F.C., attended a large party held by 3 Squadron at the West Cliff, Ramsgate. He assumed the dual role of ex pilot of 3 Squadron and 198 Squadron representative and is understood to have bent the elbow and shaken a nifty leg in accordance with the proud traditions of the above mentioned bodies.’ On the last day of the same month a long range sweep was arranged in support of B-17’s making a deep penetration raid in to Germany, the Typhoons of 198 hoping to catch enemy fighters either landing or taking off at the Luftwaffe base of Deelen. Crossing into Holland two aircraft were forced home with engine trouble, leaving Smith and the remaining six Typhoons to sweep in at 200 feet. ‘Suddenly when just a mile from the base a lone Ju.88 appeared right ahead of them at their own height. After a brilliant piece of shooting by Flight Lieutenant Smith, one of the German’s engines caught fire and the Junkers side-slipped into a field. As Smithy and his section swooped over the burning wreckage they could see ‘a philosophic audience of Hollanders’ watching the Junkers burn itself out.’On 13 December Smith is recorded organising a full scale Squadron celebration at the West Cliff Theatre, complete with ‘Mess Band’, ‘certain selected W.A.A.F.’ and a ‘miraculously large supply of spirits’. A week later he was killed in action during a long range fighter sweep - Ramrod 374 - in support of a B-17 withdrawal from Germany: ‘F/Lt. V. Smith’s aircraft was seen to omit a small amount of blue smoke and drop back. As this was taken to be purely temporary engine trouble no one paid particular attention until a 609 pilot happened to look back and see F/Lt. Smith’s machine crashing vertically into the River Waal near Leekuwen.’
* Model Aircraft Kits. A collection of model aircraft kits as new and boxed, comprising Monogram B-29 1/48 scale (4), Monogram B-24D Liberator 1/48 scale, Tamiya Dambuster / Grand Slam Bomber Lancaster BIII 1/48 scale (3), Tamiya Avro Lancaster BI / BIII 1/48 scale (3), Revell Messerschmitt BF-110 G-4 Nightfighter 1/32 scale, Revell Focke Wulf Ta-154 1/48 scale, Revell Arado Ar 234 B-2/N "Nachtigall", 1/48 scale, Airfix Focke Wulf Fw 190A/F 1/24 scaleQTY: (15)
Desk accessories, comprising a Victorian brass pillar form postal scale, 11.5cms high, an olive wood stamp box, 9.5cms, three other stamp boxes, two in metal, a travelling ink well in boxwood cylinder case, 5.5cms, a Stephens inkwell in aluminium protective case, a glass cylinder inkwell, a brass 'Trusty Servant' paper knife, 21.5cms, a plastic paper knife incorporating postal balance, 22cms, a teak paper knife with metal plaque 'From the Teak of HMS Iron Duke ... Jutland 1916', 26cms, five other paper knives and sundries. (qty)
A Tunbridge ware rosewood standing thermometer by 'G + J Burrows, Lewes', the rectangular base with a band of stick ware below a rectangular stick ware panel inset with ivory scale and mounted with mercury thermometer, below an arched stick ware pediment. The back with hinged door revealing a stamp to the back of the ivory scale 'G and J Burrows, Lewes', 9.7 x 6cms at base, 19cms high. Ivory Self-declaration Submission Reference Number MFLT1MRN See Austen(B) Tunbridge Ware 3rd edition page 144 where this thermometer is referenced. From the collection of Dr. Brian Austen
Heuer Carrera Chronograph automatic stainless steel gentleman's wristwatch, reference no. 1153, serial no. 254xxx, circa 1970, circular blue/grey dial with applied baton markers, minute markers, date aperture at the six position, subsidiary thirty minute and hour recording dials, tachymetre outer scale and orange chronograph centre seconds, crown at the nine position, cal. 12 17 jewel movement, modern tan 'racing' type leather strap, 38mm-Movement - currently functioning.Dial - good - some light marks, light marks to the baton markers, some wear to the tachymetre bezel.Glass - light surface marks.Hands - good.Case - good, a light scratch to the edge of the case back.Crown - adjusting correctly, push buttons start/stop and reset.Strap - modern, good.-Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
Victorian silver fusee lever pocket watch, Chester 1864, the movement signed J. Jenkins, Merthyr Tydvil, no. 32569, with engraved balance cock, gilt three arm balance and silvered regulating scale, dust cover, the dial with Roman numerals, minute track and subsidiary seconds, within an engine turned case, case maker 'H.S' (Henry Stuart), 51mm-Movement - currently functioning.Dial - surface marks, faint hairline.Glass - light surface marks.Hands - light marks.Case - rubbing to the engine turning, some tarnishing surface marks, some rubbing to the band, bruise mark to the case back.-Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
Victorian silver fusee lever hunter pocket watch, the movement signed Will'm Gwynn, London, no. 1844, with engraved balance cock, diamond endstone, gilt three arm balance and silvered regulating scale, the dial with Roman numerals, minute track and subsidiary seconds, within a plain case, 50mm-Movement - currently functioning.Dial - faint hairline and light marks.Glass - discoloured, surface marks.Hands - some surface corrosion and light marks, subsidiary hand loose.Case - heavy tarnishing and some bruise marks, date hallmark indistinct.-Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
Victorian silver fusee lever pocket watch, London 1891, unsigned movement, no. 20979, with engraved balance cock, compensated balance and silvered regulating scale, dust cover, the dial with Roman numerals, minute track and subsidiary seconds, within an engine turned case with engraved cartouche, case maker 'RJP' (Robert John Pike), 53mm-Movement - currently functioning.Dial - hairlines and chip to the outer edge at one position.Glass - light surface marks.Hands - surface marks and surface corrosion.Case - light surface marks.-Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
Russell & Son silver fusee lever pocket watch, London 1895, the movement inscribed 'Chronometer Makers, London, no. 13243, with engraved balance cock, compensated balance and silvered regulating scale, dust cover inscribed 'Russell & Son, London, no. 13243, signed dial with Roman numerals, minute track and subsidiary seconds, within an engine turned case with engraved cartouche and applied gold hinges, case maker 'W.R G', 50mm-Movement - currently functioning.Dial - light surface marks.Glass - minor light surface marks.Hands - not matching, surface marks.Case - tarnishing, mild rubbing to the edge of the engine turning, surface and scratch marks.-Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
Victorian silver fusee lever pocket watch, London 1886, the movement signed J.C. Sims, Watford, no. 17142, with engraved balance cock, steel three arm balance and silvered regulating scale, dust cover, the dial with Roman numerals, minute track and subsidiary seconds, within a plain case, case maker 'J.O' (James Oliver), 47mm-Movement - currently functioning.Dial - hairlines, surface chip at the five position, light marks.Glass - minor light marks.Hands - not matching, light surface marks.Case - some mild tarnishing, rubbing to the band, light surface marks.-Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
A mid-17th century oak draw-leaf table, Flemish, circa 1650Having a fully cleated triple-boarded top, above a draw-leaf to each end, on bulbous 'cup-and-cover' turned legs, with fish-scale carved upper blocks, and joined all round by capped stretchers, length opened 237.5cm long, length closed 127.5cm, depth 80cm, height 74cm
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![Norden (John) augmented by Speed (John).Midle-Sex [Middlesex] described with the Most Famous Cities of London and Westminster](https://cdn.globalauctionplatform.com/a9e882e2-8e1f-4a26-b73a-af1800e32cf4/006cf8d6-3415-4e5a-adde-af5400e3bb9e/468x382.jpg)
