Maisie Cowell Dancing, 2021 Acrylic and Aquarelle Pencil on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Maisie Cowell is a London based Illustrator whose work explores anxiety, loneliness, dysfunctional relationships and absurdity. The majority of her work consists of Illustration works and large scale acrylic paintings, though she also writes comics, narrative and humour being an incredibly important part of her work. "It's a bit masochistic, I think sometimes my work is a bit of an exercise in poking fun at the things I don't really want to admit about myself" Foundation Diploma in Art and Design at Kingston University in 2017, graduated from an Illustration BA at Brighton University in 2020. Exhibited at Brighton Illustration Fair (BIF) 2018 & 2019 Boing Node at Brighton Fishing Quarter Gallery 2019 Mitigating Circumstances (Online Graduate Show) 2020 Featured on It's Nice That's extended graduates list 2020. About the Postcards I think this year has been very isolating, and I find a lot of catharsis through my work, so I wanted to explore the idea of loneliness, and kind of make fun of my own fears of being alone. I think humour is a really important tool in dealing with loneliness, and theres something about the melodrama of anxiety and despair that I think is rather wonderful and funny in itself.
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Maisie Cowell The Kiss, 2021 Acrylic and Aquarelle Pencil on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Maisie Cowell is a London based Illustrator whose work explores anxiety, loneliness, dysfunctional relationships and absurdity. The majority of her work consists of Illustration works and large scale acrylic paintings, though she also writes comics, narrative and humour being an incredibly important part of her work. "It's a bit masochistic, I think sometimes my work is a bit of an exercise in poking fun at the things I don't really want to admit about myself" Foundation Diploma in Art and Design at Kingston University in 2017, graduated from an Illustration BA at Brighton University in 2020. Exhibited at Brighton Illustration Fair (BIF) 2018 & 2019 Boing Node at Brighton Fishing Quarter Gallery 2019 Mitigating Circumstances (Online Graduate Show) 2020 Featured on It's Nice That's extended graduates list 2020. About the Postcards I think this year has been very isolating, and I find a lot of catharsis through my work, so I wanted to explore the idea of loneliness, and kind of make fun of my own fears of being alone. I think humour is a really important tool in dealing with loneliness, and theres something about the melodrama of anxiety and despair that I think is rather wonderful and funny in itself.
Anish Kapoor Untitled, 2021 Ink on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Anish Kapoor is one of the most influential sculptors of his generation. Perhaps most famous for public sculptures that are both adventures in form and feats of engineering, Kapoor manoeuvres between vastly different scales, across numerous series of work. Immense PVC skins, stretched or deflated; concave or convex mirrors whose reflections attract and swallow the viewer; recesses carved in stone and pigmented so as to disappear: these voids and protrusions summon up deep-felt metaphysical polarities of presence and absence, concealment and revelation. Forms turn themselves inside out, womb-like, and materials are not painted but impregnated with colour, as if to negate the idea of an outer surface, inviting the viewer to the inner reaches of the imagination. Kapoor's geometric forms from the early 1980s, for example, rise up from the floor and appear to be made of pure pigment, while the viscous, blood-red wax sculptures from the last ten years - kinetic and self-generating - ravage their own surfaces and explode the quiet of the gallery environment. There are resonances with mythologies of the ancient world - Indian, Egyptian, Greek and Roman - and with modern times. Anish Kapoor was born in Mumbai, India in 1954 and lives and works in London. He studied at Hornsey College of Art, London, UK (1973-77) followed by postgraduate studies at Chelsea School of Art, London, UK (1977-78). Recent solo exhibitions include Houghton Hall, Norfolk, UK (2020); Pinakothek der Moderne, Munich, Germany (2020); 'Surge' at Fundación Proa, Buenos Aires, Argentina (2019); Central Academy of Fine Arts Museum and Imperial Ancestral Temple, Beijing, China (2019); CorpArtes, Santiago, Chile (2019); Pitzhanger Manor and Gallery, London, UK (2019); Serralves Museum, Porto, Portugal (2018); 'Descension'' at Public Art Fund, Brooklyn Bridge Park Pier 1, New York, NY, USA (2017); Parque de la Memoria, Buenos Aires, Argentina (2017); MAST Foundation, Bologna, Italy (2017); Museo Universitario Arte Contemporáneo (MUAC), Mexico City, Mexico (2016); Couvent de la Tourette, Eveux, France (2015); Château de Versailles, Versailles, France (2015) and The Jewish Museum and Tolerance Center, Moscow, Russia (2015). He represented Britain at the 44th Venice Biennale in 1990 with Void Field (1989), for which he was awarded the Premio Duemila for Best Young Artist. Kapoor won the Turner Prize in 1991 and has honorary fellowships from the University of Wolverhampton, UK (1999), the Royal Institute of British Architecture, London, UK (2001) and an honorary doctorate from the University of Oxford, UK (2014). Anish Kapoor was awarded a CBE in 2003 and a Knighthood in 2013 for services to visual arts. Large scale public projects include Cloud Gate (2004) in Millennium Park, Chicago, USA and Orbit (2012) in the Queen Elizabeth Olympic Park, London, UK and Ark Nova (2013) the world's first inflatable concert hall in Japan.
Josie Clouting Collecting Colours II, 2021 Acrylic on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Josie immerses herself in the landscape, from man made cultivated botanic gardens to wild stormy beaches and the rolling hills where she lives. Her paintings are intuitive, emotional responses to her natural environment, inspired by the vastness and wonder of the natural world. Josie's works are saturated with colour, vitality and energy, reflecting her response to light, atmosphere and topography. Painting and sketching en plein air is a vital part of her practice, enabling her to react to the landscape and play with loose, immediate brush marks. Experimenting with acrylics on a variety of surfaces and scales, with many large scale paintings as a result are part of the enjoyment of the creative process. Josie's physical movements creating large expansive works are an expression of the energy she feels within the landscape. Josie graduated with a degree in Fine Art from Norwich University of the Arts in 2012. Her studio is now based in Maidenhead, Berkshire, UK. Recent shows include the Royal Academy Summer Exhibition 2020, Holly Bush Emerging Woman Painter Prize 2020 and the Sunday Times Watercolour Competition 2019. Exhibitions 2021 Art on a Postcard International Women's Day (March) 2020 Holly Bush Emerging Woman Painter Prize (Oct-Feb) 2020 Royal Academy Summer Exhibition (Oct-Jan) 2020 Wales Contemporary Waterfront Gallery (Nov-Dec) 2020 The Great Ground Hornbill Art Show (Oct-Nov) Online Auction 2020 Queer Frontiers, Online exhibition curated by Artiq (July) 2020 Biomes Emerald Frames, Chalfont St Peter (July) 2020 You don't have to be rich to be an art collector Norden Farm Arts Centre (March) 2019 Lost Land The Old Court Windsor (Dec - Jan) 2019 Macro Landscapes A Little Bird Told Me Gallery Wendover (Sep-Nov) 2019 Wales Contemporary Waterfront Gallery, Milford Haven, Wales (Oct) Mall Galleries, London (Nov) 2019 The People's Landscape Claydon House (Sep - Oct ) 2019 Sunday Times Watercolour Competition Mall Galleries London (Sep) 2019 Lost Land Emerald Frames Chalfont St Peter (June) 2019 Of Mice And Men Norden Farm Arts Centre (May)
Ally McIntyre Early Blue, 2021 Mixed Media on Paper Signed on verso 10 x 15cm (3¾ x 5¾ in.) After graduating in Painting and Sculpture from University of Alberta in 2013, Ally McIntyre completed the MA Fine Art course at the prestigious Goldsmiths University of London, where she was awarded the Jealous Prize 2014/2015 and HIX Award 2015. Her solo exhibitions at Jealous 'Moondazed' in 2015, 'Dog Days' in 2016, 'Decaf Honey' in 2017 all of which proved sell-out successes with artworks placed in private collections around the world. Most recently, Ally was a finalist for the 20th anniversary Royal Bank of Canada (RBC) Painting Competition in Canada. Ally McIntyre's work rebels against the constraints the art canon has imposed on painting. She reinvents her subjects through large dimensions, bright colours and an unconventional pairing of mixed media and styles. Bold and assertive, her work stands up to the prevalent association of large-scale art with the male artist. Confident brush strokes envelop glimpses of realism and dissolve faces into playful combinations of dream-like colour, line and glitter. Ally's work is an amalgamation of various genres across history; faux-naive, realism, kitsch, expressionism, and cartoon. The subject and narrative of her work often has to do with the structure of hierarchy in culture, art, human-animal relations, and somehow circumventing or looking at it in a new way, that can place importance on a subject that may otherwise not be considered honourable or iconic. Her work is placed in many public and private collections including the Victoria & Albert Museum Permanent Print Collection, where her Jealous Prize winning screenprint 'Ferdinand' joins the growing archive of Jealous Prize winner's prints.
Julie-Ann Simpson Flow, 2021 Gouache, Pencil and Pen on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Julie-Ann Simpson is a painter from Aberdeen, currently based in Glasgow. Since graduating from Gray's School of Art in 2014, she returned to the painting department in a teaching role and also worked at Grampian Hospitals Art Trust before relocating to Glasgow. She is a previous recipient of the Visual Arts and Craft Makers Awards, Hope Scott Trust Award and RSA Guthrie Award and Medal for painting both in 2014 and 2019. She is an elected professional member of Visual Arts Scotland. As a painter, Julie-Ann Simpson is interested in the porous boundaries between interior and exterior spaces, dreams and reality. The paintings sit in that transitional place, often beginning as representations, but eventually seem to slip into ambiguous afterimages. Simpson's latest body of work considers our interrelationship with the natural world bringing together ideas of imagination, ritual, memory, pleasure and language Education 2010 - 2014 - Gray's School of Art, Robert Gordon University. Aberdeen. BA (Hons) Painting Exhibitions 2021 - 'Green Fires', The Violet Hour. Selected group show. 'Tilted', Wilder Gallery with Purslane, London. Selected group show. 2020 - 'Original | Paper', Wilder Gallery, London. Selected group show. 'F L O W', Visual Arts Scotland Members' Exhibition. Selected group show. 'the tales we tell ourselves', Purslane. Selected group show. 'On The Strangest Sea', The Violet Hour. Selected group show. 'Works on Paper 2', Blue Shop Cottage, London. Selected group show. 'A Dream Is Not A Dream', Purslane. Selected group show. Borders Art Fair, Kelso. Invited artist. Studio Exhibition, Rogart Street Campus, Glasgow. Group show. '20 Artists', Roger Billcliffe Gallery, Glasgow. Selected group show. 2019 'Little Originals', Dock Street Studios, Dundee. Selected group show. 'RSA Annual Exhibition', The Royal Scottish Academy, Edinburgh. Selected group show. 'Where the Wild Thyme Grows', The Jam Factory, Oxford. Three-person show. Open Contemporary Young Artist Award, The Biscuit Factory, Newcastle. Selected group show. 'ALIGHT', Visual Arts Scotland, The Royal Scottish Academy, Edinburgh. Selected group show. 2018 'What The Water Tells/はしご湯', Takasagoyu Bathhouse, Kofu, Yamanashi, Japan. Group show. Painting Exhibition with Matt Forsythe, Petit a Petit General Store, Kofu, Yamanashi, Japan. Joint show. 'Current', Visual Arts Scotland, Tatha Gallery, Newport-on-Tay. Selected group show. Awards & Residences 2019 - RSA Guthrie Award and Medal, Open Contemporary Young Artist Award, shortlist. 2018 - Artist in Residence Yamanashi (AIR-Y), Kofu, Japan 2017 - Sketch 2017 Prize; shortlist 2016 - Visual Arts and Craft Makers Awards, Aberdeen City Council and Creative Scotland Hope Scott Trust Award Contemporary British Painting Prize; longlist Graduate in Residence, Painting Department, Gray's School of Art 2014 - RSA Guthrie Award and Medal, Aberdeen Asset Management Purchase Prize 2013 - Joseph Steele Cornwall Legacy Gallery Representation Represented online by New Blood Art where she forms part of their 'Masters' section. Works frequently with Purslane and also Art for Charity Collective. About the postcard artworks These works are more intimate in scale, both in the postcard format but also in the close-up, cropped perspective of the images themselves which I feel complements the subject matter well. They speak to a tenderness and resilience, nurtured like a plant, which resides inside all women.
Julie-Ann Simpson Release, 2021 Gouache, Oil Pastel, Pen and Pencil on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Julie-Ann Simpson is a painter from Aberdeen, currently based in Glasgow. Since graduating from Gray's School of Art in 2014, she returned to the painting department in a teaching role and also worked at Grampian Hospitals Art Trust before relocating to Glasgow. She is a previous recipient of the Visual Arts and Craft Makers Awards, Hope Scott Trust Award and RSA Guthrie Award and Medal for painting both in 2014 and 2019. She is an elected professional member of Visual Arts Scotland. As a painter, Julie-Ann Simpson is interested in the porous boundaries between interior and exterior spaces, dreams and reality. The paintings sit in that transitional place, often beginning as representations, but eventually seem to slip into ambiguous afterimages. Simpson's latest body of work considers our interrelationship with the natural world bringing together ideas of imagination, ritual, memory, pleasure and language Education 2010 - 2014 - Gray's School of Art, Robert Gordon University. Aberdeen. BA (Hons) Painting Exhibitions 2021 - 'Green Fires', The Violet Hour. Selected group show. 'Tilted', Wilder Gallery with Purslane, London. Selected group show. 2020 - 'Original | Paper', Wilder Gallery, London. Selected group show. 'F L O W', Visual Arts Scotland Members' Exhibition. Selected group show. 'the tales we tell ourselves', Purslane. Selected group show. 'On The Strangest Sea', The Violet Hour. Selected group show. 'Works on Paper 2', Blue Shop Cottage, London. Selected group show. 'A Dream Is Not A Dream', Purslane. Selected group show. Borders Art Fair, Kelso. Invited artist. Studio Exhibition, Rogart Street Campus, Glasgow. Group show. '20 Artists', Roger Billcliffe Gallery, Glasgow. Selected group show. 2019 'Little Originals', Dock Street Studios, Dundee. Selected group show. 'RSA Annual Exhibition', The Royal Scottish Academy, Edinburgh. Selected group show. 'Where the Wild Thyme Grows', The Jam Factory, Oxford. Three-person show. Open Contemporary Young Artist Award, The Biscuit Factory, Newcastle. Selected group show. 'ALIGHT', Visual Arts Scotland, The Royal Scottish Academy, Edinburgh. Selected group show. 2018 'What The Water Tells/はしご湯', Takasagoyu Bathhouse, Kofu, Yamanashi, Japan. Group show. Painting Exhibition with Matt Forsythe, Petit a Petit General Store, Kofu, Yamanashi, Japan. Joint show. 'Current', Visual Arts Scotland, Tatha Gallery, Newport-on-Tay. Selected group show. Awards & Residences 2019 - RSA Guthrie Award and Medal, Open Contemporary Young Artist Award, shortlist. 2018 - Artist in Residence Yamanashi (AIR-Y), Kofu, Japan 2017 - Sketch 2017 Prize; shortlist 2016 - Visual Arts and Craft Makers Awards, Aberdeen City Council and Creative Scotland Hope Scott Trust Award Contemporary British Painting Prize; longlist Graduate in Residence, Painting Department, Gray's School of Art 2014 - RSA Guthrie Award and Medal, Aberdeen Asset Management Purchase Prize 2013 - Joseph Steele Cornwall Legacy Gallery Representation Represented online by New Blood Art where she forms part of their 'Masters' section. Works frequently with Purslane and also Art for Charity Collective. About the postcard artworks These works are more intimate in scale, both in the postcard format but also in the close-up, cropped perspective of the images themselves which I feel complements the subject matter well. They speak to a tenderness and resilience, nurtured like a plant, which resides inside all women.
Julie-Ann Simpson Snag, 2021 Pencil on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Julie-Ann Simpson is a painter from Aberdeen, currently based in Glasgow. Since graduating from Gray's School of Art in 2014, she returned to the painting department in a teaching role and also worked at Grampian Hospitals Art Trust before relocating to Glasgow. She is a previous recipient of the Visual Arts and Craft Makers Awards, Hope Scott Trust Award and RSA Guthrie Award and Medal for painting both in 2014 and 2019. She is an elected professional member of Visual Arts Scotland. As a painter, Julie-Ann Simpson is interested in the porous boundaries between interior and exterior spaces, dreams and reality. The paintings sit in that transitional place, often beginning as representations, but eventually seem to slip into ambiguous afterimages. Simpson's latest body of work considers our interrelationship with the natural world bringing together ideas of imagination, ritual, memory, pleasure and language Education 2010 - 2014 - Gray's School of Art, Robert Gordon University. Aberdeen. BA (Hons) Painting Exhibitions 2021 - 'Green Fires', The Violet Hour. Selected group show. 'Tilted', Wilder Gallery with Purslane, London. Selected group show. 2020 - 'Original | Paper', Wilder Gallery, London. Selected group show. 'F L O W', Visual Arts Scotland Members' Exhibition. Selected group show. 'the tales we tell ourselves', Purslane. Selected group show. 'On The Strangest Sea', The Violet Hour. Selected group show. 'Works on Paper 2', Blue Shop Cottage, London. Selected group show. 'A Dream Is Not A Dream', Purslane. Selected group show. Borders Art Fair, Kelso. Invited artist. Studio Exhibition, Rogart Street Campus, Glasgow. Group show. '20 Artists', Roger Billcliffe Gallery, Glasgow. Selected group show. 2019 'Little Originals', Dock Street Studios, Dundee. Selected group show. 'RSA Annual Exhibition', The Royal Scottish Academy, Edinburgh. Selected group show. 'Where the Wild Thyme Grows', The Jam Factory, Oxford. Three-person show. Open Contemporary Young Artist Award, The Biscuit Factory, Newcastle. Selected group show. 'ALIGHT', Visual Arts Scotland, The Royal Scottish Academy, Edinburgh. Selected group show. 2018 'What The Water Tells/はしご湯', Takasagoyu Bathhouse, Kofu, Yamanashi, Japan. Group show. Painting Exhibition with Matt Forsythe, Petit a Petit General Store, Kofu, Yamanashi, Japan. Joint show. 'Current', Visual Arts Scotland, Tatha Gallery, Newport-on-Tay. Selected group show. Awards & Residences 2019 - RSA Guthrie Award and Medal, Open Contemporary Young Artist Award, shortlist. 2018 - Artist in Residence Yamanashi (AIR-Y), Kofu, Japan 2017 - Sketch 2017 Prize; shortlist 2016 - Visual Arts and Craft Makers Awards, Aberdeen City Council and Creative Scotland Hope Scott Trust Award Contemporary British Painting Prize; longlist Graduate in Residence, Painting Department, Gray's School of Art 2014 - RSA Guthrie Award and Medal, Aberdeen Asset Management Purchase Prize 2013 - Joseph Steele Cornwall Legacy Gallery Representation Represented online by New Blood Art where she forms part of their 'Masters' section. Works frequently with Purslane and also Art for Charity Collective. About the postcard artworks These works are more intimate in scale, both in the postcard format but also in the close-up, cropped perspective of the images themselves which I feel complements the subject matter well. They speak to a tenderness and resilience, nurtured like a plant, which resides inside all women.
James Bond Moonraker laser rifle prop replica made by Factory Entertainment 1:1 scale limited edition of 500 to celebrate 50 years of the James Bond film, created after exhaustive study of the original prop in the EON production archives made from polyresin with COA and prop story booklet with original packaging.
James Bond Goldeneye (1995) - Factory Entertainment Prop Replica Lens & Arming Keys accurately based on the hero props used in the Film. Limited Edition to 500 worldwide, 1:1 scale replicas on a display stand with a numbered plaque & Certificate. Numbered 10 of 500. Includes the same edge lit illumination feature as seen on screen. With original 007 branded packaging & booklet.
James Bond Casino Royale (2006) - A Venice Building Miniature. The miniature section formed part of the 1:3 scale Venice miniature set used in the climactic scenes of the Film, which was constructed at Pinewood Studios in July 2006. Mounted on an acrylic display base with a corresponding plaque (8 x 6 x 5 inches overall). Provenance: With Certificate of authenticity.
Cheshire. Speed (John), The County Palatine of Chester with that most ancient Citie described, sold Bassett & Chiswell, [1676], hand-coloured engraved map, inset town plan of Chester, strapwork cartouche and mileage scale, English text on verso.40cm x 51.5cm (15.75in x 20.25in)Condition report: The map is in good, original condition. The paper has browned in some areas. The map is framed and glazed on both sides. The frame has some minor scuffs and knocks commensurate with age.
Francis Campbell, Oswestry 1768-1841 bracket clock, 8-day movement with repeater striking on a single bell, white painted dial, Roman numerals covered by domed dial glass in brass bezel, mahogany dome top case inlaid with ebony string, each side with brass fish scale fretwork panels all standing on four ball feet.width 26cm (10"), height 42cm (16")Condition report: Some minor cracking to the main case, a small section of wood missing from the door at rear (see photographs for more detailed information).
FOUR 1/18 SCALE MINICHAMPS MCLAREN FORMULA 1 RACING CARS comprising a No.530 761812, McLaren Ford M23, J. Maas, 1976; No.530 031816, McLaren Mercedes MP4-18 Testcar, K. Raikkonen, 2003; No.530 021899, McLaren Mercedes MP4-16 Testcar, J. Alesi, 2002; and No.530 041805, McLaren Mercedes MP4-19, D. Coulthard, each boxed.
FOUR 1/18 SCALE MINICHAMPS MCLAREN FORMULA 1 RACING CARS comprising a No.530 061803, McLaren Mercedes MP4-21, K. Raikkonen, 2006; No.530 021804, McLaren Merceds MP4-17, K. Raikkonen; No.530, 991802, McLaren Mercedes MP4/14, D. Coulthard; and No.530 001801, McLaren Mercedes MP4/15, M. Hakkinen, each boxed (one box with torn acetate window).
FOUR 1/18 SCALE MCLAREN FORMULA 1 RACING CARS comprising a Minichamps No.530 001802, McLaren Mercedes MP4/16, D. Coulthard; Minichamps No.530 041806, McLaren Mercedes MP4/19, K. Raikkonen; Minichamps No.530 981807, McLaren Mercedes MP4/13, D. Coulthard; and another, each boxed (two boxes with punctured acetate window).
25 1:18 scale scale model racing and sports cars including Burago Jaguar E 1961, Ferrari GTO 1984, Viper RT/10 Dodge, Ferrari Tesstarossa 1984, Bugatti 11G, Ferrari F40 1987, Porsche 356, Viper GTS Dodge, Lamborghini Diablo 1990, Mercedes Benz 300SL, UT Models Porsche 911 GTI, Maisto Porsche Boxster, Audi TT Roadster, Ertl 1964 Chevrolet Impala, 1958 Chevrolet Impala and others. (25)
25 1:18 scale scale model racing and sports cars including Burago Volkswagon New Beetle 1998, Bugatti Type 59 1934, Alfa Romero 2300 Monza, Maserati 3200 GT 1998, Mercedes Benz SSK, Mercedes Benz 500K Roadster 1936, Chrono Triumph Spitfire, Anso Porsche 911, Solido Coca Cola Ford V8, UT Models Mercedes Benz C-Class and others. (25)
12 boxed model racing and sports cars including Burago 1:18 Bugatti EB110 (1991), Maisto 1:18 Special Edition Chrysler PT Cruiser, X-Racing Super Team System JH-922, Awning Superior Super Car, American Muscle Classics Gary Cooper's Duesenberg Limited Edition, 1930 Duesenberg die cast scale model kit, 3 x Collection Volkswagon Buses, Railroad Handcar, Sun Star 1971 Mustang Mach 1. (12)
Sixth Rate 26 gun Man-of-war,: c. 1685. In Winter Rig. By D.A.Brogden. Fein detailliertes Schiffsmodell aus Holz im Schaukasten. Maßstab 1:48. Ca. 70 x 26 x 57 cm (LxBxH), Schaukasten ca. 82 x 36 x 69 cm (LxBxH). Guter Zustand. Abholung oder Versand durch Spedition. - Provenienz: Christies, Auktion 1984. - Detailed ship model of a Sixth Rate 26 gun Man-of-war in display case. Scale 1:48. Good condition. Pick-up or dispatch by forwarding agent. D
Francesco Solimena (Canale di Serino 1657-1747 Barra di Napoli)The Rest on the Flight into Egypt oil on canvas92.3 x 74.6cm (36 5/16 x 29 3/8in).Footnotes:We are grateful to Prof. Nicola Spinosa for confirming that the present work is an autograph variant of the horizontal composition by Solimena dating to 1688-9, of which there are four other recorded versions. Two of these are on copper and two on canvas; he illustrates these in his recent monograph on the artist (N. Spinosa, Francesco Solimena e le Arti a Napoli, Rome 2018, pp 246-7). One version is on a similar scale to the present work and measures 99 x 145cm (op. cit. p. 247, no. 76d) while the other three studies are small.For further information on this lot please visit Bonhams.com
A Worcester sucrier and cover, a dessert dish and a junket dish, circa 1770The sucrier with a flower finial, the dessert dish of lobed oval form, all painted with panels of fancy birds and insects edged with gilt scrollwork and reserved on scale blue grounds, dessert dish 16.3cm long, square marks (4)For further information on this lot please visit Bonhams.com
Eureka Clock Co Ltd London - an early 20th century Eureka electro magnetic mantle clock serial no. 4371, on a brass stepped base, having a white enamel dial ring with black Roman numerals. The regulation adjustment scale to centre signed Eureka Clock Co Ltd, London, Pat no 14614-1906 No 4371
WW1 German 1917 Map of Belgium, interesting map of a scale 1:100,000, produced for the German 4th Army (4.Armee). Marked to the top “Geheim” meaning secret. Map shows the positions of the British, French and Belgium forces. Also shows the German positions etc. Some fold marks and wear but generally still a good example.
A George II silver baluster coffee pot by Frederick Kandler, London 1746, with a pine cone finial to the shell moulded ogee domed cover with a flower and shell scroll border, a replaced wooden scroll handle, a bold cast spout with a mask, flowers, scrolls and scale panels, the body chased with a vacant asymmetric reserve with a child above to each side, panels with rushes, an iris, a waterfall and a tree, framed by scrolls and rocaillework, the domed foot with scrolls, flowers and rocaillework, 29cm (11 1/2in) high, 1128g (36.25 oz) gross Provenance: Property of a Gentleman.Condition Report: The handle a replacement, one vacant panel with engraving removed and dented, does not appear springyMarks slightly rubbedSome play to the hingeCover sits wellSlightly wobblesLight scratches and wear commensurate with age and use Condition Report Disclaimer
A collection of 78 Atlas Editions Herge/Moulinsart Tintin vehicles, 1:43 scale, all boxed, together with a limited edition lunar rocket, also boxed, 30cm high. (79)Condition report: Comprising: Le camion militaire; La jeep rouge de la couverture; La camionette; La draisine; La bolide de Bobby Smiles; Le camion d'Alcazar (x2); L'ambulance de l'asile; La caravane; Le Studebaker; Le camiondes pompiers; La limousine gouvernementale (box damaged); Le taxi Simca; La Chrysler jaune; La Ford turquoise; La Jaguar; Le coupe-spider; La 2 cv emboutie; L'Opel Olympia cabriolet; La Citroen 15/6; L'Ami 6 du Docteur; La Citroen torpedo des Dupondt; L'Amilcar; La Miltrailleuse; La decaptable; Le cabriolet des Dupondt; La Morris; Le camion rouge; La Lincoln Torpedo; La limousine en route vers Nankin; La FORD T; La 2 cv; Le cabriolet du capitaine Haddock; Le taxi rouge; L'Alfa des journalistes; Le camion rouge; Le taxi de Moulinsart; La voiture accidentee; L'americaine rouge; Le camion d'opium; Le camion de police de Chicago; La voiture d'apparat; Le Mercedes Torpedo; La voiture bordure; La Ford V8 decapotable; La Limousine; La Jeep des pompiers; La Dodge; Le combi VW; Le taxi Panhard; Le taxi de New-Delhi; La Lancia Aprilia de l'Emir; Le Taxi; L'ambulance de Chicago; La Packard du roi Muskar; La voiture des gangsters; La jeep rougeLa Land Rover du General Tapioca; La JEEP; L'automitraleuse blindee; Le taxi Ford; Le taxi bleu; La voiture de Bianca Castafiore; Le Bolide rouge; La MG; La depanneuse Simoun; La Lancia de l'Italien; La Jaguar de Docteur Muller; La depanneuse; L'helicoptere rouge; La Triumph Herald; 2 CV des Dupondt; Voiture de Wng Jen-Ghie; L'ambulance de la base; Le camion jaune de la base; Le camion cellulaire; La Cadillac Eldorado; Milou trone; Space rocket (edition no. 09101).
Various items of 20th century design pottery to include a Charlotte Rhead for Crown Ducal jug with tube-lined floral pattern and orange highlighted rim, handle and foot rim, height 15cm, three items of Maling lustre ware to include a floral plate, numbered 6439, diameter 29cm, a bowl with grape and leaf pattern and sponged pink salmon scale body, green butterfly to the middle, pattern no.5919, height 11cm, diameter 22cm, a smaller floral lustre dish, diameter 10.5cm and a Royal Dux ornament depicting a maiden with Greek urn resting on the top of an open conch shell, on floral border, pink impressed triangle to base, height 20cm (5).
A group of Hornby Dublo scale model engines and rolling stock, R6271 BR 12-Ton Vent Van W14574, R6257 BR (XDWR) 20-Ton Brake Van W17274, R6085 BR Mineral Wagon B385640, R6075 BR Lowmac MS B904685, R6267 BR 12-Ton Vent Van S44431, R6069 14-Ton Tank Wagon Shell Electrical Oils, R418 BR Inter-City Coach MkII Brake First, R921 Inter-City MkII Coach, R019 LBSC Brake Van, 2231 Diesel Electric Shunting Locomotive, 46100 Royal Scot engine and tender (all boxed), a 34085 engine (af), 30338 engine (playworn and unboxed) (13).
A Regency mahogany and line inlaid breakarched bracket clock, Thomas Pace, London, early 19th c, painted dial, three train movement striking on a bell and chiming on eight bells, oval engraved signature to backplate, the case with brass ball finial, classical columns, handles and scale pattern side frets, pendulum, 64cm h
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186097 item(s)/page