There are 186094 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeCorgi - Two boxed Corgi Limited Edition 1:50 scale diecast trucks. Lot consists ofCC11403 Bedford KM Platform Trailer & Brick Load 'Knowles Transport Ltd.'; with AN13418 'Corgi 50th Anniversary' ERF ECT Olympic Curtainside 'J.R.Adams'. Both models appear Mint in Good - Excellent boxes with some storage related wear. Models unchecked for completeness.(2) (This does not constitute a guarantee)
Corgi - Two boxed Corgi Limited Edition 1:50 scale diecast trucks in 'Eddie Stobart Ltd.' liveries. Lot consists of CC12502 Atkinson Borderer Flatbed Trailer; with #75601 Renault Premium Curtainside. Both models appear Mint in Good - Excellent boxes with some storage related wear. Models unchecked for completeness.(2) (This does not constitute a guarantee)
Corgi - Two boxed Corgi Limited Edition 1:50 scale diecast trucks . Lot consists of CC12420 Volvo FH Globetrotter Fridge Trailer 'Scotlee Transport'; together with CC12009 MAN Feldbinder Tanker 'Lafrage Zement (Estazem)'. Both models appear Mint in Very Good - Excellent window boxes with some minor wear. Models unchecked for completeness.(2) (This does not constitute a guarantee)
Corgi - Two boxed Corgi Limited Edition 1:50 scale diecast trucks . Lot consists of CC11910 ERF EC Series Flatbed Crane Trailer & Crushed Car Load 'Brian Harris Transport'; plus CC12918 Scania Topline Fridge Trailer 'Pentons Haulage'. Both models appear Mint in Very Good - Excellent window boxes with some minor wear. Models unchecked for completeness.(2) (This does not constitute a guarantee)
Corgi - Two boxed Corgi 'Hauliers of Renown' Limited Edition 1:50 scale diecast trucks. Lot consists of CC13811 Mercedes Benz Actros Step Frame Curtainside 'D.Curran & Sons Ltd.'; together with CC13424 ERF ECT General Purpose Tanker 'T.P.Niven'. Both models appear Mint in Very Good - Excellent boxes with Excellent outer sleeves with some minor wear. Models unchecked for completeness.(2) (This does not constitute a guarantee)
Corgi - Two boxed Corgi 'Hauliers of Renown' Limited Edition 1:50 scale diecast trucks. Lot consists of CC12819 Scania T Cab Tipper 'GA Smith'; plus CC13521 Volvo FM Curtainside 'Highland Haulage'. Both models appear Mint in Excellent boxes with Excellent outer sleeves with some minor wear. Models unchecked for completeness.(2) (This does not constitute a guarantee)
Solido - A signed limited edition 1:18 scale dirty finish Peugeot 206 WRC 2003 signed on the windscreen by the late Richard Burns, one of only 200 examples. Both door mirrors have been broken off and lost but the car appears otherwise Mint. it comes with a certificate of authenticity from Diecast Legends but no box. (This does not constitute a guarantee)
Solido - A signed limited edition 1:18 scale dirty finish 2005 Citroen Xsara WRC signed on the windscreen by Sebastian Loeb, one of only 100 examples. The passenger side mirror has broken off but it is still with the car to refit, the car appears otherwise Mint. It comes with a certificate of authenticity from Diecast Legends but no box. (This does not constitute a guarantee)
Sun Star - A signed limited edition 1:18 scale Lancia Delta 1991 World Rally Championship car signed on the bonnet by Juha Kankkunen, one of only 100 examples. The car has a damaged drivers mirror and a missing passenger side mirror but appears otherwise Mint. It comes with a certificate of authenticity from Diecast Legends but no box. (This does not constitute a guarantee)
Solido - A signed limited edition 1:18 scale Snowy Citroen Xsara WRC 2003 car signed on the windscreen by the late Colin McRrae, one of only 250 examples. There is an aerial missing from the roof but the car appears otherwise Mint. It comes with a certificate of authenticity from Diecast Legends but no box. (This does not constitute a guarantee)
Solido - A signed limited edition 1:18 scale Peugeot 20 WRC 2002 signed on the windscreen by Marcus Gronholm, one of only 250 examples. The drivers side mirror has been broken off and lost but the car appears otherwise mint. It comes with a certificate of authenticity from Diecast Legends but no box. (This does not constitute a guarantee)
Sun Star - Solido 2 x unboxed 1:18 scale cars, A Sun Star Ford Escort Mk2 Andrews Heat For Hire rally car in dirty finish and a Solido Peugeot 205 GTI 1.9 in red. Both cars have been out on display, both of the Escort's mirrors have been broken off and lost and one of the Peugeot's. There are some very light marks on the roof of the 205, they appear otherwise Mint. (This does not constitute a guarantee) (2)
Maisto - Bburago - Mattel - Schabak - 18 x model cars in various scales including Welly Porsche 911 in 1:18 scale, Schabak Ford Fiesta XR2i in 1:25 scale and a large Mattel Harry Potter Ford Anglia. All the models show signs of age and play use with some having damage / parts missing. They appear in Fair to Good condition overall. (This does not constitute a guarantee) (2)
Tamiya - Esci - Jimai - 4 x vintage boxed model kits including 1:12 scale jumping rider which is still unmade with the parts sealed in the bag, a 1:12 Honda CR450R which has loose parts, a Jimai 1:12 scale Krauser MKM1000 which has all the parts still sealed in bags and a part built 1:24 scale Ford Escort MkII rally car by Esci which has loose parts so may not be complete. The items appear Fair to Good in Fair to Good boxes. (This does not constitute a guarantee) (4)
Eagle Collectibles - Solido - 2 x boxed 1:18 scale models, a Land Rover series II hard top in British Railways livery # 441700. A Ford V8 Delivery van in Ford Parts & Accessories livery. The models appear Mint but the Land Rover has lost its mirrors. The boxes are Fair with storage wear and a small tear on the Land Rover box and a split window on the Ford box. (This does not constitute a guarantee) (2)
Majorette - Bburago - Motor Max - 4 x 1:18 scale models, three in boxes. Includes Jeep Grand Cherokee, BMW X5, Bugatti Type 59 and Volo C30. The vehicles all appear Mint, the box for the Bugatti has no window in it, the other two are Good with some storage wear. (This does not constitute a guarantee) (4)
Oxford - 6 x boxed WWII Frontline Fighters series aircraft in 1:72 scale including # AC018 Hawker Hurricane MkIIc 249 Squadron Malta 1941, # AC005 Focke Wulf FW190A flown by Oberleutnant Otto Stamburger, # AC033 Bell P400 Airacobra 67th Fighter Squadron New Caledonia 1942 and other similar models. # AC052, # AC007, AC032. All the models appear Mint in Very Good boxes with only light storage marks. (This does not constitute a guarantee) (6)
Oxford - 6 x boxed WWII aircraft in 1:72 scale from the Front Line Fighters series. Including # AC047 Messerschmitt Bf108 Rommel's Desert Taxi, # AC001 Supermarine Spitfire MkI No 92 squadron 1940, # AC010 Messerschmitt Me109G-10 Austria 1945 and other similar models. # AC002, # AC029, # AC016. They all appear Mint in Very Good boxes with only light storage marks. (This does not constitute a guarantee) (6)
Oxford - 6 x boxed WWII aircraft models in 1:72 scale from the Front Line Fighters series including # AC008 a Chance Vought Corsair F4U-1 from 1943, # AC038 a Morane Saulnier 406C Vichy French Air Force 1941, # AC010 Heinkel He 162A-2 Salamander 1945 and other similar models. # AC026, # AC013, # AC003. The models all appear Mint in Very Good boxes with only light storage marks. (This does not constitute a guarantee) (6)
Oxford - 5 x boxed WWI & WWII aircraft models in 1:72 scale from the Front Line Fighters series including # AC021 P51D Mustang 1945, # AD002 De Havilland DH4 212 Squadron 1918, # AC020 Grumman Hellcat I HMS Emperor 1944 and other similar models. # AC040, # AD001. They all appear Mint in Very Good boxes with only light storage marks. (This does not constitute a guarantee) (5)
Corgi - Three boxed 1;50 scale diecast trucks from Corgi's 'Modern Truck' series. Lot consists of #75103 'BP' ERF Tanker; #75203 ERF Curtainside 'Richard Read (Transport) Ltd'; and #75301 Leyland DAF Tanker 'Q8'. Models appear to be in Mint condition presented in one Poor with some surface marks, scratches and cracks - mainly Fair Plus dusty perspex cases, with wear to backing cards. (3) (This does not constitute a guarantee)
Danbury Mint - A boxed 1:24 scale #127-001 'Replica of the 1927 Coca Cola Delivery Truck' by Danbury Mint. The model appears to be in Mint condition, and comes with two Coca Cola crate loads stored in separate packs. The model is housed in Mint inner polystyrene packaging, presented in an Excellent outer box with some minor storage wear. (This does not constitute a guarantee)
Danbury Mint - A boxed 1:24 scale #195-039 1936 Ford Deluxe Cabriolet by Danbury Mint. The model appears to be in Very Near Mint condition with a slight bend to mascot on bonnet, with roof stored in lid. Model is housed in Mint inner polystyrene packaging, presented in an Excellent outer box with some minor wear, and comes with Danbury Mint ephemera. (This does not constitute a guarantee)
Corgi Classics - Three boxed diecast 1:50 scale 'Eddie Stobart' themed vehicles. Lot consits of #14302 'Deluxe Edition' Foden S21 Artic with containers, plinth, figure and additional load; #97369 AEC Truck & Trailer; and #11001 ERF KV8 Wheel Dropside. Models appear to be in Mint condition, with certifaivtes, unchecked for completeness, presented in Good - Very Good boxes with some storage imperfections and wear. (3) (This does not constitute a guarantee)
A substantial dolls house of 'Ashcroft Hall' made by The Dolls House Builder Of Cornwall (retail cost £2,500) This Georgian 1/12 scale mansion is based on the new Ashdean Hall, measuring five feet wide and seventy four inches tall, standing on a purpose built cabinet. Although not fully built, all the parts are present (including some electrics) to complete the build.
EDVARD MUNCH (1863-1944)Figurer ved Seinen i Saint-Cloud signed with the artist's initials and dated 'EM. 90' (lower right)pastel on paper30.2 x 35cm (11 7/8 x 13 3/4in).Executed in 1890Footnotes:This work is recorded in the archives of the Munch Museet, Oslo.ProvenanceAntonine G. Melet Collection, Paris, no. 2 (possibly acquired from the artist in January 1890).Private collection, Nice.Private collection, Paris (acquired from the above in April 1988).'Munch writes poetry with colour. He has taught himself to see the full potential of colour in art... His use of colour is above all lyrical. He feels colours and he reveals his feelings through colours; he does not see them in isolation. He does not just see yellow, red and blue and violet; he sees sorrow and screaming and melancholy and decay.' – Sigbjørn Obstfelder, 1893 Few names in the history of modern art conjure quite such immediately visceral imagery as that of Edvard Munch. Globally renowned for his pictorial expression of existential dread, depicted in arguably one of the most famous images of art history, as well as his intensely probing and self-scrutinising self-portraits, Munch experienced some of the most revolutionary social and artistic moments of the late 19th and early 20th Centuries. Though his personal life was plagued from the outset by tragedy, grief and mental anguish, Munch became a leading figure in the breakthrough artistic movements of the period and, contrary to the reclusive nature he embodied, was soon revered as one of the greatest artists of his time.The traditional and strictly conservative society of late nineteenth century Europe was the perfect kindling for the liberating Bohemian ideologies that began to murmur throughout many of the small cafés and quasi-underground drinking houses of the European artist quarters. Whilst Paris and Berlin are perhaps most widely known for this cultural phenomenon, the monumental societal shift in Kristiania – as Oslo was known as from 1877-1925 – was possibly even more extreme; the intellectual readjustment hit the Scandinavian regions particularly aggressively, as Ragna Stang writes: 'the movement was met with such single-minded and relentless hostility that what elsewhere had been a few gentle ripples on the surface of society, in Norway became a full-scale storm, a life and death struggle in some circles that had far-reaching effects; social, political, and, above all, artistic and intellectual' (R. Stang, Edvard Munch, The man and his art, Milan, 1979, p. 45).Artists and writers flooded to Paris during the early 1880s before returning home, brimming with not just new theoretical, philosophical and artistic ideas, but with a newfound appreciation for Continental life, with its café society, Parisian brothels and cosmopolitan people. This threatened the middle-class population of the Scandinavian capital which functioned under the stern ideals of the Lutheran Church and was deeply insular. Munch was exposed to this staunchly pious sentiment through his father, an unaccomplished doctor whose devoutness was only exacerbated by the painfully early loss of his wife Laura and daughter Sophie to tuberculosis, driving him to an almost manic-like state of piety. Illness did not escape the artist himself who was sickly throughout his childhood, forcing much of his formative education to take place at his impoverished home. He swiftly grew apart from his father's beliefs and found himself a shy, reclusive outsider. Ultimately, the opportune rise of Bohemianism in Kristiania drew in the impressionable young man and he began his involvement with the bohemian fraternities in the autumn of 1882, setting his sights on the 'modern' metropolis of Paris.'People will be able to see ... that my philosophy of life and my spiritual art had their beginnings during my Bohemian period in the middle and end of the 1880s, and developed even more during my stay in Paris in 1889' (Munch to Ragnar Hoppe in 1929, quoted in ibid., p. 20). Aside from its prominence as a bohemian metropolis, Paris in the 19th Century was the leading cultural centre of the world; it was the place to see the celebrated painters of the period and the 'alternative' exhibitions on view in the cafés and private galleries that flourished in the city.After receiving a bursary and study grants from the Norwegian state Munch made several visits to Paris during the years 1889-1891. As stated by the artist himself, these sojourns had a profound influence on his development, with some of his most iconic works dating to this period and the years following. His senses were bombarded with artistic theory - Impressionism, Post- & Neo-Impressionism and Symbolism were coming to the fore at this time and elements of all can be seen throughout his oeuvre in the radical brushwork, bold colours, and painting en plein air. A clear indication of this contemporary influence can be seen in Rue Lafayette (1891), in which Munch emulates a typically Caillebotte top-hatted gentleman who looks over the bustling city streets, with the loose handling of a radical Neo-Impressionist, such as Paul Signac. However, perhaps Munch's most frequent and poignant comparison, both as the depressed, melancholic and as the proponent of vivid and expressive colour, is with Vincent van Gogh.Though van Gogh died in July of 1890, and it is assumed that they almost certainly never met, the two artists co-existed unimaginably closely in these Paris years, living in the Montmartre area and moving within the same artistic circles, both finding inspiration and guidance from the revolutionary Symbolist, Paul Gauguin. Whilst they would find great stimulation through the prevailing trends of the time, it is Gauguin who encouraged the two artists to translate their intense personal experience into bold colour and expressive handling which, along with their masterful use of perspective and the solitary figure, conveyed the shared theme of isolation and mental seclusion. Prevalent also is the simplification of form that each of the young artists applied to the human figure, which only expressed further the outward expression of inner suffering the painters felt as they placed themselves in their canvas.In December 1889, prompted by an outbreak of cholera in the central area of the city, Munch moved to the picturesque suburb of Saint-Cloud. He formed a close friendship with the Danish poet Emanuel Goldstein and the two talked frequently and intensely: their conversations gave Munch cause to put his thoughts to paper, producing 'not a diary in the accepted sense of the word; [rather] they are partly extracts from the life of my soul, partly poems written as prose...' (Munch quoted in ibid., p. 73). These extensive writings from the cold Saint-Cloud winter came to be known by some as the 'Saint-Cloud Manifesto', where 'he rejected the emotionally neutral subjects of Impressionism, and stated his determination to paint pictures expressive of states of mind' (G.H. Hamilton, Paintings and Sculptures in Europe 1880-1940, New Haven, 1993, p. 122). Munch became increasingly alienated from the materialism of the bohemians and sought to carve his own path. As Stang comments: 'under the influence of the new ideas that he had encountered in Paris and with the strict religious atmosphere of his home gone, Munch began to develop a mystical and pantheistic philosophy and a completely different attitude towards life and art ... He systematically rejected his earlier philosophy and formulated a new artistic creed: 'There should be no more paintings of people reading and women knitting, in future they s... This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
COBBETT, MANUSCRIPT NOTES BY AN EARLY VICTORIAN GARDENER: COBBETT (William): 'The English Gardener; or, a treatise on the situation, soil, enclosing and laying-out, of kitchen gardens...', London, published at 11, Bolt-Court, Fleet Street, 1833: 8vo, contemporary diced calf, worn and rubbed, the block sprung and refixed: with ownership inscriptions of 'George Worley Gardener' and 'Amelia Worley 1842', 9 ruled leaves bound in at rear with manuscript lists of plants dated 1841-52, instructions for knitting a collar and a recipe 'to prevent the white scale on pineapple plants', Worley family history inked to lower pastedown and seed prices(?) to upper flyleaf. (1)
A Japanese cloisonné box and cover by the Ando Company, Meiji period, of rectangular form with rounded corners, the top decorated with a pink blossoming prunus branch, butterfly and narcissi on a turquoise ground, the sides with scattered flowerheads, gilt whorls and scale bands on a black ground with iron red beaded borders, inlaid factory mark to base, length 4.8cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Boxed Diecast Mercedes including Eight Bang 1:43 scale Diecast Mercedes, Seven Brumm Oro Revival 1:43 scale Mercedes Racing Cars plus Six further Brumm 1:43 scale Mercedes Racing Cars, Ten Cararama 1:43 Scale Mercedes Cars, 19 Cararama 1:72 Mercedes Cars plus a Boxed Set of Five Cararama Mercedes Cars and a Caramara Pepsi Cola Limited Edition Set
Four Boxed Diecast Models of Mercedes including Paul's Model Art ' Minichamps ' Art Car Edition Limited Edition Mercedes 190 E 2.5 (no. 3492/4444), Paul's Model Art ' Minichamps ' Limited Edition Mercedes-Benz C111/II (no. 3287/9999) together with Andre M Ruf limited edition 1:43 scale diecast model of Mercedes AMG 500 SEC and Century 1:43 scale Mercedes 500 SL 1975
Eight Diecast Loose Playworn Vehicles including Crescent Toys Mercedes-Benz 2.5 litre G/Prix, Schuco Micro Racer Mercedes SSK 1043/1, Marklin Car, 2 Metosul Mercedes-Benz Police Cars and a Taxi, Spot-on Mercedes Benz and another Schuco Car plus Boxed Britains 1:32 scale Ford 5000 Diesel Tractor model 9527 (lacking figure and torn box)
Loading...
