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Lot 2658
2 trays of various mixed scale Formula 1, WRC and Racing related diecast and accessory group, manufacturers to include Minichamps, Onyx, Quartzo, and Hotwheels, specific example include Onyx Portuguese Grand Prix Williams Set, Hotwheels Jaguar Racing R2 "Pedro De La Rosa", Vitesse 1993 A.Prost Willaims Renault FW15B and others
Lot 883
An opposing pair of 20th century Chinese blanc de chine figures of Guanyin, height 30.5cm, an early 20th century cloisonné cylindrical box and cover decorated with three floral panels on fish scale ground, height 9.5cm, a later baluster vase, and a lacquered goblet decorated with a dragon chasing a pearl of wisdom (5). CONDITION REPORT: Each figure of Guanyin has one hand reglued, also one of them has loss to the other hand. The cylindrical box has a few small areas of losses to enamel and some crazing. The cup is commensurate with age.
Lot 1029
An opposing pair of Japanese Meiji period cloisonné enamelled decorated circular plates, each depicting a bird amongst various flowers including chrysanthemums and lilies, within an ornamental border with fish scale motif underneath, both marked and a further similar plate depicting a falcon attacking a robin's nest with scroll motif underneath, unmarked, diameter 30.5cm (3). CONDITION REPORT: Pair of plates appear to be in good condition with minor firing (bubble) imperfections and some tiny areas of losses along the lines. Wiring underneath the plate is tarnished and slightly rusty, also one with traces of glue. Both have been pierced to the foot to attach a suspension ring, with some scratches to the surface. The falcon plate is in very good condition apart from similar manufacturing imperfections and small areas of mild tarnish underneath with some traces of crazing particularly underneath the base.
Lot 1102
Carette for Bassett-Lowke- a gauge I 2-2-2 Ramsbottom Configuration live steam locomotive and tender 'Lady of The Lake': No. 551 in black livery with Carette roundel mark, lithograph printed six wheeled tender, circa 1904, length of engine 28cm *Notes- The Lady of The Lake designed in 1904 is commonly considered to be the first ever commercial semi-scale model mass-produced in the form of a prototype
Lot 389
An S Maw, Son & Thompson mahogany and lacquered brass balance, with one brass and one glass pan, the base with inset ivory label, a set of small Coates & Sons brass and walnut postal scales, a set of S Mordan & Co scales, a set of W Mitchell's Improved Scales, all with weights, two further sets of postal scales, a large 19th century brass set of sovereign scales, by Doyle & Sons, London, a set of late 19th century cast iron and brass scales, with rectangular brass pans, two further sets of cast iron scales, a 'Triner, All Steel Scale', an F E Becker & Co cased set of weights, ranging from 10mg-100g, in a beech case, a cased grain weight balance, and a further balance
Lot 1156
A quantity of Worcester porcelain, 18th century, including; a leaf moulded dish painted with birds and insects, a blue and white barrel shaped teapot and cover, a scale-blue ground sugar bowl and cover, a pair of fluted plates painted with flowers, a green ground baluster mug painted with panels of birds and insects; together with a Liverpool milk jug, a Samson coffee can and saucer, and sundry. (13)
Lot 609
A LARGE VIETNAMESE BLUE AND WHITE MEIPING, 16TH CENTURY The tapering ovoid body painted with a large peony scroll, all within bands of lappets and panels of birds on a scale ground, 46cm. Provenance: from the Estate of Professor Henryk Urich (d.2015). Cf. South East Asian Ceramic Society, Vietnamese Ceramics, p.170, no.219, where a comparable vase is illustrated.
Lot 212
A CHINESE BLUE AND WHITE LATER-DECORATED OVOID JAR, WANLI 1573-1620 Painted with a solitary figure seated beside a lotus pond, with two further figures standing in a fenced garden with rockwork, pine and plantain, the rim with four flower roundels on a scale ground, together with a silver cover, 16cm across. (2) Provenance: a private collection, Holland Park, London. 明萬曆 五彩人物罐 來源：倫敦Holland Park私人收藏
Lot 65
Francis Rudolph (1921-2005) 'Sitter' Signed oil on canvas measuring 27" x 21". Indistinctly dated. Second oil study verso.Condition: Some marks to canvas. Original frameBiography: Francis Rudolph was born in Latvia but developed his painting career in England. Expelled from Art School for sympathising with "Communists and Jews" and was transported to England as a volunteer worker in 1947. Following his move to Leicester, England, Rudolph enrolled at the School of Art; in London, his first engagement with fine art education appears to have been at the Regent Street Polytechnic. At this time, he was almost exclusively a draughtsman and printmaker. Rudolph eventually settled in Tooting, South London. In 1948 he took up a position as porter at Springfield Mental Hospital, Tooting. There he remained for many years while also broadening his artistic fields. The influence of this employment is seen in some of his portraiture where he seeks to paint the mind of the sitter rather than simple representation. He pursued regular art classes to refine his artistic skills; becoming a member of the Hesketh Hubbard Art Society and exhibiting at venues such as the Chelsea Art Exhibition, Toynbee Art Club and The Mall Galleries. For over 10 years he was a Member of the Hesketh Hubbard Art Society, London's largest life drawing group. He was also member of a Saturday Art Club ‘Painting in London’; together they walked the city, drawing and painting the grand buildings and bridges along the Thames, St Paul’s, Southwark Cathedral, Imperial War Museum, Brompton Oratory, St Martins in the Field, and Houses of Parliament. He was also a stalwart member of the Toynbee Hall Art Club.’ As a painter, he was most accomplished when painting from life small-scale head and shoulder portraits. Rudolph was a prolific painter of nude life studies. The exhibitions increased his reputation within artistic circles resulting in representation in public collections including the Ashmolean Museum, Oxford and Aberystwyth University.
Lot 66
Francis Rudolph (1921-2005) 'Sitters' Signed oil on canvas measuring 35" x 31". Indistinctly dated.Condition: Some marks to canvas. Original frameBiography: Francis Rudolph was born in Latvia but developed his painting career in England. Expelled from Art School for sympathising with "Communists and Jews" and was transported to England as a volunteer worker in 1947. Following his move to Leicester, England, Rudolph enrolled at the School of Art; in London, his first engagement with fine art education appears to have been at the Regent Street Polytechnic. At this time, he was almost exclusively a draughtsman and printmaker. Rudolph eventually settled in Tooting, South London. In 1948 he took up a position as porter at Springfield Mental Hospital, Tooting. There he remained for many years while also broadening his artistic fields. The influence of this employment is seen in some of his portraiture where he seeks to paint the mind of the sitter rather than simple representation. He pursued regular art classes to refine his artistic skills; becoming a member of the Hesketh Hubbard Art Society and exhibiting at venues such as the Chelsea Art Exhibition, Toynbee Art Club and The Mall Galleries. For over 10 years he was a Member of the Hesketh Hubbard Art Society, London's largest life drawing group. He was also member of a Saturday Art Club ‘Painting in London’; together they walked the city, drawing and painting the grand buildings and bridges along the Thames, St Paul’s, Southwark Cathedral, Imperial War Museum, Brompton Oratory, St Martins in the Field, and Houses of Parliament. He was also a stalwart member of the Toynbee Hall Art Club.’ As a painter, he was most accomplished when painting from life small-scale head and shoulder portraits. Rudolph was a prolific painter of nude life studies. The exhibitions increased his reputation within artistic circles resulting in representation in public collections including the Ashmolean Museum, Oxford and Aberystwyth University.
Lot 1111
8 1:18 scale Maisto. Morgan Aero 8 in metallic dark blue, Nissan 350Z Nismo S Tune in metallic orange, Mercedes Benz SLK in silver. Porsche 911 GT1 Le Mans 1998. Mercedes Benz CLK-GTR Street version in silver. Mercedes Benz CLK DTM 2001 racing version. Lamborghini Gallardo in yellow. Plus, a Mercedes Benz ML55 AMG in metallic plum. All boxed, minor wear/damage to windows. Vehicles VGC-Mint.
Lot 1104
14 Cruise Ship presentation models. 6 Mercator Ships by Skytrex, England waterline ships mounted on plinths. 2x Union Castle Centenary Voyage ‘Victoria’. 2x P&O ‘Canberra’, one ‘Task Force Falklands 1982’ and the other ‘Farewell to Canberra 1961-1997’. Plus, P&O ‘Arcadia’ and ‘Aurora’. All in dark blue presentation style boxes. Plus, 2x window boxed examples – ‘Oriana’ and ‘Arcadia’ both in pewter style finish. A Conrad in a similar style window box, ‘Rotterdam’. Also a small scale model by RAE Models of Weybridge Surrey of ‘Canberra’ mounted on a Perspex covered wooden base, plus one other. Also in lot are 2 resin cast models- RT double decker bus and a Bedford OB single deck coach and a glass single stem vase ‘Adonia Inaugural Cruise May 2003 by Tutbury Crystal’. All boxed, minor wear. Contents VGC-Mint.
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216134 item(s)/page