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Walnut and ivory siphon tube barometer in the style of Daniel Quare, the gilded silver scale supported upon a circular ivory column and square burr walnut base with four ormolu curving shaped feet applied with masks and foliage, 40.5" high *This interesting barometer was almost certainly produced in the workshops of the barometer makers and restorers Garner & Marney in the 1950's
A Victorian monteith sugar bowl, the rim cast with cherubic masks, half-fluted and embossed with a vacant oval cartouche flanked by scrolls and scale panels, loose ring lion mask handles, spreading and stepped circular base, 8cm high, retailed by The Goldsmiths' & Silversmiths' Company Ltd, London 1899, 5oz; a Victorian oval sucrier, ebony knop finial, hinged half fluted domed cover, reeded above a shallow fluted band, 10cm wide, Sheffield 1898, 4oz gross (2)
An unusual scale model of a grocers shop, G Grigg & Sons, Groceries and Provisions, Steyning 2295, hinged roof and facade, furnished with a comprehensive range of fixtures, fittings, provisions and figures, grey tiled roof, white exterior finish, brown bay frontage, illuminated with mains electricity, 69cm wide, 64cm high, 20th century This model was made by a well known and prolific South coast model maker and is a scale model of an actual shop in Steyning
J Davis & Sons - a boxwood and brass inclinometer level, by J Davis & Sons, All Saints, Derby, with compass, protractor hinge, two levels and scale, cased John Davis first came to Derby for varying periods before moving on again, mainly to Cheltenham. He was in the town in 1830, again in 1831, in 1835-36, on and off during the period 1837-1843, before settling permanently behind 22, Iron Gate, Derby in 1844; the firm is still flourishing. John Davis (1811-1873) was a member of an extended family of instrument makers of Jewish descent who, like John in the years prior to 1844, mainly worked peripatetically. Some members of the family - John, senior, David, William and a female relative - had attended Spencer's academy in Green Lane, run by the philosopher Herbert Spencer's father and grandfather, during the 1780s and 1790s.. However, the description on the instrument John Davis & Son/All Saints' Derby tells us that it was made after John Davis's eldest son was taken into partnership in 1873, and Henry took over on his father's death, retaining the style ÒJohn Davis & son/DerbyÓ which was current until the Company style changed in 1898 to ÒJohn Davis (Derby) LtdÓ. The firm built a new works called All Saints' works in Amen Alley opening them in November 1875, and the use of the style ÒAll Saints', DerbyÓ on this instrument confirms that it was made within eighteen months or two years of that date, when the firm was keen to emphasise its new premises. Thus the instrument was probably made 1876-78
A George IV Irish bowed ovoid milk jug, scroll handle applied with stiff leaves, acanthus, fruit and shell cast everted rim, embossed with flowers and scrolling foliage against a scale ground, centred to recto and verso by a flowering C-scroll cartouche, lion paw feet, inscribed ' As a Token of Regard From Charles John Garnett & Sandford Warburton To their kind friend Moses Starrett,' 19cm long, Dublin 1822, 6oz
A WORCESTER BLUE SCALE PATTERN PART TEA SERVICE, atelier of James Giles, each piece polychrome painted with exotic birds and insects in gilt mirror shape reserves, fretmark in underglaze blue, circa 1770 comprising teapot and cover with flower finial, sugar bowl and cover, waste bowl, tea vase (lacking cover), nine saucers, six cups, four tea bowls, two saucer dishes together with a continental tea pot stand and spoon tray of similar pattern
An Early 20th Century Black Enamelled and Lacquered Brass Monocular Petrological Microscope by J.Swift & Son, London, No.13675, with rack and pinion coarse and fine focusing, two objectives to swivel turret, rotating circular stage with brass scale to edge, condenser to sub-stage, plano/convex mirror, on a tripod base, with accessories, in a fitted mahogany case.
A pair of Royal Worcester coffee cups and saucers, painted by Geo. Johnson, date codes circa 1922, each enamelled with exotic birds and insects within gilt reserves and against a blue scale ground, all pieces signed, printed marks and red painted ‘2136’ saucer 11.5cm diameter, cup 5cm high (4)
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