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Lot 566
A group of nineteen boxed Rex Toys, scale models in 1:43 to include: four Chrysler Airflow models in differing liveries, six Ford Touring Sedans in differing liveries, two Ford Coupe's and a Station Wagon, five V16 Cadillacs to include: the Pope's Vatican Car and an un-boxed Rolls Royce Phantom IV (circa 1950)
Lot 579
A mixed group of toys to include approximately 15 Dinky Toys to include: a Volkswagen, a Volvo, Mercedes 220, a Karmann Ghia, an Opal Kapitan and a Porsche, a Budgie Toys Volkswagen Pickup, a Dinky Toys Mercedes Truck and Trailer and five Wiking 00 Scale Models, also to include a Japanese battery operated Sheriff's Pickup Truck (at fault)
Lot 644
A group of sixteen boxed Kitmaster TT3 scale Coaches: seven unbuilt examples include: two No.18 Composite Coaches in maroon and green, three No.20 Corridor Second Coaches in maroon, a Corridor Brake Second in maroon and a Corridor Composite in green, built but boxed examples include Corridor Brake, Restaurant and Corridor Composite (8) together with a re-built Royal Scot
Lot 103
A Wedgwood lustred tyg with gilded oriental style dragon and serpent decoration together with a continental tin glazed earthenware bell with painted floral decoration, a Dresden vase and cover with painted floral sprays on a green scale ground, a Crown Staffordshire box and cover and a small blue and white painted bowl and cover
![Andrew Carrick Gow [1848-1920]- A Roman Triumph:- signed A C Gow and dated 1905 bottom right exhibition labels on reverse, on](http://lot-images.atgmedia.com/SR/35518/2893366/400-20131220161039_468x382.jpg)
Lot 400
Andrew Carrick Gow [1848-1920]- A Roman Triumph:- signed A C Gow and dated 1905 bottom right exhibition labels on reverse, one giving artists address as 30, Grove End Road, London oil on canvas 90 x 182cm This magnificent `tour de force` painting by Gow depicts a Roman Triumph processing through the Arch of Titus; you can just make out the Coliseum in the background, the main temple (the large columns of which you can clearly see) is quite possibly that of the very large Venus and Roma. The route of all Imperial triumphs, from around the end of the Flavian Dynasty, came in through this way (up the Via Sacra), so identifying the specific Emperor in the work requires further research. The Arch of Titus depicts the spoils from the Siege of Jerusalem and was erected by Domitian around 82AD, shortly after the death of his older brother Titus, in order to commemorate Titus`s victories including that of the Siege of Jerusalem in 70 AD. We are grateful to Freddie Scadgell B.A., M.A. for his help in cataloguing this lot. * Provenance. Exhibited at the Royal Academy in 1905, No. 182 Exhibited at the Franco-British Exhibition , London 1908 The Armstrong Gallery, Glasgow Thence by family descent. * Biography. Andrew Carrick Gow R.A. was a British artist who painted scenes from British and European history as well as lesser works of portrait and genre subjects. He was born in London and studied at Heatherley`s School of Art. He was a regular exhibiter at the Royal Academy from 1867, being elected an associate in 1880 and a full R.A. in 1890. In 1900 he visited Egypt and used his sketches to compose the scene for his famous Death of the Mahdi. His works are frequently of a very large scale, finely detailed and exhaustively researched. In later life he became Keeper of the Royal Academy.
Lot 554
Charlotte Rhead, a tube-lined rectangular paperweight: decorated with a cream ground panel of a young woman and two children carrying pink flowers in pots reserved on a brown and ochre foliate scale ground, 11 x 5.5 cm, minor chips/flakes. * Provenance: From the Estate of Richard Harry Rhead Cronin, son of Marie Elizabeth Adolphine Rhead (sister to Charlotte Rhead)
Lot 2197
ChinaCovers and CancellationsAirmails1924 (15 May) Moukden - Newchwang trial flight, F.G. Scale printed envelope to Shanghai marked "via aerial post" and endorsed "Via Newchwang" in red ink, bearing first issue air 15c. and, on the reverse, 3c. Junk tied by bilingual Moukden c.d.s., the reverse also with Newchwang (16.5) and Shanghai (19.5) datestamps. Very fine and scarce. Photo
Lot 1053
Haym, N.F. DEL TESORO BRITANNICO. PARTE PRIMA. OVERO IL MUSEO NUMMARIO. OVE SI CONTENGONO LE MEDAGLIE GRECHE E LATINE IN OGNI METALLO FORMA, NON PRIMA PUBBLICATE. DELINEATE E DESCRITTE DA NICOLO FRANCESCO HAYM ROMANO. VOLUME PRIMO & VOLUME SECONDO. In Londra: per Giacob Tonson a spece dell’Autore, 1719 & 1720. Two volumes. 4to, nineteenth-century matching brown half morocco, gilt, with marbled sides; spines with five raised bands, ruled, lettered and decorated in gilt; marbled endpapers. (8), 291, 5; (20), 289 [mis-numbered 279 as always], (7) pages; engraved frontispiece in Volume I; engraved vignette of Britannia on first title; woodcut headpieces, tailpieces and initials; engraved size scale; numerous engravings of ancient Greek and Roman coins in the text of both volumes; a fine folding plate depicting a “jumping mouse,” a silphium plant, and ancient coins (one of the coins depicting both) in the second volume. Lacking the 27 engraved plates of coins called for throughout the second volume. Second volume with front board detached but present. Generally very good. First and only edition. No further parts issued. Haym, an Italian resident in England, intended to publish a corpus of Greek and Roman coins and antiquities in English collections. However the work was never completed. Seventeen cabinets were included, amongst which were those of the Duke of Devonshire, the Earl of Pembroke Sir Robert Abdy, Sir Hans Sloane and the University of Oxford. Babelon 113. Bassoli 32. Dekesel H163. Hennin 216. Hirsch 59. Lipsius 178.
Lot 1113
Hill, George F. L’ART DANS LES MONNAIES GRECQUES. PIÈCES CHOISIES, REPRODUITES EN AGRANDISSEMENT ET DÉCRITES. Paris et Bruxelles, 1927. Folio, somewhat later tan cloth, gilt. 65, (3) pages; 64 very fine plates. Near fine. An unusually well-preserved copy of this superb series of 266 enlarged illustrations of artistic Greek coins, printed in duotone collotype and uniformly magnified to a scale of three diameters. Clain-Stefanelli 3558. Daehn 1169.
Lot 1252
Orville, Jacob Philipp d’. SICULA, QUIBUS SICILAE VETERIS RUDERA, ADDITIS ANTIQUITATUM TABULIS, ILLUSTRANTUR. EDITIT, ET COMMENTARIUM AD NUMISMATA SICULA, XX TABULIS AENEIS INCISA, ET AD TRES INSCRIPTIONES MAJORES, GELOAM, TAUROMENITANAM, ET RHEGINAM; NEC NON MINORUM INSCRIPTIONUM SYLLOGEN, ORATIONEM IN AUCTORIS OBITUM, ET PRAEFATIONEM ADJECIT PETRUS BURMANNUS SECUNDUS. PARS PRIMA & PARS SECUNDUS. Amstelaedami: Apud Gerardum Tielenburg, 1764. Folio [38 by 25 cm], handsomely bound in contemporary tree calf; sides decoratively paneled in gilt; flat spine richly decorated in gilt; crimson morocco label, gilt; marbled page edges. (4), iv, xl, xi, (3), 276, (20); (2), viii, (3), 280–675, (1) pages; superbly engraved frontispiece portrait of the author by J. Houbraken dated 1762; finely engraved title vignette incorporating a triskele; finely engraved dedication vignette; woodcut initials and tailpieces; engraved size scale; occasional text engravings; 34 finely engraved plates, 17 folding (1 or 2 oversize), depicting temples, antiquities, plans, ruins, friezes, monuments, lead seals, etc.; 20 finely engraved plates of ancient coins of Sicily. Skillfully rebacked with the original spine laid on; occasional intermittent browning in the first Part. Fine. Rare. A great classic work on ancient Sicily by Jacob Philip Lord d’Orville of Amsterdam (1696–1751), edited by Pieter Burman II and published posthumously. A noted critic and scholar, he also collaborated with Pieter Burman I on the multi-volume Observationes Miscellaneæ. His manuscripts were purchased by the University of Oxford. Sandys considers Sicula to be Orville’s “greatest work.” Ex Ferdinando Bassoli, with his bookplate; ex Nicola Tamma, 2000. Brunet 29384: “Ouvrage fort estimé.” Daehn 2966. Hennin 126. Lipsius 300.
Lot 1253
Paruta, Philip, and Leonard Augustini. SICILIA NUMISMATICA, NUNC PRIMUM ADDITIS HUBERTI GOLTZII ALIORUMQUE SICILIAE DESCRIPTIONE, & IN NUMISMATA SINGULA EXPLICATIONIBUS; INGENTI NUMERO TABULARUM, EDITA SPARSIM APUD ALIOS & INEDITA NUMISMATA COMPLECTENTIUM, LOCUPLETATA, & PERPETUO COMMENTARIO ILLUSTRATA, STUDIO & INDUSTRIA SIGEBERTI HAVERCAMPI… DIVISA IN TRES PARTES. PARS PRIMA–PARS TERTIA. Lugduni Batavorum (Leiden): Excudit Petrus Vander Aa, 1723. Three volumes, bound in one. Folio [44 by 28 cm], contemporary full brown calf; red page edges. (8), (7) [lettered a–g] pages, (6) [lettered h–n, omitting j], 4 double columns, 5–10 pages, 11–1248 double columns, 1257–1306 double columns [the hiatus being called for], (108) double columns, (3) pages; title printed in red and black with engraved oval vignette; engraved size scale; engraved frontispiece plate of Sigebert Havercamp; text engravings and woodcuts; 247 engraved plates (numbered 1–233 plus 14 bis plates), mostly depicting coins. Only first title page present. Binding very worn, with spine essentially perished and only the cords forming the basis of the raised bands remaining; text block split in two. In need of restoration, but an untrimmed and attractive copy deserving of such treatment. Ex ANS Library, with their bookplate. The best edition of this important treatise, by far the most important work on the topic up to that time. It originally formed volumes VI, VII, & VIII of Grævius’s renowned Thesaurus antiquitatum Siciliæ. Babelon 90. Bassoli 54: “Paruta’s book was translated into Latin, under the title Sicilia numismatica. This expanded version was the definitive edition… Edited by Siegbert Havercamp.” Brunet 25813. Cicognara 2959. Hennin 125. Hirsch 100. Lipsius 306. Bassoli 54: “This expanded version was the definitive edition, the existing 153 plates being expanded to 237 to bring the work up to date.”
Lot 1290
Rogers, Edgar. THE COPPER COINAGE OF THESSALY. London, 1932. 8vo, later crimson quarter morocco with marbled sides; flat spine lettered in gilt; original printed wraps bound in. (2), 199, (5) pages; text illustrations. Annotated in pencil throughout, including a rarity scale. Fine. Georges Le Rider’s lovely copy. Quite scarce and still useful. In addition to providing a rarity scale, the annotations throughout offer corrections and other notes made by Kreindler in consultation with BCD. Clain-Stefanelli 2444. Daehn 3880: “Presents a catalogue of 577 copper coins, including some Roman Provincial issues… The main types are photographed throughout. Includes a general index as well as indices of types, magistrates, and emperors.”
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216136 item(s)/page