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A R Penck Aka Ralf Winkler (German 1939-2017) COLOSSEUM, 1990 signed acrylic over silkscreen on canvas 180 by 240cm Neo-Expressionism is a style of painting and sculpture that developed between late Modernism and early Postmodernism. Some scholars, in fact, believe Neo-Expressionism played a vital role in the transition between Modernism and Postmodernism in that Neo-Expressionism accepted and rejuvenated historical and mythological imagery, as opposed to late modernism’s tendency to reject storytelling completely. Though many artists have practiced and revived aspects of the original Expressionism movement, it would appear that only the Neo-Expressionists have had far-reaching success. Georg Baselitz was a leading component, instigating a revival that dominated German art in the 1970s. By the 1980s this resurgence had become part of an international return to the sensuousness of painting, and a broad step away from the stylistically cool, distant sparseness of Minimalism and Conceptualism. All over the world artists began turning towards expressive directions, creating works that affirmed the redemptive power of art in general and painting in particular, drawing upon a variety of themes including the mythological, cultural, historical, nationalist and erotic. A. R. Penck is one of many pseudonyms of Ralph Winkler, a German Neo-Expressionist fine artist and jazz drummer. Penck is best known for his paintings and sculptures characterized by simplified figures and forms, and neo-primitive symbols and patterns. These lend his work a graffiti like quality, as is evidenced in Colosseum, 1990. Living in communist East Berlin, Penck was unable to exhibit his works. This led him to smuggle his works out to West Berlin and Switzerland, where he received enough acclaim to provide him with some protection from the East German authorities, until he was able to escape and settle in London. This background explains why Penck’s style fuses spontaneous self-expression with restraint, and pop culture and art historical influences with political and social concerns. Of the key tenets of Neo-Expressionism was the depiction of subject matter in a brutish manner. The frequently large-scale works, typical of the movement, exhibited highly textural and expressive brushwork and intense colours that had been rejected by the immediately preceding art movements. We see these ideas developed in the following lots by Penck, Jüchser, Morgner, Uhlig, König and Gallasch, all proponents of the Neo-Expressionist movement. Artsy. “A. R. Penck.” Accessed: 17 December 2018. https://www.artsy.net/artist/ar-penck The Art Story. “Neo-Expressionism.” Accessed: 17 December 2018. https://www.theartstory.org/movement-neo-expressionism.htm
Battiss, Walter W. ART IN SOUTH AFRICA: BUSHMAN ART PORTFOLIO NUMBER ONE Pretoria: Red Fawn Press, [c.1940] FIRST EDITION, folio, 35 leaves: 3 text (printed on one side), 22 with 27 plates tipped in + 8 illus. + 2 contents + extra plate at one fourth scale, limp boards with clear plastic cover, top and bottom of paper spine cover of torn with loss, notch and 3cm tear on top corner of contents page
Max Uhlig (German 1937-) GROßER KOPF signed and dated 84 chalk and watercolour on paper 76 by 51cm Neo-Expressionism is a style of painting and sculpture that developed between late Modernism and early Postmodernism. Some scholars, in fact, believe Neo-Expressionism played a vital role in the transition between Modernism and Postmodernism in that Neo-Expressionism accepted and rejuvenated historical and mythological imagery, as opposed to late modernism’s tendency to reject storytelling completely. Though many artists have practiced and revived aspects of the original Expressionism movement, it would appear that only the Neo-Expressionists have had far-reaching success. Georg Baselitz was a leading component, instigating a revival that dominated German art in the 1970s. By the 1980s this resurgence had become part of an international return to the sensuousness of painting, and a broad step away from the stylistically cool, distant sparseness of Minimalism and Conceptualism. All over the world artists began turning towards expressive directions, creating works that affirmed the redemptive power of art in general and painting in particular, drawing upon a variety of themes including the mythological, cultural, historical, nationalist and erotic. A. R. Penck is one of many pseudonyms of Ralph Winkler, a German Neo-Expressionist fine artist and jazz drummer. Penck is best known for his paintings and sculptures characterized by simplified figures and forms, and neo-primitive symbols and patterns. These lend his work a graffiti like quality, as is evidenced in Colosseum, 1990. Living in communist East Berlin, Penck was unable to exhibit his works. This led him to smuggle his works out to West Berlin and Switzerland, where he received enough acclaim to provide him with some protection from the East German authorities, until he was able to escape and settle in London. This background explains why Penck’s style fuses spontaneous self-expression with restraint, and pop culture and art historical influences with political and social concerns. Of the key tenets of Neo-Expressionism was the depiction of subject matter in a brutish manner. The frequently large-scale works, typical of the movement, exhibited highly textural and expressive brushwork and intense colours that had been rejected by the immediately preceding art movements. We see these ideas developed in the following lots by Penck, Jüchser, Morgner, Uhlig, König and Gallasch, all proponents of the Neo-Expressionist movement. Artsy. “A. R. Penck.” Accessed: 17 December 2018. https://www.artsy.net/artist/ar-penck The Art Story. “Neo-Expressionism.” Accessed: 17 December 2018. https://www.theartstory.org/movement-neo-expressionism.htm
Original vintage travel poster for New Zealand - large scale butter production featuring a photo of a butter churn being operated by a man in a white uniform - giant churns, capable of making over two tons of butter at one churning, enable highly skilled butter makers to provide a large and unfailing supply of the world's finest butter for Britain. Printed in England. Good condition, loss top left margin. Country: UK. Year: 1951. Designer: Unknown. Size (cm): 75.5x50.5
Original vintage poster map of the main ski trails in the Laurentians mountain range in Quebec Canada featuring colourful advertisements and illustrations on the borders including the Laurentians crown and snow covered tree images on the four corners, a notice to ski carefully by Frontenec Breweries Ltd, hotels, a Royal Typewriter ad, Canadian Pacific Railway and Canadian National Railways, long distance telephone rates, clothing, ski equipment, food and drink ads for Oxo and Salada tea etc., with the map legend and scale below the ski routes, alpine stations, lakes and rivers, hotels, roads and mountains marked in various colours. Good condition, restored folds and minor loss on margins, backed on linen. Country:Canada. Year:1940s. Designer:George Hemsley. Size (cm):70x50.5
Mining interest - A Birams mining anemometer by John Davis and Son Derby cased, a 19th Century mahogany cased brass compass by R Field & Son Birmingham, a similar compass, three cased sets of drawing instruments, a leather wallet containing rulers and maps, brass protractor and a quantity of large scale maps of Capponfield colliery, Moseley Hole etc (qty)
Samuel Howell (fl1828 - 1856) 'Thomas Starkey and his family with a dog, pony etc, oil on canvas in an ornate gilt frame. Large 2:3 life scale 243cm x 295cm. Part of the signature is visible on the reverse and the date 1845 .NB The Starkey family lived at Spring Lodge, Huddersfield and later moved to Huttons Ambo Hall Condition Report & Further Details Provenance by family descent to the vendor
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186097 item(s)/page