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Lot 212
Vanguards (1/43rd scale), Lledo & similar mostly boxed group to include Vanguards Mini Cooper, Ford 100E, Matchbox Thunderbirds Lady Penelope's Rolls Royce FAB:1, and others. Although unchecked for completeness, conditions generally appear to be Good in Good boxes where applicable. See photos.
Lot 49
Herpa "Private Collection" & "Exclusiv Serie" and similar 1/87 scale diecast cars, a boxed group to include VW Caravelle "Oko-Van", BMW M3 GTR "Team Isert" and others, also includes accessory packs, although unchecked for completeness, conditions appear to be Good Plus to Excellent in Fair to Good Plus boxes. See photos.
Lot 37
Heller, Fujimi and similar boxed group of Military (mostly aircraft) unmade model kits to include Heller 1/144 scale Rafale M, Fujimi 1/48 scale Vietnam "Little Tiger" F-5A Freedom Fighter, KP 1/72 scale Aero MB-200 and others. Although unchecked for completeness, conditions appear to be Good in Good boxes, with some being sealed.
Lot 706
A collection of Panini 1:43 scale F1 race cars - sold with related folders and info sheets - Nos.1 to 126 (missing 14 and 22) in plastic display cases, Nos.127 to 148 still in blister packs, also Ferrari 500 F2 1953 Nino Farina, McLaren MP4 1990 Ayrton Senna and Ferrari F2001 Michael Schumacher (case crack) - No.122 front spoiler detached and duplicates of Nos.29 and 59
Lot 771
ALEXANDER NASMYTH (SCOTTISH 1758 - 1840), ITALIAN LANDSCAPE AT DUSK oil on canvas, signedframedimage size 68cm x 96cm, overall size 92cm x 119cm Provenance: Private German Country House Collection. Christies, Glasgow stencil mark and label verso.Note: By the 1800s Alexander Nasmyth's skill as a landscape painter was such that he was confident working on an ambitious scale, yet due to the numerous demands on his time relatively few pictures survive from this period. Between 1790 and 1810 he was remarkably industrious: in addition to supporting his large young family, he was setting up an art school where he taught classes and was also working on an ever-expanding portfolio of theatrical, engineering and landscape design projects. Nasmyth came from a line of architect-builders, and as a youth had been trained to take over the family business by his father but opted to pursue painting instead. It was not until later in life that he began to take on architectural and landscape-design commissions, embodying the Italian ideal of the architetto-pittore. James Nasmyth wrote: ‘My father was much employed in assisting the noblemen and landed gentry in improving the landscape appearance of their estates, especially when seen from their mansion windows. His fine taste, and his love of natural scenery gave him great advantages in this respect… he designed alterations of the old buildings so as to preserve their romantic features, and at the same time to fit them for all the requirements of modern domestic life.’ (ed. S. Smiles James Nasmyth, Engineer: An Autobiography,London, 1883, pp.36-37)
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216136 item(s)/page