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Lot 724
VOSTOK SOVIET ARMY 'KOMANDIRSKIE' 1945 - 1990 COMMEMORATIVE STAINLESS STEEL MANUAL WIND WRIST WATCH, the round silver coloured dial with Soviet Navy flag above a warship, marked 17 Jewels with '????? ?? ????’ to the dial edge translating to 'By Order of the Ministry of Defence of the USSR', baton and wedge hour markers with outer dot markers and seconds track in black, date aperture at 3, with red and black count up scale bezel, 42mm case including crown guards, with 445799 and '?????????????????' translating to 'waterproof', lacking strap, with papers stating the date of purchase as March 1990
Lot 192
Original vintage advertising poster for the 1995 Roland Garros / French Open with a great design by Donald Lipski. Two tennis rackets are angled together to form a heart shape on a background of light blue, shaded in pencil. The Roland Garros - or French Open - is one of the four Grand Slam tennis tournaments and is the premier day court tennis championship. It is held annually at the Stade Roland-Garros in Paris. Roland Garros was a French aviator and WW1 fighter pilot. Donald Lipski (b.1947) is an American sculptor known for installations and large-scale public works. Excellent condition. Country of issue: France, designer: Donald Lipski, size (cm): 76x58, year of printing: 1995
Lot 200
Original hand drawn architectural sketch featuring an illustration of Trinity House in Tower Hill, designed 1793 to 1797 by an English architect and engineer Samuel Wyatt (1737-1807). The drawing features an illustration of the front elevation of the building with decorative columns and windows, with a scale ratio below the image. Trinity House acts as the headquarters of the official authority for lighthouses in England, Wales, the Channel Islands and Gibraltar, responsible for the provision and maintenance of other navigational aids and maritime radio/satellite communication systems. Horizontal. Fair condition, creasing, tears, repaired tears, staining, foxing. Country of issue: UK, designer: Illegible, size (cm): 57x78, year of printing: 1920
Lot 34
Historische Münzwaage 19.Jh. - Münzwaage aus Messing mit 2 Waagschalen und 8 beschrifteten Gewichten. Im Originaletui. Etui stark beschädigt und Deckel fast lose, Waage u. Gewichte partiell etwas korrodiert, leicht verschmutzt, deutliche Alters- und Gebrauchsspuren.| Historical coin scale 19th cent. - Brass coin balance with 2 weighing pans and 8 inscribed weights, in original case. Case heavily damaged and lid almost loose, scales and weights partially a little bit corroded, slightly dirty, clear signs of age and use.
![Johannes Blaeu: 'Anglia Regnum [England & Wales]', engraved hand coloured map, Amsterdam, circa 1662, decorated with four](https://cdn.globalauctionplatform.com/96a4ed8d-f9f3-4a19-b722-ad4900eea260/81271ab5-0ad4-4d0e-8d21-ad4f0092654a/468x382.jpg)
Lot 56
Johannes Blaeu: 'Anglia Regnum [England & Wales]', engraved hand coloured map, Amsterdam, circa 1662, decorated with four ships, a scale of miles flanked by sheep and a cherub, and two coats of arms of Great Britain and England surmounting the title cartouche, Spanish text verso, framed and double glazed, approx 38.5 x 50cm, whole approx 56 x 68cm
Lot 97
A group of 18th century Worcester porcelain in scale blue ground, floral painted comprising a tea bowl and saucer and two other saucers, various marks circa 1770 (4). One saucer with a very short hair ctack. No other chips or cracks and free from repair. Larger two saucers with some gilt wear.
Lot 10
Chris Packham, Antarctica, a large-scale photo, 99cm x 134cm, framed. Extraordinarily creative and prolific, Chris Packham has led a remarkable life. He's gained recognition as a naturalist, television presenter, writer, photographer, conservationist, campaigner and filmmaker. As a broadcaster he is a presenter of BBC's BAAFTA Award winning Springwatch, Autumnwatch and Winterwatch series. If you require more information in regard to this item please contact Joanne Bartholomew at joanne@bornfree.org.uk
Lot 3
Alwyn Coates, After the Rains, a large scale limited edition art print photograph on aluminium, 49.6cm high x 250cm wide, this is the only print of this image. The impact you get when you view this image hung is extraordinary, it's almost prehistoric, from another time, an epic, and has similarities to Sebastião Salgado's Brazilian mine workers. The elephants are open cast, and mining for the salts in the mud. The artist will limit the printing of this image in relation to the hammer price. £5,000.00 or more, the print will be limited to 7. £10,000.00 or more, the print will be limited to 5. £15,000.00 or more, the print will be limited to 3. £20,000.00 or more, this print will be the only one in existence. This print is what the artist considers his artists print, the first off. The artists markings are on the back. If you require more information in regard to this item please contact Joanne Bartholomew at joanne@bornfree.org.uk
Lot 7
Muhammad Ali - The Phantom Punch, a large scale photograph of the famous bout between Muhammad Ali and Sonny Liston in 1965, signed by Muhammad Ali, 40cm x 51cm, framed together with a certificate of authenticity from Peter Morkovin of KO Collectibles. If you require more information in regard to this item please contact Joanne Bartholomew at joanne@bornfree.org.uk
Lot 55
Food & Drink.- Jameson & Son (John) & others, distillers. Truths about Whisky, second edition, 4 folding lithograph plates, occasional spotting, with card showing scale for jars and beer casks loosely inserted, original cloth, 1879 § Roose (Samuel) The Wine and Brandy Dealer's Complete Guide and Stock Book, containing a new and complete Treatise on Ullaging..., first edition, large folding table signed by the author, with label "Lot No.322 From the Beaudesert Library sold at Christie's on Jan. 25/26, 1905" to front pastedown, contemporary diced calf, spine gilt but lacking portion at head, London & Wolverhampton, 1835 § Faulkner (Frank) The Art of Brewing..., first edition in book form, 5 plates (foxed at edges), original cloth, 1876, all a little rubbed, the firsts with small stains to lower cover; and 3 others, similar, 8vo (6)
Lot 11
A FINE CASED PAIR OF PERCUSSION TARGET PISTOLS BY LE PAGE, A PARIS with browned octagonal sighted, rifled barrels numbered 1 and 2 in gold, signed in a gold oval to the lock plate, ?Le Page A Paris?, the figured walnut stocks with scale carved grips, the metal mounted butts with running motifs, engraved case-hardened steel mounts, set triggers, and most of their original finish: in original brass-bound fitted case veneered in mahogany, lined in padded green velvet (faded) with what appear to be a full compliment of accessories 22.5 cm barrels
Lot 337
A 19th-century Russian gilt brass and beadwork table candlestick with tooled neoclassical decoration 20 cm high Together with a 19th-century mother of pearl inlaid blonde tortoiseshell calling card case with hinged top, 18th H. Bell of Prescot, Lancashire mahogany cased folding guinea scaleFootnote: The candlestick was formerly the property of the Manager of the Russian state bankCondition report: The scale is OKThe candlestick is OKThe card case has a slight crack near the hinge.
Lot 264
A 19th century mahogany and boxwood-strung eight-day bracket clock; the oval hinged gilt-metal handle above a 20cm dial with Roman numerals and signed 'Gammon, Birmingham', the twin fusee gilded movement striking on a bell, together with pendulum and key, with pierced gilt-metal fish-scale-style side sound apertures and raised on four gilt-metal ogee-style bracket feet (39cm high with handle x 30cm widest point to feet at bottom) The case appears to be in good order, the dial is a little dark and has some flecks and cracks around the winding holes although not too bad. The gilt metal ogee feet have several pieces of gilding away commensurate with age. There are a couple of small bits of veneer away from the rear of the door around the framed glass and there is a small piece approx. 1.5cm square moulding at the back away. It is difficult to tell exactly if the movement is original to the case but in the Auctioneers opinion it looks good although no guarantees can be given. The piece has come from a good private source and as we understand it they have had it in the family for many years.
Lot 280
A good early 19th century brass inlaid mahogany-cased eight-day bracket clock; the figured domed top above an eight-inch cream dial with Roman numerals and signed 'P. Lacey - Bristol', flanked by two ring carrying handles above arched gilt-metal fish-scale-style sound apertures, the fine gilded twin fusee movement striking on a bell and with dogtooth and foliate engraving, with original pendulum, raised on four gilt metal ball-style feet, the front two feet with moulded decoration (42cm high x 30cm wide including handles x 17cm deep including convex glass)This comes with an insurance valuation from Montpellier Clocks in Cheltenham who original supplied the clock in 2008. They said it was circa 1825 and the valuation then is the same as that paid for it of £5,500. Signed Mr T. Birch. Looking at it from the front there is a very small fingernail sized piece of moulding away, front right where the arch meets the horizontal moulding at the top. Some of the brass stringing is very slightly proud of the mahogany. The dial looks to be in reasonable condition with some very minor pieces of paintwork away. Being super critical there are slight scuffs around the winding holes and again scratches and paintwork away. The mahogany case on top is of a nice figuring and there is a very small historic L shaped crack of about 1cm in between the 12 an 1 o’clock position at the top of the wood but in the Auctioneer’s opinion this does not detract. The sides look quite good and it is noted that looking at the from the left hand side there is a small 6.5cm piece away at the back of the “fish scale” side fret. The arched back door is glazed and there is an approx. 1cm square piece of mahogany away from the escutcheon hole on the left. The lock looks OK an it has a service ticket on it, which appears to be October 2014 by Time In Hand (Shipston) Ltd. This comes with pendulum, keys etc., and the bell is quite large and striking and the gilded twin fusee movement has been nicely engraved.
Lot 306
An excellent scale model of an English brass 32 pdr. deck cannon (originally circa 1780); the heavy 31cm cannon on oak carriage and simulated deck with a raft of accessories to include ram rods, cannon balls, cluster and chain shot etc., together with gun powder measure and further cleaning equipment etc., together with various accompanying paperwork (the slatted deck 45cm x 29cm)
Lot 399
A rare and unusual large-scale Rolls-Royce 'Spirit of Ecstasy' mascot after the original by Charles Sykes; very heavily cast bronze with well patinated nickel-silver plate, the base with impressed Charles Sykes signature. Originally cast for display in Rolls-Royce agents' showrooms. (Approx. 48cm high and 34cm from face to tip of wing)
Lot 850
James Bond car collection edition no 37 Chevrolet Corvette scale Model from A View To A Kill comes complete with magazine.. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 12
Cesare Roccheggiani (Italian, active second half 19th century): A pair of late 19th century 'Grand Tour' framed topographical micro mosaic circular panels depicting views of St Peters Square and The Forumthe former showing St Peter's Basilica in Rome, a number of paired figures in the middle-ground, a rooftop scene in the immediate foreground, the latter showing the Forum, depicting the Temple of Vespasian and Titus between the Arch of Septimius Severus and the Temple of Saturn, with a couple depicted to the bottom left, the views mounted within moulded black marble borders and set within contemporary gilt bronze foliate scroll pierced frames, the rear of each frame with original green silk covered backing with gilt tooled trophy makers marks, stamped G ROCCHEGGIANI, ROMA,, 33.2cm diameter overall (2)Footnotes:As a member of a well-known family dynasty of master mosaicists, Cesare Roccheggiani had a reputation as one of the most accomplished artists in the city of Rome in the second half of the 19th century. Probably related to Lorenzo Roccheggiani, a late 18th century mosaicist at the Vatican workshop, whose work included the altarpiece, Crucifixion of St. Peter after Guido Reni, he may have also been related to Nicolo Roccheggiani, who was most likely Lorenzo's son who was also another principle artist at the Vatican although at a slightly later date.Previously thought to have been active in the Vatican Mosaic Workshop in the period 1856 to 1864, little was known of the Ceasre Roccheggiani before he established his own independent atelier, first at 125 via Babuino and then by 1874 at 14-15 Via Condotti near the Piazza di Spagna. However, more recent research and examination of Roccheggiani's mosaics suggest that the artist and craftsman may have worked in the atelier of Michelangelo Barberi given that he was strongly influenced by Barberi's style of work and in some cases directly copied some of his own compositions ( the famous 'Rome by Night and Day' being one of these works). After Barberi's death in 1867, his studio continued under the direction of his daughter, Isabella Barberi but was last listed in 1873 which coincidently is actually the year before Roccheggiani first opened his own business. In the mid 19th century there were nearly one hundred mosaicists operating in Rome, many from small workshops with the majority of their output manufactured solely for the burgeoning tourist trade. However the diverse range of pieces produced in large quantities were generally of a small scale comprising small plaques, miniatures and cameos. By comparison the very best studios such as Cesare Roccheggiani's usually produced more substantial or finer micro mosaics in much smaller quantities. These magnificent and costly works however remained the preserve of the rich and powerful and many of the works, often produced by the Vatican workshop were either gifted by visiting aristocrats, given as diplomatic gifts, commissioned by monarchs or displayed at the major international exhibitions such as the Great Exhibition of 1851.A contemporary photograph of Roccheggiani's shop front illustrates the extensive range of mosaics that his company offered and a guide book to Rome lists him as a supplier of mosaic pictures, tables, cabinets, paper weights and gold ornaments (Murray, 1899, p. 22). Of these works, his table tops and large scale pictures were perhaps the most expensive pieces and were acquired by wealthy and prestigious clients and and displayed at the international exhibitions which were very much a feature of the late 19th century. Roccheggiani's mosaics was exhibited at the 1876 Centennial International Exhibition at Philadelphia and at the 1880 Melbourne International Exhibition and his standing was such that he served as a committee member for The Italian Exhibition in London in 1888.Examples of his work in museums in the UK include an étagère with mosaics in the Gilbert Collection, Victoria and Albert Museum, and a necklace in the British Museum, London (Gabriel, 2000, no. 59; Gere, 1984, no. 966)..For further information on this lot please visit Bonhams.com
Lot 3
Attributed to Michael Pacher (German, circa 1435-1498): A carved wood and polychrome and parcel gilt decorated figure of a male saint, possibly St JohnSouth German or Tyrolean, late 15th centurythe figure with rope tied wavy shoulder length fair hair looking slightly to sinister, clad in a draped and folded cloak held about his body, his left hand clutching the upheld hem, raised on a later stained wood rectangular base, the figure, 78cm high, the later base 5cm high Footnotes:Provenance:With Reinhold Hofstätter, ViennaThe sculptor, architect and painter Michael Pacher was active during the later part of the 15th century. Cited as perhaps one of the earliest artists to introduce the Renaissance style to a German clientele, he was famous for producing elaborate painted and sculpted works in both wood and stone showing a uniquely personal side incorporating elements of the Italian Renaissance and the Northern Gothic.Producing works including painted structures for altarpieces on an unparalleled scale in North European, his finest work is perhaps the St Wolfgang Altarpiece (1471-1481) in Salzkammergut which is considered to be one of the most outstanding examples of a carved and painted altar shrine illustrating scenes from the life of Christ and the Virgin Mary. Pacher's other great work, the Altarpiece of the Church Fathers was created in 1483 for Neustift Monastery and this also combined painting and sculpture to produce a unique composition. Influenced primarily by North Italian art, Pacher's work however shares characteristics with the work of the Italian artist Andrea Mantegna whilst also reflecting the heritage and tradition of a number of South German carvers.The plump facial features of the present lot with his upturned nose, distinctive waving to the hair and crinkled folds of the drapery compare closely to figures in Pacher's St Wolfgang Altarpiece, see T. Müller, Gotik in Tirol, Bozen, 1976, figs. 122-124 and pl. XXVII.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 263
A PAIR OF CONTINENTAL BOTTLE VASES each with pink and gilt scale decoration and alternating panels of figures in a landscape setting, both with flower bud topped lids, with AR Augustus Rex marks to base, 32cm high (2) Condition Report: Both vases are in nice condition. The two lids both have damage.
Lot 124
A Bow tea canister and cover, circa 1760Of ovoid form with scale or pinecone moulding, the domed cover with a pointed ring finial, the rims with wide hexagonal cell and dagger borders in underglaze blue, 14.5cm high (2)Footnotes:ProvenanceProperty from an International Private CollectionA caudle cup, cover and stand with related 'pineapple' moulding is illustrated by Elizabeth Adams and David Redstone, Bow Porcelain (1981), p.169, pl.98. See also the coffee pot and cover sold by Bonhams on 2 November 2011, lot 66.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 177
A Worcester teapot and cover, circa 1770Of globular form, the cover with a flower finial, richly decorated with gilt scroll-edged panels of brightly coloured 'fancy' birds amongst foliage, smaller panels filled with butterflies and other insects around the rims, spout and cover, reserved on a scale blue ground, 15.5cm high, square mark (2)Footnotes:ProvenanceProperty from an International Private CollectionThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 178
A Worcester teapot and cover, circa 1772-75Of globular shape, the cover with a flower finial, painted in rich kakiemon style with shaped panels of chrysanthemums and banded hedges, within gilt scrolled borders, reserved on a scale blue ground, 14.5cm high, square mark (2)Footnotes:ProvenanceProperty from an International Private CollectionThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 201
A Lowestoft teapot and cover, circa 1785Of globular shape, the domed cover with a flower finial, strikingly painted in blue with the 'Robert Browne' pattern of stylised floral sprigs between wavy blue scale bands, within tramline borders, 14cm high, crescent mark (2)Footnotes:A service of this pattern descended through the family of Robert Browne, proprietor of the Lowestoft factory. The pattern was produced over several years and is discussed by Sheenah Smith, Lowestoft Porcelain in the Norwich Castle Museum, Vol.1 (1975), p.88. See also the tea and coffee service sold by Bonhams on 23 April 2008, lot 231.For further information on this lot please visit Bonhams.com
Lot 247
A Swansea inkstand, two inkwells and covers, circa 1815-17The stand with a central handle modelled as two entwined dolphins picked out with gilt scale decoration, a gilt border around the base, the inkwells locally painted with pink roses on gilt seaweed, the covers with intricate scroll and diaper gilding, within gilt dentil rims, 9.8cm long (5)Footnotes:A similar example is illustrated by A E (Jimmy) Jones and Sir Leslie Joseph, Swansea Porcelain Shapes and Decoration (1988), p.155, fig.1. Compare also to the example sold by Bonhams on 20 November 2019, lot 372.For further information on this lot please visit Bonhams.com
Lot 41
Carrera James Bond cars, comprising 25467 Evolution Aston Martin Vanquish, window boxed and 25735 Evolution Aston Martin D.B.5. (Goldfinger), window boxed; Corgi Classics James Bond 007 Collection, comprising 65501 Stromberg Helicopter and Naomi figure set, boxed; 65001 Lotus Espirit and Jaws figure set, boxed; 65101 Toyota 2000GT and Blofeld figure set, boxed; 65201 Moon Buggy and James Bond figure set, boxed; Vitesse Millennium Collection Aston Martin DB5, boxed; Johny Lightning James Bond 007 "Thunderball" on card; 1:43 scale BMW Z8 James Bond Edition 1999 model (The World Is Not Enough), boxed; other models including Corgi Classics, all boxed (18)
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