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A cased black lacquered and brass sextant by Heath & Co, of New Eltham, London, S.E.9 the pierced frame with pivoted arm mounted with mirror and aperture, with vernier for the signed and silvered inset scale,to 130°, with a plaque to the arm "Hezzanith" Endless Rapid Reader, Automatic clamp, the mahogany case with accessories and Hezzanith Observatory Works test certificate dated September 1953, case 28cm wide
A Charles Frodsham 'St James House Company' novelty table clock late 20th century, surmounted by silver model of a fully rigged and to scale copy of The Golden Hind, the rudder hallmarked Birmingham 1982, attached to a circular marble base, the silvered revolving dial and movement inscribed St James House Co. Ltd. Charles Frodsham, London, numbered 018/500 , with Arabic numerals above a silvered band inscribed with cities of the world, set on a circular mahogany base with three bun feet.
A 19th Century Mahogany Bracket Clock by Mitchell & Russell, Glasgow: The circular enamel dial with Roman numerals, eight-day movement, the arched case with brass carrying handles, the front and sides with brass fish scale panels, on brass bracket feet H31cm x W22cm x D16cm CONDITION REPORT: In good working order, chiming correctly. Good original condition, nicely engraved and signed movement striking on bell.
A Victorian Rosewood and Brass Inlaid Bracket Clock: the case of architectural form with brass finials and inlay on ball feet. Scale and silk flanks with ring handles. Dial marked 'R J Warren, London'. Glazed back door opens to reveal 8-day twin fusee movement striking on bell H 16" x W 9.5" x D 6" CONDITION REPORT: Good working order, striking on bell, lock to back door loose but complete with key. no losses to brass inlay, minor separation to veneers but structurally sound
An Italian Model 1891 Bayonet, with brass mounted fluted leather scabbard and frog; Five Edged Weapons, comprising:- two copies of Naval dirks, one with mother of pearl grip scale and one with bone grip, with scabbards; a pair of daggers in a wood scabbard; a spear head; a hanger with foliate cast brass hilt with eagle pommel (6)
A Spanish Jukar .58 calibre black powder scale model cannon:, the 15 inch single stage barrel with flared muzzle and plain trunnions, numbered '10561' to breech, on a beech artillery style carriage with twelve spoke wheels, 71cm long. *Note This lot will not be release without correct RFD or FAC licence
William Moorcroft for James Macintyre. An 18th century pattern two handled vase, two similar ewers and a gesso faience vase, the vase with shallow rim chip, the pair of ewers with re-stuck necks, all with printed mark and green W Moorcroft inscribed marks, 20cm and 19.5cm, the gesso faience double gourd shaped vase with blue and white faience flowers and gilt scale pattern neck, brown printed mark, 25cm, neck re-stuck
A rare Philip Christian & Co., Liverpool sauceboat, c.1770-75, with scale, flute and shell moulded body, printed in blue with a rare version of the 'Fisherman' pattern, 11.3cm high, chips and crack to baseThis sauceboat has an unusual flared gadrooned rim compared to the standard everted rim for Philip Christian & Co. The 'Fisherman' pattern is also a variation on Christian and other factories' designs as the pleasure boat has a high second arch with a tree behind rather than the usual sail of the boat.
A combined Worcester part tea service, c.1775, enamelled with panels of flowers and corn stooks in the Kakiemon palette within gilt panels reserved on a blue scale ground, open crescent or square seal marks. Comprising: a sucrier and cover, a milk jug and a coffee cup and saucer. (5) Provenance: from the collection of Anthony Tuke.
* IAN G. ORCHARDSON (SCOTTISH 1927-1997), PADDLE STEAMER 'WAVERLEY' PASSING JOHN BROWN'S YARD IN THE 1978 SEASON oil on canvas board, signed, titled verso 90cm x 120cm Framed Note: This is the original full scale painting from which the signed limited edition of 500 prints were made. The prints are a smaller format (44cm x 61cm). Four of Ian Orchardson's paintings are recorded in UK Public Collections. Ian Orchardson lived in Saltcoats on the Ayrshire coast where he taught as an art teacher. He then left teaching to concentrate full time on his interest of painting Clyde shipping. He painted a variety of shipping including Steamers and Clippers as well as the series of six famous 'Doon the Water' stops of Dunoon Pier, Gourock Pier, Greenock Pier, Helensburgh Pier, Rothesay Pier and Wemyss Bay.
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186094 item(s)/page