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Lot 495
Hornby Tri-ang, Trix Twin Railways and other OO gauge, various scale model railway, including R6158 six wheel closed van Palethorpes Sausage, R356 Battle Of Britain Class locomotive Winston Churchill, 651 Goods brake BR, and 1571 bogie coach Second brake end, Pullman coaches in Hornby box, boxed. (7)
Lot 617
Diecast vehicles and accessories, comprising Corgi Classic Eddie Stobart AEC trunk and trailer, Corgi Toys Guinness truck, The Archive Corgi Thames Trader box van Lucozade, Corgi Precision diecast scale Thames trailer Clumberland, Corgi BP pump and a Corgi Collectors Classic Royal Royce Silver Ghost. (6)
Lot 33
A steel scale model of a 1906 Rover Motor Car, made by the Girling Apprentices 1959, the stepped wooden base being titled and marked verso PRESENTED TO MR. A. B. WARING ON THE OCCASION OF THE OPENING BY HIM OF THE NEW GIRLING ENGINEERING SCHOOL CWBRAN 24th JUNE 1959, model 19cm long, base 24cm x 16cm.
Lot 1303
digital print with oil and enamel paint on canvassigned and dated 2010 187 by 194cm, unframedBarker has been, and remains, a prolific and active figure on the contemporary South African art scene. The artist’s name is synonymous with rebelliousness and recklessness, which is reflected in his energetic, seemingly aggressive compositions, but also extends to Barker’s personal and artistic identity. Through painting and creating, the artist has explored a nation's history, as well as his own experiences of growing up on a military base in Pretoria in the 60s and 70s in the midst of apartheid South Africa. His response as an artist was an aggressive and rebellious attack on the conservatism that surrounded him. The artist’s iconoclast approach to many of his pieces and his attempts to deconstruct and reinterpret Nationalist ideals has caused controversy on numerous occasions, with many associating him with a dubious sense of morality. Rock ’n’ Roll Church Lady (lot 362) demonstrates the sheer energy in Barker’s large-scale works, made up of gestural, dynamic mark-making and a riot of colour and visual noise. This work was created after the artist’s move to Cape Town, which acted as a catalyst for the emergence of a new body of work titled ‘Rock ’n’ Roll’. This series of works, completed in 2009, was a continuation of those pieces he had been creating in his Troyeville studio in previous years, but had a new energy and focus. “Like the musical genre that gives them their name, they are loud and brash and full of complex harmonies. Their scale is large, often being made up of multiple panels, but they also have an intimacy and quiet parts, as if they are a ballad.†(Brown, 2010: p. 54). This is true of Rock ‘n’ Roll Church Lady (lot 362) which illustrates a sensitivity that borders on the poetic, but which also shows his deep-rooted commitment to the pursuit of truth. The artist’s works have been included in several global biennales, art fairs and exhibitions, and would be a feature in any corporate or private collection. -ACCarol Brown (2010) Threading Through History in Wayne Barker: Super Boring, Stellenbosch: SMAC, p. 54Everard Read, Wayne Barker, Accessed 10 September 2021:https://www.everardread.co.za/artist/WAYNE_BARKER/biography/
Lot 6
G ABOTINI, CARDIFF, BRASS MOIUNTED MAHOGANY MARINE STICK BAROMETER, the signed dial with five weather predictions and a scale from 27-32, over a long trunk with applied mercury thermometer and ‘Improved Sympiesometer’, over a turned brass cistern cover and mounted with a brass collar set in a wall mounted gimbal, 37” (94cm) high
Lot 152
ASSORTED WORCESTER PORCELAIN TEA-WARES VARIOUS DATES THIRD QUARTER 18TH CENTURY Comprising; a tea cup and saucer, printed and painted with Italianate ruins, blue crossed swords mark, an Immortell pattern trio, open crescent marks, a 'Fan' pattern teabowl and saucer, spurious Chinese character marks, a blue scale ground mug painted with exotic birds, blue fret square mark, 8.5cm high, and a powder blue ground teabowl and saucer, unmarked Condition Report: Wear generally, some fritting, small nibbles to the foot of the Fan pattern teabowl, the saucer with a restored rim chip Condition Report Disclaimer
Lot 177
Worshipful Company of Coach Makers and Coach Harness Makers, a bronze award medal by J.S. & A.B. Wyon, rev. named (Third Prize, to John H. Johnson of Newcastle on Tyne, for Drawings of Carriages to Scale, 1881), 58mm; a silver award medal, similar, rev. named (First Prize, to John H. Johnson of Newcastle on Tyne, for Working Drawings to Scale, 1882), 58mm [2]. Extremely fine and about extremely fine; each in fitted case by Wyon, 287 Regent Street £100-£150
Lot 131
Collection of vintage maps, including a 19th century Carte Routiere of Paris, a linen and card backed map of France by G Batta Magg, several Bartholomews revised 'Half Inch' contoured maps of mid Scotland, the English Lakes, Cardigan and others, Bacon's New Shilling Map of London, folding, an illustrated guide with a large scale map of the city including a railway map and others (1 box)
Lot 42
20th century Royal Worcester bone china part tea service, in the 18th century style, printed with famille rose flower sprays and butterflies, a 20th century Royal Worcester coffee service in the 18th century style, with blue scale pattern and printed with exotic birds, a Davenport 'Longport' blue and gilt ground dessert plate, and two Copeland two-handled low footed comports
Lot 24
Large composite group of Minton bone china part tea services circa 1870 and later, various printed marks, including 19th century retailer's marks for T Goode and Phillips of Oxford Street, including a lobed oval dish with pink rose M monogram within pearled turquoise border, a part tea service printed and painted with swags of flowers below turquoise borders, a service printed with exotic birds within green scale pattern borders, another with swags of flowers, and an English porcelain rocaille moulded blue and gilt candlestick with removable sconce, painted in the Worcester dry blue style with sprays of flowers within gilt feuilles-de-choux borders, 27.3cm high (extensively damaged and repaired) (shelf)
Lot 720
Johnston (Alexander Keith). Stanford's Library Map of Australasia, constructed by A. Keith Johnston, London: Edward Stanford, 1859, large-scale hand-coloured engraved map of Australasia / Australia, sectionalised on linen, folded out size 156cm x 171cm, contained in a decorative bas relief tooled leather portfolio binding, 4to CONDITION REPORT: All over fair condition with some rubbing and scuffing to boards, corners bumped. Wear to side of back cover and slight losses to edge. Pastedown rubbed and a little edgeworn, the maps with some foldwear and toning to edges.
Lot 475
A good mid 19th Century mahogany longcase regulator, Hornby, Liverpool, the case with shallow arch above a circular brass framed door, a pair of quadrants beneath, the trunk with ebonised moulding and fitted a glazed door showing the pulley weight, mercury compensated pendulum (drained) and beat scale, on a stepped base, fitted a 12 inch circular silvered dial with centre sweep minutes, subsidiary seconds and hours, all with blued steel hands, the movement plates united by six turned pillars secured to the seat board by three L-shaped brackets, all wheels six-spoked and having a Harrison's maintaining power with dead beat escapement, the small brass weight with six-spoked pulley, 200cm high, 50cm wide, 25cm deep CONDITION REPORT: Key present. Glass container in good condition, we have the mercury if needed. Weight pulley wheel is 6-spoke. Was working when at the vendors house but unable to confirm now without the mercury in place.
Lot 493
A Royal Copenhagen 'Blue Fluted Full Lace' porcelain mantel clock decorated with blue scale borders and leafy fronds, late 19th Century, the case surmounted with a putto holding an hourglass, 28cm high CONDITION REPORT: two of the feet each have a small chip. Hairline cracks to the lower part of the enamel dial.
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